Nova Scotia Film Industry Success with Cape Breton-shot Little Lorraine

The Sydney Film Festival has unveiled its 73rd edition with a strong slate of First Nations cinema, returning to the city from 3 to 14 June with 248 films from 81 countries. For Indigenous audiences, the standout strand remains the First Nations Award, which carries a $35,000 prize – the largest cash award for Indigenous filmmaking in the world. The award is supported by Truant Pictures, the production company co-led by Animal Logic Entertainment chief executive Zareh Nalbandian, and is open to First Nations filmmakers globally. The 2026 First Nations Award jury comprises Warumungu and Luritja filmmaker Beck Cole, Nyikina actor and director Mark Coles Smith, and Japanese-American producer Shozo Ichiyama. #Aboriginal #Indigenous #news #policy #education

In my latest article for Wjournalpr, I spoke with members of the Puerto Rican film industry to tell me about their thoughts on the current status of the Island, and they shared that government support is crucial for the distribution of films abroad. Read more below. https://ow.ly/EsZw50YXvCk #businessnews #cinema #entertainment #movieproduction #news #puertorico #wjournal

The film industry does not have a talent problem. It has a courage problem. Too many filmmakers are trapped waiting for permission from systems designed to minimise risk instead of discover originality. My new piece breaks down the seven things I would radically change about the modern film industry after 30+ years inside independent cinema through Raindance Film Festival. Including why festivals became temporary museums instead of career engines. https://lnkd.in/er-pbYV4

Following the funding reform, the Kuratorium junger deutscher Film now has €8 million available for talent films. What does this mean for emerging filmmakers? And how can the transition from film school into the industry be improved? These questions will be discussed in the panel “The New (Talent) Film Funding: The Kuratorium junger deutscher Film” by Producer Alexandra Krampe (PROG Producers of Germany e.V. (vormals Produzent*innenverband), JULEX FILM), Alfred Holighaus (Managing Director of the Kuratorium junger deutscher Film), Prof. Dr. Susanne Stürmer (President of the Filmuniversität Babelsberg KONRAD WOLF), and Henning Beckhoff (M.A. Directing graduate of the Filmuniversität Babelsberg KONRAD WOLF). The panel will be moderated by Prof. Anna de Paoli. “The New (Talent) Film Funding: The Kuratorium junger deutscher Film” is part of the International Student Film Festival Sehsüchte, taking place from April 22 to 26 – Europe’s largest, student-organised film festival. This year, it will be held at Waschhaus in Potsdam. 👉 Explore the program: https://sehsuechte.de/ #talentfoerderung #talentfilm #filmfestival #sehsuechte2026

Proposed legislation aims to boost North Carolina film industry - new WWAY3 News video & new article: https://lnkd.in/dse4cjBg - The bill that would increase North Carolina’s film grant match from 25% to 30% - The legislation would also raise the cap on qualifying expenses for feature-length films from $7 million to $20 million - If approved, both bills would take effect July 1st, 2026 - plus Wilmington, North Carolina could become more attractive to filmmakers with proposed NC legislation - new WRAL News article: https://lnkd.in/dV8GTYX5

Charles Williams’ Inside has become a definitive piece of contemporary Australian cinema. Since its premiere at Melbourne International Film Festival, the film has maintained an impressive trajectory through Tribeca and Göteborg Film Festival, grounded by the kind of visceral performances we’ve come to expect from Guy Pearce and Cosmo Jarvis, alongside a standout debut from Vincent Miller. The Media Rights Collective joined the project during post-production to manage the archive clearances. Our focus was on the granular work: reviewing, negotiating, and advising on licensing terms to ensure the film met the rigorous requirements for its international release. We view this as the invisible support of a production. By establishing legal robustness in the archive selection, we aim to give filmmakers the creative certainty they need to stay true to their vision without the distraction of clearance hurdles. A sincere congratulations to producers Marian Macgowan and Kate Glover, and the teams at Screen Australia and the Finnish Impact Fund, on the film’s continued success. Inside is currently available to stream on Netflix (AU/NZ) and via digital platforms including Apple TV and Amazon Video in the UK and US. Full project details on our news page: link in comments 👇 #InsideFilm #FilmClearance #AustralianCinema #MediaRights #ProductionLegal #GuyPearce #ScreenAustralia

🎬 Fresh production news, emerging film destinations and major incentive updates are all in the latest InSite newsletter. Inside this issue: • Orange County’s new $25M film incentive program • Illinois expands green production tax credits • Atlantic City’s cinematic comeback • Montana’s Yellowstone Country filming incentives • New production roundups, film festivals and more Whether you’re a filmmaker, producer or location scout, discover the destinations and industry developments shaping production in 2026. Read the latest newsletter for free online at: https://lnkd.in/e3eaN-Dp

With a successful 2025 in the books, the city’s film commissioner has several priorities in mind that she feels will increase the economic impact of the city’s screen industry, including the potential for a soundstage. https://lnkd.in/eiR8R-us #Ottawa #ottnews #OBJ

The Riverside County Film Commission is excited to share today’s announcement from the California Film Commission on the latest round of awards through the expanded Film and Television Tax Credit Program 4.0. A total of 38 film projects have been approved, generating nearly $800 million in economic activity and bringing over 460 filming days outside the traditional 30 mile studio zone. This continued investment highlights California’s commitment to supporting productions that create good paying jobs and strengthen local businesses across the state. With a significant portion of filming taking place beyond the studio zone, Riverside County remains an ideal destination for productions looking to maximize both incentives and location diversity. Just outside the zone, our region offers a wide range of film ready locations and strong local support to help bring projects to life. Filmmakers are encouraged to explore how this program can support their next production while taking advantage of everything Riverside County has to offer. To learn more, visit: https://lnkd.in/gYVQcK3Z To read the full press release, visit: https://lnkd.in/gtvNbdQH For more information on Riverside County film locations, visit www.RivCoFilm.org. #RCFC #FilmRivCo #RivCoED #RivCoNow #RiversideCounty #MovieMagic #FilmIndustry #LocationScout #Filmmaking #FilmProduction

Hoodox is teaming up with the Indiana Youth Film Festival, to launch Youth PitchDox, an invitation to Hoosier filmmakers ages 12-24 to submit a documentary project concept for a chance to win a $2,500 financial award to support the production of their film. Projects must be presented by individual or small teams of young, Indiana-based filmmakers. Projects must be unfinished short form (10 minutes or less) documentary projects. Finalists will present their 5 minute pitches at Indiana Youth Film Festival, June 26-28 2026. Project submissions must be received by 11:59 EST on May 31, 2026. https://lnkd.in/gKj9UrpX