Piano Flor

Pálida
Polo Montañez Disc: 3.0 (2013) Marc Anthony

            
Rumba (Clave 3-2)

Salsa
Intro
       
 
 = 185
G D

  
    
   
    


  
    

Am         m   
         

E
  
6

   
   

      
 

       
D 
  
     

G

  
10

    
        


     

Am         m   
    
    
E
  
14

   

  
        
  


Estrofa 1
    
D
  
G

       
18




 
   
Giovanni Miranda 1
 Piano - Flor Pálida (Marc Anthony)

 
       
Am Em
    
22

  
   


    
C G

     

26


 
 

 
   
D
    
Am
 
30
3


 
 

 Estrofa 2

    
D
  
G

       
34




 
   

 
       
Am Em
    
38

  
   

Giovanni Miranda 2
 Piano - Flor Pálida (Marc Anthony)


    
C G

      
42


 
 

  
      
D
     
Am G G D/F♯
  

46
3

     
   
Estribillo (pt1)

                         
Salsa - Playing Montuno

                         
Em Bm 


50

   
   
                               
    

                            
                    
Em D


54

  
     
                          
 
   

                  
              
               
58 C G

     
           
                        
    

Giovanni Miranda 3
 Piano - Flor Pálida (Marc Anthony)

                        
                  
B/F♯
  


A D D


62

  
     
         

   
           
  

  
Estribillo (pt2)
                             
       
Bm 
       
Em

   
66


   
                               
   

                            
                    
Em D To Coda

70

  
       
                           
   

                             
                   
74 C G

     
            
                   
     

                     
                         
 
 
78 Am D G

    
           
                     
    

Giovanni Miranda 4
 Piano - Flor Pálida (Marc Anthony)

      
D 
   
Intro 2
   
  
G

  
82

    
   
     


 
    

Am         m   
      
    
E D.S. al Coda
  
86

   

  

        
  



                            
                 
90 C G Tutti

   
              
                  
    


 = 160

  
D

Am

 
94  = 185

  


 G  
C     
Montuno de Piano (Solo)
D
            
C G

        
  
G

97

     
                   
 

Giovanni Miranda 5
 Piano - Flor Pálida (Marc Anthony)

Mambo
       
Coro 1 Fills Percusión
G D
             
G C C G

        
  
101

 
     
                   
 

        
A caballo
 
Coro 1 Coro 1
G D G
           
G C C G G C
     
                      
105

       
                
           

          
Tutti
     
D G
          
C G G
 

111

 
 
     
       
        

Coro 1
C 
Pregón
  G 
      
Salsa (Campana arriba)
         
                           
114 D G G

        
            
          
       
          

G 
            G   G
Coro 1
    
Pregón

                           
C D 

  
118

   
         
                     
     

Giovanni Miranda 6
 Piano - Flor Pálida (Marc Anthony)

G  
Pregón
          
Coro 1
  
                 
D
   
C

  
122

 
 
     
     
         
 
 

G 
                       
Moña
 
                
G D
 
G C
 

125

     
    
                           
     

G 
                  
Fills Percusión

                     
D
  
G G C
  
129

    
     
                         
      

   G  
            
(Coro 2)
   
               
 
         
G G C D


133

     
     
                          
     
Moña, Coro 2, Solo de Timbal
G 
        
       
      

                   
G D

G C


137

     
    
                  
         
   

Giovanni Miranda 7
 Piano - Flor Pálida (Marc Anthony)

G 
                   
                          
G G C D
 
141

     
    
                           
     

G 
                         
                
G D
 
G C
 

145

     
    
                           
     

G 
                  
   
                 
D
  
G G C
  
149

    
     
                         
      

   
Final: Coro 2, Solo de Timbal
G 
                  
                               
G G C D


153

     3 
     
                                



      3 

   G 
                      
                    
D
   
157 G G C

      
   
                             
 3 

       
3

Giovanni Miranda 8
 Piano - Flor Pálida (Marc Anthony)

 G 
                        
                   
 D
  
G G C

  
161

   
    
                        

 


      

 
        
G

G

165

 
      
 
 

Giovanni Miranda 9