Chorale

Prelude
Awake! the Voice hath called us, BWV 645 Johann Sebastian Bach
(Wachet auf, ruft uns die Stimmer) Transcribed by Otto Singer


   
                    
Andante moderato assai

 
           
   
     
Violin

         

poco expr.


   
              
 sostenuto

 
Piano

             

  
                         
          
5

   
             

cresc.

 
              

       


                 
         

      
      
9
restez

             
    
   
      
        
 
  
                      


        
12

  
      
       
         


 

    
     
           
                
   
  

           
   
 
 

      
  
16

 
   
          
   


      
 


             
      
            
  

                          
   

 
19


  
      
          
 

        


 
        

         
              

  
                     
            
22

    
           
  
cresc.

       

          
    


          
      

2
    
      
            
               

 
26

   
      
       
      
  

            
     
       
dolce

    
  

     
  
             
            
29





 
dolce

  
         
     
     
              

    
                   
   

      
         
         
 
32

   
        

       
più expr.

     
         
     
               
   


        
    
r.H.

         
 

3
               
                


      
36


      

         
 

     
     
         


      
  
    
         
             

            



39


         
                 
cresc.

  
    
           
             


      
           
     
 
 
42


 
        
dolce

        
   
  

   
   
       
                 
  
   



           
   
        
         
 
            
 
  
 
46

   

 
     
           
    
  
           


             


        
4
 
    
      
 
  
           
50
con expressione ma dolce

             

         
 
poco allargando

       
             
       
 poco espressivo


               
 
04/2019 violinworker