7
Arts
Quarter 1 – Module 8:
Creation of Arts and Crafts of Luzon
(Highlands and Lowlands)
Sculpture
MODULES FROM CENTRAL OFFICE
Arts – Grade 7
Alternative Delivery Mode
Quarter 1 – Module 8: Creation of Arts and Crafts of Luzon (Highlands and Lowlands)
Sculpture
First Edition, 2020
Republic Act 8293, section 176 states that: No copyright shall subsist in any work of
the Government of the Philippines. However, prior approval of the government agency or office
wherein the work is created shall be necessary for exploitation of such work for profit. Such
agency or office may, among other things, impose as a condition the payment of royalties.
Borrowed materials (i.e., songs, stories, poems, pictures, photos, brand names,
trademarks, etc.) included in this module are owned by their respective copyright holders.
Every effort has been exerted to locate and seek permission to use these materials from their
respective copyright owners. The publisher and authors do not represent nor claim ownership
over them.
Published by the Department of Education
Secretary: Leonor Magtolis Briones
Undersecretary: Diosdado M. San Antonio
Development Team of the Module
Author: Louie J. Cortez
Content Editor: Emmanuel C. Alveyra
MODULES FROM CENTRAL OFFICE
Language Editors: Cherrie Rose L. Desaliza, Gladys F. Cantos
Reviewer: Emmanuel C. Alveyra
Illustrator: Reymark L. Miraples, Louie J. Cortez, Richard Amores, Pablo M.
Nizal, Jr., Jan Christian D. Cabarrubias
Layout Artist: Reymark L. Miraples, Jhunness Bhaby A. Villalobos
Management Team: Benjamin D. Paragas, Mariflor B. Musa, Melbert S. Broqueza,
Danilo C. Padilla, Annabelle M. Marmol, Florina L. Madrid, Norman
F. Magsino, Dennis A. Bermoy, Emmanuel C. Alveyra
Printed in the Philippines by ________________________
Department of Education – MIMAROPA Region
Office Address: Meralco Avenue corner St. Paul Road, Pasig City
Telephone Number: (02) 6314070
E-mail Address:
[email protected] 7
Arts
Quarter 1 – Module 8:
Creation of Arts and Crafts of Luzon
(Highlands and Lowlands)
Sculpture
MODULES FROM CENTRAL OFFICE
Introductory Message
For the facilitator:
The 8th module in Art 7 (Quarter 1) contains the detailed discussion about
the sculptures from Luzon. Said discussion focuses on the elements and principles
of arts which can be observed on the designs. The facilitator needs to strengthen the
learners’ understanding about the elements and principles of arts. Analysis of those
will help the learners to fully understand its value and appreciate the aesthetic
qualities and uniqueness of the design present in the said artwork. This module used
the Blooms’ Taxonomy Instructional Design which integrates the Bloom’s Taxonomy
Model of Learning in every part of the module. Performance task is included in the
last part of the module to enhance the creativity of learners. This module will guide
learners on how to create a sculpture which incorporates the elements and principles
of arts. Please guide the learners in the different activities especially on the art
activity that they have to accomplish. Remind the learners to use separate sheets in
answering the pre-test, self-check exercises, and post-test.
For the learner:
The 8th module in Arts 7 (Quarter 1) will guide you to analyze the elements
MODULES FROM CENTRAL OFFICE
and principles of arts that can be observed in sculptures from Luzon. By looking into
the designs, you could be able to identify the sculptures and the place where it
originated. You have to recognize also the materials and techniques used that made
those artworks unique. This module will guide you to create a sculpture which
incorporates the elements and principles of arts. Are you excited to create your own
artwork? Try to accomplish all the challenging task. to accomplish all the challenging
task.
ii
This module has the following parts and corresponding icons:
What I Need to Know This will give you an idea of the skills or
competencies you are expected to learn in the
module.
What I Know This part includes an activity that aims to
check what you already know about the
lesson to take. If you get all the answers
correct (100%), you may decide to skip this
module.
What’s In This is a brief drill or review to help you link
the current lesson with the previous one.
What’s New In this portion, the new lesson will be
introduced to you in various ways such as a
story, a song, a poem, a problem opener, an
activity or a situation.
What is It This section provides a brief discussion of the
lesson. This aims to help you discover and
understand new concepts and skills.
What’s More This comprises activities for independent
practice to solidify your understanding and
MODULES FROM CENTRAL OFFICE skills of the topic. You may check the
answers to the exercises using the Answer
Key at the end of the module.
What I Have Learned This includes questions or blank
sentence/paragraph to be filled in to process
what you learned from the lesson.
What I Can Do This section provides an activity which will
help you transfer your new knowledge or skill
into real life situations or concerns.
Assessment This is a task which aims to evaluate your
level of mastery in achieving the learning
competency.
Additional Activities In this portion, another activity will be given
to you to enrich your knowledge or skill of the
lesson learned. This also tends retention of
learned concepts.
Answer Key This contains answers to all activities in the
module.
iii
At the end of this module you will also find:
References This is a list of all sources used in developing
this module.
The following are some reminders in using this module:
1. Use the module with care. Do not put unnecessary mark/s on any part of the
module. Use a separate sheet of paper in answering the exercises.
2. Don’t forget to answer What I Know before moving on to the other activities
included in the module.
3. Read the instruction carefully before doing each task.
4. Observe honesty and integrity in doing the tasks and checking your answers.
5. Finish the task at hand before proceeding to the next.
6. Return this module to your teacher/facilitator once you are through with it.
If you encounter any difficulty in answering the tasks in this module, do not
hesitate to consult your teacher or facilitator. Always bear in mind that you are not
alone.
We hope that through this material, you will experience meaningful learning
and gain deep understanding of the relevant competencies. You can do it!
MODULES FROM CENTRAL OFFICE
iv
Lesson
Creation of Arts and Crafts of Luzon
1 (Highlands and Lowlands) Sculpture
Learning Competencies
The learner:
1. creates crafts that can be locally assembled with local materials, guided
by local traditional techniques (e.g., habi, lilip, etc). (A7PR-Ic-e-1)
2. derives elements from traditions/history of a community for one’s artwork
(A7PR-If-2)
3. shows the relationship of the development of crafts in specific areas of the
country, according to functionality, traditional specialized expertise, and
availability of resources (e.g. pottery, weaving, jewelry, baskets) (A7PR-If-3)
4. shows the relationship of Luzon (highlands and lowlands) arts and crafts to
Philippine culture, traditions, and history (Islamic influences, Spanish
heritage, and American legacies in education, business, modernization, and
entertainment, as well as in indigenous practices, fiestas, and religious and
social practices) (A7PR-Ih-4)
MODULES FROM CENTRAL OFFICE
What I Need to Know
Have you ever been into a museum as one of the spectators of famous
sculptures of our history? Well, let’s make a tour as if you’ve been invited to see all
the historical sculptures hand-crafted by the well-known sculptors who are mostly
the natives in the country. Better get ready because you will be able to see how
magical their hands are and how well-detailed their products are as well. What are
you waiting for, get your cameras now and let’s take a click as we roam around our
natives’ historical sculptures.
Philippine sculptures are considered home-made because they are made with
materials found within the country. They are unique because of the different
techniques and processes used by the native sculptors - and they define the native's
beliefs and lifestyles. The native’s choice of materials depends on its availability and
local use. Every handicraft created mirrors the native's culture and traditions - and
with the current goals of preservation, was given the spotlight, along with other local
art products.
1
It requires more than the naked eye to witness the beauty of these artworks.
Through careful observation, you will understand the its impact on their livelihoods
and culture. Together, we shall discover and appreciate the sculptures and other art
works of Luzon. This will be a fun and exciting tour. Let our adventure begin.
Learning Objectives
In this module, you will be able to:
1. determine the different materials and techniques used in sculpture in the
2. Highlands and lowlands of Luzon;
3. make or draw sculpture using local materials and techniques;
4. appreciate sculpture works through determining the proper used of elements
and principles of art and how it reflects the culture and history of the place.
What I Know
A. Complete the following statements by supplying the right word/s from the box
below. Write your answer on your answer sheet.
MODULES FROM CENTRAL OFFICE
Ukit Assemblage Planting of seeds Fertility symbols
Hacienderos Religious Images Higantes
Bul’ul Subtractive Additive Sculpture
1. The art of making two- or three-dimensional representative or abstract
forms, especially by carving stone or wood or by casting metal or
plaster is called ________________.
2. ________________ sculpting processes involve adding materials to “build up”
the sculpture.
3. ________________ processes rely on the removal of the material to “reveal” the
sculpture.
4. ________________ is a carved-wooden human figure with simplified forms and
used in rituals that are performed to call the ancestors to protect their rice
fields from pestilence and to ask for an abundant harvest.
5. ________________ are big papier machè of human figures that represent
farmers and fishermen.
6. Paete carvers usually produce wooden ________________ and wood panels
with decorative floral patterns and florid geometric designs
7. Higantes are the representation of ________________.
2
8. During ritual called tunod, which means “________________” bul’ul dipped
in the blood of pigs.
9. The big papier machè is considered as ________________ sculpture.
10. The local term for carving is “________________”.
B. Analyze the following pictures. Write S if the process used in the picture is
Subtractive and write A if it is Additive.
_______________11. _______________12.
_______________13. _______________14.
MODULES FROM CENTRAL OFFICE
_______________15.
3
What’s New
AMAZING GUESS-race!
This activity will measure your speed and practical knowledge as you are
expected to think and write as fast as you can.
From the pictures below, think of where they are made from and try to list
down on your notebook all the materials used to finish the product. Upon listing
down, make sure that you’ve indicated the main tools to be able to come up with the
product shown. You shall start from the first picture down to the last one. Do it the
fastest time possible. Are you ready? Remember, don’t escape!
1. _______________________________________________
_______________________________________________
_______________________________________________
_______________________________________________
MODULES FROM CENTRAL OFFICE _______________________________________________
2. _______________________________________________
_______________________________________________
_______________________________________________
_______________________________________________
_______________________________________________
3. _______________________________________________
_______________________________________________
_______________________________________________
_______________________________________________
_______________________________________________
4
4. _______________________________________________
_______________________________________________
_______________________________________________
_______________________________________________
_______________________________________________
5. _______________________________________________
_______________________________________________
_______________________________________________
_______________________________________________
_______________________________________________
a. What have you noticed on the activity? How did the materials contribute to
the overall appearance of each arts and crafts?
MODULES FROM CENTRAL OFFICE
b. How can we identify the materials to be used to create a particular product?
The previous activity served as a guide for you to determine the materials
mostly used in doing arts and crafts. This also showed the main tools specifically to
craft a particular product. The next part of this module will give you a closer look
on how these materials determined and how the beliefs, cultures, and traditions
become contributing factors in crafting a particular sculpture.
5
What is It
Sculpture is the art of making
two- or three-dimensional
representative or abstract forms,
especially by carving stone or wood
or by casting metal or plaster.
There’s a wide variety of
medium that can be used in
sculpture both additive and Additive
subtractive process. Some of these
are Polymer Clay, Earth clay, Play
Dough, Soap, Plaster of Paris, Wax,
Balsa Wood, Paper mache etc.
Additive sculpting processes involve
adding materials to “build up” the
sculpture. Subtractive processes rely
MODULES FROM CENTRAL OFFICE
on the removal of the material to
“reveal” the sculpture.1
Subractive
One example of subtractive process is
the sculpture practiced by the Natives of
Cordillera”.Ifugao has a wooden sculpture
called bul’ul that represents the rice granary
spirits. It is used in rituals that are performed
to call the ancestors to protect their rice fields
from pestilence and to ask for an abundant
harvest. Bul’ul is a carved-wooden human
figure with simplified forms and usually made
of narra which signifies wealth, happiness,
and well-being to the Ifugao. During ritual
called tunod, which means “planting
seedlings in the soil”, bul’ul dipped in the
blood of pigs.2
Bul’ul
1 1 Kristian G. De la Vega, “Sculpture and Architecture”National training of Trainers -CRITICAL CONTENT IN ARTS
on K to10 Enhanced Basic Education Program-Session Guide –Grade 4 & 7, Slide 15
2 Lourdes R. Siobal et.al, “Arts and Crafts of Luzon (Highlands and Lowlands)” in Music and Artrs Learner’s Material-
Grade 7, (Department of Education ,2017), 149
6
Paete, Laguna, considered as the
Woodcarving Capital of the
Philippines.”Ukit” is the local term for
carving. Paete carvers usually produce
wooden religious images and wood
panels with decorative floral patterns
and florid geometric designs. It is also a
subtractive process of sculpture.
Wood panel
Higantes of Angono in Rizal
Province are big papier machè of human
figures that represent farmers and
fishermen. According to stories, the
original higantes were representation of
hacienderos during the Spanish colonial
period. The earliest known “higantes”
MODULES FROM CENTRAL OFFICE
are composed of a father, mother, and a
child measuring 7 to 10 feet. These big
papier machè is considered as
assemblage and additive sculpture.
Higantes
Remember Me, Please!
1. Sculpture is the art of making two- or three-dimensional representative or
abstract forms, especially by carving stone or wood or by casting metal or
plaster.
2. Additive sculpting processes involve adding materials to “build up” the
sculpture
3. Subtractive processes rely on the removal of the material to “reveal” the
sculpture.
4. Bul’ul is a carved-wooden human figure with simplified forms and used in
rituals that are performed to call the ancestors to protect their rice fields
from pestilence and to ask for an abundant harvest.
5. . Paete carvers usually produce wooden religious images and wood panels
with decorative floral patterns and florid geometric designs
6. Higantes of Angono in Rizal Province are big papier machè of human figures
that represent farmers and fishermen.
7
Describe the following pictures based on their designs. (Elements and
Principles of Arts). Explain how the elements and principles of arts reflect the
functionality, tradition, expertise, and availability of resources.
B U L ’U L
MODULES FROM CENTRAL OFFICE
WOOD PANEL
8
HIGANTES
MODULES FROM CENTRAL OFFICE
Congratulations! You’ve made it. After describing the elements and principles
of art used, kindly answer the following questions on another sheet of paper.
1. What could be the similarities and differences of the sculptures based from
the elements of art used? Principles of arts used?
2. Based from their culture and history, how did the elements create distinctive
designs of sculptures?
9
What’s More
Activity 1
In this activity you will be able to enhance your illustration skills and creative
imagination in designing sculptures. First, make a plan of the sculpture you want to
make/create. Decide for its height and width as well as the depth. Second, choose
what materials you will be used. Draw your design on a separate sheet of paper.
SCUL-PLAN (Sculpture Plan)
MODULES FROM CENTRAL OFFICE
A. What are the special characteristics of your design that makes it different from
the other illustrations? (materials used)
B. Based on your design, give at least three elements of art used and explain its
importance.
10
Activity 2: Circle Of Three
Directions: Based on the lesson presented in the previous sections of the module,
sculptures were characterized by different elements or principles that make them
unique and different among other artworks. Using the chart below, discuss how
these elements provide aesthetic beauty in the featured sculptures. Afterwards,
respond to the following questions below. Do this activity on your notebook.
BUL ’UL
_________________
_________________
_________________
_________________
SCULPTURES
MODULES FROM CENTRAL OFFICE
HIGANTES WOOD PANEL
_________________ _________________
_________________ _________________
_________________ _________________
_________________ _________________
1. How do you think the elements or principles help these sculptures preserve
their form and designs?
2. In your own opinion, is it important to know the elements being characterize
by these sculptures? How do you say so?
Congratulations! You made it. You have performed very well. It means that
you grasped all the important concept from this learning module. Now, it’s time for
you to reflect on what you have understood and realized upon discovering the
essence of sculptures in the featured places in Luzon
11
What I Have Learned
My Reflections
MODULES FROM
Assessment
CENTRAL OFFICE
A. Complete the following statements by supplying the right word/s from the box
below. Write your answer on your answer sheet.
Ukit Assemblage Planting of seeds Fertility symbols
Hacienderos Religious Images Higantes
Bul’ul Subtractive Additive Sculpture
1. The art of making two- or three-dimensional representative or abstract
forms, especially by carving stone or wood or by casting metal or
plaster is called ________________.
2. ________________ sculpting processes involve adding materials to “build up”
the sculpture.
3. ________________ processes rely on the removal of the material to “reveal” the
sculpture.
12
4. ________________ is a carved-wooden human figure with simplified forms and
used in rituals that are performed to call the ancestors to protect their rice
fields from pestilence and to ask for an abundant harvest.
5. ________________ are big papier machè of human figures that represent
farmers and fishermen.
6. Paete carvers usually produce wooden ________________ and wood panels
with decorative floral patterns and florid geometric designs
7. Higantes are the representation of ________________.
8. During ritual called tunod, which means “________________” bul’ul dipped
in the blood of pigs.
9. The big papier machè is considered as ________________ sculpture.
10. The local term for carving is “________________”.
B. Analyze the following pictures. Write S if the process used in the picture is
Subtractive and write A if it is Additive.
_______________11. _______________12.
MODULES FROM CENTRAL OFFICE
_______________13. _______________14.
_______________15.
13
What I Can Do
Wood panel is one of the main subjects of the carvers in Paete, Laguna
because of its high quality type of woods and its planishing texture. This sculpture
is known for its appealing florid geometric designs and decorative floral patterns.
In this activity you will use your creativity, imagination, and appreciation by
creating/ constructing your own Soap Panel with your favorite floral design through
incorporating the design and forms of the highland and lowland object in your
creation. This activity will use a soap which is the main material because of its
availability. You may also use clay as the materials to make it more attractive and to
add texture for the sculpture.
Take a photo of your artwork and submit it to your facilitator through
messenger, e-mail, or other media platforms.
Okay, let’s start.
My Soap Floral Panel
MODULES FROM CENTRAL OFFICE
Materials:
Pencil
Bond paper
Stick/ barbecue stick/ cutter/nail pusher
Sanding paper
Clay F. Soap G. Cutter
Procedure:
1. Sketch your sculpture on a
piece of paper then transfer on
to the soap.
14
2. Create a base.
3. Move from large forms to
smaller one.
MODULES FROM CENTRAL OFFICE
4. Carve in the details (you may
use clay for additive purposes)
5. Add in textures.
15
RUBRICS
10 POINTS 8 POINTS 6 POINTS 4 POINTS
Creativity/ Artworks contain Most of the Most of the Some of the
Elements of an original artwork artwork artwork
Arts & design. Designs elements are elements are elements are
Principles of should not be unique, but 1 unique, but 2 unique, but 3
Design copied from other element was elements were elements were
learning copied from the copied from the copied from the
resources. source material. source material. source material.
Effective use of Elements and Elements and Elements and
the Elements and Principles of art Principles of art Principles of art
Principles of art were observed, were observed, were observed,
were observed in however, 1 however, 2 however, 3
all aspects of the element does elements does elements does
design not complement not complement not complement
to the over-all to the over-all to the over-all
design and design and design and
theme theme theme
Attractiveness/ The artwork The artwork The artwork The artwork
Craftsmanship exhibited exhibited exhibited exhibited
attractiveness attractiveness attractiveness attractiveness
and and and and
craftsmanship craftsmanship, craftsmanship, craftsmanship,
MODULES FROM CENTRAL OFFICE
with the following
characteristics:
however, only 3
characteristics
however, only 2
characteristics
however, only 1
characteristic
a. neatness were met. were met was met
b. accuracy of
the execution
of the
elements and
principles of
art
c. accuracy of
the weaving
techniques
d. the design
obtained high
level of
difficulty and
complexity
Timeliness The artwork was The artwork was The artwork was The artwork was
submitted on the submitted one submitted two submitted three
set schedule day beyond the days beyond the days beyond the
set schedule set schedule set schedule
16
Additional Activities
You have reached the end of the module. You have proved that you can
surpass all the challenging activities that this learning module has offered. To enrich
your learning about the lesson in this module, try to accomplish the last activity. Use
all your understanding so that you can perform well even until the end of this
module.
Activity 1: I AM A SEARCHER!
Directions: The influence of sculptures has made our country’s culture and tradition
richer and relevant even up to this day. In this activity, you are tasked to find any
sculpture present in your locality or in the internet and observe its elements.
Afterwards, respond to the following questions because this will guide you in
identifying what elements are being possessed by the sculpture you have found.
Answer the following questions on your activity notebook.
1. What particular sculpture did you find in your locality or in the internet?
2. What are the characteristics of the sculpture you have found/searched?
3.
4.
MODULES FROM CENTRAL OFFICE
What are the elements do the sculpture possess?
How these elements contribute to the total appearance of the sculpture?
5. How does the sculpture you have found in your locality or in the internet differ
from the sculptures presented in the lesson? Explain.
17
18
MODULES FROM CENTRAL OFFICE
What I Know/ Assessment
1. Sculpture
2. Additive
3. Subtractive
4. Bul’ul
5. Higantes
6. Religious images
7. Hacienderos
8. Planting of seeds
9. Assemblage/Additive Sculpture
10.Ukit
11.S
12.A
13.A
14.S
15.A
Answer Key
References
Lourdes R. Siobal et.al, “Arts and Crafts of Luzon (Highlands and Lowlands)” in
Music and Artrs Learner’s Material-Grade 7, (Department of Education
,2017), p149
Kristian G. De la Vega, “Sculpture and Architecture”National training of Trainers -
CRITICAL CONTENT IN ARTS on K to10 Enhanced Basic Education
Program-Session Guide –Grade 4 & 7, slide 15
MODULES FROM CENTRAL OFFICE
19
MODULES FROM CENTRAL OFFICE
For inquiries or feedback, please write or call:
Department of Education - Bureau of Learning Resources (DepEd-BLR)
Ground Floor, Bonifacio Bldg., DepEd Complex
Meralco Avenue, Pasig City, Philippines 1600
Telefax: (632) 8634-1072; 8634-1054; 8631-4985