Andromeda > Andromeda's Quotes

“...if you come across someone sad and you do not try to make them smile, then you have disgraced your own humanity.”
― Adriana Mather, Haunting the Deep

“I could have told her the truth,” Mahit said. “Here I am, new to the City, being led astray by my own cultural liaison and a stray courtier.” Twelve Azalea folded his hands together in front of his chest. “We could have told her the truth,” he said. “Her friend, the dead Ambassador, has mysterious and probably illegal neurological implants.” “How nice for us, that everyone lies,” Three Seagrass said cheerfully.”
― Arkady Martine, A Memory Called Empire

“You pump the dead full of chemicals and refuse to let anything rot—people or ideas or … or bad poetry, of which there is in fact some, even in perfectly metrical verse,” said Mahit. “Forgive me if I disagree with you on emulation. Teixcalaan is all about emulating what should already be dead.” “Are you Yskandr, or are you Mahit?” Three Seagrass asked, and that did seem to be the crux of it: Was she Yskandr, without him? Was there even such a thing as Mahit Dzmare, in the context of a Teixcalaanli city, a Teixcalaanli language, Teixcalaanli politics infecting her all through, like an imago she wasn’t suited for, tendrils of memory and experience growing into her like the infiltrates of some fast-growing fungus.”
― Arkady Martine, A Memory Called Empire

“and then a Teixcalaanlitzlim of a gender Mahit didn’t recognize, and then it was back to the initial challenger—who changed the game again, adding another element: now each quatrain had to start with the last line of the previous one, be in dactylic verse with a vowel-repeated caesura, and be on the subject of repairs made to City infrastructure. Three Seagrass was annoyingly good at describing repairs to City infrastructure. She was lucid even through many glasses of ahachotiya, laughing, saying lines like the grout seal around the reflecting pool / lapped smooth and clear-white by the tongues of a thousand Teixcalaanli feet / nevertheless frays granular and impermanent / and will be spoken again, remade in the image / of one department or another / clamoring,”
― Arkady Martine, A Memory Called Empire

“Expansion History, and you came to the description of the triple sunrises you can see when you're hanging in Lsel Station's Lagrange point, and you thought, At last, there are words for how I feel, and they aren't even in my language―>
Yes, Mahit says. Yes, she does. That ache: longing and a violent sort of self-hatred, that only made the longing sharper.

We felt that way.”
― Arkady Martine, A Memory Called Empire

“The problem with sending messages was that people responded to them, which meant one had to write more messages in reply.”
― Arkady Martine, A Memory Called Empire

“So much of who we are is what we remember and retell,”
― Arkady Martine, A Memory Called Empire

“If someone asks you how you are, you are meant to say FINE. You are not meant to say that you cried yourself to sleep last night because you hadn't spoken to another person for two consecutive days. FINE is what you say.”
― Gail Honeyman, Eleanor Oliphant Is Completely Fine

“You painted a naked woman because you enjoyed looking at her, put a mirror in her hand and you called the painting “Vanity,” thus morally condemning the woman whose nakedness you had depicted for you own pleasure.”
― John Berger, Ways of Seeing

“If you’re sorry, that means you want forgiveness. Is that what you’re asking for? If you want forgiveness, that means you want to make things right. And if you want to make things right, that means that you don’t intend to put me in harm’s way again. So, if you are saying you’re sorry, I don’t think you understand what that entails.”
― Tricia Levenseller, Daughter of the Pirate King

“If cats looked like frogs we'd realize what nasty, cruel little bastards they are. Style. That's what people remember.”
― Terry Pratchett, Lords and Ladies

“I found power in accepting the truth of who I am. It may not be a truth that others can accept, but I cannot live any other way. How would it be to live a lie every minute of your life?”
― Alison Goodman, Eon: Dragoneye Reborn

“Is she brave enough to say that for the first time since puberty started, she doesn't daydream about being dead? That she's wonderfully, terribly, gloriously alive? That the world is so beautiful it hurts?”
― April Daniels

“I don't know how I can be so ambitious and so lazy at the same time.”
― Ned Vizzini, It's Kind of a Funny Story

“Sometimes I just think depression's one way of coping with the world. Like, some people get drunk, some people do drugs, some people get depressed. Because there's so much stuff out there that you have to do something to deal with it.”
― Ned Vizzini, It's Kind of a Funny Story

“My family shouldn't have to put up with me. They're good people, solid, happy. Sometimes when I'm with them I think I'm on television.”
― Ned Vizzini, It's Kind of a Funny Story

“I don't-" I shake my head. (...)
"What? What were you going to say?" This is another trick of shrinks. They never let you stop in midthought. If you open your mouth, they want to know exactly what you had the intention of saying.”
― Ned Vizzini, It's Kind of a Funny Story

“Dr. Barney stared at me, his lips puckered. What was he so serious about? Who hasn’t thought about killing themselves, as a kid? How can you grow up in this world and not think about it?”
― Ned Vizzini, It's Kind of a Funny Story

“Emotions, in my experience, aren't covered by single words. I don't believe in "sadness," "joy," or "regret." Maybe the best proof that the language is patriarchal is that it oversimplifies feeling. I'd like to have at my disposal complicated hybrid emotions, Germanic train-car constructions like, say, "the happiness that attends disaster." Or: "the disappointment of sleeping with one's fantasy." I'd like to show how "intimations of mortality brought on by aging family members" connects with "the hatred of mirrors that begins in middle age." I'd like to have a word for "the sadness inspired by failing restaurants" as well as for "the excitement of getting a room with a minibar." I've never had the right words to describe my life, and now that I've entered my story, I need them more than ever. ”
― Jeffrey Eugenides, Middlesex

“Women are often convinced by many different social norms, expectations, and incentives to live within constraints that similarly placed (in terms of race, class, culture, and time period) men need not consider. This sort of internally constrained vision, whether it is because of false consciousness, shame, stereotype, or trauma, is the kind of violation of their positive freedom that should most concern feminists. Capitalism, by providing an option outside kin and traditional community norms for independence and social power, can allow women the wherewithal to escape these constraints. Even if a particular woman does not choose to work outside the home or compete in the marketplace as an entrepreneur, the fact that women have this option under capitalism increases the freedom of all women. Enlarging the set of things that women are seen as capable of can reduce the sense that women have that they are inferior, and this can increase their confidence in a wider set of social circumstances. It puts the lie to the idea that women are incapable, and helps women to stand up to ill-treatment and violence.”
― Cudd/Holmstrom, Capitalism, For and Against: A Feminist Debate

“Patriarchy creates coercive background conditions for women, and thus patriarchy, not capitalism, is to blame for women’s exploitation under capitalism. Women are exploited under capitalism because they are forced by gendered expectations of women’s place into segregated spaces. In the home, gendered expectations about what women ought to do causes them to devote more time and energy to caring activities. Not only are women expected to be the main source of childcare and domestic labor in the home, they are also the psychic caregivers, coordinating social, spiritual, and emotional efforts for families. Their doing this explains the exploitation of women qua women in capitalism. The best evidence for this claim is that women in other economic systems are also exploited. For example, in the Soviet Union women were exploited for their domestic and sexual labor despite living under a noncapitalist economic system.121 I do not mean to say that there is no economic or material component to women’s condition. Women are stuck in these roles in part for material and economic reasons; they do not have enough bargaining power within heterosexual relationships generally to escape these roles. If women are able to gain an economic foothold, as is possible in an enlightened capitalism that eschews discrimination and gender segregation, then they can begin to work their way into better bargaining positions in their homes. And with better bargaining outcomes in their domestic lives, women can do better in the capitalist economy. Thus, capitalism does not provide an easy escape route, but it does point in the direction of escape from patriarchy.”
― Cudd/Holmstrom, Capitalism, For and Against: A Feminist Debate