Kaya > Kaya's Quotes

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  • #1
    Nora Ephron
    “Don't you love New York in the fall? It makes me want to buy school supplies. I would send you a bouquet of newly sharpened pencils if I knew your name and address.”
    Nora Ephron

  • #2
    F. Scott Fitzgerald
    “The city seen from the Queensboro Bridge is always the city seen for the first time, in its first wild promise of all the mystery and the beauty in the world.”
    F. Scott Fitzgerald, The Great Gatsby

  • #3
    John Updike
    “The true New Yorker secretly believes that people living anywhere else have to be, in some sense, kidding.”
    John Updike

  • #4
    Nora Ephron
    “I look out the window and I see the lights and the skyline and the people on the street rushing around looking for action, love, and the world's greatest chocolate chip cookie, and my heart does a little dance.”
    Nora Ephron, Heartburn

  • #5
    John Steinbeck
    “New York is an ugly city, a dirty city. Its climate is a scandal, its politics are used to frighten children, its traffic is madness, its competition is murderous.
    But there is one thing about it - once you have lived in New York and it has become your home, no place else is good enough.”
    John Steinbeck, America and Americans and Selected Nonfiction

  • #6
    Peter Shaffer
    “If London is a watercolor, New York is an oil painting.”
    Peter Shaffer

  • #7
    Lindsey Kelk
    “People go to LA to "find themselves", they come to New York to become someone new.”
    Lindsey Kelk, I Heart New York

  • #8
    Woody Allen
    “There is no question that there is an unseen world. The problem is, how far is it from midtown and how late is it open?”
    Woody Allen

  • #9
    Dorothy Parker
    “London is satisfied, Paris is resigned, but New York is always hopeful. Always it believes that something good is about to come off, and it must hurry to meet it.”
    Dorothy Parker

  • #10
    George Carlin
    “Of course, in Los Angeles, everything is based on driving, even the killings. In New York, most people don't have cars, so if you want to kill a person, you have to take the subway to their house. And sometimes on the way, the train is delayed and you get impatient, so you have to kill someone on the subway. That's why there are so many subway murders; no one has a car.”
    George Carlin, Brain Droppings

  • #11
    Evelyn Waugh
    “...for in that city [New York] there is neurosis in the air which the inhabitants mistake for energy.”
    Evelyn Waugh, Brideshead Revisited

  • #12
    Peter    Cameron
    “New York is strange in the summer. Life goes on as usual but it’s not, it’s like everyone is just pretending, as if everyone has been cast as the star in a movie about their life, so they’re one step removed from it. And then in September it all gets normal again.”
    Peter Cameron, Someday This Pain Will Be Useful to You

  • #13
    Edward Rutherfurd
    “You can do what you like, sir, but I'll tell you this. New York is the true capital of America. Every New Yorker knows it, and by God, we always shall.”
    Edward Rutherfurd, New York

  • #14
    Bob Dylan
    “New York was a city where you could be frozen to death in the midst of a busy street and nobody would notice.”
    Bob Dylan, Chronicles, Volume One

  • #15
    Colson Whitehead
    “You swallow hard when you discover that the old coffee shop is now a chain pharmacy, that the place where you first kissed so-and-so is now a discount electronics retailer, that where you bought this very jacket is now rubble behind a blue plywood fence and a future office building. Damage has been done to your city. You say, ''It happened overnight.'' But of course it didn't. Your pizza parlor, his shoeshine stand, her hat store: when they were here, we neglected them. For all you know, the place closed down moments after the last time you walked out the door. (Ten months ago? Six years? Fifteen? You can't remember, can you?) And there have been five stores in that spot before the travel agency. Five different neighborhoods coming and going between then and now, other people's other cities. Or 15, 25, 100 neighborhoods. Thousands of people pass that storefront every day, each one haunting the streets of his or her own New York, not one of them seeing the same thing.”
    Colson Whitehead, The Colossus of New York

  • #16
    Fran Lebowitz
    “When you leave New York, you are astonished at how clean the rest of the world is. Clean is not enough.”
    Fran Lebowitz

  • #17
    Lawrence Ferlinghetti
    “I once started out
    to walk around the world
    but ended up in Brooklyn,
    that Bridge was too much for me.”
    Lawrence Ferlinghetti, A Coney Island of the Mind

  • #18
    Teju Cole
    “Each neighborhood of the city appeared to be made of a different substance, each seemed to have a different air pressure, a different psychic weight: the bright lights and shuttered shops, the housing projects and luxury hotels, the fire escapes and city parks.”
    Teju Cole, Open City

  • #19
    Lindsey Kelk
    “New York is made up of millions of different people, and they all come here looking for something”
    Lindsey Kelk, I Heart New York

  • #20
    Maeve Brennan
    “It is necessary to find one's own way in New York. New York City is not hospitable. She is very big and she has no heart. She is not charming. She is not sympathetic. She is rushed and noisy and unkempt, a hard, ambitious, irresolute place, not very lively, and never gay. When she glitters she is very, very bright, and when she does not glitter she is dirty. New York does nothing for those of us who are inclined to love her except implant in our hearts a homesickness that baffles us until we go away from her, and then we realize why we are restless. At home or away, we are homesick for New York not because New York used to be better and not because she used to be worse but because the city holds us and we don't know why.”
    Maeve Brennan

  • #21
    Groucho Marx
    “Practically everybody in New York has half a mind to write a book -and does”
    Groucho Marx

  • #22
    Joan Didion
    “I remember walking across Sixty-second Street one twilight that first spring, or the second spring, they were all alike for a while. I was late to meet someone but I stopped at Lexington Avenue and bought a peach and stood on the corner eating it and knew that I had come out out of the West and reached the mirage. I could taste the peach and feel the soft air blowing from a subway grating on my legs and I could smell lilac and garbage and expensive perfume and I knew that it would cost something sooner or later—because I did not belong there, did not come from there—but when you are twenty-two or twenty-three, you figure that later you will have a high emotional balance, and be able to pay whatever it costs. I still believed in possibilities then, still had the sense, so peculiar to New York, that something extraordinary would happen any minute, any day, any month.”
    Joan Didion, Slouching Towards Bethlehem

  • #23
    Pete Hamill
    "The wanderer in Manhattan must go forth with a certain innocence, because New York is best seen with innocent eyes. It doesn't matter if you are younger or old. Reading our rich history makes the experience more layered, but it is not a substitute for walking the streets themselves. For old-timer or newcomer, it is essential to absorb the city as it is now in order to shape your own nostalgias.
    That's why I always urge the newcomer to surrender to the city's magic. Forget the irritations and the occasional rudeness; they bother New Yorkers too. Instead, go down to the North River and the benches that run along the west side of Battery Park City. Watch the tides or the blocks of ice in winter; they have existed since the time when the island was empty of man. Gaze at the boats. Look across the water at the Statue of Liberty or Ellis Island, the place to which so many of the New York tribe came in order to truly live. Learn the tale of our tribe, because it's your tribe too, no matter where you were born. Listen to its music and its legends. Gaze at its ruins and monuments. Walk its sidewalks and run fingers upon the stone and bricks and steel of our right-angled streets. Breathe the air of the river breeze."

    Pete Hamill, Downtown: My Manhattan

  • #24
    Colum McCann
    “One of those out-of-the-ordinary days that made sense of the slew of ordinary days. New York had a way of doing that. Every now and then the city shook its soul out. It assailed you with an image, or a day, or a crime, or a terror, or a beauty so difficult to wrap your mind around that you had to shake your head in disbelief.

    He had a theory about it. It happened, and re-happened, because it was a city uninterested in history. Strange things occurred precisely because there was no necessary regard for the past. The city lived in a sort of everyday present. It had no need to believe in itself as a London, or an Athens, or even a signifier of the New World, like a Sydney, or a Los Angeles. No, the city couldn’t care less about where it stood. He had seen a T-shirt once that said: NEW YORK FUCKIN’ CITY. As if it were the only place that ever existed and the only one that ever would.

    New York kept going forward precisely because it didn’t give a good goddamn about what it had left behind. It was like the city that Lot left, and it would dissolve if it ever began looking backward over its own shoulder. Two pillars of salt. Long Island and New Jersey.”
    Colum McCann, Let the Great World Spin

  • #25
    Juliet C. Obodo
    “You cannot keep something down that is bound to rise.”
    Juliet C. Obodo, Writer's Retreat: New York City Edition: Cafes, Restaurants & Coffee Shops for Writers, Bloggers & Students

  • #26
    Helen Keller
    “Cut off as I am, it is inevitable that I should sometimes feel like a shadow walking in a shadowy world. When this happens I ask to be taken to New York City. Always I return home weary but I have the comforting certainty that mankind is real flesh and I myself am not a dream.”
    Helen Keller, Midstream: My Later Life

  • #27
    Henry Miller
    “New York! The white prisons, the sidewalks swarming with maggots, the breadlines, the opium joints that are built like palaces, the kikes that are there, the lepers, the thugs, and above all, the ennui, the monotony of faces, streets, legs, houses, skyscrapers, meals, posters, jobs, crimes, loves... A whole city erected over a hollow pit of nothingness. Meaningless. Absolute meaningless.”
    Henry Miller, Tropic of Cancer

  • #28
    Ann-Marie MacDonald
    “Everything in New York is a photograph. All the things that are supposed to be dirty or rough or unrefined are the most beautiful things. Garbage cans at the ends of alleyways look like they've been up all night talking with each other. Doorways with peeling paint look like the wise lines around an old feller's eyes. I stop and stare but can't stay because men always think I'm selling something. Or worse, giving something away. I wish I could be invisible. Or at least I wish I didn't look like someone they want to look at. They stop being part of the picture, they get up from their chess game and come out of the frame at me, blocking my view.”
    Ann-Marie MacDonald, Fall on Your Knees



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