¿Cómo se domina el audio de podcasts y audiolibros teniendo en cuenta la normalización de la sonoridad?

if I try to develop pretty simple yet accurate explanation I would say, Loudness normalization is like making sure all your audio tracks play at the same volume level. Just as you adjust the volume knob on your stereo to keep songs sounding consistent, in mastering, we use techniques to ensure that when you listen to a playlist or album, you don't have to constantly adjust the volume because some tracks are too quiet or too loud compared to others. It's about maintaining a smooth and balanced listening experience across different songs or audio pieces.

Understanding the terms and degrees associated with loudness and mastering metrics can be challenging. Personally, I prefer relying on LUFS and using my own judgment to determine the appropriate loudness for a project. Additionally, focusing on platform-specific requirements is beneficial in the early stages of your audio mastering journey.

Consistent loudness creates a comfortable, seamless listening experience. It avoids distracting volume jumps, keeps listeners engaged, signals professionalism, and ensures your audio translates well across different platforms with their own normalization standards.

Loudness normalization maintains a consistent listening experience, preserves artistic integrity, and meets industry standards. It ensures tracks play at similar volumes, preventing jarring fluctuations. Artists' efforts in crafting audio are protected, maintaining intended impact. Compliance with industry regulations ensures quality and wider reach. In summary, it's like having a DJ who adjusts volume seamlessly, ensuring the perfect groove for every listening session!!

To measure loudness and LUFS accurately, you can use specialized software or plugins like Adobe Audition, Audacity, or TC Electronic's LM6 Loudness Radar. These tools provide real-time analysis and numerical values in LUFS, allowing you to adjust your audio levels accordingly. Remember to reference platform-specific guidelines for target LUFS levels, ensuring your audio meets industry standards and delivers a consistent listening experience across different platforms and devices.

Use specialized loudness meters, often available as plugins for your audio software (such as Youlean Loudness Meter), standalone software (like Klangfreund LUFS Meter), or via online services (e.g., Auphonic). These tools analyze your audio and display its loudness value in LUFS.

It should be noted that mono audio should be treated somewhat differently. For example, the -16 LUFS standard should technically be at -19 LUFS in the DAW on the LUFS meter, while processing. This is due to the volume increase of the audio when combining left and right channels to form a mono signal.

In my experience , To set the target loudness level in audio mastering: -Understand platform requirements. -Use loudness meters (e.g., LUFS). -Analyze reference tracks for genre-specific norms. -Apply dynamic processing (e.g., compression, limiting). -Monitor perceived loudness using your ears. -Iterate and fine-tune settings for optimal balance. -Export with correct settings matching platform standards.

Utilize a limiter in your audio editing software to establish a maximum output level and safely boost overall loudness. Fine-tune with gentle compression if needed, but prioritize preserving a natural dynamic range. Automate subtle gain adjustments within your audio software to address sections drastically quieter than your target.

I always use bandlab.com/mastering. They are awesome, and best part is it's free. Simply upload your audio, pick one of three mastered choices and download your finished product.

After mastering, analyze your final audio file with a loudness meter to confirm it meets your target LUFS value. Additionally, compare your audio's loudness to professionally produced content on the same platform using a variety of playback devices representative of your audience.

I have been mixing and mastering for over 30 years. For the past 15 years I have been doing masses of work for web/app based music. When mastering in the past the reference was home stereo or radio/tv. Today we have a much wider choice of listening devices from old school to blue tooth, mobile phone speakers and of course multiple styles of headphones. Add to this the automated compression that is applied by different apps when uploading and we are faced with a multitude of choices. I have discovered that less is definitely more in these cases. For me the best all around monitoring is on wired Apple style headphones with minimal limiting in order to leave as much headroom as possible countering the heavy processing the apps apply

Strive for a balanced loudness that retains the expressiveness and impact of your audio. Limit to -1dBTP (True Peak) to avoid digital distortion. Remember, consistent loudness makes your audio readily accessible and demonstrates a commitment to polished, professional presentation.

A normalização de volume é crucial para uma audição confortável, mas sua aplicação indiscriminada pode ser contraproducente. Ao padronizar o volume sem considerar o contexto, arriscamos perder a dinâmica e a expressividade que diferenciam as peças. É essencial equilibrar a consistência de volume com a integridade artística de cada produção, garantindo que a normalização sirva à experiência do ouvinte sem comprometer a essência da música.