Jill Price > Jill's Quotes

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  • #1
    Anaïs Nin
    “Music melts all the separate parts of our bodies together.”
    Anais Nin

  • #2
    Anaïs Nin
    “There are two ways to reach me: by way of kisses or by way of the imagination. But there is a hierarchy: the kisses alone don't work.”
    Anaïs Nin, HENRY AND JUNE

  • #3
    Anaïs Nin
    “Sometimes we reveal ourselves when we are least like ourselves.”
    Anaïs Nin, Henry and June: From the Unexpurgated Diary of Anaïs Nin

  • #4
    Anaïs Nin
    “What we call our destiny is truly our character and that character can be altered. The knowledge that we are responsible for our actions and attitudes does not need to be discouraging, because it also means that we are free to change this destiny. One is not in bondage to the past, which has shaped our feelings, to race, inheritance, background. All this can be altered if we have the courage to examine how it formed us. We can alter the chemistry provided we have the courage to dissect the elements.”
    Anais Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934

  • #5
    Anaïs Nin
    “Everything with me is either worship and passion or pity and understanding. I hate rarely, though when I hate, I hate murderously. For example now, I hate the bank and everything connected with it. I also hate Dutch paintings, penis-sucking, parties, and cold rainy weather. But I am much more preoccupied with loving.”
    Anaïs Nin, Henry and June: From the Unexpurgated Diary of Anaïs Nin

  • #6
    Anaïs Nin
    “I believe one writes because one has to create a world in which one can live.”
    Anais Nin

  • #7
    Anaïs Nin
    “The only abnormality is the incapacity to love.”
    Anais Nin

  • #8
    Anaïs Nin
    “I disregard the proportions, the measures, the tempo of the ordinary world. I refuse to live in the ordinary world as ordinary women. To enter ordinary relationships. I want ecstasy. I am a neurotic — in the sense that I live in my world. I will not adjust myself to the world. I am adjusted to myself.”
    Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934

  • #9
    Anaïs Nin
    “What I cannot love, I overlook.”
    Anais Nin

  • #10
    Anaïs Nin
    “He, who had done more than any human being to draw her out of the caves of her secret, folded life, now threw her down into deeper recesses of fear and doubt. The fall was greater than she had ever known, because she had ventured so far into emotion and had abandoned herself to it.”
    Anaïs Nin

  • #11
    Anaïs Nin
    “Ordinary life does not interest me. I seek only the high moments. I am in accord with the surrealists, searching for the marvelous. I want to be a writer who reminds others that these moments exist; I want to prove that there is infinite space, infinite meaning, infinite dimension. But I am not always in what I call a state of grace. I have days of illuminations and fevers. I have days when the music in my head stops. Then I mend socks, prune trees, can fruits, polish furniture. But while I am doing this I feel I am not living.”
    Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934

  • #12
    Anaïs Nin
    “Only the united beat of sex and heart together can create ecstasy.”
    Anaïs Nin, Delta of Venus

  • #13
    Anaïs Nin
    “Had I not created my whole world, I would certainly have died in other people’s. ”
    Anaïs Nin

  • #14
    Anaïs Nin
    “You carry away with you a reflection of me, a part of me. I dreamed you; I wished for your existence. You will always be a part of my life. If I love you, it must be because we shared, at some moment, the same imaginings, the same madness, the same stage.”
    Anais Nin

  • #15
    Anaïs Nin
    “I reserve the right to love many different people at once, and to change my prince often.”
    Anaïs Nin

  • #16
    Anaïs Nin
    “I only believe in intoxication, in ecstasy, and when ordinary life shackles me, I escape, one way or another. No more walls.”
    Anais Nin

  • #17
    Anaïs Nin
    “Do you know what I would answer to someone who asked me for a description of myself, in a hurry? This:

    ?? !!

    For indeed my life is a perpetual question mark--my thirst for books, my observations of people, all tend to satisfy a great, overwhelming desire to know, to understand, to find an answer to a million questions. And gradually the answers are revealed, many things are explained, and above all, many things are given names and described, and my restlessness is subdued. Then I become an exclamatory person, clapping my hands to the immense surprises the world holds for me, and falling from one ecstasy into another. I have the habit of peeping and prying and listening and seeking--passionate curiosity and expectation. But I have also the habit of being surprised, the habit of being filled with wonder and satisfaction each time I stumble on some wondrous thing. The first habit could make me a philosopher or a cynic or perhaps a humorist. But the other habit destroys all the delicate foundations, and I find each day that I am still...only a Woman!”
    Anaïs Nin, The Early Diary of Anaïs Nin, Vol. 2: 1920-1923

  • #18
    Anaïs Nin
    “Age does not protect you from love. But love, to some extent, protects you from age.”
    Anais Nin

  • #19
    Anaïs Nin
    “I made no resolutions for the New Year. The habit of making plans, of criticizing, sanctioning and molding my life, is too much of a daily event for me. ”
    Anaïs Nin

  • #20
    Anaïs Nin
    “When does real love begin?

    At first it was a fire, eclipses, short circuits, lightning and fireworks; the incense, hammocks, drugs, wines, perfumes; then spasm and honey, fever, fatigue, warmth, currents of liquid fire, feast and orgies; then dreams, visions, candlelight, flowers, pictures; then images out of the past, fairy tales, stories, then pages out of a book, a poem; then laughter, then chastity.

    At what moment does the knife wound sink so deep that the flesh begins to weep with love?

    At first power, power, then the wound, and love, and love and fears, and the loss of the self, and the gift, and slavery. At first I ruled, loved less; then more, then slavery. Slavery to his image, his odor, the craving, the hunger, the thirst, the obsession.”
    Anaïs Nin, Fire: From A Journal of Love - The Unexpurgated Diary of Anaïs Nin

  • #21
    Anaïs Nin
    “Something is always born of excess: great art was born of great terror, great loneliness, great inhibitions, instabilities, and it always balances them.”
    Anais Nin

  • #22
    Anaïs Nin
    “I prefer by far the warmth and softness to mere brilliancy and coldness. Some people remind me of sharp dazzling diamonds. Valuable but lifeless and loveless. Others, of the simplest field flowers, with hearts full of dew and with all the tints of celestial beauty reflected in their modest petals.”
    Anaïs Nin, The Early Diary of Anaïs Nin, Vol. 2: 1920-1923

  • #23
    Anaïs Nin
    “When your beauty struck me, it dissolved me. Deep down, I am not different from you. I dreamed you, I wished for your existence. I see in you that part of me which is you. I surrender my sincerity because if I love you it means we share the same fantasies, we share the same madness.”
    Anaïs Nin
    tags: love

  • #24
    Anaïs Nin
    “It is the function of art to renew our perception. What we are familiar with we cease to see. The writer shakes up the familiar scene, and, as if by magic, we see a new meaning in it.”
    Anais Nin

  • #25
    Anaïs Nin
    “Shame is the lie someone told you about yourself.”
    Anaïs Nin

  • #26
    Anaïs Nin
    “We are going to the moon that is not very far. Man has so much farther to go within himself.”
    Anaïs Nin
    tags: man, moon

  • #27
    Anaïs Nin
    “It takes courage to push yourself to places you have never been before... to test yout limits... to break through barriers. And the day came when the risk it took to stay tight inside the bud was more painful than the risk it took to blossum.”
    Anaïs Nin

  • #28
    Anaïs Nin
    “The body is an instrument which only gives off music when it is used as a body. Always an orchestra, and just as music traverses walls, so sensuality traverses the body and reaches up to ecstasy.”
    Anais Nin

  • #29
    Anaïs Nin
    “I know why familles were created, with all their imperfections. They humanize you. They are made to make you forget yourself occasionally, so that the beautiful balance of life is not destroyed.”
    Anais Nin

  • #30
    Anaïs Nin
    “I had a feeling that Pandora's box contained the mysteries of woman's sensuality, so different from a man's and for which man's language was so inadequate. The language of sex had yet to be invented. The language of the senses was yet to be explored.”
    Anaïs Nin, Delta of Venus



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