Chapter I
Introduction
Background of the Study
The influence of foreign films has not been in question, however, the effect of this
influence on how the audiences view real life, that is whether it is negative or positive has been
the question in the front burner of recent studies in that area.
In almost any Philippine cinema, the majority of films being shown would be Hollywood
films, with locally-made films often taking a backseat. Due to this, Hollywood has a stronger and
more mainstream influence on Filipino moviegoers. In fact, in an interview for the Inquirer,
government statistical coordination officer Gerald Clarino attributes this to the gradual decline of
the Philippine film industry alongside film piracy. According to him, the top-grossing films were
almost always US-made films with multimillion dollar budgets that the local film industry
cannot afford.
Historically, film is the youngest of the Philippine arts, having only been introduced in
the late 19th century. According to a timeline of Filipino cinema history in aenet.org, the
Philippine film industry reached what critics considered to be its Golden Age of artistic creativity
during the 1950’s, with the rise of the “Big Four” film studios: Sampaguita, Lebran, LVN, and
Premiere. It was during this time that films such as Gerardo de Leon’s Ifugao (1954) and
Lamberto Avellana’s Anak Dalita were made.
In the decades that follow however, the local film industry suffered a gradual decline, due
to the growing labor movement which resulted in labor-management conflicts. The first studio to
close was Lebran followed by Premiere Productions. Next came Sampaguita and LVN. The “Big
Four” studios were replaced by new and independent producers who soon made up the rest of the
film industry.
The report by Clarino and other officers of the National Statistical Coordination Board
found that from 1960 to 1999, the Philippines produced an average of about 140 movies each
year. This gave local films at least 20 percent of the domestic market, the report said. At the
time, the industry boasted of being one of the most prolific movie producers in the world after
Hollywood and India’s “Bollywood.”
But from 2000 to 2009, local film output fell to an average of 73 annually with only 11
percent of the market, the report said, with only 78 local films made in 2011.
In fact, of the top ten highest grossing films in the Philippines of all time, only four are
locally made films, with the top two spots being taken by Hollywood films. In 2015 alone, no
local films have made the Top Ten list. In 2014, out of 26 films, only three of those were made
in the Philippines, two were made in Japan, and the rest were Hollywood films.
Recent examples of people favoring Hollywood films, over locally made ones are from
critically-acclaimed films Heneral Luna (2015) and Ma’ Rosa (2016). The former of which was
pulled out of movie theaters after a few days of showing due to it not being able to garner
enough money, and for it to be replaced by more popular Hollywood films. However due to
protests, the movie was returned to cinemas. The latter, while critically acclaimed at Cannes
Film Festival, and even earning a standing ovation, did not fare well with Filipino audiences and
it did not have a lot of box office success.
This has brought about this research work, to study why Filipinos overlook locally
produced films in favor of Hollywood films.
1
Statement of the Problem
Why do audiences prefer Hollywood films over Filipino films?
Objectives of the Study
General Objective:
The objective of this study is to identify why the Filipino film industry is
suffering a gradual decline in favor of Hollywood productions.
Specific Objective:
1. To test Filipino students’ familiarity with recent local film productions compared
with Hollywood productions
2. To compare Filipino films with Hollywood films
3. To find out which factors in Hollywood films appeal to audiences better than
Filipino films
4. To identify the factors in Filipino films that need to be improved in order to better
appeal to audiences
5. To identify factors in Filipino films that do appeal to audiences
Significance of the Study
The study’s main purpose is to provide an insight as to why the Filipino film industry is
suffering a slow death. At the same time, it also aims to find a way to resuscitate the dying
industry and encourage younger moviegoers to watch more local productions as support.
2
Scope and Limitation
The study will only focus on Filipino and Hollywood films of recent years, from 2014 to
early 2016. Also, the study will also focus solely on the mainstream movies and ignore the indie
films. This is because although Filipino indie films garner a lot of praise internationally, they do
not get a lot of traction or even publicity in their home country. Meanwhile, mainstream Filipino
films gain a lot at the box-office but cause a lot of controversy among film critics and enthusiasts
due to their “mababaw” storylines.
The study’s participants will also comprise mainly of 3rd and 4th year BA college students
from Miriam College. This is so due to the study mainly focusing on whether younger
generations are familiar with local films.