Film and production pain points: work, pay, burnout, AI, layoffs, entry-level challenges

View profile for Warner Bailey

Founder of Assistants vs. Agents. Building resources and community for the next generation of Entertainment.

🎬 The top 10 pain points working in film and production right now: I spent last week going through hundreds of submissions from the AvA community. Here are the most common ones: 1️⃣ Work has dried up. “Few to no productions green lit… it’s worse than the strikes.” 2️⃣ It’s all who you know. “No easy route… lucky enough to know someone.” 3️⃣ Pay is brutal. “3500/week line producer didn’t wanna pay me 2500… it’s 2025.” 4️⃣ Burnout is real. “Almost every PA I know has cried on set.” 5️⃣ Everyone’s doing 5 jobs. “Editors now expected to be VFX, colorist, and graphic designer too.” 6️⃣ Chaos is constant. “Schedules always changing… general menace to everyone.” 7️⃣ AI panic is spreading. “AI isn’t killing film? Tell that to the people who lost jobs.” 8️⃣ Layoffs everywhere. “My clients are bidding on fewer jobs than any time since the pandemic.” 9️⃣ No clear path in. “Trying to pivot into production, but no one wants to train me. Everyone just wants people who’ve ‘done it before.’” 🔟 Hundreds of apps, no replies. “Can’t find any entry-level roles that match my skills. Or if I’m lucky enough to get a response, I get ghosted the next day” Hollywood’s problem isn’t just fewer filming days. It’s a talent pipeline that’s burnt out, underpaid, and unsure where to turn next. We’re going to do everything we can to help fix a broken system 🚧 In November, we’re launching a platform full of resources and tools for the community, a virtual summit, with tech rolling out shortly after.

Thank you for pointing these out, we all need to take a hard look at how we got here and how to work our hardest to level-up fast and avoid being left behind.... I've been in the business 30 years and I haven't closed a large deal since my theatrical distribution company shut down during the pandemic... I tried to pivot to production but don't make films for less than my salary I need to buy food for my furry kids and pay rent.

From my experience- I blame the Agents for allowing their clients to turn down offer after offer when each deal would employ HUNDREDS OF CREW, Execs, etc. They need to remind their clients that they need to keep working for the sake of the business and not be so picky and they also hide offers from people they don't know and only let them work with people they know and create the crappy content opening week after week that is destroying the business for the few of us left alive.

René Coronado

Partner owner of Dallas Audio Post. I record people and objects and make them sound very, very cool.

2w

Re: point number 9 There has never been more high quality free or cheap training available than now. The tools are cheaper than ever. The barrier to entry is only effort and taste at this point. But that also means you’re competing vs those that grind the process intensively

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Danielle Rackley

MSc Artificial Intelligence Strategy | Former Ad Copywriter & Film/TV AP | Aspiring AI Ethicist

3w

I really admire what you’re building. I used to work at WME & I’m studying AI strategy now, I’m very concerned about ethics especially within art and film. I remember filling out 170+ applications back in 2015 & hearing back from 3, I imagine it’s even worse now.

steven calapai

🎬 Head of Film & Television | Head of Film Studio Acquisitions | Executive Producer | C Suite Media & Entertainment Executive | Open to Leadership Opportunities

3w

Absolutely agree, this perfectly sums up the current state of the industry. Grateful to see real conversations and real solutions coming.

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