Read more about Hirsch at Poets.org.
Heading to the AWP Conference next week? Join us for a reading by former U.S. Poet Laureate Natasha Trethewey and award-winning poet Edward Hirsch on Saturday, April 2 at 8:30 PM. More here: http://bit.ly/1UpGs6E
In case you missed it: Video from our recent tribute to Philip Levine, featuring Edward Hirsch, Yusef Komunyakaa, Dorianne Laux, Sharon Olds & many more.
This week marks the beginning of fall. Have your students dive into the season with Edward Hirsch’s poem “Fall,” Marsden Hartley’s painting “Autumn Color,” and the several seasonal activities we’ve got in this week’s Teach This Poem.
Implicit in poetry is the notion that we are deepened by heartbreaks, that we are not so much diminished as enlarged by grief, by our refusal to vanish—to let others vanish—without leaving a verbal record.
The poetic contest, a verbal duel, is common worldwide. It has been documented in a large number of different poetries as a highly stylized form of male aggression, a model of ritual combat, an agonistic channel, a steam valve, a kind of release through abuse.
Like the ghazal, it is a disjunctive form, since the sentence that makes up the first pair of lines (ab) has no immediate logical or narrative connection with the second pair of lines (ab).
The filídh were a professional caste of poets in early Ireland who were often credited with the supernatural power of prophecy. The words fili and filídh are etymologically connected to ‘seer.’ These poets, who were the successors of the druids and could practice divination, were magicians and lawgivers.
The epic is inherently nostalgic. It looks back to greater and more heroic times—the emergence of tribes, the founding of countries, the deeds of legendary figures…It moves beyond individual experience. It binds people to their own outsize communal past and instills a sense of grandeur.