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The Questions Posed by Ecocriticism

Ecocriticism studies the relationship between literature and the physical environment from an earth-centered perspective. Ecocritics ask questions about how nature is represented in a work and the role the setting plays, whether the values expressed are ecologically wise, and how metaphors of land influence treatment of it. They also consider how factors like gender and place should influence analysis and how humanity's relationship with nature has changed over time. Ecocriticism positions human culture as interconnected with the physical world, affecting and affected by it, with one foot in literature and the other on the land.

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650 views1 page

The Questions Posed by Ecocriticism

Ecocriticism studies the relationship between literature and the physical environment from an earth-centered perspective. Ecocritics ask questions about how nature is represented in a work and the role the setting plays, whether the values expressed are ecologically wise, and how metaphors of land influence treatment of it. They also consider how factors like gender and place should influence analysis and how humanity's relationship with nature has changed over time. Ecocriticism positions human culture as interconnected with the physical world, affecting and affected by it, with one foot in literature and the other on the land.

Uploaded by

MohammedIlouafi
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The Questions Posed by Ecocriticism

(from Introduction to The Ecocriticism Reader, Cheryl Glotfelty and Harold


Fromm, editors)

"ecocriticism is the study of the relationship between literature and the


physical environment….takes an earth-centered approach to literary studies.

Ecocritics and theorists ask questions like the following: How is nature
represented in this sonnet? What role does the physical setting play in the plot
of this novel? Are the values expressed in this play consistent with ecological
wisdom? How do our metaphors of the land influence the way we treat it? How
can we characterize nature writing as a genre? In addition to race, class, and
gender, should place become a new critical category? Do men write about
nature differently than women do? In what ways has literacy itself affected
humankind's relationship to the natural world? How has the concept of
wilderness changed over time? In what ways and to what effect is the
environmental crisis seeping into contemporary literature and popular culture?
What view of nature informs U.S. Government reports, corporate advertising,
and televised nature documentaries, and to what rhetorical effect? What
bearing might the science of ecology have on literary studies? How is science
itself open to literary analysis? What cross-fertilization is possible between
literary studies and environmental discourse in related disciplines such as
history, philosophy, psychology, art history, and ethics?

Despite the broad scope of inquiry and disparate levels of sophistication, all
ecological criticism shares the fundamental premise that human culture is
connected to the physical world, affecting it and affected by it. Ecocriticism
takes as its subject the interconnections between nature and culture,
specifically the cultural artifacts of languages and literature, As a critical
stance, it has one foot in literature and the other on land; as a theoretical
discourse, it negotiates between the human and the non-human.

Ecocriticism can be further characterized by distinguishing it from other critical


approaches. Literary theory, in general, examines the relations between
writers, texts, and the world. In most literary theory "the world" is
synonymous with society--the social sphere. Ecocriticism expands the notion of
"the world" to include the entire ecosphere. If we agree with Barry
Commoner's first law of ecology, "Everything is connected to everything else,"
we must conclude that literature does not float above the material world in
some aesthetic ether, but, rather, plays a part in an immensely complex global
system, in which energy, matter, and ideas interact."

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