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Vol. 12 No. 1 (2025)
The articles in VLC#12.1 address the complexity and richness of contemporary architectural design from different perspectives: the question of ornament and its connection to structure; architecture's resistance to being considered a mere capitalist commodity; experiences of citizen participation in transforming public space in Valencia; problems of copying and authorship in the work of Mies; the historical design processes of Spanish late Gothic architecture; issues of time and prefabrication in the work of B. Fuller; and the study of passive strategies for acoustic control in public buildings. These are all topics that inspire a critical will that reclaims architecture as an intellectual, technical, cultural, and social practice. The section "Findings in Architectural Projects" address the complex relationship between architecture and research from diverse perspectives, offering a multifaceted view of the subject.
This journal is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License
The Unacknowledged Status of Applied Ornament in Contemporary Architecture
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Battles and Love's Labour's Lost. Jorge Juan 55 as a critical commodity
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Emerging and transitory manifestations of public space: the experience of València
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The Problem of the Copy Without an Original: Appropriationism in Mies van der Rohe’s Farnsworth House
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Late Gothic design processes: the layout of San Esteban church in Salamanca (1524)
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Buckminster Fuller's dwellings: time, geometry and energy
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Passive acoustic strategies For a noise-free cultural architecture in the world
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Project Vega-Chopera: a constructive-structural system based on poplar wood
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Theory, practice, hypotheses, explorations, and methods for research in architectural design
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Collaborative action research in the garden of Santa Clara-a-Nova in Coimbra
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From Intuition to Inquiry: Reframing Architecture’s Role in Design Research
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