Dawn > Dawn's Quotes

“...all his longings came out as a kind of disdain for what he longed for.”
― Alan Hollinghurst, The Line of Beauty

“At forty-five, I feel grateful almost daily to be the adult I wished I could be when I was seventeen. I work on my arm strength at the gym; I've become pretty good with tools. At the same time, almost daily, I lose battles with the seventeen-year-old who's still inside me. I eat half a box of Oreos for lunch, I binge on TV, I make sweeping moral judgments. I run around in torn jeans, I drink martinis on a Tuesday night, I stare at beer-commercial cleavage. I define as uncool any group to which I can't belong. I feel the urge to key Range Rovers and slash their tires; I pretend I'm never going to die.

You never stop waiting for the real story to start, because the only real story, in the end, is that you die.”
― Jonathan Franzen, The Discomfort Zone: A Personal History

“Even then, when the hike was perfect, I would wonder, 'Now what?' And take a picture. Take another picture. Like a man with a photogenic girlfriend he didn't love.”
― Jonathan Franzen, The Discomfort Zone: A Personal History

“Only I still had a problem. The problem was my parents. Of the many things I was afraid of in those days - spiders, insomnia, fish hooks, school dances, hardball, heights, bees, urinals, puberty, music teachers, dogs, the school cafeteria, censure, older teenagers, jellyfish, locker rooms, boomerangs, popular girls, the high dive - I was probably most afraid of my parents.”
― Jonathan Franzen, The Discomfort Zone: A Personal History

“My first hero was Thomas Edison, whose adult life had consisted entirely of free time.”
― Jonathan Franzen, The Discomfort Zone: A Personal History

“Always, in the past, I’d felt like a failure at the task of being satisfied by nature’s beauty. Hiking in the West, my wife and I had sometimes found our way to summits unruined by other hikers, but even then, when the hike was perfect, I would wonder, “Now what?” And take a picture. Take another picture. Like a man with a photogenic girlfriend he didn’t love. As if, unable to be satisfied myself, I at least might impress somebody else later on. And when the picture-taking finally came to feel just too pointless, I took mental pictures. I enlisted my wife to agree that such-and-such vista was incredible, I imagined myself in a movie with this vista in the background and”
― Jonathan Franzen, The Discomfort Zone: A Personal History

“Literature is the most agreeable way of ignoring life.”
― Fernando Pessoa, The Book of Disquiet

“My past is everything I failed to be.”
― Fernando Pessoa, The Book of Disquiet

“To write is to forget. Literature is the most agreeable way of ignoring life. Music soothes, the visual arts exhilarates, the performing arts (such as acting and dance) entertain. Literature, however, retreats from life by turning in into slumber. The other arts make no such retreat— some because they use visible and hence vital formulas, others because they live from human life itself.
This isn't the case with literature. Literature simulates life. A novel is a story of what never was, a play is a novel without narration. A poem is the expression of ideas or feelings a language no one uses, because no one talks in verse.”
― Fernando Pessoa, The Book of Disquiet

“At the beginning of a full five-stage Tragedy, the central figure is always part of a community, a network of relationships, linked to other people by ties of loyalty, friendship, family or marriage. And one of the most important things which happens to such heroes and heroines as they embark on their tragic course is that they begin to break those bonds of loyalty, friendship and love (even if, initially, they may form other alliances). It is the very essence of Tragedy that the hero or heroine should become, step by step, separated from other people. Often they separate themselves in the most obvious, violent and final way possible, by causing other people's deaths.”
― Christopher Booker, The Seven Basic Plots: Why We Tell Stories

“It is one thing to fail to provide for your children because you live under brutal material conditions, because you are impoverished or displaced, because your city is being firebombed; it is another to have every privilege, every resource, every organic berry and cut of grass-fed beef, and to see your child starve herself, to see her—this is how it felt—refuse life, the life you have offered. Is it because the life on offer is a lie? Is it because she knows that privilege involves the immiseration of others? is it because she registering a sense of futurelessness, catastrophe—fires, floods, fascism? Of course she couldn't tell us; she didn't have the language for it.”
― Ben Lerner, Transcription

“Best advice I ever got was an old friend of mine, a black friend, who said you have to go the way your blood beats. If you don’t live the only life you have, you won’t live some other life, you won’t live any life at all. That’s the only advice you can give anybody. And it’s not advice, it’s an observation.”
― James Baldwin

“You think your pain and your heartbreak are unprecedented in the history of the world, but then you read. It was books that taught me that the things that tormented me most were the very things that connected me with all the people who were alive, who had ever been alive.”
― James Baldwin, Giovanni’s Room

“Love does not begin and end the way we seem to think it does. Love is a battle, love is a war; love is a growing up.”
― James A. Baldwin

“You think your pain and your heartbreak are unprecedented in the history of the world, but then you read.”
― James Baldwin

“I imagine one of the reasons people cling to their hates so stubbornly is because they sense, once hate is gone, they will be forced to deal with pain.”
― James Baldwin, The Fire Next Time

“Perhaps home is not a place but simply an irrevocable condition.”
― James Baldwin, Giovanni’s Room

“Life is tragic simply because the earth turns and the sun inexorably rises and sets, and one day, for each of us, the sun will go down for the last, last time. Perhaps the whole root of our trouble, the human trouble, is that we will sacrifice all the beauty of our lives, will imprison ourselves in totems, taboos, crosses, blood sacrifices, steeples, mosques, races, armies, flags, nations, in order to deny the fact of death, the only fact we have. It seems to me that one ought to rejoice in the fact of death--ought to decide, indeed, to earn one's death by confronting with passion the conundrum of life. One is responsible for life: It is the small beacon in that terrifying darkness from which we come and to which we shall return.”
― James Baldwin, The Fire Next Time

“I can't believe what you say, because I see what you do.”
― James Baldwin

“Freedom is not something that anybody can be given. Freedom is something people take, and people are as free as they want to be”
― James Baldwin

“Love takes off the masks that we fear we cannot live without and know we cannot live within. I use the word "love" here not merely in the personal sense but as a state of being, or a state of grace - not in the infantile American sense of being made happy but in the tough and universal sense of quest and daring and growth.”
― James Baldwin, The Fire Next Time

“People pay for what they do, and still more for what they have allowed themselves to become. And they pay for it very simply; by the lives they lead.”
― James Baldwin

“Confusion is a luxury which only the very, very young can possibly afford and you are not that young anymore”
― James Baldwin, Giovanni’s Room

“The victim who is able to articulate the situation of the victim has ceased to be a victim: he or she has become a threat.”
― James Baldwin

“For I am—or I was—one of those people who pride themselves in on their willpower, on their ability to make a decision and carry it through. This virtue, like most virtues, is ambiguity itself. People who believe that they are strong-willed and the masters of their destiny can only continue to believe this by becoming specialists in self-deception. Their decisions are not really decisions at all—a real decision makes one humble, one knows that it is at the mercy of more things than can be named—but elaborate systems of evasion, of illusion, designed to make themselves and the world appear to be what they and the world are not. This is certainly what my decision, made so long ago in Joey’s bed, came to. I had decided to allow no room in the universe for something which shamed and frightened me. I succeeded very well—by not looking at the universe, by not looking at myself, by remaining, in effect, in constant motion.”
― James Baldwin, Giovanni’s Room

“Whoever debases others is debasing himself.”
― James Baldwin, The Fire Next Time

“I thought of the people before me who had looked down at the river and gone to sleep beneath it. I wondered about them. I wondered how they had done it--it, the physical act.

I simply wondered about the dead because their days had ended and I did not know how I would get through mine.”
― James Baldwin, Giovanni’s Room

“You read something which you thought only happened to you, and you discover that it happened 100 years ago to Dostoyevsky. This is a very great liberation for the suffering, struggling person, who always thinks that he is alone. This is why art is important.”
― James Baldwin, Conversations with James Baldwin (Literary Conversations Series)

“Those who say it can't be done are usually interrupted by others doing it.”
― James Baldwin

“Hatred is always self hatred, and there is something suicidal about it.”
― James Baldwin