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El Choclo PDF

The document is a musical score for the tango "El Choclo" by Ángel Villoldo. It contains the musical notation for two flute parts across multiple pages, with the first flute part notated above the second flute part. The score directs the two flute parts in playing the tango melody and accompaniment through various repetitions and variations.

Uploaded by

Roger Martinez
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
202 views3 pages

El Choclo PDF

The document is a musical score for the tango "El Choclo" by Ángel Villoldo. It contains the musical notation for two flute parts across multiple pages, with the first flute part notated above the second flute part. The score directs the two flute parts in playing the tango melody and accompaniment through various repetitions and variations.

Uploaded by

Roger Martinez
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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El

choclo
Tango

                    
A.G Villoldo

Flauta 1        

                       
          
   
Flauta 2

      
         
    
        
8

   
Fl. 1

    
        
3 3

Fl. 2
   


              
        
13

      
Fl. 1

   
     
3 3

Fl. 2


                   

   
17

    
Fl. 1

  
     
3 3

Fl. 2
   

        
                         
   
21

    

Fl. 1

 
          
3 3

 
Fl. 2
                   
    
       
26

3
     
Fl. 1


            
    
Fl. 2

               
      
        
32

   
Fl. 1

     

     
      
Fl. 2

                 

               
38

3  

Fl. 1

    

        
3

Fl. 2
 

                  
                  
43

   
 
Fl. 1

    

     
3


3

Fl. 2
 

                          
       
     
47

     
Fl. 1

        
      
3


3

 
3

Fl. 2

2

                            
         
3

   
52

   
Fl. 1

      
        
3

Fl. 2 

                
        
56


  
Fl. 1


       
3 3

Fl. 2
    

               
        
61

      
Fl. 1

   
     
3 3

Fl. 2


                 

   
65

    
Fl. 1

  
     
3 3

Fl. 2
   

                      
    
 
69

   
Fl. 1

   

      
3

 
3

Fl. 2
   
4

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