Aakanksha Jain > Aakanksha's Quotes

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  • #1
    Coco J. Ginger
    “7am

    They said that I’d forget you,
    and I knew it wasn’t true.
    But sometimes I wake up now,
    and my heart’s no longer blue.

    I press the Keurig button,
    dancing across the room—
    Sometimes it’s nearly seven,
    before I’ve thought of you.

    And though we sleep together,
    all night side by side,
    one day I’ll have my coffee
    without you in my mind.”
    Coco J. Ginger

  • #2
    Viktor E. Frankl
    “When we are no longer able to change a situation, we are challenged to change ourselves.”
    Viktor E. Frankl, Man's Search for Meaning

  • #3
    Viktor E. Frankl
    “Everything can be taken from a man but one thing: the last of the human freedoms—to choose one’s attitude in any given set of circumstances, to choose one’s own way.”
    Viktor E. Frankl, Man's Search for Meaning

  • #4
    Clarissa Pinkola Estés
    “I hope you will go out and let stories, that is life, happen to you, and that you will work with these stories... water them with your blood and tears and your laughter till they bloom, till you yourself burst into bloom.”
    Clarissa Pinkola Estés, Women Who Run With the Wolves

  • #5
    Clarissa Pinkola Estés
    “Be wild; that is how to clear the river. The river does not flow in polluted, we manage that. The river does not dry up, we block it. If we want to allow it its freedom, we have to allow our ideational lives to be let loose, to stream, letting anything come, initially censoring nothing. That is creative life. It is made up of divine paradox. To create one must be willing to be stone stupid, to sit upon a throne on top of a jackass and spill rubies from one’s mouth. Then the river will flow, then we can stand in the stream of it raining down.”
    Clarissa Pinkola Estés, Women Who Run With the Wolves

  • #6
    Clarissa Pinkola Estés
    “I've seen women insist on cleaning everything in the house before they could sit down to write... and you know it's a funny thing about housecleaning... it never comes to an end. Perfect way to stop a woman. A woman must be careful to not allow over-responsibility (or over-respectabilty) to steal her necessary creative rests, riffs, and raptures. She simply must put her foot down and say no to half of what she believes she "should" be doing. Art is not meant to be created in stolen moments only.”
    Clarissa Pinkola Estés, Women Who Run With the Wolves

  • #7
    Clarissa Pinkola Estés
    “It makes utter sense to stay healthy and strong, to be as nourishing to the body as possible. Yet I would have to agree, there is in many women a 'hungry' one inside. But rather than hungry to be a certain size, shape, or height, rather than hungry to fit the stereotype; women are hungry for basic regard from the culture surrounding them. The 'hungry' one inside is longing to be treated respectfully, to be accepted and in the very least, to be met without stereotyping.”
    Clarissa Pinkola Estés, Women Who Run With the Wolves

  • #8
    Clarissa Pinkola Estés
    “Bone by bone, hair by hair, Wild Woman comes back. Through night dreams, through events half understood and half remembered...”
    Clarissa Pinkola Estés, Women Who Run With the Wolves

  • #9
    Clarissa Pinkola Estés
    “All the "not readies," all the "I need time," are understandable, but only for a short while. The truth is that there is never a "completely ready," there is never a really "right time."

    As with any descent to the unconscious, there comes a time when one simply hopes for the best, pinches one's nose, and jumps into the abyss. If this were not so, we would not have needed to create the words heroine, hero, or courage.”
    Clarissa Pinkola Estés, Women Who Run With the Wolves

  • #10
    Clarissa Pinkola Estés
    “I hope you will go out and let stories, that is life, happen to you,and that you will work with these stories from your life--not someone else's life--water them with your blood and tears and your laughter till they bloom, till you yourself burst into bloom. That is the work. The only work.”
    Clarissa Pinkola Estés, Women Who Run With the Wolves

  • #11
    Clarissa Pinkola Estés
    “Wild Women: "They know instinctively when things must die and when things must live; they know how to walk away, they know how to stay.”
    Clarissa Pinkola Estés, Women Who Run With the Wolves

  • #12
    Clarissa Pinkola Estés
    “The difference between comfort and nurture is this: if you have a plant that is sick because you keep it in a dark closet, and you say soothing words to it, that is comfort.If you take out of the closet and put in the sun, give it something to drink, and then talk to it, that is nurture”
    Clarissa Pinkola Estés, Women Who Run With the Wolves

  • #13
    Clarissa Pinkola Estés
    “I once dreamt I was telling stories and felt someone patting my foot in encouragement. I looked down and saw that I was standing on the shoulders of an older woman who was steadying my ankles and smiling up at me.
    I said to her, "no no come stand on my shoulders, For you are old and I am Young."
    "No no" she insisted, "this is the way it is supposed to be." I saw that she stood on the shoulders of a woman far older than she, who stood on the shoulders of a woman even older, who stood on the shoulders of a woman in robes, who stood on the shoulders of another soul, who stood on the shoulders...”
    Clarissa Pinkola Estés, Women Who Run With the Wolves

  • #14
    Lauren Oliver
    “She liked the word ineffable because it meant a feeling so big or vast that it could not be expressed in words.

    And yet, because it could not be expressed in words, people had invented a word to express it, and that made Liesl feel hopeful, somehow.”
    Lauren Oliver, Liesl & Po

  • #15
    Sherwood Smith
    “The only noise now was the rain, pattering softly with the magnificent indifference of nature for the tangled passions of humans.”
    Sherwood Smith

  • #16
    Tana French
    “If she had hurt me, I could have forgiven her without even having to think about it; but I couldn't forgive her for being hurt.”
    Tana French, In the Woods

  • #17
    Ian McEwan
    “When it's gone, you'll know what a gift love was. You'll suffer like this. So go back and fight to keep it.”
    Ian McEwan, Enduring Love

  • #18
    Kirsten Miller
    “All the most powerful emotions come from chaos -fear,anger,love- especially love. Love is chaos itself. Think about it! Love makes no sense. It shakes you up and spins you around. And then, eventually , it falls apart.”
    Kirsten Miller, The Eternal Ones

  • #19
    Lisa Kleypas
    “Hell was not a pit of fire and brimstone. Hell was waking up alone, the sheets wet with your tears and your seed, knowing the woman you had dreamed of would never come back to you.”
    Lisa Kleypas, Seduce Me at Sunrise

  • #20
    Nikita Gill
    “My darling, he is just a boy. How can he possibly begin to appreciate the constellations you leave in your wake, or the stardust in your bones, when he has yet to realize just what it means to be in love with a girl like you?”
    Nikita Gill

  • #21
    Nikita Gill
    “How do you go back to being strangers with someone who has seen your soul?”
    Nikita Gill

  • #22
    Nikita Gill
    “What I am trying to say, my darling, is that I know you said you wouldn’t survive this day but across our beautiful universe, what is impossible is happening every day.”
    Nikita Gill, Wild Embers

  • #23
    Nikita Gill
    “Beauty and Bravery
    When I set out to find my father, I was not being brave. I was acting out of fear or losing the only parent I ever had. They may want you to believe I was simple being brave, but anxiety makes more heroes than history would care to repeat.”
    Nikita Gill, Fierce Fairytales: Poems and Stories to Stir Your Soul

  • #24
    John  Green
    “You spend your whole life stuck in the labyrinth, thinking about how you'll escape one day, and how awesome it will be, and imagining that future keeps you going, but you never do it. You just use the future to escape the present.”
    John Green, Looking for Alaska

  • #25
    Gail Honeyman
    “I simply didn't know how to make things better. I could not solve the puzzle of me.”
    Gail Honeyman, Eleanor Oliphant Is Completely Fine

  • #26
    Gail Honeyman
    “Whenever I'd been sad or upset before, the relevant people in my life would simply call my social worker and I'd be moved somewhere else. Raymond hadn't phoned anyone or asked an outside agency to intervene. He'd elected to look after me himself. I'd been pondering this, and concluded that there must be some people for whom difficult behavior wasn't a reason to end their relationship with you. If they liked you -- and, I remembered, Raymond and I had agreed that we were pals now -- then, it seemed, they were prepared to maintain contact, even if you were sad, or upset, or behaving in very challenging ways. This was something of a revelation.”
    Gail Honeyman, Eleanor Oliphant Is Completely Fine

  • #27
    Gail Honeyman
    “I suppose one of the reasons we’re all able to continue to exist for our allotted span in this green and blue vale of tears is that there is always, however remote it might seem, the possibility of change.”
    Gail Honeyman, Eleanor Oliphant Is Completely Fine

  • #28
    Gail Honeyman
    “I took one of my hands in the other, tried to imagine what it would feel like if it was another person's hand holding mine. There have been times where I felt that I might die of loneliness.”
    Gail Honeyman, Eleanor Oliphant Is Completely Fine

  • #29
    Gail Honeyman
    “I do exist, don’t I? It often feels as if I’m not here, that I’m a figment of my own imagination. There are days when I feel so lightly connected to the earth that the threads that tether me to the planet are gossamer thin, spun sugar. A strong gust of wind could dislodge me completely, and I’d lift off and blow away, like one of those seeds in a dandelion clock.”
    Gail Honeyman, Eleanor Oliphant Is Completely Fine

  • #30
    Madeline Miller
    “You threw me to the crows, but it turns out I prefer them to you.”
    Madeline Miller, Circe



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