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    <pubDate><![CDATA[Mon, 17 Mar 2025 15:38:21 -0700]]></pubDate>
    <title><![CDATA[A Defense of Poetry (Annotated)]]></title>
    <link><![CDATA[https://www.goodreads.com/review/show/1421219618?utm_medium=api&utm_source=rss]]></link>
    <book_id>25314509</book_id>
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    <book_description><![CDATA[Shelley took his place within the vatic history of mythopoetic bards and bore the Visionary legacy. He offered a simple "spark" of poetry to his audience while promising a raging fire would burn if the poetry was nurtured correctly. However, Shelley realized that most people cannot accept the poet's offering (for various reasons; ignoring, rejecting or misunderstanding) and they let that spark smolder into nothing. Shelley shouts into his written words, leaving his hard-earned knowledge of the human condition and his visionary plight for willing human ears. Shelley paints himself as the Visionary, sound and steady within a wisdom that understands the suffering beauty of the human condition, who sits as a "tranquil star" to burn as heavenly light.]]></book_description>
    <book id="25314509">
      <num_pages>99</num_pages>
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    <author_name>Percy Bysshe Shelley</author_name>
    <isbn></isbn>
    <user_name>Katie</user_name>
    <user_rating>5</user_rating>
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    <user_date_created><![CDATA[Tue, 20 Oct 2015 12:44:48 -0700]]></user_date_created>
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    <average_rating>3.33</average_rating>
    <book_published>1595</book_published>
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                                      author: Percy Bysshe Shelley<br/>
                                      name: Katie<br/>
                                      average rating: 3.33<br/>
                                      book published: 1595<br/>
                                      rating: 5<br/>
                                      read at: <br/>
                                      date added: 2025/03/17<br/>
                                      shelves: <br/>
                                      review: <br/><br/>
                                      ]]>
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    <pubDate><![CDATA[Sat, 19 Jun 2021 17:50:13 -0700]]></pubDate>
    <title><![CDATA[The Assisted Living Facility Library]]></title>
    <link><![CDATA[https://www.goodreads.com/review/show/4067373781?utm_medium=api&utm_source=rss]]></link>
    <book_id>52764042</book_id>
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    <book_description><![CDATA[Richard Kalich’s new novel is a culmination of his decades-long exploration of the human soul and the capstone of his literary output that Betimes Books is proud to have assembled in an omnibus edition called Central Park West Trilogy. The novels included in the trilogy are postmodern fables—dark, shocking, perversely funny, wickedly astute, and compulsively readable, they share Kalich’s ferocious energy and unique vision. Together, they subvert standard notions of plot and character, and form a body of work that is distinctive and brilliant.<br /><br />This fourth novel is an honest and brutal self-assessment, a meditation on life and art, and the sacrifice of one to the other. Written in Kalich’s spare style that seems effortless, but where each word carries the weight of years of writing and reflections, The Assisted Living Facility Library is a heart-breaking metafictional masterpiece by a tragic humanist.<br /><br />Kalich experiments with narrative form and characters, pulling us into a murky place where we are left to wonder: what is the difference between Kalich the author, Kalich the character and Kalich the man? Can we ever know what is going on inside the head of another human being?<br /><br />“What makes The Assisted Living Facility Library so powerful is its ability to combine formal rigor and meta-fictional playfulness with an almost yearning—but altogether genuine and painful—emotionality. This is experimental fiction at its best and most human. With the control of the great postmodernists and the precision of detail of Murnane, this is a book about the way in which books form a life, and how, as a life comes to its end, both the books and the life itself become whittled down to what is glowingly essential.” —Brian Evenson<br /><br />“Last night I finished reading The Assisted Living Facility Library. I found it very moving and very disturbing – but more moving than disturbing. Please don’t take this wrong, but it’s possible that you’ve written the last postmodern novel; or maybe the last twentieth-century novel; or maybe the last novel, period. (Not really, of course; there’ll be plenty of books published in years to come with novel on the title-page. It’s just that there shouldn’t be.)” —Brian McHale to Richard Kalich]]></book_description>
    <book id="52764042">
      <num_pages>204</num_pages>
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    <author_name>Richard Kalich</author_name>
    <isbn>0993433197</isbn>
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    <average_rating>4.00</average_rating>
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                                      author: Richard Kalich<br/>
                                      name: Katie<br/>
                                      average rating: 4.00<br/>
                                      book published: <br/>
                                      rating: 0<br/>
                                      read at: <br/>
                                      date added: 2021/06/19<br/>
                                      shelves: to-read<br/>
                                      review: <br/><br/>
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    <pubDate><![CDATA[Wed, 10 Mar 2021 22:33:15 -0800]]></pubDate>
    <title>The Foxes Come at Night</title>
    <link><![CDATA[https://www.goodreads.com/review/show/3884001387?utm_medium=api&utm_source=rss]]></link>
    <book_id>9560451</book_id>
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    <book_description><![CDATA[Set in the cities and islands of the Mediterranean, and linked thematically, the eight stories The Foxes Come At Night read more like a novel, a meditation on memory, life and death.<br /><br /><br />In 's Nachts komen de vossen dwaalt Cees Nooteboom naar mensen en gebeurtenissen uit het verleden: weg van de waan van de dag, weg van de levenden. Er is een prachtige lijn te ontdekken in het schrijverschap van Nooteboom. Waar in zijn debuutroman Philip en de anderen de jonge auteur op zoek ging naar de gebeurtenissen en stof zocht voor zijn schrijverschap, blikt hij nu terug en weet hij ontmoetingen, personen en gebeurtenissen te verweven tot ragfijne, maar ook spannende verhalen.]]></book_description>
    <book id="9560451">
      <num_pages>252</num_pages>
    </book>
    <author_name>Cees Nooteboom</author_name>
    <isbn>0857050230</isbn>
    <user_name>Katie</user_name>
    <user_rating>0</user_rating>
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    <user_date_added><![CDATA[Wed, 10 Mar 2021 22:33:15 -0800]]></user_date_added>
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    <average_rating>3.66</average_rating>
    <book_published>2009</book_published>
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                                      author: Cees Nooteboom<br/>
                                      name: Katie<br/>
                                      average rating: 3.66<br/>
                                      book published: 2009<br/>
                                      rating: 0<br/>
                                      read at: <br/>
                                      date added: 2021/03/10<br/>
                                      shelves: to-read<br/>
                                      review: <br/><br/>
                                      ]]>
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    <pubDate><![CDATA[Tue, 12 Jan 2021 21:30:11 -0800]]></pubDate>
    <title>The Baudelaire Fractal</title>
    <link><![CDATA[https://www.goodreads.com/review/show/3768214165?utm_medium=api&utm_source=rss]]></link>
    <book_id>45010931</book_id>
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    <book_description><![CDATA[One morning, the poet Hazel Brown wakes up in a strange hotel room to find that she's written the complete works of Charles Baudelaire. Surprising as this may be, it's no more surprising to Brown than the impossible journey she's taken to become the writer that she is. Animated by the spirit of the poète maudit, she shuttles between London, Vancouver, Paris, and the French countryside, moving fluidly between the early 1980s and the present, from rented room to rented room, all the while considering such Baudelairian obsessions as modernity, poverty, and the perfect jacket...<br /><br />Part memoir, part magical realism, part hilarious trash-talking take on contemporary art and the poet's life, <i>The Baudelaire Fractal</i> is the long-awaited debut novel by the incomparable Lisa Robertson.]]></book_description>
    <book id="45010931">
      <num_pages>208</num_pages>
    </book>
    <author_name>Lisa Robertson</author_name>
    <isbn>1552453901</isbn>
    <user_name>Katie</user_name>
    <user_rating>0</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Tue, 12 Jan 2021 21:30:11 -0800]]></user_date_added>
    <user_date_created><![CDATA[Tue, 12 Jan 2021 21:30:11 -0800]]></user_date_created>
    <user_shelves>to-read</user_shelves>
    <user_review></user_review>
    <average_rating>3.95</average_rating>
    <book_published>2020</book_published>
    <description>
      <![CDATA[
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                                      author: Lisa Robertson<br/>
                                      name: Katie<br/>
                                      average rating: 3.95<br/>
                                      book published: 2020<br/>
                                      rating: 0<br/>
                                      read at: <br/>
                                      date added: 2021/01/12<br/>
                                      shelves: to-read<br/>
                                      review: <br/><br/>
                                      ]]>
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    <pubDate><![CDATA[Tue, 12 Jan 2021 21:19:26 -0800]]></pubDate>
    <title>Washes, Prays</title>
    <link><![CDATA[https://www.goodreads.com/review/show/3768197856?utm_medium=api&utm_source=rss]]></link>
    <book_id>51241786</book_id>
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    <book_description><![CDATA[<b>RBC Bronwen Wallace Award winner Noor Naga's bracing debut, a novel-in-verse about a young woman's romantic relationship with a married man and her ensuing crisis of faith.</b><br /><br />Coocoo is a young immigrant woman in Toronto. Her faith is worn threadbare after years of bargaining with God to end her loneliness and receiving no answer. Then she meets her mirror-image; Muhammad is a professor and father of two. He's also married.<br /><br />Heartbreaking and hilarious, this verse-novel chronicles Coocoo's spiraling descent: the transformation of her love into something at first desperate and obsessive, then finally cringing and animal, utterly without grace. Her best friend, Nouf, remains by her side throughout, and together they face the growing contradictions of Coocoo's life. What does it mean to pray while giving your body to a man who cannot keep it? How long can a homeless love survive on the streets? These are some of the questions this verse-novel swishes around in its mouth.]]></book_description>
    <book id="51241786">
      <num_pages>80</num_pages>
    </book>
    <author_name>Noor Naga</author_name>
    <isbn>077100589X</isbn>
    <user_name>Katie</user_name>
    <user_rating>3</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Tue, 12 Jan 2021 21:19:26 -0800]]></user_date_added>
    <user_date_created><![CDATA[Tue, 12 Jan 2021 21:19:03 -0800]]></user_date_created>
    <user_shelves>to-read</user_shelves>
    <user_review></user_review>
    <average_rating>3.95</average_rating>
    <book_published>2020</book_published>
    <description>
      <![CDATA[
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                                      author: Noor Naga<br/>
                                      name: Katie<br/>
                                      average rating: 3.95<br/>
                                      book published: 2020<br/>
                                      rating: 3<br/>
                                      read at: <br/>
                                      date added: 2021/01/12<br/>
                                      shelves: to-read<br/>
                                      review: <br/><br/>
                                      ]]>
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    <pubDate><![CDATA[Sat, 11 Apr 2020 22:30:47 -0700]]></pubDate>
    <title><![CDATA[I Must Be Living Twice: New and Selected Poems]]></title>
    <link><![CDATA[https://www.goodreads.com/review/show/3275803534?utm_medium=api&utm_source=rss]]></link>
    <book_id>24392810</book_id>
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    <book_description><![CDATA[A collection of thrilling new and beloved past work from one of America's most celebrated poets, Eileen Myles, a cult icon and modern favorite<br /><br />Eileen Myles's poetry and prose are known for their blend of reality and fiction, the sublime and the ephemeral, in which Myles not only lets her readers peer into existent places, like the East Village in her iconic<em> Chelsea Girls</em>, but also lifts them into dreams, imbuing the landscapes of her writing with the vividness and energy of fantasy.<br /><br /><em>I Must Be Living Twice</em> brings selections from the poet's previous work together with a set of bold new poems, through which Myles continues to refine her sardonic, unapologetic, and fiercely intellectual literary voice. Steeped in the culture of New York City, Myles's stomping grounds and the home of her most well-known work, she provides a wide-open lens into a radical life.]]></book_description>
    <book id="24392810">
      <num_pages>368</num_pages>
    </book>
    <author_name>Eileen Myles</author_name>
    <isbn>0062389106</isbn>
    <user_name>Katie</user_name>
    <user_rating>0</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Sat, 11 Apr 2020 22:30:47 -0700]]></user_date_added>
    <user_date_created><![CDATA[Sat, 11 Apr 2020 22:30:46 -0700]]></user_date_created>
    <user_shelves>to-read</user_shelves>
    <user_review></user_review>
    <average_rating>4.16</average_rating>
    <book_published>2015</book_published>
    <description>
      <![CDATA[
      <a href="https://www.goodreads.com/book/show/24392810-i-must-be-living-twice?utm_medium=api&amp;utm_source=rss"><img alt="I Must Be Living Twice: New and Selected Poems" src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1442498695l/24392810._SY75_.jpg" /></a><br/>
                                      author: Eileen Myles<br/>
                                      name: Katie<br/>
                                      average rating: 4.16<br/>
                                      book published: 2015<br/>
                                      rating: 0<br/>
                                      read at: <br/>
                                      date added: 2020/04/11<br/>
                                      shelves: to-read<br/>
                                      review: <br/><br/>
                                      ]]>
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    <pubDate><![CDATA[Sat, 11 Apr 2020 22:30:10 -0700]]></pubDate>
    <title>Our Lady of the Flowers</title>
    <link><![CDATA[https://www.goodreads.com/review/show/3275802885?utm_medium=api&utm_source=rss]]></link>
    <book_id>53003</book_id>
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    <book_description><![CDATA[Jean Genet's seminal Our Lady Of The Flowers (1943) is generally considered to be his finest fictional work. The first draft was written while Genet was incarcerated in a French prison; when the manuscript was discovered and destroyed by officials, Genet, still a prisoner, immediately set about writing it again. It isn't difficult to understand how and why Genet was able to reproduce the novel under such circumstances, because Our Lady Of The Flowers is nothing less than a mythic recreation of Genet's past and then - present history. Combining memories with facts, fantasies, speculations, irrational dreams, tender emotion, empathy, and philosophical insights, Genet probably made his isolation bearable by retreating into a world not only of his own making, but one which he had total control over.]]></book_description>
    <book id="53003">
      <num_pages>216</num_pages>
    </book>
    <author_name>Jean Genet</author_name>
    <isbn>1596541369</isbn>
    <user_name>Katie</user_name>
    <user_rating>0</user_rating>
    <user_read_at></user_read_at>
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    <user_shelves>to-read</user_shelves>
    <user_review></user_review>
    <average_rating>4.05</average_rating>
    <book_published>1943</book_published>
    <description>
      <![CDATA[
      <a href="https://www.goodreads.com/book/show/53003.Our_Lady_of_the_Flowers?utm_medium=api&amp;utm_source=rss"><img alt="Our Lady of the Flowers" src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1414962933l/53003._SY75_.jpg" /></a><br/>
                                      author: Jean Genet<br/>
                                      name: Katie<br/>
                                      average rating: 4.05<br/>
                                      book published: 1943<br/>
                                      rating: 0<br/>
                                      read at: <br/>
                                      date added: 2020/04/11<br/>
                                      shelves: to-read<br/>
                                      review: <br/><br/>
                                      ]]>
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    <guid><![CDATA[https://www.goodreads.com/review/show/3275801619?utm_medium=api&utm_source=rss]]></guid>
    <pubDate><![CDATA[Sat, 11 Apr 2020 22:28:54 -0700]]></pubDate>
    <title><![CDATA[While Standing in Line for Death]]></title>
    <link><![CDATA[https://www.goodreads.com/review/show/3275801619?utm_medium=api&utm_source=rss]]></link>
    <book_id>34146740</book_id>
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    <book_description><![CDATA[Winner of the 30th Annual Lambda Literary Award for Gay Poetry "From these rituals come notes; from those notes come poems; and from those poems comes not just a view into his process, but an entrance into another present." — Boston Globe After his boyfriend Earth's murder, CAConrad was looking for a (Soma)tic poetry ritual to overcome his depression. This new book of eighteen rituals and their resulting poems contains that success, along with other political actions and exercises that testify to poetry's ability to reconnect us and help put an end to our alienation from the planet. unfastened<br />in the backseat a<br />portion of the music is<br />mucus flying into stillness<br />at what point do we submit<br />to the authority of flowers<br />at what point after it enters<br />the mouth is it no longer in the<br />mouth but the throat the colon<br />making sumptuous death of the world<br />this is what crossing the line gains<br />no need to pretend we<br />are the people we<br />want to be in<br />the next life<br />bone under<br />tongue drives<br />taste of snow to metal… CAConrad is the author of (Soma)tics for the Future Wilderness, A Beautiful Marsupial Afternoon , and The Book of Frank , as well as several other books of poetry and essays. Most recently, he has co-edited Selected Poems of John Wieners . A 2014 Lannan Fellow, a 2013 MacDowell Fellow, and a 2011 Pew Fellow, he also conducts workshops on (Soma)tic poetry and Ecopoetics.]]></book_description>
    <book id="34146740">
      <num_pages>160</num_pages>
    </book>
    <author_name>C.A.  Conrad</author_name>
    <isbn>1940696550</isbn>
    <user_name>Katie</user_name>
    <user_rating>0</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Sat, 11 Apr 2020 22:28:54 -0700]]></user_date_added>
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    <user_shelves>to-read</user_shelves>
    <user_review></user_review>
    <average_rating>4.31</average_rating>
    <book_published>2017</book_published>
    <description>
      <![CDATA[
      <a href="https://www.goodreads.com/book/show/34146740-while-standing-in-line-for-death?utm_medium=api&amp;utm_source=rss"><img alt="While Standing in Line for Death" src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1493387838l/34146740._SX50_.jpg" /></a><br/>
                                      author: C.A.  Conrad<br/>
                                      name: Katie<br/>
                                      average rating: 4.31<br/>
                                      book published: 2017<br/>
                                      rating: 0<br/>
                                      read at: <br/>
                                      date added: 2020/04/11<br/>
                                      shelves: to-read<br/>
                                      review: <br/><br/>
                                      ]]>
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    <guid><![CDATA[https://www.goodreads.com/review/show/2578942322?utm_medium=api&utm_source=rss]]></guid>
    <pubDate><![CDATA[Wed, 31 Oct 2018 00:12:14 -0700]]></pubDate>
    <title>Strawberry Fields</title>
    <link><![CDATA[https://www.goodreads.com/review/show/2578942322?utm_medium=api&utm_source=rss]]></link>
    <book_id>37858141</book_id>
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    <book_description><![CDATA[<i>Fence Modern Prize in Prose</i><br /><br />Much of what is read as news is fake; still the real news is, at its very best, partial. At the heart of <em>Strawberry Fields</em> is the storied figure of the journalist, who despairs of accountability yet must accept its disorienting weight. This is a global fiction; these shapeshifting journalists together demonstrate the ethics of reading and writing “news from elsewhere.” An antidote to the normalization wielded upon us by narrative, Hilary Plum crafts with dizzying invention a recursive disorientation of stories starting over and over again, without conclusion. The fragmentation of these harrowing truths, ripped from the headlines, is a reprieve; at least it’s not really “happening,” like normal fictions do, simulacra at the speed of life, not really “happening,” at least not at the rate of narrativity. Oh, but it is. This fiction jumps through genres, destabilizing players and circumstances: revolutionary Ireland, Iraq in the midst of US invasion, and Pakistan during years of drone warfare, an eating disorder clinic, a farming community in the midst of pesticide poisoning, the plight of a journalist imprisoned in Mexico. Our throughline is the recurring story of a reporter, Alice, and a detective, Modigliani: together they failed to solve a crime that occurred years ago amid the chaos of a hurricane, and we find them now piecing together the stories of five murdered veterans of the war in Iraq. Making up nothing, or everything, all around the globe these horrors go on daily.]]></book_description>
    <book id="37858141">
      <num_pages>224</num_pages>
    </book>
    <author_name>Hilary Plum</author_name>
    <isbn>1944380035</isbn>
    <user_name>Katie</user_name>
    <user_rating>0</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Wed, 31 Oct 2018 00:12:14 -0700]]></user_date_added>
    <user_date_created><![CDATA[Wed, 31 Oct 2018 00:12:13 -0700]]></user_date_created>
    <user_shelves>to-read</user_shelves>
    <user_review></user_review>
    <average_rating>4.12</average_rating>
    <book_published>2018</book_published>
    <description>
      <![CDATA[
      <a href="https://www.goodreads.com/book/show/37858141-strawberry-fields?utm_medium=api&amp;utm_source=rss"><img alt="Strawberry Fields" src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1515446255l/37858141._SY75_.jpg" /></a><br/>
                                      author: Hilary Plum<br/>
                                      name: Katie<br/>
                                      average rating: 4.12<br/>
                                      book published: 2018<br/>
                                      rating: 0<br/>
                                      read at: <br/>
                                      date added: 2018/10/31<br/>
                                      shelves: to-read<br/>
                                      review: <br/><br/>
                                      ]]>
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    <guid><![CDATA[https://www.goodreads.com/review/show/1896631634?utm_medium=api&utm_source=rss]]></guid>
    <pubDate><![CDATA[Sun, 29 Jan 2017 21:11:37 -0800]]></pubDate>
    <title>Purgatory</title>
    <link><![CDATA[https://www.goodreads.com/review/show/1896631634?utm_medium=api&utm_source=rss]]></link>
    <book_id>7158213</book_id>
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    <book_description><![CDATA[Raúl Zurita’s <i>Purgatory,</i> a landmark in contemporary Latin American poetry, records the physical, cultural, and spiritual violence perpetrated against the Chilean people under Pinochet’s military dictatorship (1973–1990) in the fiercely inventive voice of a postmodern master. This beautiful <i>en face edition,</i> superbly translated by Anna Deeny, brings to English-language readers an indispensable volume written by one of the most important living poets writing in Spanish today. Zurita was a 24-year-old student in Valparaíso when, on the morning of the coup, he was arrested, detained, and tortured. Conceived as the first text of a Dantean trilogy that includes <i>Anteparaíso (Anteparadise)</i> and <i>La Vida Nueva (The New Life), Purgatory</i> is his anguished response to Chile’s violent recent history.]]></book_description>
    <book id="7158213">
      <num_pages>130</num_pages>
    </book>
    <author_name>Raúl Zurita</author_name>
    <isbn>0520259734</isbn>
    <user_name>Katie</user_name>
    <user_rating>0</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Sun, 29 Jan 2017 21:11:37 -0800]]></user_date_added>
    <user_date_created><![CDATA[Sun, 29 Jan 2017 21:11:36 -0800]]></user_date_created>
    <user_shelves>to-read</user_shelves>
    <user_review></user_review>
    <average_rating>4.14</average_rating>
    <book_published>1979</book_published>
    <description>
      <![CDATA[
      <a href="https://www.goodreads.com/book/show/7158213-purgatory?utm_medium=api&amp;utm_source=rss"><img alt="Purgatory" src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1368430289l/7158213._SX50_.jpg" /></a><br/>
                                      author: Raúl Zurita<br/>
                                      name: Katie<br/>
                                      average rating: 4.14<br/>
                                      book published: 1979<br/>
                                      rating: 0<br/>
                                      read at: <br/>
                                      date added: 2017/01/29<br/>
                                      shelves: to-read<br/>
                                      review: <br/><br/>
                                      ]]>
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    <guid><![CDATA[https://www.goodreads.com/review/show/1853433550?utm_medium=api&utm_source=rss]]></guid>
    <pubDate><![CDATA[Tue, 27 Dec 2016 21:33:56 -0800]]></pubDate>
    <title><![CDATA[Guilty Thing: A Life of Thomas De Quincey]]></title>
    <link><![CDATA[https://www.goodreads.com/review/show/1853433550?utm_medium=api&utm_source=rss]]></link>
    <book_id>29503700</book_id>
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    <book_description><![CDATA[<b>National Book Critics Circle Award, </b><b>Biographers International Organization Plutarch Award and Los Angeles Times Book Prize Finalist</b><b>New York Times Book Review, Times Literary Supplement and The Guardian Best Books of 2016</b>Thomas De Quincey was an obsessive. He was obsessed with Wordsworth and Coleridge, whose Lyrical Ballads provided the script to his life, and by the idea of sudden death. Running away from school to pursue the two poets, De Quincey insinuated himself into their world. Basing his sensibility on Wordsworth’s and his character on Coleridge’s, he forged a triangle of unusual psychological complexity.Aged twenty-four, De Quincey replaced Wordsworth as the tenant of Dove Cottage, the poet’s former residence in Grasmere. In this idyllic spot he followed the reports of the notorious Ratcliffe Highway murders of 1811, when two families, including a baby, were butchered in their own homes. In his opium-soaked imagination the murderer became a poet while the poet became a murderer. Embedded in On Murder as One of the Fine Arts, De Quincey’s brilliant series of essays, Frances Wilson finds the startling story of his relationships with Wordsworth and Coleridge.Opium was the making of De Quincey, allowing him to dissolve self-conflict, eliminate self-recrimination, and divest himself of guilt. Opium also allowed him to write, and under the pseudonym “The Opium-Eater” De Quincey emerged as the strangest and most original journalist of his age. His influence has been considerable. Poe became his double; Dostoevsky went into exile with Confessions of an English Opium-Eater in his pocket; and Charles Dickens, Oscar Wilde, George Orwell, Alfred Hitchcock, and Vladimir Nabokov were all De Quincey devotees. There have been other biographies of Thomas De Quincey, but Guilty Thing is the first to be animated by the spirit of De Quincey himself. Following the growth of his obsessions from seed to full flowering and tracing the ways they intertwined, Frances Wilson finds the master key to De Quincey’s vast Piranesian mind. Unraveling a tale of hero worship and revenge, Guilty Thing brings the last of the Romantics roaring back to life and firmly establishes Wilson as one of our foremost contemporary biographers.]]></book_description>
    <book id="29503700">
      <num_pages>416</num_pages>
    </book>
    <author_name>Frances Wilson</author_name>
    <isbn>0374710414</isbn>
    <user_name>Katie</user_name>
    <user_rating>5</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Tue, 27 Dec 2016 21:33:56 -0800]]></user_date_added>
    <user_date_created><![CDATA[Tue, 27 Dec 2016 21:33:55 -0800]]></user_date_created>
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    <user_review></user_review>
    <average_rating>3.94</average_rating>
    <book_published>2016</book_published>
    <description>
      <![CDATA[
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                                      author: Frances Wilson<br/>
                                      name: Katie<br/>
                                      average rating: 3.94<br/>
                                      book published: 2016<br/>
                                      rating: 5<br/>
                                      read at: <br/>
                                      date added: 2016/12/27<br/>
                                      shelves: <br/>
                                      review: <br/><br/>
                                      ]]>
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    <guid><![CDATA[https://www.goodreads.com/review/show/1830176113?utm_medium=api&utm_source=rss]]></guid>
    <pubDate><![CDATA[Sun, 04 Dec 2016 22:01:34 -0800]]></pubDate>
    <title>Az utolsó farkas</title>
    <link><![CDATA[https://www.goodreads.com/review/show/1830176113?utm_medium=api&utm_source=rss]]></link>
    <book_id>10394128</book_id>
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    <book_description><![CDATA[Egyetlen, tökéletes rendszerű, gyönyörű mondat, amelyből megrázó erővel és szépséggel bontakozik ki a kor szelleme, az emberi magány és egy drámai történet - ez az összetéveszthetetlen ,,Krasznahorkai-elbeszélés". A kortárs magyar irodalom egyik kiemelkedő alakjának remekműve, kitűnő ajándékkönyv a szerző és az irodalom rajongóinak.]]></book_description>
    <book id="10394128">
      <num_pages>72</num_pages>
    </book>
    <author_name>László Krasznahorkai</author_name>
    <isbn>9631427455</isbn>
    <user_name>Katie</user_name>
    <user_rating>5</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Sun, 04 Dec 2016 22:01:34 -0800]]></user_date_added>
    <user_date_created><![CDATA[Sun, 04 Dec 2016 22:01:33 -0800]]></user_date_created>
    <user_shelves></user_shelves>
    <user_review></user_review>
    <average_rating>4.23</average_rating>
    <book_published>2009</book_published>
    <description>
      <![CDATA[
      <a href="https://www.goodreads.com/book/show/10394128-az-utols-farkas?utm_medium=api&amp;utm_source=rss"><img alt="Az utolsó farkas" src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1465418045l/10394128._SY75_.jpg" /></a><br/>
                                      author: László Krasznahorkai<br/>
                                      name: Katie<br/>
                                      average rating: 4.23<br/>
                                      book published: 2009<br/>
                                      rating: 5<br/>
                                      read at: <br/>
                                      date added: 2016/12/04<br/>
                                      shelves: <br/>
                                      review: <br/><br/>
                                      ]]>
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    <guid><![CDATA[https://www.goodreads.com/review/show/1797520922?utm_medium=api&utm_source=rss]]></guid>
    <pubDate><![CDATA[Sat, 29 Oct 2016 12:30:34 -0700]]></pubDate>
    <title><![CDATA[Lost Profiles: Memoirs of Cubism, Dada, and Surrealism]]></title>
    <link><![CDATA[https://www.goodreads.com/review/show/1797520922?utm_medium=api&utm_source=rss]]></link>
    <book_id>29633734</book_id>
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    <book_description><![CDATA[Poet Alan Bernheimer provides a long overdue English translation of this French literary classic—<i>Lost Profiles</i> is a retrospective of a crucial period in modernism, written by co-founder of the Surrealist Movement. Opening with a reminiscence of the international Dada movement in the late 1910s and its transformation into the beginnings of surrealism, <i>Lost Profiles</i> then proceeds to usher its readers into encounters with a variety of literary lions. We meet an elegant Marcel Proust, renting five adjoining rooms at an expensive hotel to "contain" the silence needed to produce <i>Remembrance of Things Past</i>; an exhausted James Joyce putting himself through grueling translation sessions for <i>Finnegans Wake</i>; and an enigmatic Apollinaire in search of the ultimate <i>objet trouvé</i>. Soupault sketches lively portraits of surrealist precursors like Pierre Reverdy and Blaise Cendrars, a moving account of his tragic fellow surrealist René Crevel, and the story of his unlikely friendship with right-wing anti-Vichy critic George Bernanos. The collection ends with essays on two modernist forerunners, Charles Baudelaire and Henri Rousseau. With an afterword by Ron Padgett recounting his meeting with Soupault in the mid 70's and a preface by André Breton biographer Mark Polizzotti, <i>Lost Profiles</i> confirms Soupault's place in the vanguard of twentieth-century literature.<br /><br />"Philippe Soupault was a central figure in both the Dada and Surrealist movements but throughout his long life walked under no banner except the one of artistic freedom. In this previously untranslated book, he gives us a collection of richly remembered portraits of some of his best-loved friends from the old days of the new modernism. As a glimpse into that time, these lost portraits are invaluable—and often deeply moving."—<b>Paul Auster</b>, author of <i>Report from the Interior</i><br /><br />"Reading Alan Bernheimer's splendid translation of Soupault's memoir, I forgot that it was a translation, that it was Soupault writing or talking about another time, about his friends of one century past. I read myself into these vivid and virile (so, sue me!) assaults on time, and Time stopped."—<b>Andrei Codrescu</b>, author of <i>The Posthuman Dada Guide: Tzara and Lenin Play Chess</i><br /><br />"Philippe Soupault was present at the creation of both Dada and Surrealism—collaborating with André Breton to produce <i>The Magnetic Fields</i>, the first book of automatic writing—before going his own way as a poet, novelist, and journalist. In this present volume, Soupault's fierce independence, deep wit, and generous heart shine through a set of sharply observed portraits of European writers—fellow geniuses, most of them known to him personally. Alan Bernheimer's fine translation allows Soupault's vibrant voice to come to life in our time, and to reanimate in turn some of the greatest spirits of the past century's literature—a marvelous and much-needed apparition."—<b>Andrew Joron</b>, author of <i>Trance Archive: New and Selected Poems</i><br /><br />"In this dazzling book—adroitly, smoothly &amp; accurately translated by poet Alan Bernheimer—poet &amp; co-founder of Surrealism Philippe Soupault trains his great secret eye &amp; ear to auscultate an astounding range of core 20th century literary figures he knew personally. And does so with serenity, humor &amp; profound insight. Like none of the academic histories covering this period, no matter how well written and documented, this book makes you say as you devour it: 'Wish I had been there.' Enough said, I’m going to call René Crevel right now."—<b>Pierre Joris</b>, author of <i>Barzakh: Poems 2000-2012</i><br /><br /><b>Philippe Soupault</b> (1897-1990) served in the French army during WWI and subsequently joined the Dada movement. In 1919, he collaborated with André Breton on the automatic text <i>Les Champs magnétiques</i>, launching the surrealist movement. In the years that followed, he wrote novels and journalism, directed Radio Tunis in Tunisia, and worked for UNESCO.<br /><br /><br />]]></book_description>
    <book id="29633734">
      <num_pages>118</num_pages>
    </book>
    <author_name>Philippe Soupault</author_name>
    <isbn>0872867277</isbn>
    <user_name>Katie</user_name>
    <user_rating>0</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Sat, 29 Oct 2016 12:30:34 -0700]]></user_date_added>
    <user_date_created><![CDATA[Sat, 29 Oct 2016 12:30:33 -0700]]></user_date_created>
    <user_shelves>to-read</user_shelves>
    <user_review></user_review>
    <average_rating>4.13</average_rating>
    <book_published>1963</book_published>
    <description>
      <![CDATA[
      <a href="https://www.goodreads.com/book/show/29633734-lost-profiles?utm_medium=api&amp;utm_source=rss"><img alt="Lost Profiles: Memoirs of Cubism, Dada, and Surrealism" src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1474813905l/29633734._SX50_.jpg" /></a><br/>
                                      author: Philippe Soupault<br/>
                                      name: Katie<br/>
                                      average rating: 4.13<br/>
                                      book published: 1963<br/>
                                      rating: 0<br/>
                                      read at: <br/>
                                      date added: 2016/10/29<br/>
                                      shelves: to-read<br/>
                                      review: <br/><br/>
                                      ]]>
    </description>
  </item>
  <item>
    <guid><![CDATA[https://www.goodreads.com/review/show/1742000451?utm_medium=api&utm_source=rss]]></guid>
    <pubDate><![CDATA[Sun, 28 Aug 2016 22:00:59 -0700]]></pubDate>
    <title><![CDATA[The Possessed: Adventures With Russian Books and the People Who Read Them]]></title>
    <link><![CDATA[https://www.goodreads.com/review/show/1742000451?utm_medium=api&utm_source=rss]]></link>
    <book_id>6763627</book_id>
    <book_image_url><![CDATA[https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1441764218l/6763627._SX50_.jpg]]></book_image_url>
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    <book_description><![CDATA[No one who read Elif Batuman’s first article (in the journal <i>n+1</i>) will ever forget it. “Babel in California” told the true story of various human destinies intersecting at Stanford University during a conference about the enigmatic writer Isaac Babel. Over the course of several pages, Batuman managed to misplace Babel’s last living relatives at the San Francisco airport, uncover Babel’s secret influence on the making of <i>King Kong</i>, and introduce her readers to a new voice that was unpredictable, comic, humane, ironic, charming, poignant, and completely, unpretentiously full of love for literature. <br /><br />Batuman’s subsequent pieces—for <i>The New Yorker</i>, <i>Harper’s Magazine</i>, and the <i>London Review of Books</i>— have made her one of the most sought-after and admired writers of her generation, and its best traveling companion. In <i>The Possessed </i>we watch her investigate a possible murder at Tolstoy’s ancestral estate. We go with her to Stanford, Switzerland, and St. Petersburg; retrace Pushkin’s wanderings in the Caucasus; learn why Old Uzbek has one hundred different words for crying; and see an eighteenth-century ice palace reconstructed on the Neva. <br /><br />Love and the novel, the individual in history, the existential plight of the graduate student: all find their place in <i>The Possessed</i>. Literally and metaphorically following the footsteps of her favorite authors, Batuman searches for the answers to the big questions in the details of lived experience, combining fresh readings of the great Russians, from Pushkin to Platonov, with the sad and funny stories of the lives they continue to influence—including her own.]]></book_description>
    <book id="6763627">
      <num_pages>296</num_pages>
    </book>
    <author_name>Elif Batuman</author_name>
    <isbn>0374532184</isbn>
    <user_name>Katie</user_name>
    <user_rating>3</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Sun, 28 Aug 2016 22:00:59 -0700]]></user_date_added>
    <user_date_created><![CDATA[Sun, 28 Aug 2016 22:00:59 -0700]]></user_date_created>
    <user_shelves></user_shelves>
    <user_review></user_review>
    <average_rating>3.73</average_rating>
    <book_published>2010</book_published>
    <description>
      <![CDATA[
      <a href="https://www.goodreads.com/book/show/6763627-the-possessed?utm_medium=api&amp;utm_source=rss"><img alt="The Possessed: Adventures With Russian Books and the People Who Read Them" src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1441764218l/6763627._SX50_.jpg" /></a><br/>
                                      author: Elif Batuman<br/>
                                      name: Katie<br/>
                                      average rating: 3.73<br/>
                                      book published: 2010<br/>
                                      rating: 3<br/>
                                      read at: <br/>
                                      date added: 2016/08/28<br/>
                                      shelves: <br/>
                                      review: <br/><br/>
                                      ]]>
    </description>
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    <guid><![CDATA[https://www.goodreads.com/review/show/1692117329?utm_medium=api&utm_source=rss]]></guid>
    <pubDate><![CDATA[Fri, 08 Jul 2016 12:53:25 -0700]]></pubDate>
    <title><![CDATA[A Supposedly Fun Thing I'll Never Do Again:  Essays and Arguments]]></title>
    <link><![CDATA[https://www.goodreads.com/review/show/1692117329?utm_medium=api&utm_source=rss]]></link>
    <book_id>6748</book_id>
    <book_image_url><![CDATA[https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1438206388l/6748._SY75_.jpg]]></book_image_url>
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    <book_description><![CDATA[In this exuberantly praised book — a collection of seven pieces on subjects ranging from television to tennis, from the Illinois State Fair to the films of David Lynch, from postmodern literary theory to the supposed fun of traveling aboard a Caribbean luxury cruiseliner — David Foster Wallace brings to nonfiction the same curiosity, hilarity, and exhilarating verbal facility that has delighted readers of his fiction, including the bestselling <i>Infinite Jest</i>.]]></book_description>
    <book id="6748">
      <num_pages>353</num_pages>
    </book>
    <author_name>David Foster Wallace</author_name>
    <isbn>0316925284</isbn>
    <user_name>Katie</user_name>
    <user_rating>5</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Fri, 08 Jul 2016 12:53:25 -0700]]></user_date_added>
    <user_date_created><![CDATA[Fri, 08 Jul 2016 12:53:24 -0700]]></user_date_created>
    <user_shelves></user_shelves>
    <user_review></user_review>
    <average_rating>4.24</average_rating>
    <book_published>1997</book_published>
    <description>
      <![CDATA[
      <a href="https://www.goodreads.com/book/show/6748.A_Supposedly_Fun_Thing_I_ll_Never_Do_Again?utm_medium=api&amp;utm_source=rss"><img alt="A Supposedly Fun Thing I&#39;ll Never Do Again:  Essays and Arguments" src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1438206388l/6748._SY75_.jpg" /></a><br/>
                                      author: David Foster Wallace<br/>
                                      name: Katie<br/>
                                      average rating: 4.24<br/>
                                      book published: 1997<br/>
                                      rating: 5<br/>
                                      read at: <br/>
                                      date added: 2016/07/08<br/>
                                      shelves: <br/>
                                      review: <br/><br/>
                                      ]]>
    </description>
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    <guid><![CDATA[https://www.goodreads.com/review/show/1652676464?utm_medium=api&utm_source=rss]]></guid>
    <pubDate><![CDATA[Sun, 29 May 2016 18:32:26 -0700]]></pubDate>
    <title>Disturbance of the Inner Ear</title>
    <link><![CDATA[https://www.goodreads.com/review/show/1652676464?utm_medium=api&utm_source=rss]]></link>
    <book_id>223480</book_id>
    <book_image_url><![CDATA[https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1438091150l/223480._SY75_.jpg]]></book_image_url>
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    <book_description><![CDATA[Haunted by Holocaust memories, former cello prodigy Isabel Masurovsky takes a job teaching a millionaire's son to play, while gigolo Giulio works to seduce Isabel away from her past so that she can perform again. A first novel. Reprint.]]></book_description>
    <book id="223480">
      <num_pages>277</num_pages>
    </book>
    <author_name>Joyce Hackett</author_name>
    <isbn>078671218X</isbn>
    <user_name>Katie</user_name>
    <user_rating>0</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Sun, 29 May 2016 18:32:26 -0700]]></user_date_added>
    <user_date_created><![CDATA[Sun, 29 May 2016 18:32:26 -0700]]></user_date_created>
    <user_shelves>to-read</user_shelves>
    <user_review></user_review>
    <average_rating>2.82</average_rating>
    <book_published>2002</book_published>
    <description>
      <![CDATA[
      <a href="https://www.goodreads.com/book/show/223480.Disturbance_of_the_Inner_Ear?utm_medium=api&amp;utm_source=rss"><img alt="Disturbance of the Inner Ear" src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1438091150l/223480._SY75_.jpg" /></a><br/>
                                      author: Joyce Hackett<br/>
                                      name: Katie<br/>
                                      average rating: 2.82<br/>
                                      book published: 2002<br/>
                                      rating: 0<br/>
                                      read at: <br/>
                                      date added: 2016/05/29<br/>
                                      shelves: to-read<br/>
                                      review: <br/><br/>
                                      ]]>
    </description>
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  <item>
    <guid><![CDATA[https://www.goodreads.com/review/show/1636703399?utm_medium=api&utm_source=rss]]></guid>
    <pubDate><![CDATA[Thu, 12 May 2016 22:52:59 -0700]]></pubDate>
    <title>Alive: New and Selected Poems</title>
    <link><![CDATA[https://www.goodreads.com/review/show/1636703399?utm_medium=api&utm_source=rss]]></link>
    <book_id>22748018</book_id>
    <book_image_url><![CDATA[https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1410805618l/22748018._SY75_.jpg]]></book_image_url>
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    <book_description><![CDATA[Finalist for the 2016 Pulitzer Prize in Poetry<br /><br />American poet Elizabeth Willis has written an electrifying body of work spanning more than twenty years. With a wild and inquisitive lyricism, Willis—“one of the most outstanding poets of her generation” (Susan Howe)—draws us into intricate patterns of thought and feeling. The intimate and civic address of these poems is laced with subterranean affinities among painters, botanists, politicians, witches and agitators. Coursing through this work is the clarity and resistance of a world that asks the poem to rise to this, to speak its fury .]]></book_description>
    <book id="22748018">
      <num_pages>208</num_pages>
    </book>
    <author_name>Elizabeth Willis</author_name>
    <isbn>1590178645</isbn>
    <user_name>Katie</user_name>
    <user_rating>5</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Thu, 12 May 2016 22:52:59 -0700]]></user_date_added>
    <user_date_created><![CDATA[Thu, 12 May 2016 22:52:57 -0700]]></user_date_created>
    <user_shelves></user_shelves>
    <user_review></user_review>
    <average_rating>3.96</average_rating>
    <book_published>2015</book_published>
    <description>
      <![CDATA[
      <a href="https://www.goodreads.com/book/show/22748018-alive?utm_medium=api&amp;utm_source=rss"><img alt="Alive: New and Selected Poems" src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1410805618l/22748018._SY75_.jpg" /></a><br/>
                                      author: Elizabeth Willis<br/>
                                      name: Katie<br/>
                                      average rating: 3.96<br/>
                                      book published: 2015<br/>
                                      rating: 5<br/>
                                      read at: <br/>
                                      date added: 2016/05/12<br/>
                                      shelves: <br/>
                                      review: <br/><br/>
                                      ]]>
    </description>
  </item>
  <item>
    <guid><![CDATA[https://www.goodreads.com/review/show/1631814001?utm_medium=api&utm_source=rss]]></guid>
    <pubDate><![CDATA[Sat, 07 May 2016 15:48:12 -0700]]></pubDate>
    <title>Come Back, Dr. Caligari</title>
    <link><![CDATA[https://www.goodreads.com/review/show/1631814001?utm_medium=api&utm_source=rss]]></link>
    <book_id>664236</book_id>
    <book_image_url><![CDATA[https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1661100868l/664236._SY75_.jpg]]></book_image_url>
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    <book_description><![CDATA[In 1964, Barthelme collected his early stories in Come Back, Dr. Caligari, for which he received considerable critical acclaim as an innovator of the short story form. His style (fictional and popular figures in absurd situations, e.g., the Batman-inspired "The Joker's Greatest Triumph"), spawned a number of imitators and would help to define the next several decades of short fiction.]]></book_description>
    <book id="664236">
      <num_pages>184</num_pages>
    </book>
    <author_name>Donald Barthelme</author_name>
    <isbn>0316082546</isbn>
    <user_name>Katie</user_name>
    <user_rating>5</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Sat, 07 May 2016 15:48:12 -0700]]></user_date_added>
    <user_date_created><![CDATA[Sat, 07 May 2016 15:48:11 -0700]]></user_date_created>
    <user_shelves></user_shelves>
    <user_review></user_review>
    <average_rating>3.85</average_rating>
    <book_published>1964</book_published>
    <description>
      <![CDATA[
      <a href="https://www.goodreads.com/book/show/664236.Come_Back_Dr_Caligari?utm_medium=api&amp;utm_source=rss"><img alt="Come Back, Dr. Caligari" src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1661100868l/664236._SY75_.jpg" /></a><br/>
                                      author: Donald Barthelme<br/>
                                      name: Katie<br/>
                                      average rating: 3.85<br/>
                                      book published: 1964<br/>
                                      rating: 5<br/>
                                      read at: <br/>
                                      date added: 2016/05/07<br/>
                                      shelves: <br/>
                                      review: <br/><br/>
                                      ]]>
    </description>
  </item>
  <item>
    <guid><![CDATA[https://www.goodreads.com/review/show/1438564906?utm_medium=api&utm_source=rss]]></guid>
    <pubDate><![CDATA[Mon, 08 Feb 2016 17:23:53 -0800]]></pubDate>
    <title>The Sleep Garden</title>
    <link><![CDATA[https://www.goodreads.com/review/show/1438564906?utm_medium=api&utm_source=rss]]></link>
    <book_id>25690473</book_id>
    <book_image_url><![CDATA[https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1450005705l/25690473._SY75_.jpg]]></book_image_url>
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    <book_description><![CDATA[In an underground apartment building called “the Burrow”-essentially purgatory—“twilight souls” inhabit the space between life and death. Interwoven with their stories are those of inhabitants of the living world: a retired sea captain, a psychotic former child actor (possibly the sea captain’s illegitimate son?), and the technicians who monitor the Burrow, making sure its occupants have a constant supply of oxygen and food. Through all of their stories, and the ways in which their lives, past and present, intertwine, Krusoe creates a poignant story about what constitutes a life, what remains when we die, and what we possibly carry with us into the next world. ]]></book_description>
    <book id="25690473">
      <num_pages>342</num_pages>
    </book>
    <author_name>Jim Krusoe</author_name>
    <isbn>1941040187</isbn>
    <user_name>Katie</user_name>
    <user_rating>5</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Mon, 08 Feb 2016 17:23:53 -0800]]></user_date_added>
    <user_date_created><![CDATA[Mon, 09 Nov 2015 23:00:23 -0800]]></user_date_created>
    <user_shelves></user_shelves>
    <user_review></user_review>
    <average_rating>3.37</average_rating>
    <book_published>2016</book_published>
    <description>
      <![CDATA[
      <a href="https://www.goodreads.com/book/show/25690473-the-sleep-garden?utm_medium=api&amp;utm_source=rss"><img alt="The Sleep Garden" src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1450005705l/25690473._SY75_.jpg" /></a><br/>
                                      author: Jim Krusoe<br/>
                                      name: Katie<br/>
                                      average rating: 3.37<br/>
                                      book published: 2016<br/>
                                      rating: 5<br/>
                                      read at: <br/>
                                      date added: 2016/02/08<br/>
                                      shelves: <br/>
                                      review: <br/><br/>
                                      ]]>
    </description>
  </item>
  <item>
    <guid><![CDATA[https://www.goodreads.com/review/show/1510163152?utm_medium=api&utm_source=rss]]></guid>
    <pubDate><![CDATA[Thu, 14 Jan 2016 22:05:16 -0800]]></pubDate>
    <title>The Collected Works, Vol. 1</title>
    <link><![CDATA[https://www.goodreads.com/review/show/1510163152?utm_medium=api&utm_source=rss]]></link>
    <book_id>15712189</book_id>
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    <book_description><![CDATA["Scott McClanahan is a powerful, exceptional writer, and the overall effect of reading his deceptively simple stories is like getting hit in the head by a champion cage fighter cranked up on meth that was cooked in a trailer without running water in some Kentucky backwoods where people sing murder ballads to their children to put them to sleep." -DONALD RAY POLLOCK, author of "The Devil All the Time"<br /><br />"He might be one of the great southern storytellers of our time." -VOL. 1 BROOKLYN<br /><br />"When I discovered the stories of Scott McClanahan last year, I was instantly enthralled with his natural storytelling voice and freaky funny tales. There's no pretense to Scott's work. It's like you're just dropped right into the middle of these fantastic and true stories. It's like a sweet blend of my favorite southern writers, Larry Brown and Harry Crews. Reading McClanahan is like listening to a good friend telling you his best real-life stories on your back porch on a humid night. And you both got a nice whiskey buzz going." -KEVIN SAMPSELL, author of "A Common Pornography"<br /><br />"McClanahan's prose is unfettered and kinetic and his stories seem like a hyper-modern iteration of local color fiction. His delivery is guileless and his morality ambivalent and you get the sense, while reading him, that he is sitting next to you on a barstool, eating peanuts and drinking a beer, and intermittently getting up to pick a song on the jukebox." -THE RUMPUS<br /><br />"Reads like Bukowski with more surprises." -IMPOSE MAGAZINE]]></book_description>
    <book id="15712189">
      <num_pages>132</num_pages>
    </book>
    <author_name>Scott McClanahan</author_name>
    <isbn>1621050335</isbn>
    <user_name>Katie</user_name>
    <user_rating>0</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Thu, 14 Jan 2016 22:05:16 -0800]]></user_date_added>
    <user_date_created><![CDATA[Thu, 14 Jan 2016 22:05:15 -0800]]></user_date_created>
    <user_shelves>to-read</user_shelves>
    <user_review></user_review>
    <average_rating>4.45</average_rating>
    <book_published>2012</book_published>
    <description>
      <![CDATA[
      <a href="https://www.goodreads.com/book/show/15712189-the-collected-works-vol-1?utm_medium=api&amp;utm_source=rss"><img alt="The Collected Works, Vol. 1" src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1340077310l/15712189._SY75_.jpg" /></a><br/>
                                      author: Scott McClanahan<br/>
                                      name: Katie<br/>
                                      average rating: 4.45<br/>
                                      book published: 2012<br/>
                                      rating: 0<br/>
                                      read at: <br/>
                                      date added: 2016/01/14<br/>
                                      shelves: to-read<br/>
                                      review: <br/><br/>
                                      ]]>
    </description>
  </item>
  <item>
    <guid><![CDATA[https://www.goodreads.com/review/show/1493852046?utm_medium=api&utm_source=rss]]></guid>
    <pubDate><![CDATA[Sun, 03 Jan 2016 17:18:23 -0800]]></pubDate>
    <title>The Price of Salt</title>
    <link><![CDATA[https://www.goodreads.com/review/show/1493852046?utm_medium=api&utm_source=rss]]></link>
    <book_id>52258</book_id>
    <book_image_url><![CDATA[https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1628139806l/52258._SX50_.jpg]]></book_image_url>
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    <book_description><![CDATA[Patricia Highsmith's story of sexual obsession may be one of the most important, but still largely unrecognized, novels of the twentieth century. First published in 1952 under the pseudonym Claire Morgan and touted as "the novel of a love society forbids," the book soon became a cult classic. Yet it was always relegated to a mystery subgenre and never before given the literary recognition that it is now receiving. Based on a true story plucked from Highsmith's own life, <i>The Price of Salt</i> tells the riveting story of Therese Belivet, a stage designer trapped in a department store day job, whose routine is forever shattered by an erotic epiphany - the appearance of Carol Aird, a customer who comes in to buy her daughter a Christmas toy. Therese begins to stalk the alluring suburban housewife, who is trapped in a marriage as stultifying as Therese's job. They fall in love and set out across the United States, pursued by a private investigator who eventually blackmails Carol in a choice between her daughter and her lover.]]></book_description>
    <book id="52258">
      <num_pages>262</num_pages>
    </book>
    <author_name>Patricia Highsmith</author_name>
    <isbn>0393325997</isbn>
    <user_name>Katie</user_name>
    <user_rating>0</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Sun, 03 Jan 2016 17:18:23 -0800]]></user_date_added>
    <user_date_created><![CDATA[Sun, 03 Jan 2016 17:18:22 -0800]]></user_date_created>
    <user_shelves>to-read</user_shelves>
    <user_review></user_review>
    <average_rating>4.04</average_rating>
    <book_published>1952</book_published>
    <description>
      <![CDATA[
      <a href="https://www.goodreads.com/book/show/52258.The_Price_of_Salt?utm_medium=api&amp;utm_source=rss"><img alt="The Price of Salt" src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1628139806l/52258._SX50_.jpg" /></a><br/>
                                      author: Patricia Highsmith<br/>
                                      name: Katie<br/>
                                      average rating: 4.04<br/>
                                      book published: 1952<br/>
                                      rating: 0<br/>
                                      read at: <br/>
                                      date added: 2016/01/03<br/>
                                      shelves: to-read<br/>
                                      review: <br/><br/>
                                      ]]>
    </description>
  </item>
  <item>
    <guid><![CDATA[https://www.goodreads.com/review/show/1446299756?utm_medium=api&utm_source=rss]]></guid>
    <pubDate><![CDATA[Sun, 03 Jan 2016 17:17:57 -0800]]></pubDate>
    <title><![CDATA[Madness, Rack, and Honey: Collected Lectures]]></title>
    <link><![CDATA[https://www.goodreads.com/review/show/1446299756?utm_medium=api&utm_source=rss]]></link>
    <book_id>13237099</book_id>
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    <book_description><![CDATA[Over the course of fifteen years, Mary Ruefle delivered a lecture every six months to a group of poetry graduate students. Collected here for the first time, these lectures include "Poetry and the Moon," "Someone Reading a Book Is a Sign of Order in the World," and "Lectures I Will Never Give." Intellectually virtuosic, instructive, and experiential, <i>Madness, Rack, and Honey</i> resists definition, demanding instead an utter—and utterly pleasurable—immersion.<br /><br /><b>Mary Ruefle</b> has published more than a dozen books of poetry, prose, and erasures. She lives in Vermont.]]></book_description>
    <book id="13237099">
      <num_pages>326</num_pages>
    </book>
    <author_name>Mary Ruefle</author_name>
    <isbn>1933517573</isbn>
    <user_name>Katie</user_name>
    <user_rating>3</user_rating>
    <user_read_at><![CDATA[Sun, 3 Jan 2016 00:00:00 +0000]]></user_read_at>
    <user_date_added><![CDATA[Sun, 03 Jan 2016 17:17:57 -0800]]></user_date_added>
    <user_date_created><![CDATA[Wed, 18 Nov 2015 17:02:31 -0800]]></user_date_created>
    <user_shelves></user_shelves>
    <user_review></user_review>
    <average_rating>4.42</average_rating>
    <book_published>2012</book_published>
    <description>
      <![CDATA[
      <a href="https://www.goodreads.com/book/show/13237099-madness-rack-and-honey?utm_medium=api&amp;utm_source=rss"><img alt="Madness, Rack, and Honey: Collected Lectures" src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1348707245l/13237099._SX50_.jpg" /></a><br/>
                                      author: Mary Ruefle<br/>
                                      name: Katie<br/>
                                      average rating: 4.42<br/>
                                      book published: 2012<br/>
                                      rating: 3<br/>
                                      read at: 2016/01/03<br/>
                                      date added: 2016/01/03<br/>
                                      shelves: <br/>
                                      review: <br/><br/>
                                      ]]>
    </description>
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    <guid><![CDATA[https://www.goodreads.com/review/show/1491934497?utm_medium=api&utm_source=rss]]></guid>
    <pubDate><![CDATA[Sat, 02 Jan 2016 19:14:10 -0800]]></pubDate>
    <title>The Sea and the Mirror</title>
    <link><![CDATA[https://www.goodreads.com/review/show/1491934497?utm_medium=api&utm_source=rss]]></link>
    <book_id>235730</book_id>
    <book_image_url><![CDATA[https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1348064637l/235730._SY75_.jpg]]></book_image_url>
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    <book_description><![CDATA[Written in the midst of World War II after its author emigrated to America, "The Sea and the Mirror" is not merely a great poem but ranks as one of the most profound interpretations of Shakespeare's final play in the twentieth century. As W. H. Auden told friends, it is "really about the Christian conception of art" and it is "my Ars Poetica, in the same way I believe <i>The Tempest</i> to be Shakespeare's." This is the first critical edition. Arthur Kirsch's introduction and notes make the poem newly accessible to readers of Auden, readers of Shakespeare, and all those interested in the relation of life and literature--those two classic themes alluded to in its title.<br /><br />The poem begins in a theater after a performance of <i>The Tempest</i> has ended. It includes a moving speech in verse by Prospero bidding farewell to Ariel, a section in which the supporting characters speak in a dazzling variety of verse forms about their experiences on the island, and an extravagantly inventive section in prose that sees the uncivilized Caliban address the audience on art--an unalloyed example of what Auden's friend Oliver Sachs has called his "wild, extraordinary and demonic imagination."<br /><br />Besides annotating Auden's allusions and sources (in notes after the text), Kirsch provides extensive quotations from his manuscript drafts, permitting the reader to follow the poem's genesis in Auden's imagination. This book, which incorporates for the first time previously ignored corrections that Auden made on the galleys of the first edition, also provides an unusual opportunity to see the effect of one literary genius upon another.]]></book_description>
    <book id="235730">
      <num_pages>152</num_pages>
    </book>
    <author_name>W.H. Auden</author_name>
    <isbn>0691123845</isbn>
    <user_name>Katie</user_name>
    <user_rating>5</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Sat, 02 Jan 2016 19:14:10 -0800]]></user_date_added>
    <user_date_created><![CDATA[Sat, 02 Jan 2016 19:14:09 -0800]]></user_date_created>
    <user_shelves></user_shelves>
    <user_review></user_review>
    <average_rating>4.00</average_rating>
    <book_published>1944</book_published>
    <description>
      <![CDATA[
      <a href="https://www.goodreads.com/book/show/235730.The_Sea_and_the_Mirror?utm_medium=api&amp;utm_source=rss"><img alt="The Sea and the Mirror" src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1348064637l/235730._SY75_.jpg" /></a><br/>
                                      author: W.H. Auden<br/>
                                      name: Katie<br/>
                                      average rating: 4.00<br/>
                                      book published: 1944<br/>
                                      rating: 5<br/>
                                      read at: <br/>
                                      date added: 2016/01/02<br/>
                                      shelves: <br/>
                                      review: <br/><br/>
                                      ]]>
    </description>
  </item>
  <item>
    <guid><![CDATA[https://www.goodreads.com/review/show/1483481959?utm_medium=api&utm_source=rss]]></guid>
    <pubDate><![CDATA[Mon, 28 Dec 2015 13:40:14 -0800]]></pubDate>
    <title>Selected Poems</title>
    <link><![CDATA[https://www.goodreads.com/review/show/1483481959?utm_medium=api&utm_source=rss]]></link>
    <book_id>1051959</book_id>
    <book_image_url><![CDATA[https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1348060136l/1051959._SY75_.jpg]]></book_image_url>
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    <book_description><![CDATA['I would have a poet able bodied, fond of talking, a reader of the newspapers, capable of pity and laughter, informed in economics, appreciative of women, involved in personal relationships, actively interested in politics, susceptible to physical impressions.'<br />Louis MacNeice's prescription is designed to look ordinary, rather than esoteric, but very little poetry can claim to meet these specifications, stringent in their very wideness. MacNeice's work matches the world he famously described as 'incorrigibly plural.'<br /><br />Michael Longley, himself a distinguished Ulster poet, has written an introductory essay of meticulous advocacy. His wife, the critic Edna Longley, has supplied the apparatus for students and the general reader.]]></book_description>
    <book id="1051959">
      <num_pages>192</num_pages>
    </book>
    <author_name>Louis MacNeice</author_name>
    <isbn>0571233813</isbn>
    <user_name>Katie</user_name>
    <user_rating>4</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Mon, 28 Dec 2015 13:40:14 -0800]]></user_date_added>
    <user_date_created><![CDATA[Mon, 28 Dec 2015 13:40:13 -0800]]></user_date_created>
    <user_shelves></user_shelves>
    <user_review></user_review>
    <average_rating>4.13</average_rating>
    <book_published></book_published>
    <description>
      <![CDATA[
      <a href="https://www.goodreads.com/book/show/1051959.Selected_Poems?utm_medium=api&amp;utm_source=rss"><img alt="Selected Poems" src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1348060136l/1051959._SY75_.jpg" /></a><br/>
                                      author: Louis MacNeice<br/>
                                      name: Katie<br/>
                                      average rating: 4.13<br/>
                                      book published: <br/>
                                      rating: 4<br/>
                                      read at: <br/>
                                      date added: 2015/12/28<br/>
                                      shelves: <br/>
                                      review: <br/><br/>
                                      ]]>
    </description>
  </item>
  <item>
    <guid><![CDATA[https://www.goodreads.com/review/show/1467029968?utm_medium=api&utm_source=rss]]></guid>
    <pubDate><![CDATA[Sat, 12 Dec 2015 13:21:19 -0800]]></pubDate>
    <title><![CDATA[A Musical Hell (New Directions Poetry Pamphlets)]]></title>
    <link><![CDATA[https://www.goodreads.com/review/show/1467029968?utm_medium=api&utm_source=rss]]></link>
    <book_id>16241810</book_id>
    <book_image_url><![CDATA[https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1358744967l/16241810._SY75_.jpg]]></book_image_url>
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    <book_description><![CDATA[Em “O inferno musical” (último livro de Alejandra Pizarnik, publicado em 1971, um ano antes de sua morte), a poeta argentina escreveu: “Quem me dera viver somente em êxtase, fazendo o corpo do poema com meu corpo, resgatando cada frase com meus dias e com minhas semanas”. Esse fragmento tem um ar surrealista, entendido como uma continuidade entre o caminho criativo e a experiência de vida da poeta. Mas, acima de tudo, resume aquela já famosa intensidade com que Alejandra escreveu. Um processo em que a leitura de diferentes tradições, a escrita cuidadosa, a compreensão da poesia como ferramenta para perfurar paredes da linguagem e o reconhecimento de que tudo o que ela tentava captar no papel tinha que partir de si mesma, mas se transmutar em algo mais do que memória ou escavação psicanalítica; tornado em experiência poética, comunhão com os outros.]]></book_description>
    <book id="16241810">
      <num_pages>48</num_pages>
    </book>
    <author_name>Alejandra Pizarnik</author_name>
    <isbn>0811220966</isbn>
    <user_name>Katie</user_name>
    <user_rating>0</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Sat, 12 Dec 2015 13:21:19 -0800]]></user_date_added>
    <user_date_created><![CDATA[Sat, 12 Dec 2015 13:21:19 -0800]]></user_date_created>
    <user_shelves>to-read</user_shelves>
    <user_review></user_review>
    <average_rating>4.24</average_rating>
    <book_published>1971</book_published>
    <description>
      <![CDATA[
      <a href="https://www.goodreads.com/book/show/16241810-a-musical-hell?utm_medium=api&amp;utm_source=rss"><img alt="A Musical Hell (New Directions Poetry Pamphlets)" src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1358744967l/16241810._SY75_.jpg" /></a><br/>
                                      author: Alejandra Pizarnik<br/>
                                      name: Katie<br/>
                                      average rating: 4.24<br/>
                                      book published: 1971<br/>
                                      rating: 0<br/>
                                      read at: <br/>
                                      date added: 2015/12/12<br/>
                                      shelves: to-read<br/>
                                      review: <br/><br/>
                                      ]]>
    </description>
  </item>
  <item>
    <guid><![CDATA[https://www.goodreads.com/review/show/1459249798?utm_medium=api&utm_source=rss]]></guid>
    <pubDate><![CDATA[Thu, 03 Dec 2015 13:02:35 -0800]]></pubDate>
    <title><![CDATA[Burdens by Water: An Unintended Memoir]]></title>
    <link><![CDATA[https://www.goodreads.com/review/show/1459249798?utm_medium=api&utm_source=rss]]></link>
    <book_id>27793754</book_id>
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    <book_description><![CDATA[In a series of strangely resilient personal adventures–often beginning with breakups, and fueled by a sense of "invincible longing"–essayist Alan Rifkin flings himself at the last vestiges of the Southern California Dream. He chases summer with a pool man, lives with monks in a Santa Barbara monastery, joins a dysfunctional Los Angeles writing club, communes with wild dolphins, traces the steps of Otzi the Iceman, emulates a Bible-based marriage, and confronts his mother's last season in his beloved San Fernando Valley, in each case wrestling with mysteries of heaven and earth. By the time he looks up, he has waded deep into the complications of later life–compromised love, family tragedy, and what it might mean to be a grownup in the 21st century West.]]></book_description>
    <book id="27793754">
      <num_pages>216</num_pages>
    </book>
    <author_name>Alan Rifkin</author_name>
    <isbn>1941932045</isbn>
    <user_name>Katie</user_name>
    <user_rating>0</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Thu, 03 Dec 2015 13:02:35 -0800]]></user_date_added>
    <user_date_created><![CDATA[Thu, 03 Dec 2015 13:02:35 -0800]]></user_date_created>
    <user_shelves>to-read</user_shelves>
    <user_review></user_review>
    <average_rating>4.78</average_rating>
    <book_published></book_published>
    <description>
      <![CDATA[
      <a href="https://www.goodreads.com/book/show/27793754-burdens-by-water?utm_medium=api&amp;utm_source=rss"><img alt="Burdens by Water: An Unintended Memoir" src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1452650712l/27793754._SY75_.jpg" /></a><br/>
                                      author: Alan Rifkin<br/>
                                      name: Katie<br/>
                                      average rating: 4.78<br/>
                                      book published: <br/>
                                      rating: 0<br/>
                                      read at: <br/>
                                      date added: 2015/12/03<br/>
                                      shelves: to-read<br/>
                                      review: <br/><br/>
                                      ]]>
    </description>
  </item>
  <item>
    <guid><![CDATA[https://www.goodreads.com/review/show/1446301877?utm_medium=api&utm_source=rss]]></guid>
    <pubDate><![CDATA[Wed, 18 Nov 2015 17:05:46 -0800]]></pubDate>
    <title>A Little White Shadow</title>
    <link><![CDATA[https://www.goodreads.com/review/show/1446301877?utm_medium=api&utm_source=rss]]></link>
    <book_id>508149</book_id>
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    <book_description><![CDATA[Selectively painting over much of a forgotten nineteenth-century book, Ruefle’s ninth publication brings new meaning to an old story. What remains visible is delicate poetry: artfully rendered, haunted by its former self, yet completely new. A high-quality replica of the original aged, delicate book in which Ruefle “erased” the text, this book will appeal to fans of poetry as well as visual art.<br /><br /><b>Mary Ruefle</b> is the author of <i>Madness, Rack, and Honey: Collected Lectures</i>, a finalist for the 2012 National Book Critics Circle Award in criticism (Wave Books, 2012), and <i>Selected Poems</i> (Wave Books, 2010), winner of the William Carlos Williams Award. She has published ten other books of poetry, a book of prose (<i>The Most of It</i>, Wave Books, 2008), and a comic book, <i>Go Home and Go to Bed!</i>, (Pilot Books/Orange Table Comics, 2007); she is also an erasure artist, whose treatments of nineteenth century texts have been exhibited in museums and galleries, and include the publication of <i>A Little White Shadow</i> (Wave Books, 2006). Ruefle is the recipient of numerous honors, including an Award in Literature from the American Academy of Arts and Letters, a Guggenheim fellowship, a National Endowment for the Arts fellowship, and a Whiting Award. She lives in Bennington, Vermont, and teaches in the MFA program at Vermont College.<br /><br />]]></book_description>
    <book id="508149">
      <num_pages>56</num_pages>
    </book>
    <author_name>Mary Ruefle</author_name>
    <isbn>1933517034</isbn>
    <user_name>Katie</user_name>
    <user_rating>0</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Wed, 18 Nov 2015 17:05:46 -0800]]></user_date_added>
    <user_date_created><![CDATA[Wed, 18 Nov 2015 17:05:45 -0800]]></user_date_created>
    <user_shelves>to-read</user_shelves>
    <user_review></user_review>
    <average_rating>4.12</average_rating>
    <book_published></book_published>
    <description>
      <![CDATA[
      <a href="https://www.goodreads.com/book/show/508149.A_Little_White_Shadow?utm_medium=api&amp;utm_source=rss"><img alt="A Little White Shadow" src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1354903653l/508149._SX50_.jpg" /></a><br/>
                                      author: Mary Ruefle<br/>
                                      name: Katie<br/>
                                      average rating: 4.12<br/>
                                      book published: <br/>
                                      rating: 0<br/>
                                      read at: <br/>
                                      date added: 2015/11/18<br/>
                                      shelves: to-read<br/>
                                      review: <br/><br/>
                                      ]]>
    </description>
  </item>
  <item>
    <guid><![CDATA[https://www.goodreads.com/review/show/1446301803?utm_medium=api&utm_source=rss]]></guid>
    <pubDate><![CDATA[Wed, 18 Nov 2015 17:05:40 -0800]]></pubDate>
    <title>The Most of It</title>
    <link><![CDATA[https://www.goodreads.com/review/show/1446301803?utm_medium=api&utm_source=rss]]></link>
    <book_id>2459339</book_id>
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    <book_description><![CDATA[“[Mary] Ruefle . . . brings us an often unnerving, but always fresh and exhilarating view of our common experience of the world.”—Charles Simic<br /><br />Fans of Lydia Davis and Miranda July will delight in this short prose from a beloved and cutting-edge poet. Here are thirty stories that deliver the soft touch and the sucker punch with stunning aplomb. Ducks, physicists, detectives, and <i>The New York Times</i> all make appearances.<br /><br /><b>From “The Dart and the Drill”:</b><br /><br /><i>I do not believe that when my brother pierced my skull with a succession of darts thrown from across our paneled rec room on the night of November 18th in my sixth year on earth, he was trying to transcend the notions of time and space as contained and protected by the human skull. But who can fathom the complexities of the human brain? Ten years later—this would have been in 1967—the New York Times reported a twenty-four year old man, who held an honor degree in law, died in the process of using a dentist’s drill on his own skull, positioned an inch above his right ear, in an attempt to prove that time and space could be conquered . . .</i><br /><br /><b>Mary Ruefle</b>’s poems and prose have appeared in <i>Harper’s Magazine</i>, <i>The Best American Poetry</i>, and <i>The Next American Essay</i>. Her many awards include NEA and Guggenheim fellowships. She is a frequent visiting professor at the University of Iowa, and she lives and teaches in Vermont.]]></book_description>
    <book id="2459339">
      <num_pages>96</num_pages>
    </book>
    <author_name>Mary Ruefle</author_name>
    <isbn>1933517298</isbn>
    <user_name>Katie</user_name>
    <user_rating>0</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Wed, 18 Nov 2015 17:05:40 -0800]]></user_date_added>
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    <user_shelves>to-read</user_shelves>
    <user_review></user_review>
    <average_rating>4.21</average_rating>
    <book_published>2008</book_published>
    <description>
      <![CDATA[
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                                      author: Mary Ruefle<br/>
                                      name: Katie<br/>
                                      average rating: 4.21<br/>
                                      book published: 2008<br/>
                                      rating: 0<br/>
                                      read at: <br/>
                                      date added: 2015/11/18<br/>
                                      shelves: to-read<br/>
                                      review: <br/><br/>
                                      ]]>
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    <pubDate><![CDATA[Wed, 18 Nov 2015 17:05:36 -0800]]></pubDate>
    <title>Selected Poems</title>
    <link><![CDATA[https://www.goodreads.com/review/show/1446301759?utm_medium=api&utm_source=rss]]></link>
    <book_id>8317890</book_id>
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    <book_description><![CDATA["Mary Ruefle is one of the brilliant American poets of our time. Her work combines the spiritual desperation of Dickinson with the rhetorical virtuosity of Wallace Stevens. The result is a poetry at once ornate and intense; linguistically marvelous, yes, but also as visceral as anything you are likely to encounter."—Tony Hoagland<br /><br />"In poems striking for their vivid, playful, and original use of the imagination, [Mary Ruefle] brings us an often unnerving, but always fresh and exhilarating view of our common experience of the world."—Charles Simic<br /><br /><i>Selected Poems</i> brings together the finest work from Mary Ruefle's distinguished and inimitable poetic career, showcasing the arc of her development as one of the most expert, surprising, and hilarious practitioners of the art. Anyone who wishes for poetry to be both richly challenging and thoroughly entertaining need look no further than this monolithic retrospective by a contemporary master.<br /><br /><b>Mary Ruefle</b>, winner of the 2011 William Carlos Williams Award for <i>Selected Poems</i>, has published ten books of poetry, a book of prose (<i>The Most of It</i>, Wave Books, 2008), and a comic book; she is also an erasure artist whose treatments of nineteenth-century texts have been exhibited in museums and galleries, and published in <i>A Little White Shadow</i> (Wave Books, 2006). Mary is the recipient of numerous honors, including an Award in Literature from the American Academy of Arts and Letters, a Guggenheim fellowship, a National Endowment for the Arts fellowship, and a Whiting Award. She lives in Bennington, Vermont, and teaches in the MFA program at Vermont College.<br /><br /><br />]]></book_description>
    <book id="8317890">
      <num_pages>168</num_pages>
    </book>
    <author_name>Mary Ruefle</author_name>
    <isbn>193351745X</isbn>
    <user_name>Katie</user_name>
    <user_rating>0</user_rating>
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    <average_rating>4.32</average_rating>
    <book_published>2010</book_published>
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                                      author: Mary Ruefle<br/>
                                      name: Katie<br/>
                                      average rating: 4.32<br/>
                                      book published: 2010<br/>
                                      rating: 0<br/>
                                      read at: <br/>
                                      date added: 2015/11/18<br/>
                                      shelves: to-read<br/>
                                      review: <br/><br/>
                                      ]]>
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    <pubDate><![CDATA[Wed, 18 Nov 2015 17:05:33 -0800]]></pubDate>
    <title>Trances of the Blast</title>
    <link><![CDATA[https://www.goodreads.com/review/show/1446301731?utm_medium=api&utm_source=rss]]></link>
    <book_id>17465598</book_id>
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    <book_description><![CDATA["One of the wisest books I've read in years, and it would be a shame to think that only poets will read it."—David Kirby, The New York Times Book Review , on Madness, Rack, and Honey "What a civil, undomesticable, and heartening poet is Mary Ruefle . . . any Ruefle poem is an occasion of resonant wit and language, subject to an exacting intelligence."—Rodney Jones, Poetry Society of America, William Carlos Williams Award citation Trances of the Blast is a major new collection from recent National Book Critics Circle Award finalist Mary Ruefle. Full of Ruefle's particular wisdom and wit, the poems deliver her imaginative take on the world's rifts—its paradoxes, failures, and loss—and help us better appreciate its redeeming strangeness. If only I'd understood that loneliness<br />was just loneliness, only loneliness<br />and nothing more.<br /><br />But I was blind.<br />Little did I know.<br />If only I'd invented salt.<br />I might have died happy.<br />I wish I loved you,<br />but you can't have everything. Mary Ruefle is the author of many books of prose, poetry, and erasures. She is the recipient of the William Carlos Williams Award, an Award in Literature from the American Academy of Arts and Letters, a Guggenheim fellowship, a National Endowment for the Arts fellowship, and a Whiting Award. Her book of lectures, Madness, Rack, and Honey , was named a finalist for the 2012 National Book Critics Circle Award. She lives and teaches in Vermont.]]></book_description>
    <book id="17465598">
      <num_pages>136</num_pages>
    </book>
    <author_name>Mary Ruefle</author_name>
    <isbn>1933517735</isbn>
    <user_name>Katie</user_name>
    <user_rating>0</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Wed, 18 Nov 2015 17:05:33 -0800]]></user_date_added>
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    <user_shelves>to-read</user_shelves>
    <user_review></user_review>
    <average_rating>4.19</average_rating>
    <book_published>2013</book_published>
    <description>
      <![CDATA[
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                                      author: Mary Ruefle<br/>
                                      name: Katie<br/>
                                      average rating: 4.19<br/>
                                      book published: 2013<br/>
                                      rating: 0<br/>
                                      read at: <br/>
                                      date added: 2015/11/18<br/>
                                      shelves: to-read<br/>
                                      review: <br/><br/>
                                      ]]>
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    <pubDate><![CDATA[Wed, 18 Nov 2015 17:05:32 -0800]]></pubDate>
    <title><![CDATA[Indeed I Was Pleased With the World]]></title>
    <link><![CDATA[https://www.goodreads.com/review/show/1446301715?utm_medium=api&utm_source=rss]]></link>
    <book_id>606104</book_id>
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    <book_description><![CDATA[Poets of astonishing vision are rare. Mary Ruefle is of their number. Her poems discover the full beauty and anguish of life that most of us dare not see, much less depict in luminous detail for the ages.]]></book_description>
    <book id="606104">
      <num_pages>80</num_pages>
    </book>
    <author_name>Mary Ruefle</author_name>
    <isbn>0887484670</isbn>
    <user_name>Katie</user_name>
    <user_rating>0</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Wed, 18 Nov 2015 17:05:32 -0800]]></user_date_added>
    <user_date_created><![CDATA[Wed, 18 Nov 2015 17:05:31 -0800]]></user_date_created>
    <user_shelves>to-read</user_shelves>
    <user_review></user_review>
    <average_rating>4.33</average_rating>
    <book_published>2007</book_published>
    <description>
      <![CDATA[
      <a href="https://www.goodreads.com/book/show/606104.Indeed_I_Was_Pleased_With_the_World?utm_medium=api&amp;utm_source=rss"><img alt="Indeed I Was Pleased With the World" src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1280200767l/606104._SY75_.jpg" /></a><br/>
                                      author: Mary Ruefle<br/>
                                      name: Katie<br/>
                                      average rating: 4.33<br/>
                                      book published: 2007<br/>
                                      rating: 0<br/>
                                      read at: <br/>
                                      date added: 2015/11/18<br/>
                                      shelves: to-read<br/>
                                      review: <br/><br/>
                                      ]]>
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    <guid><![CDATA[https://www.goodreads.com/review/show/1435087376?utm_medium=api&utm_source=rss]]></guid>
    <pubDate><![CDATA[Wed, 18 Nov 2015 16:50:46 -0800]]></pubDate>
    <title>Nowhere to Be Found</title>
    <link><![CDATA[https://www.goodreads.com/review/show/1435087376?utm_medium=api&utm_source=rss]]></link>
    <book_id>24961511</book_id>
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    <book_description><![CDATA[A nameless narrator passes through her life, searching for meaning and connection in experiences she barely feels. For her, time and identity blur, and all action is reaction. She can’t quite understand what motivates others to take life seriously enough to focus on anything—for her existence is a loosely woven tapestry of fleeting concepts. From losing her virginity to mindless jobs and a splintered, unsupportive family, the lessons learned have less to do with the reality we all share and more to do with the truth of the imagination, which is where the narrator focuses to discover herself.]]></book_description>
    <book id="24961511">
      <num_pages>108</num_pages>
    </book>
    <author_name>Bae Suah</author_name>
    <isbn>147787755X</isbn>
    <user_name>Katie</user_name>
    <user_rating>5</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Wed, 18 Nov 2015 16:50:46 -0800]]></user_date_added>
    <user_date_created><![CDATA[Thu, 05 Nov 2015 21:34:03 -0800]]></user_date_created>
    <user_shelves></user_shelves>
    <user_review><![CDATA[I can't stop thinking about this book.]]></user_review>
    <average_rating>3.42</average_rating>
    <book_published>1998</book_published>
    <description>
      <![CDATA[
      <a href="https://www.goodreads.com/book/show/24961511-nowhere-to-be-found?utm_medium=api&amp;utm_source=rss"><img alt="Nowhere to Be Found" src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1424233959l/24961511._SX50_.jpg" /></a><br/>
                                      author: Bae Suah<br/>
                                      name: Katie<br/>
                                      average rating: 3.42<br/>
                                      book published: 1998<br/>
                                      rating: 5<br/>
                                      read at: <br/>
                                      date added: 2015/11/18<br/>
                                      shelves: <br/>
                                      review: <br/>I can't stop thinking about this book.<br/>
                                      ]]>
    </description>
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    <guid><![CDATA[https://www.goodreads.com/review/show/1446079154?utm_medium=api&utm_source=rss]]></guid>
    <pubDate><![CDATA[Wed, 18 Nov 2015 12:02:33 -0800]]></pubDate>
    <title>Nightwood</title>
    <link><![CDATA[https://www.goodreads.com/review/show/1446079154?utm_medium=api&utm_source=rss]]></link>
    <book_id>53101</book_id>
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    <book_description><![CDATA[<i>Librarian note: alternate cover <a href="https://www.goodreads.com/book/show/43985110-nightwood" rel="nofollow noopener">here</a>.</i><br /><br />Nightwood, Djuna Barnes' strange and sinuous tour de force, "belongs to that small class of books that somehow reflect a time or an epoch" (TLS). That time is the period between the two World Wars, and Barnes' novel unfolds in the decadent shadows of Europe's great cities, Paris, Berlin, and Vienna—a world in which the boundaries of class, religion, and sexuality are bold but surprisingly porous. <br /><br />The outsized characters who inhabit this world are some of the most memorable in all of fiction—there is Guido Volkbein, the Wandering Jew and son of a self-proclaimed baron; Robin Vote, the American expatriate who marries him and then engages in a series of affairs, first with Nora Flood and then with Jenny Petherbridge, driving all of her lovers to distraction with her passion for wandering alone in the night; and there is Dr. Matthew-Mighty-Grain-of-Salt-Dante-O'Connor, a transvestite and ostensible gynecologist, whose digressive speeches brim with fury, keen insights, and surprising allusions. <br /><br />Barnes' depiction of these characters and their relationships (Nora says, "A man is another person—a woman is yourself, caught as you turn in panic; on her mouth you kiss your own") has made the novel a landmark of feminist and lesbian literature. Most striking of all is Barnes' unparalleled stylistic innovation, which led T. S. Eliot to proclaim the book "so good a novel that only sensibilities trained on poetry can wholly appreciate it." <br /><br />Now with a new preface by Jeanette Winterson, <i>Nightwood</i> still crackles with the same electric charge it had on its first publication in 1936.]]></book_description>
    <book id="53101">
      <num_pages>182</num_pages>
    </book>
    <author_name>Djuna Barnes</author_name>
    <isbn>0811216713</isbn>
    <user_name>Katie</user_name>
    <user_rating>5</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Wed, 18 Nov 2015 12:02:33 -0800]]></user_date_added>
    <user_date_created><![CDATA[Wed, 18 Nov 2015 12:02:33 -0800]]></user_date_created>
    <user_shelves></user_shelves>
    <user_review></user_review>
    <average_rating>3.66</average_rating>
    <book_published>1936</book_published>
    <description>
      <![CDATA[
      <a href="https://www.goodreads.com/book/show/53101.Nightwood?utm_medium=api&amp;utm_source=rss"><img alt="Nightwood" src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1298480120l/53101._SY75_.jpg" /></a><br/>
                                      author: Djuna Barnes<br/>
                                      name: Katie<br/>
                                      average rating: 3.66<br/>
                                      book published: 1936<br/>
                                      rating: 5<br/>
                                      read at: <br/>
                                      date added: 2015/11/18<br/>
                                      shelves: <br/>
                                      review: <br/><br/>
                                      ]]>
    </description>
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    <guid><![CDATA[https://www.goodreads.com/review/show/1444695261?utm_medium=api&utm_source=rss]]></guid>
    <pubDate><![CDATA[Mon, 16 Nov 2015 23:19:28 -0800]]></pubDate>
    <title>Good Morning, Midnight</title>
    <link><![CDATA[https://www.goodreads.com/review/show/1444695261?utm_medium=api&utm_source=rss]]></link>
    <book_id>144073</book_id>
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    <book_description><![CDATA[In 1930s Paris, where one cheap hotel room is very much like another, a young woman is teaching herself indifference. She has escaped personal tragedy and has come to France to find courage and seek independence. She tells herself to expect nothing, especially not kindness, least of all from men. Tomorrow, she resolves, she will dye her hair blonde.]]></book_description>
    <book id="144073">
      <num_pages>176</num_pages>
    </book>
    <author_name>Jean Rhys</author_name>
    <isbn></isbn>
    <user_name>Katie</user_name>
    <user_rating>0</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Mon, 16 Nov 2015 23:19:28 -0800]]></user_date_added>
    <user_date_created><![CDATA[Mon, 16 Nov 2015 23:19:27 -0800]]></user_date_created>
    <user_shelves>to-read</user_shelves>
    <user_review></user_review>
    <average_rating>3.91</average_rating>
    <book_published>1939</book_published>
    <description>
      <![CDATA[
      <a href="https://www.goodreads.com/book/show/144073.Good_Morning_Midnight?utm_medium=api&amp;utm_source=rss"><img alt="Good Morning, Midnight" src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1552789051l/144073._SY75_.jpg" /></a><br/>
                                      author: Jean Rhys<br/>
                                      name: Katie<br/>
                                      average rating: 3.91<br/>
                                      book published: 1939<br/>
                                      rating: 0<br/>
                                      read at: <br/>
                                      date added: 2015/11/16<br/>
                                      shelves: to-read<br/>
                                      review: <br/><br/>
                                      ]]>
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    <guid><![CDATA[https://www.goodreads.com/review/show/1437243587?utm_medium=api&utm_source=rss]]></guid>
    <pubDate><![CDATA[Sun, 08 Nov 2015 12:30:17 -0800]]></pubDate>
    <title><![CDATA[View with a Grain of Sand: Selected Poems]]></title>
    <link><![CDATA[https://www.goodreads.com/review/show/1437243587?utm_medium=api&utm_source=rss]]></link>
    <book_id>10203</book_id>
    <book_image_url><![CDATA[https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1436946285l/10203._SY75_.jpg]]></book_image_url>
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    <book_description><![CDATA[In these one-hundred poems Wisława Szymborska portrays a world of astonishing diversity and richness, in which nature is wise and prodigal and fate unpredictable, if not mischevious. With acute irony tempered by a generous curiousity, she documents life's improbability as well as its transient beauty.]]></book_description>
    <book id="10203">
      <num_pages>214</num_pages>
    </book>
    <author_name>Wisława Szymborska</author_name>
    <isbn>0156002167</isbn>
    <user_name>Katie</user_name>
    <user_rating>5</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Sun, 08 Nov 2015 12:30:17 -0800]]></user_date_added>
    <user_date_created><![CDATA[Sun, 08 Nov 2015 12:29:23 -0800]]></user_date_created>
    <user_shelves></user_shelves>
    <user_review><![CDATA[How the hell have I never read this? ]]></user_review>
    <average_rating>4.34</average_rating>
    <book_published>1995</book_published>
    <description>
      <![CDATA[
      <a href="https://www.goodreads.com/book/show/10203.View_with_a_Grain_of_Sand?utm_medium=api&amp;utm_source=rss"><img alt="View with a Grain of Sand: Selected Poems" src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1436946285l/10203._SY75_.jpg" /></a><br/>
                                      author: Wisława Szymborska<br/>
                                      name: Katie<br/>
                                      average rating: 4.34<br/>
                                      book published: 1995<br/>
                                      rating: 5<br/>
                                      read at: <br/>
                                      date added: 2015/11/08<br/>
                                      shelves: <br/>
                                      review: <br/>How the hell have I never read this? <br/>
                                      ]]>
    </description>
  </item>
  <item>
    <guid><![CDATA[https://www.goodreads.com/review/show/1437238369?utm_medium=api&utm_source=rss]]></guid>
    <pubDate><![CDATA[Sun, 08 Nov 2015 12:23:27 -0800]]></pubDate>
    <title>Garments Against Women</title>
    <link><![CDATA[https://www.goodreads.com/review/show/1437238369?utm_medium=api&utm_source=rss]]></link>
    <book_id>25082429</book_id>
    <book_image_url><![CDATA[https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1425614022l/25082429._SX50_.jpg]]></book_image_url>
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    <book_description><![CDATA[Garments Against Women is a book of mostly lyric prose about the conditions that make literature almost impossible. It holds a life story without a life, a lie spread across low-rent apartment complexes, dreamscapes, and information networks, tangled in chronology, landing in a heap of the future impossible. Available forms—like garments and literature—are made of the materials of history, of the hours of women’s and children’s lives, but they are mostly inadequate to the dimension, motion, and irregularity of what they contain. It’s a book about seeking to find the forms in which to think the thoughts necessary to survival, then about seeking to find the forms necessary to survive survival and survival’s requisite thoughts.<br /><br />“Here Anne Boyer accounts for a form of life—form of life of a woman in this century living in Kansas City apartment complexes or duplexes with names like The Kingman or Colonial Gardens, form of life of a low-rent, cake-baking intellectual parenting a Socratic daughter, form of life of a person whose body refuses to become information or pornography, which are the same. These are the confessions of Anne Boyer, a political thinker who takes notes and invents movements, social and prosodic. Ta gueule, Rousseau.” —Lisa Robertson<br /><br />Anne Boyer Artist Statement:<br /><br />I read a lot, old works and new ones, but there were so many books that I couldn’t find. These were the books that should have contained an answer to the problem—how do we survive our survival? If a work of literature approached an answer, the answer was bent, asemic, obscured, distorted into sentimental accounts, melodrama, or pornography by literary convention established to make knowing what we needed to impossible.<br /><br />.<br /><br />Sometimes the answer was deformed by the failure of survival itself—there were texts severed by their author’s severed lives, by madness, by social isolation, by early death or a long life passed always wanting it. Literature, like garments, had so often been against so many of us, enforcing and sustaining the hostilities of a world with the unequal distribution of resources and the corresponding unequal distribution of suffering.<br /><br />.<br /><br />The libraries I needed were full of works written by ghosts of the dead so common their graves lacked stones, the literature of those humans whose names were never their own, whose names were mostly said aloud so that someone might make a command of them, whose names were never used as the mark of their own property—what was it they had known? How did the great human majority—women and girls, those without property, the poor and the workers and enslaved people—resist? In what forms, what languages, what codes were their poems? What possibilities inhabited their thinking, their philosophies, their politics? What names would they be called if they could choose their own?<br /><br /> <br /><br />During much of the time Garments Against Women was being written, I wanted to stop writing. I wanted to stop wanting and needing to write. This was so that my daughter and I could better survive; this was also because of my disappointment with literature.<br /><br />.<br /><br />But Garments Against Women exists because I failed. I failed to find the literature I needed, so I had to try to write it down. I failed, also, at refusal, failed at failing, failed at self-negating, failed at being ruined despite all that would ruin us, failed at keeping survival bare, failed at obeying history’s prohibitions, failed at being intimidated by the centuries of hostile traditions. What I failed at was not writing despite all the conditions that had been relentlessly calibrated to keep not writing sustained.<br /><br />.<br /><br />Some of us write because there are problems to be solved. My life is different than it was when I wrote Garments Against Women, but there’s still a problem: the world as we know it remains the world.]]></book_description>
    <book id="25082429">
      <num_pages>90</num_pages>
    </book>
    <author_name>Anne Boyer</author_name>
    <isbn>1934103594</isbn>
    <user_name>Katie</user_name>
    <user_rating>5</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Sun, 08 Nov 2015 12:23:27 -0800]]></user_date_added>
    <user_date_created><![CDATA[Sun, 08 Nov 2015 12:23:27 -0800]]></user_date_created>
    <user_shelves></user_shelves>
    <user_review></user_review>
    <average_rating>4.22</average_rating>
    <book_published>2015</book_published>
    <description>
      <![CDATA[
      <a href="https://www.goodreads.com/book/show/25082429-garments-against-women?utm_medium=api&amp;utm_source=rss"><img alt="Garments Against Women" src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1425614022l/25082429._SX50_.jpg" /></a><br/>
                                      author: Anne Boyer<br/>
                                      name: Katie<br/>
                                      average rating: 4.22<br/>
                                      book published: 2015<br/>
                                      rating: 5<br/>
                                      read at: <br/>
                                      date added: 2015/11/08<br/>
                                      shelves: <br/>
                                      review: <br/><br/>
                                      ]]>
    </description>
  </item>
  <item>
    <guid><![CDATA[https://www.goodreads.com/review/show/1437235351?utm_medium=api&utm_source=rss]]></guid>
    <pubDate><![CDATA[Sun, 08 Nov 2015 12:19:49 -0800]]></pubDate>
    <title>The Wild Field</title>
    <link><![CDATA[https://www.goodreads.com/review/show/1437235351?utm_medium=api&utm_source=rss]]></link>
    <book_id>2931098</book_id>
    <book_image_url><![CDATA[https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1370983622l/2931098._SX50_.jpg]]></book_image_url>
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    <book_description><![CDATA[In this first collection of poems, Rita Gabis explores the erotic against a backdrop of the natural landscape, and the wilder inner landscape of the human heart. Sensual, intimate, probing, these poems are concerned with kinship; the quest for self-knowledge and the elemental desire to connect with the world outside of the self. The Wild Field powerfully examines and redefines female sexuality, as the poems consider themes of family, spirituality, conflict and renewal. With a delicate lyricism and an unrelenting boldness the poems celebrate the commonplace details of a physical life.]]></book_description>
    <book id="2931098">
      <num_pages>80</num_pages>
    </book>
    <author_name>Rita Gabis</author_name>
    <isbn>1882295013</isbn>
    <user_name>Katie</user_name>
    <user_rating>5</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Sun, 08 Nov 2015 12:19:49 -0800]]></user_date_added>
    <user_date_created><![CDATA[Sun, 08 Nov 2015 12:19:49 -0800]]></user_date_created>
    <user_shelves></user_shelves>
    <user_review></user_review>
    <average_rating>4.50</average_rating>
    <book_published>1994</book_published>
    <description>
      <![CDATA[
      <a href="https://www.goodreads.com/book/show/2931098-the-wild-field?utm_medium=api&amp;utm_source=rss"><img alt="The Wild Field" src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1370983622l/2931098._SX50_.jpg" /></a><br/>
                                      author: Rita Gabis<br/>
                                      name: Katie<br/>
                                      average rating: 4.50<br/>
                                      book published: 1994<br/>
                                      rating: 5<br/>
                                      read at: <br/>
                                      date added: 2015/11/08<br/>
                                      shelves: <br/>
                                      review: <br/><br/>
                                      ]]>
    </description>
  </item>
  <item>
    <guid><![CDATA[https://www.goodreads.com/review/show/1435981599?utm_medium=api&utm_source=rss]]></guid>
    <pubDate><![CDATA[Sat, 07 Nov 2015 00:15:08 -0800]]></pubDate>
    <title>Provinces of Night</title>
    <link><![CDATA[https://www.goodreads.com/review/show/1435981599?utm_medium=api&utm_source=rss]]></link>
    <book_id>294731</book_id>
    <book_image_url><![CDATA[https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1347680877l/294731._SX50_.jpg]]></book_image_url>
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    <book_description><![CDATA[The year is 1952, and E.F. Bloodworth has returned to his home - a forgotten corner of Tennessee - after twenty years of roaming. The wife he walked out on has withered and faded. His three sons are grown and angry. Warren is a womanising alcoholic; Boyd is driven by jealousy to hunt down his wife's lover; and Brady puts hexes on his enemies from his mother's porch. Only Fleming, the old man's grandson, treats him with respect and sees past all the hatred, realising the way it can poison a man's soul. It is ultimately the love of Raven Lee, a sloe-eyed beauty from another town, that gives Fleming the courage to reject his family's curse.<br /><br />In a tale redolent with the crumbling loyalties and age-old strife of the post-war American South made familiar to us by Cormac McCarthy, Gay's characters inhabit a world driven by blood ties that strangle as they bind. A coming of age novel, a love story, and a portrait of a family torn apart, <b>Provinces of Night</b> introduced a distinctive new voice in American fiction and a superb cast of characters.]]></book_description>
    <book id="294731">
      <num_pages>292</num_pages>
    </book>
    <author_name>William Gay</author_name>
    <isbn>057121214X</isbn>
    <user_name>Katie</user_name>
    <user_rating>5</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Sat, 07 Nov 2015 00:15:08 -0800]]></user_date_added>
    <user_date_created><![CDATA[Sat, 07 Nov 2015 00:12:45 -0800]]></user_date_created>
    <user_shelves></user_shelves>
    <user_review><![CDATA[I listened to this as a book on tape. terrific!<br />]]></user_review>
    <average_rating>4.20</average_rating>
    <book_published>2000</book_published>
    <description>
      <![CDATA[
      <a href="https://www.goodreads.com/book/show/294731.Provinces_of_Night?utm_medium=api&amp;utm_source=rss"><img alt="Provinces of Night" src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1347680877l/294731._SX50_.jpg" /></a><br/>
                                      author: William Gay<br/>
                                      name: Katie<br/>
                                      average rating: 4.20<br/>
                                      book published: 2000<br/>
                                      rating: 5<br/>
                                      read at: <br/>
                                      date added: 2015/11/07<br/>
                                      shelves: <br/>
                                      review: <br/>I listened to this as a book on tape. terrific!<br /><br/>
                                      ]]>
    </description>
  </item>
  <item>
    <guid><![CDATA[https://www.goodreads.com/review/show/1435704458?utm_medium=api&utm_source=rss]]></guid>
    <pubDate><![CDATA[Fri, 06 Nov 2015 15:49:46 -0800]]></pubDate>
    <title>Glass, Irony and God</title>
    <link><![CDATA[https://www.goodreads.com/review/show/1435704458?utm_medium=api&utm_source=rss]]></link>
    <book_id>150250</book_id>
    <book_image_url><![CDATA[https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1394997523l/150250._SY75_.jpg]]></book_image_url>
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    <book_description><![CDATA[Known as a remarkable classicist, Anne Carson weaves contemporary and ancient poetic strands with stunning style in <em>Glass, Irony and God</em>. This collection includes: "The Glass Essay," a powerful poem about the end of a love affair, told in the context of Carson's reading of the Brontë sisters; "Book of Isaiah," a poem evoking the deeply primitive feel of ancient Judaism; and "The Fall of Rome," about her trip to "find" Rome and her struggle to overcome feelings of a terrible alienation there.]]></book_description>
    <book id="150250">
      <num_pages>142</num_pages>
    </book>
    <author_name>Anne Carson</author_name>
    <isbn>0811213021</isbn>
    <user_name>Katie</user_name>
    <user_rating>5</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Fri, 06 Nov 2015 15:49:46 -0800]]></user_date_added>
    <user_date_created><![CDATA[Fri, 06 Nov 2015 15:49:46 -0800]]></user_date_created>
    <user_shelves></user_shelves>
    <user_review></user_review>
    <average_rating>4.33</average_rating>
    <book_published>1995</book_published>
    <description>
      <![CDATA[
      <a href="https://www.goodreads.com/book/show/150250.Glass_Irony_and_God?utm_medium=api&amp;utm_source=rss"><img alt="Glass, Irony and God" src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1394997523l/150250._SY75_.jpg" /></a><br/>
                                      author: Anne Carson<br/>
                                      name: Katie<br/>
                                      average rating: 4.33<br/>
                                      book published: 1995<br/>
                                      rating: 5<br/>
                                      read at: <br/>
                                      date added: 2015/11/06<br/>
                                      shelves: <br/>
                                      review: <br/><br/>
                                      ]]>
    </description>
  </item>
  <item>
    <guid><![CDATA[https://www.goodreads.com/review/show/1432878937?utm_medium=api&utm_source=rss]]></guid>
    <pubDate><![CDATA[Tue, 03 Nov 2015 14:52:03 -0800]]></pubDate>
    <title>The Argonauts</title>
    <link><![CDATA[https://www.goodreads.com/review/show/1432878937?utm_medium=api&utm_source=rss]]></link>
    <book_id>22929741</book_id>
    <book_image_url><![CDATA[https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1410981835l/22929741._SX50_.jpg]]></book_image_url>
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    <book_description><![CDATA[An intrepid voyage out to the frontiers of the latest thinking about love, language, and family. <br /><br />Maggie Nelson's <i>The Argonauts</i> is a genre-bending memoir, a work of "autotheory" offering fresh, fierce, and timely thinking about desire, identity, and the limitations and possibilities of love and language. At its center is a romance: the story of the author's relationship with the artist Harry Dodge. This story, which includes Nelson's account of falling in love with Dodge, who is fluidly gendered, as well as her journey to and through a pregnancy, offers a firsthand account of the complexities and joys of (queer) family-making. <br /><br />Writing in the spirit of public intellectuals such as Susan Sontag and Roland Barthes, Nelson binds her personal experience to a rigorous exploration of what iconic theorists have said about sexuality, gender, and the vexed institutions of marriage and child-rearing. Nelson's insistence on radical individual freedom and the value of caretaking becomes the rallying cry of this thoughtful, unabashed, uncompromising book.]]></book_description>
    <book id="22929741">
      <num_pages>160</num_pages>
    </book>
    <author_name>Maggie Nelson</author_name>
    <isbn>1555977073</isbn>
    <user_name>Katie</user_name>
    <user_rating>3</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Tue, 03 Nov 2015 14:52:03 -0800]]></user_date_added>
    <user_date_created><![CDATA[Tue, 03 Nov 2015 14:51:39 -0800]]></user_date_created>
    <user_shelves></user_shelves>
    <user_review></user_review>
    <average_rating>4.04</average_rating>
    <book_published>2015</book_published>
    <description>
      <![CDATA[
      <a href="https://www.goodreads.com/book/show/22929741-the-argonauts?utm_medium=api&amp;utm_source=rss"><img alt="The Argonauts" src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1410981835l/22929741._SX50_.jpg" /></a><br/>
                                      author: Maggie Nelson<br/>
                                      name: Katie<br/>
                                      average rating: 4.04<br/>
                                      book published: 2015<br/>
                                      rating: 3<br/>
                                      read at: <br/>
                                      date added: 2015/11/03<br/>
                                      shelves: <br/>
                                      review: <br/><br/>
                                      ]]>
    </description>
  </item>
  <item>
    <guid><![CDATA[https://www.goodreads.com/review/show/1428590130?utm_medium=api&utm_source=rss]]></guid>
    <pubDate><![CDATA[Tue, 03 Nov 2015 14:50:32 -0800]]></pubDate>
    <title>Água Viva</title>
    <link><![CDATA[https://www.goodreads.com/review/show/1428590130?utm_medium=api&utm_source=rss]]></link>
    <book_id>17573207</book_id>
    <book_image_url><![CDATA[https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1779040680l/17573207._SY75_.jpg]]></book_image_url>
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    <book_medium_image_url><![CDATA[https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1779040680l/17573207._SX98_.jpg]]></book_medium_image_url>
    <book_large_image_url><![CDATA[https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1779040680l/17573207._SY475_.jpg]]></book_large_image_url>
    <book_description><![CDATA[This novel is considered the greatest work of fiction by the Brazilian writer: the <i>New York Times Book Review</i> called "the premier Latin American woman prose writer of this century." An intense and lyrical work, it chronicles its female protagonist's journey of self-discovery and self-affirmation.]]></book_description>
    <book id="17573207">
      <num_pages>88</num_pages>
    </book>
    <author_name>Clarice Lispector</author_name>
    <isbn>0141197366</isbn>
    <user_name>Katie</user_name>
    <user_rating>4</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Tue, 03 Nov 2015 14:50:32 -0800]]></user_date_added>
    <user_date_created><![CDATA[Thu, 29 Oct 2015 17:18:51 -0700]]></user_date_created>
    <user_shelves></user_shelves>
    <user_review></user_review>
    <average_rating>4.13</average_rating>
    <book_published>1973</book_published>
    <description>
      <![CDATA[
      <a href="https://www.goodreads.com/book/show/17573207-gua-viva?utm_medium=api&amp;utm_source=rss"><img alt="Água Viva" src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1779040680l/17573207._SY75_.jpg" /></a><br/>
                                      author: Clarice Lispector<br/>
                                      name: Katie<br/>
                                      average rating: 4.13<br/>
                                      book published: 1973<br/>
                                      rating: 4<br/>
                                      read at: <br/>
                                      date added: 2015/11/03<br/>
                                      shelves: <br/>
                                      review: <br/><br/>
                                      ]]>
    </description>
  </item>
  <item>
    <guid><![CDATA[https://www.goodreads.com/review/show/1432872138?utm_medium=api&utm_source=rss]]></guid>
    <pubDate><![CDATA[Tue, 03 Nov 2015 14:44:10 -0800]]></pubDate>
    <title>Death on the Installment Plan</title>
    <link><![CDATA[https://www.goodreads.com/review/show/1432872138?utm_medium=api&utm_source=rss]]></link>
    <book_id>106096</book_id>
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    <book_description><![CDATA[Published in rapid succession in the middle 1930s, <i>Journey to the End of the Night</i> and <i>Death on the Installment Plan</i> shocked European literature and world consciousness. Nominally fiction but more rightly called "creative confessions," they told of the author's childhood in excoriating Paris slums, of service in the mud wastes of World War I and African jungles. Mixing unmitigated despair with Gargantuan comedy, they also created a new style, in which invective and obscenity were laced with phrases of unforgettable poetry. Céline's influence revolutionized the contemporary approach to fiction. Under a cloud for a period, his work is now acknowledged as the forerunner of today's "black comedy."<br /><br /><i>Death on the Installment Plan</i> is the story of young Ferdinand's first 18 years. His life is one of hatred, of the grinding struggle of small shopkeepers to survive, of childhood sensations and fantasies—lusty, scatological, violent, but also poetic. There is a running battle with his ineffectual insurance clerk of a father, with his mother, who lives and whines around the junkshop she runs for the boys benefit; there is also the superbly funny Meanwell College in England, where the boy went briefly, a Dickensian, nightmare institution. Always there is humiliation, failure, and boredom, at least until he teams up with the "scientist" des Pereires. This inventor, con-man, incorrigible optimist—whose last project is to grow enormous potatoes by electricity—rescues him, if only temporarily; for the reader he is one of the most lovable charlatans in French literature.]]></book_description>
    <book id="106096">
      <num_pages>592</num_pages>
    </book>
    <author_name>Louis-Ferdinand Céline</author_name>
    <isbn>0811200175</isbn>
    <user_name>Katie</user_name>
    <user_rating>5</user_rating>
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    <average_rating>4.25</average_rating>
    <book_published>1936</book_published>
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      <![CDATA[
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                                      author: Louis-Ferdinand Céline<br/>
                                      name: Katie<br/>
                                      average rating: 4.25<br/>
                                      book published: 1936<br/>
                                      rating: 5<br/>
                                      read at: <br/>
                                      date added: 2015/11/03<br/>
                                      shelves: <br/>
                                      review: <br/><br/>
                                      ]]>
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    <pubDate><![CDATA[Thu, 29 Oct 2015 17:11:05 -0700]]></pubDate>
    <title>Shock Treatment</title>
    <link><![CDATA[https://www.goodreads.com/review/show/1428585261?utm_medium=api&utm_source=rss]]></link>
    <book_id>24796211</book_id>
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    <book_description><![CDATA[No other artist captures the drama and fragility of the AIDS era as Karen Finley does in her 1990 classic book <i>Shock Treatment</i>. "The Black Sheep," "We Keep Our Victims Ready," "I Was Never Expected to Be Talented,"--these are some of the seminal works which excoriated homophobia and misogyny at a time when artists and writers were under attack for challenging the status quo. This twenty-fifth anniversary expanded edition features a new introduction in which Finley reflects on publishing her first book as she became internationally known for being denied an NEA grant because of perceived obscenity in her work. She traces her journey from art school to burlesque gigs to the San Francisco North Beach literary scene. A new poem reminds us of Finley's disarming ability to respond to the era's most challenging issues with grace and humor.]]></book_description>
    <book id="24796211">
      <num_pages>168</num_pages>
    </book>
    <author_name>Karen Finley</author_name>
    <isbn>0872866912</isbn>
    <user_name>Katie</user_name>
    <user_rating>0</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Thu, 29 Oct 2015 17:11:05 -0700]]></user_date_added>
    <user_date_created><![CDATA[Thu, 29 Oct 2015 17:11:03 -0700]]></user_date_created>
    <user_shelves>to-read</user_shelves>
    <user_review></user_review>
    <average_rating>3.81</average_rating>
    <book_published>1990</book_published>
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                                      author: Karen Finley<br/>
                                      name: Katie<br/>
                                      average rating: 3.81<br/>
                                      book published: 1990<br/>
                                      rating: 0<br/>
                                      read at: <br/>
                                      date added: 2015/10/29<br/>
                                      shelves: to-read<br/>
                                      review: <br/><br/>
                                      ]]>
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    <pubDate><![CDATA[Thu, 29 Oct 2015 17:08:05 -0700]]></pubDate>
    <title>The Song of the Lark</title>
    <link><![CDATA[https://www.goodreads.com/review/show/1416533830?utm_medium=api&utm_source=rss]]></link>
    <book_id>48214</book_id>
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    <book_description><![CDATA[Perhaps Willa Cather's most autobiographical work, <em>The Song of the Lark</em> charts the story of a young woman's awakening as an artist against the backdrop of the western landscape. Thea Kronborg, an aspiring singer, struggles to escape from the confines her small Colorado town to the world of possibility in the Metropolitan Opera House. In classic Cather style, <em>The Song of the Lark</em> is the beautiful, unforgettable story of American determination and its inextricable connection to the land.<br /><br />"The time will come when she'll be ranked above Hemingway." -- Leon Edel]]></book_description>
    <book id="48214">
      <num_pages>417</num_pages>
    </book>
    <author_name>Willa Cather</author_name>
    <isbn>0395345308</isbn>
    <user_name>Katie</user_name>
    <user_rating>4</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Thu, 29 Oct 2015 17:08:05 -0700]]></user_date_added>
    <user_date_created><![CDATA[Wed, 14 Oct 2015 12:01:41 -0700]]></user_date_created>
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    <user_review></user_review>
    <average_rating>3.88</average_rating>
    <book_published>1915</book_published>
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      <![CDATA[
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                                      author: Willa Cather<br/>
                                      name: Katie<br/>
                                      average rating: 3.88<br/>
                                      book published: 1915<br/>
                                      rating: 4<br/>
                                      read at: <br/>
                                      date added: 2015/10/29<br/>
                                      shelves: <br/>
                                      review: <br/><br/>
                                      ]]>
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    <pubDate><![CDATA[Thu, 29 Oct 2015 17:07:47 -0700]]></pubDate>
    <title>Eileen</title>
    <link><![CDATA[https://www.goodreads.com/review/show/1421322363?utm_medium=api&utm_source=rss]]></link>
    <book_id>23453099</book_id>
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    <book_description><![CDATA[<i>So here we are. My name was Eileen Dunlop. Now you know me. I was twenty-four years old then, and had a job that paid fifty-seven dollars a week as a kind of secretary at a private juvenile correctional facility for teenage boys. I think of it now as what it really was for all intents and purposes—a prison for boys. I will call it Moorehead. Delvin Moorehead was a terrible landlord I had years later, and so to use his name for such a place feels appropriate. In a week, I would run away from home and never go back.<br /><br />This is the story of how I disappeared.</i><br /><br />The Christmas season offers little cheer for Eileen Dunlop, an unassuming yet disturbed young woman trapped between her role as her alcoholic father’s caretaker in a home whose squalor is the talk of the neighborhood and a day job as a secretary at the boys’ prison, filled with its own quotidian horrors. Consumed by resentment and self-loathing, Eileen tempers her dreary days with perverse fantasies and dreams of escaping to the big city. In the meantime, she fills her nights and weekends with shoplifting, stalking a buff prison guard named Randy, and cleaning up her increasingly deranged father’s messes. When the bright, beautiful, and cheery Rebecca Saint John arrives on the scene as the new counselor at Moorehead, Eileen is enchanted and proves unable to resist what appears at first to be a miraculously budding friendship. In a Hitchcockian twist, her affection for Rebecca ultimately pulls her into complicity in a crime that surpasses her wildest imaginings.<br /><br />Played out against the snowy landscape of coastal New England in the days leading up to Christmas, young Eileen’s story is told from the gimlet-eyed perspective of the now much older narrator. Creepy, mesmerizing, and sublimely funny, in the tradition of Shirley Jackson and early Vladimir Nabokov, this powerful debut novel enthralls and shocks, and introduces one of the most original new voices in contemporary literature. Ottessa Moshfegh is also the author of <i>My Year of Rest and Relaxation</i>, <i>Homesick for Another World: Stories</i>, and <i>McGlue</i>.]]></book_description>
    <book id="23453099">
      <num_pages>260</num_pages>
    </book>
    <author_name>Ottessa Moshfegh</author_name>
    <isbn>1594206627</isbn>
    <user_name>Katie</user_name>
    <user_rating>4</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Thu, 29 Oct 2015 17:07:47 -0700]]></user_date_added>
    <user_date_created><![CDATA[Tue, 20 Oct 2015 15:02:53 -0700]]></user_date_created>
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    <user_review></user_review>
    <average_rating>3.56</average_rating>
    <book_published>2015</book_published>
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                                      author: Ottessa Moshfegh<br/>
                                      name: Katie<br/>
                                      average rating: 3.56<br/>
                                      book published: 2015<br/>
                                      rating: 4<br/>
                                      read at: <br/>
                                      date added: 2015/10/29<br/>
                                      shelves: <br/>
                                      review: <br/><br/>
                                      ]]>
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    <pubDate><![CDATA[Thu, 29 Oct 2015 17:04:55 -0700]]></pubDate>
    <title>The Lonely City</title>
    <link><![CDATA[https://www.goodreads.com/review/show/1428581470?utm_medium=api&utm_source=rss]]></link>
    <book_id>25376017</book_id>
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    <book_description><![CDATA[What does it mean to be lonely? How do we live, if we're not intimately engaged with another human being? How do we connect with other people? Does technology draw us closer together or trap us behind screens?<br /><br />When Olivia Laing moved to New York City in her mid-thirties, she found herself inhabiting loneliness on a daily basis. Increasingly fascinated by this most shameful of experiences, she began to explore the lonely city by way of art. Moving fluidly between works and lives -- from Edward Hopper's <i>Nighthawks</i> to Andy Warhol's <i>Time Capsules</i>, from Henry Darger's hoarding to the depredations of the AIDS crisis -- Laing conducts an electric, dazzling investigation into what it means to be alone, illuminating not only the causes of loneliness but also how it might be resisted and redeemed.]]></book_description>
    <book id="25376017">
      <num_pages></num_pages>
    </book>
    <author_name>Olivia Laing</author_name>
    <isbn></isbn>
    <user_name>Katie</user_name>
    <user_rating>0</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Thu, 29 Oct 2015 17:04:55 -0700]]></user_date_added>
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    <user_shelves>to-read</user_shelves>
    <user_review></user_review>
    <average_rating>4.17</average_rating>
    <book_published>2016</book_published>
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      <![CDATA[
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                                      author: Olivia Laing<br/>
                                      name: Katie<br/>
                                      average rating: 4.17<br/>
                                      book published: 2016<br/>
                                      rating: 0<br/>
                                      read at: <br/>
                                      date added: 2015/10/29<br/>
                                      shelves: to-read<br/>
                                      review: <br/><br/>
                                      ]]>
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    <pubDate><![CDATA[Mon, 26 Oct 2015 23:24:20 -0700]]></pubDate>
    <title><![CDATA[Of Piscator: Poems (Contemporary Poetry Series)]]></title>
    <link><![CDATA[https://www.goodreads.com/review/show/1426309631?utm_medium=api&utm_source=rss]]></link>
    <book_id>1356826</book_id>
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    <book_description>Corless-Smith, Martin</book_description>
    <book id="1356826">
      <num_pages>79</num_pages>
    </book>
    <author_name>Martin Corless-Smith</author_name>
    <isbn>0820319473</isbn>
    <user_name>Katie</user_name>
    <user_rating>5</user_rating>
    <user_read_at></user_read_at>
    <user_date_added><![CDATA[Mon, 26 Oct 2015 23:24:20 -0700]]></user_date_added>
    <user_date_created><![CDATA[Mon, 26 Oct 2015 23:24:20 -0700]]></user_date_created>
    <user_shelves></user_shelves>
    <user_review></user_review>
    <average_rating>4.47</average_rating>
    <book_published>1997</book_published>
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      <![CDATA[
      <a href="https://www.goodreads.com/book/show/1356826.Of_Piscator?utm_medium=api&amp;utm_source=rss"><img alt="Of Piscator: Poems (Contemporary Poetry Series)" src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1182961939l/1356826._SY75_.jpg" /></a><br/>
                                      author: Martin Corless-Smith<br/>
                                      name: Katie<br/>
                                      average rating: 4.47<br/>
                                      book published: 1997<br/>
                                      rating: 5<br/>
                                      read at: <br/>
                                      date added: 2015/10/26<br/>
                                      shelves: <br/>
                                      review: <br/><br/>
                                      ]]>
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