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Advances in Digital Marketing and Ecommece - 978-3-030-76520-0

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Springer Proceedings in Business and Economics

Francisco J. Martínez-López
David López López   Editors

Advances
in Digital
Marketing and
eCommerce
Second International Conference, 2021
Springer Proceedings in Business and Economics
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Francisco J. Martínez-López •

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Advances in Digital
Marketing and eCommerce
Second International Conference, 2021

123
Editors
Francisco J. Martínez-López David López López
Department of Business Administration 1 ESADE Business & Law School
University of Granada Barcelona, Spain
Granada, Spain

ISSN 2198-7246 ISSN 2198-7254 (electronic)


Springer Proceedings in Business and Economics
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Preface

The Digital Marketing & eCommerce Conference aims to bring together leading
researchers and research scholars to exchange and share their experiences and
research results on any aspects of ecommerce and digital marketing. It also offers a
platform for academicians and practitioners to present and discuss the most recent
breakthroughs, trends and concerns as well as practical challenges encountered and
solutions adopted in the fields of ecommerce and digital marketing.
Each paper submitted to the 2021 DMeC Conference has gone through a
stringent peer-review process by members of the programme committee, which
comprises over 60 researchers from around 30 countries.
This edition has been dedicated to social media marketing. Firms have spent
billions of dollars on social media marketing. In today’s socially connected world,
social media has moved beyond a marketing channel and can be a source of
competitive advantage. In particular, fashion, beauty, travel and hospitality firms
have witnessed the crucial role of social media marketing in growing their business.
Does social media marketing remain what it was when social media just started?
The concept of social media marketing was coined almost a decade ago, but cus-
tomer demands and technology advances have been evolving the essence and
mechanism of social media marketing. On the one hand, customers want more
convenience and better consumption experiences when using social media for
commercial purposes such as discovering interesting products or services. On the
other hand, mobile technology, cloud computing, 5G technology, ecommerce
technology and artificial intelligence (AI) have evolved social media features and
social media content. People can find that today’s social media is fundamentally
different from what it was. As a consequence, these two aspects have changed
social media marketing. In terms of media formats, with the advent of 5G tech-
nology, social media marketing offers more smooth, interactive and immersive
media formats such as social videos and live streaming. With respect to media
content, social media has allowed recommending more personalized commercial
content for customers. Precision marketing is becoming possible in today’s social
media marketing campaigns.

v
vi Preface

Today’s social media also enables users to create high-quality content by


offering digital options and other content-enhancing features. Social media mar-
keting is not solely completed by marketers. Research has revealed that
user-generated content (UGC) also plays a key role in social media marketing. The
enhancement of UGC quality can facilitate social media marketing performance.
Regarding social media features, social media has offered AI-powered chatbots,
one-click-to-checkout, online live interactions, AR-based lenses and others. These
new features can substantially improve social media marketing effectiveness.
A total of 34 papers have been accepted, and they address diverse areas of
application and topics, not necessarily connected with the primary topic of this
edition, such as influencer marketing, voice assistants, engagement on social net-
works and metrics, online shopping problems, pandemic-related issues from a
digital marketing perspective, online atmospherics, social media monitoring, rec-
ommendations for fashion merchandising, social media advertising and
TikTok-related issues, among others.
Hopefully, this second edition continues the aim set initially to encourage,
promote and publish high-quality contributions on digital marketing and ecom-
merce that can aid academics and practitioners in dealing with a wide range of
issues.
Finally, we wish to acknowledge the support of our sponsors and publishers.
Last but not least, we would like to thank all the contributing authors, members
of the programme committee and the rest of the organizing committee for their
highly valuable work in enabling the success of the 2021 DMeC Conference, still
under the effects of the COVID-19 pandemic.

Francisco J. Martínez-López
David López
Contents

Influencer Marketing in the Make-up Industry . . . . . . . . . . . . . . . . . . . 1


Ioanna Yfantidou and Mile Grncarov
Brand Semiotics as a Tool to Create Stronger Viewer Involvement
with Brand Visuals on Social Media . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
C. du Plessis
Talking to Voice Assistants: Exploring Negative and Positive
Users’ Perceptions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Michela Patrizi, Maria Vernuccio, and Alberto Pastore
The Influence of Brands and Platform Mechanics on Creator’
Content Sovereignty on TikTok . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Markus Rach
Interactivity in Social Media: A Comparison in the Movie
Studios Sector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
Joan-Francesc Fondevila-Gascón, Pedro Mir-Bernal,
Marc Perelló-Sobrepere, and Marc Polo-López
Digital Transformation Induced by the Covid-19 Pandemic . . . . . . . . . . 50
Sankhani Hemachandra and Nora Sharkasi
Towards an Understanding of the Intention to Engage on Facebook . . . 62
Diep Ngoc Nguyen and Nora Sharkasi
Metrics of Engagement on Social Networks and Their Relationship
to the Customer's Decision-Making Process Under
e-Commerce Conditions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
L’udovít Nastišin and Richard Fedorko
Online Shopping Problems in the Context of B2C E-commerce
in the Visegrad Four Countries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Richard Fedorko and Štefan Kráľ

vii
viii Contents

The New Adult on the Block: Daily Active Users of TikTok


Compared to Facebook, Twitter, and Instagram During
the COVID-19 Crisis in Belgium . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Johan Hellemans, Kim Willems, and Malaika Brengman
Fight Against Corona: Exploring Consumer-Brand Relationship
via Twitter Textual Analysis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Francesco Smaldone, Mario D’Arco, and Vittoria Marino
How to Leverage Digital Marketing in B2B: A Study on Italian
SMEs During the Covid-19 Outbreak . . . . . . . . . . . . . . . . . . . . . . . . . . 112
Lala Hu and Mirko Olivieri
How Does the Number of Instagram Followers Influence Brand
Attitude: The Role of Purchase Intention, Perceived Product
Quality, Referrals, Brand Trust, and Gender . . . . . . . . . . . . . . . . . . . . . 121
Ricardo Dias, Luis F. Martinez, and Luisa M. Martinez
Online Atmospherics - An Evaluation of the Current State
of the Art and Future Research Directions . . . . . . . . . . . . . . . . . . . . . . 129
Eva Maria González Hernández, Jan-Hinrich Meyer, and Andrea Trujillo
How TikTok’s Algorithm Beats Facebook & Co. for Attention
Under the Theory of Escapism: A Network Sample Analysis
of Austrian, German and Swiss Users . . . . . . . . . . . . . . . . . . . . . . . . . . 137
Markus Rach and Marc K. Peter
The Social Media Monitoring Process and its Role in Social Media
Strategy Development . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144
Cécile Zachlod and Marc K. Peter
Organic Reach on YouTube: What Makes People Click on Videos
from Social Media Influencers? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153
Jason Weismueller and Paul Harrigan
Online E-Communication Channels: The Impact of CSR
and Reviews on Purchase Intent . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161
Leanne Johnstone and Cecilia Lindh
Social Media in FMCG Marketing: Understanding How
Supermarkets Use Facebook During the COVID-19 Pandemic . . . . . . . 184
Surej P. John and Richard Walford
The Role of Social Media to Re-design the Brand Image
of Small Villages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 192
Angela Caridà, Maria Colurcio, and Alberto Pastore
Influencer Marketing: Current Knowledge and Research Agenda . . . . . 201
Samira Farivar and Fang Wang
Contents ix

What Digital Marketers Should Learn from the Struggles


of an Ageing Society on Social Media . . . . . . . . . . . . . . . . . . . . . . . . . . 209
Izzal Asnira Zolkepli, Pradeep Isawasan, Hasrina Mustafa,
and Lalitha Shamugam
Who Is a Digital Agency? Delving into the Value Proposition . . . . . . . . 225
Federica Ceccotti and Maria Vernuccio
Moments of Truth in Social Commerce Customer Journey:
A Literature Review . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 236
Letícia Terra and Beatriz Casais
Aspect-Based Recommendation Model for Fashion Merchandising . . . . 243
Weiqing Li and Bugao Xu
Leveraging Malicious Joy to Influence Consumer Word-of-Mouth
Transmittal in Social Networks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 251
Barney G. Pacheco and Joseph Paniculangara
Selling Global Luxury Brands in China: The Use of Social
Media Advertising . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 255
Federica Codignola
The Intention to Repurchase Apparel Online: A Case of South
African Millennial Men . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 263
Chris D. Pentz and Lieze Ryke
Understanding the Digital Communication Preference
of Business-to-Business Purchasers and Sellers . . . . . . . . . . . . . . . . . . . 277
Bert Paesbrugghe, Teidorlang Lyngdoh, Arun Sharma,
and Deva Rangarajan
eCommerce Within the Tourism Industry in the Global South:
The Case of the Sharing Economy in South Africa . . . . . . . . . . . . . . . . 280
Unathi Sonwabile Henama
Influencers on Instagram: The Influence of Disclosure, Followers
and Authority Heuristic on Source Credibility . . . . . . . . . . . . . . . . . . . . 291
Debbie Human-Van Eck, Chris Pentz, and Tobias Beyers
The Effect of Covid-19 Pandemic on Client’s Equity: The Case
of a Senegalese Telecommunication Company . . . . . . . . . . . . . . . . . . . . 305
Nora Sharkasi and Thioro Ndiaye
Yes, You Make Me Confused and Skeptic: Exploring Green
Confusion and Green Advertisements Skepticism on Social Media . . . . 313
Kashif Farhat, Wajeeha Aslam, and Iviane Ramos de Luna
x Contents

Package-Free Returns: A Trend in Green Ecommerce . . . . . . . . . . . . . . 330


Yangchun Li, Changyuan Feng, and Huaming Liu

Author Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 335


Influencer Marketing in the Make-up Industry

Ioanna Yfantidou1(B) and Mile Grncarov2


1 Liverpool John Moores University, Liverpool, UK
[email protected]
2 Mercedes-Benz.iO, Stuttgart, Germany

[email protected]

Abstract. The growth of social media usage and its utilization in marketing cam-
paigns has created a new class of community leaders online, called influencers.
Influencers appeared on social media as relevant content creators on a certain niche
topic such as sports, comedy, make-up etc. The make-up industry has completely
adopted the trend of influencers which ended up disrupting the entire industry.
The purpose of this study is to demonstrate the effects that influencer marketing
has had on the make-up industry and how it has become essential for marketers
with a focus on that industry. This includes a comparison of influencer marketing
to other marketing options such as TV and Online Paid Ads, the cost of adver-
tisement, effectiveness and ability to influence consumer behavior, primary data,
data obtained from secondary sources as well as personal contact with influencer
agencies.

Keywords: Influencer · Marketing · Make-up · Social media · Advertising

1 Introduction
The purpose of this research is to perform a comparative analysis of influencer marketing
to other marketing alternatives and analyze its effectiveness and the successful usage
of influencer marketing. Though the research is focused on investigating influencer
marketing in the make-up industry, important insight is gained on influencer marketing
overall as well as about other industries.
Social media is not only for users to connect with their friends but also with many
celebrities, brands and as of recently, influencers. Social networks like Instagram, Face-
book, YouTube and Snapchat are now an integrated space where you can not only connect
to, but be introduced to brands, companies and influencers through a discovery-based
option. This research is emphasizing on YouTube and Instagram only, as there is evi-
dence that influencer marketing is thriving on those media compared to others (Ault
2014). Schiniotakis and Divini (2018) believe that influencer marketing is a subcategory
of word-of-mouth marketing, along with buzz marketing, viral marketing, blog mar-
keting and referral marketing. Influencer marketing is marketing products or services
through individuals who have a sway over what people buy (Dada 2017). This ability to
persuade people to purchase a certain product or service comes from the perception that
the influencer has a certain market expertise and understand the product or service which

© The Author(s), under exclusive license to Springer Nature Switzerland AG 2021


F. J. Martínez-López and D. López López (Eds.): DMEC 2021, SPBE, pp. 1–15, 2021.
https://doi.org/10.1007/978-3-030-76520-0_1
2 I. Yfantidou and M. Grncarov

they are referring to (Dada 2017). Apart from the term ‘influencers’, the terms ‘bloggers’
or ‘Youtubers’ are also used to promote content across various social media and offer
an influential basis for promoting brands and products especially to the younger gener-
ation (Kolo and Haumer 2018). When US teens were asked to rank influential figures,
six out of the top ten were YouTubers or YouTube influencers (Ault 2014). The survey
concluded that most of the participants found YouTubers more authentic than famous
celebrities, ranking them as more trustworthy and believable (Ault 2014).
To better understand the objectives of this study, it is important to present a few
introductory lines about the two social media of this study, Instagram and YouTube.

Instagram. With over 1 billion users of which 500 million are active daily, Instagram
is 10 times more engaging than Facebook and 84 times more engaging that Twitter
(Lyfe Magazine 2018). There are more than 50 billion photos on Instagram today and
more than 4.2 billion likes per day (Omnicore 2020). Regarding businesses, there are 25
million business accounts on Instagram, more than 500,000 active Instagram influencers
and 70% of shopping enthusiasts turn to Instagram for product discovery (Omnicore
2020). Regarding demographics, 59% of Instagram users are women, 59% of all users
are 18–29 years old and 33% are 30–49 years old (Omnicore 2020). It is worth noting
that businesses are seeing unprecedented success on the platform thanks to Instagram
Stories that were launched in 2016 as a competitor to Snapchat Stories (Nardello 2017).
Instagram has taken community connectivity to a whole new level by creating hashtag-
based communities’ which people can follow, explore the content of, and publish their
own content under these tags. When a user on the platform posts a photo with the
hashtag #makeup, their photo on a public account will be featured under that tag along
with everyone else that has used the #makeup in their photo captions. The 286 million
content posts with the hashtag #makeup on Instagram demonstrate the popularity of this
feature (Instagram, data obtained in June 2020). Users are further allowed to browse
everyone’s make-up related posts by clicking the hyperlinked #makeup post where they
can see the most popular and the newest posts by community members, celebrities
and brands. There are hundreds of make-up related tags on Instagram that also contain
contributions by the make-up community on Instagram such as #make-upartist with 84.5
million posts, #mua with 65.8 million posts, as well as tags for make-up products such
as #highlighter with 4.6 million posts (Instagram, data obtained in June 2020). Make-up
related Instagram tags will be referred to as community tags– ones that users which have
an interest in make-up are likely to use when they create their own content related to
make-up.

YouTube. YouTube is a visual platform which allows users to post videos on any topic
that they are interested in. More than 300 h of video are uploaded on YouTube every
minute with 30 million people visiting YouTube every day while the platform has more
than 2.5 billion users (Hubspot 2019). YouTube is the second largest search engine in
the world after Google (Social media advertising guide 2019). Visual platforms like
Instagram and YouTube work well for make-up users since they can see and hear more
detailed facts about the product or make-up look that they are interested in. Some exam-
ples of popular make-up artists on YouTube include James Charles with over 19 million
subscribers, Jeffree Star with over 18 million and Nikkie Tutorials with more than 14
Influencer Marketing in the Make-up Industry 3

million (YouTube, data obtained in June 2020). Interestingly, when people search for
beauty related content on the internet, most of them turn to make-up tutorials done
by influencers in order to watch a review for the product, style inspiration or just for
entertainment (Verb Brands Limited 2017).
Academic research on influencer marketing is limited thus this research paper is
thought essential in order to understand the trend of utilizing this method of marketing
and its impact consumers. There is a lack of research on the impact gender, market, and
industry have on the effectiveness of influencer marketing, and this paper is exploring
these different aspects with a quantitative and qualitative approach. Specifically, primary
data are collected through surveys and interviews, whereas secondary data from the
internet are used to reinforce or justify some of the findings.

1.1 The Growth of Internet Advertising

The growing popularity of social media has been reflected in a report by the Interactive
Advertising Bureau (IAB) in their 2017 annual report where they reported that Internet
Advertising continues to be the largest sources of advertising revenue for that year (IAB
2017). Advertising revenues for internet advertising in 2017 were around US $88 billion
(in the US alone) which represented a 21.4% spike from 2016, while TV advertising
fell to 70.1 billion, a 2.6% decrease from 2016 (IAB). While this report is on all types
of internet advertising and not specific to influencers, it is important to take note of
this trend. The results of this $17.9 billion lead of internet advertising ahead of TV
advertising could be indicating that people are generally more engaged with online ads
rather than TV ads. In fact, there is evidence from a recent study that individuals tend to
opt for online sponsored advertisements and this fact is positively related to their visual
attention (De Souza et al. 2020). The influencer marketing spend is harder to track since
all information available comes from the US FTC organization to which influencers
report their earnings to tax authorities (Bladow 2018). However, a study found that 93%
of the largest influencers are not fully or not at all compliant with the FTC (Bladow
2018), which is why market size predictions go from 2.38 billion for the US in 2019
(Statista 2019) to 10 billion worldwide by 2020 (Mediakix 2019).

1.2 Influencer Marketing Costs Less

There is a great amount to be said about the different costs of advertising when comparing
TV and Internet advertising. According to a research done by Fou (2014), in order to
reach 1,000 impressions with an advertisement, social media has the lowest cost while
TV and mail advertising have the highest (Fou 2014). In his study, Fou found that to
reach 1,000 people it will cost advertisers a hefty $30 (2014 report) while online search
ads go as low as $2, online display ads at $7 and online video ads, the most comparable
to TV ads go for $15 (Fou 2014).
When it comes to influencer marketing, the data available for pricing is partially
based on knowledge from contacting influencers, while some have attempted to set up
metrics to calculate profits based on following, engagement and reach. However, reports
of estimates from influencer agencies for 2019 round up the numbers to around $1,000
4 I. Yfantidou and M. Grncarov

per 100,000 followers, meaning $10 per 1,000 people reach (Chen et al. 2017). This
places influencer advertising in the middle between online pay-per-click ads and TV
ads.
When comparing influencer marketing to online ads or TV ads there is a lot of
differences such as the fact that working with an influencer usually means outsourcing
all the overhead, production, content creation and other costs related to producing the
actual advertisement.
For this next information, a popular Instagram influencer from the United States was
contacted and she gave a quick oversight of what influencers have to do when promoting
a brand. “In a way, influencers act as models, camera people, producers, editors, content
creators, use their own overhead and save the company interactions which can take away
from the ad spend budget that could be utilized for acquiring more reach. In most cases,
influencers are sent products or given services which they then attempt to introduce to
their audience” (Anonymous Influencer). In short, when companies choose influencers,
they are not only reducing the necessary budget for all the above-mentioned factors, they
are also receiving an excellent reach per dollar of ad spend.
According to influencer James Charles, later confirmed by agency PikeWood Cre-
ative, the production of a video advertisement can cost a company upwards of $200,000
when you consider the crew, models, camera equipment, studio and post-production
(Koon 2017). The famous make-up influencer spoke about this in a video when a recent
controversy about the price of influencer marketing occurred in 2018, where he claimed
that influencers asking for $60,000 dollars for a paid promotion to their tens of millions
of followers was not even comparable to the costs that companies and brands would
incur trying to run a TV ad (Marlena Stell, YouTube). These $200,000 is an estimated
price before the ad is aired after which the price averages around $30 per 1,000 impres-
sions on prime time tv, as mentioned earlier in the paper. If marketers are working with
a tighter budget, influencer campaigns seem to be the easiest way to control the budget.

1.3 Influencer Marketing has a Good ROI

ROI in influencer marketing is measured by the number of clicks to the company’s prod-
uct or service that the promotion results in and hence the number of sales in that period.
Companies have used a variety of methods to track this information such as link track-
ing, pages made with the influencers name as well as discount codes and tracking how
many times they have been used. According to a report by digital marketing agency Bust
Media, which ran 48 influencer marketing programs in 2014 through 15 industries and
662 influencers, the average return for $1 of paid media was $6.85 (Morrison 2015). The
company reports that influencers bring in a great return for the money invested in cam-
paigns, the highest in consumer-packaged goods and food at $11.33 per $1 spent, apparel
at $10.48, and tourist destinations at $7.04 (Morrison 2015). Bust Media observed that if
a company works with the right influencers whose fans and followers fit the company’s
ideal customer profile, there is much to gain from the invested capital in influencer mar-
keting campaigns. To compare, Nielsen Analytic Consulting showed that the average
ROI for digital ads (pay-per-click) was $2.18 per $1 dollar spent, significantly lower
than that of influencer advertising (Bateman 2017).
Influencer Marketing in the Make-up Industry 5

Perhaps one of the best ways to get insight on influencer marketing in differ-
ent industries is to look at cases of brands collaborating with different social media
influencers.

1.4 Make-up Industry - The Case of Morphe Cosmetics

One excellent example of a company fully integrated into the influencer sphere is Morphe
- a make-up company with a social media presence on Instagram, Facebook, Twitter,
Pinterest and Snapchat (Morphe Cosmetics 2020). Morphe has long used the benefits of
social media for promoting their products by encouraging the customers of their products
to tag them on their social accounts for a chance to have their look reposted in front of their
millions of followers across platforms (Morphe Instagram @Morphebrushes). Morphe
Cosmetics is not a product that customers buy to just use, but rather a product which
makes them a part of the company community across social media using the social tags
(#, @) mentioned earlier.
Morphe is also no stranger to influencer collaborations on products that they carry
in their online store as well as their physical stores. The company frequently releases
products which are custom designed by the influencer who gets to be involved in the
entire process and carries the name of the influencer. One collaboration like this was
the James Charles × Morphe eyeshadow collection, a great example of an influencer
collaborating with a brand and bringing in a huge ROI (Morphe Cosmetics 2020).
Last, but not least, Morphe collaborates with lots of large and small influencers by
giving them their custom discount code (Tea 2016). This affiliate style program gives
influencers a code they can share with their followers which gives their fans a discount on
Morphe products, while allowing the influencer to earn money for every sale for which
their code was used (Tea 2016). The discount code which can be used for any of the
Morphe products on their website as well as in store, motivates influencers to repeatedly
promote it to their followers without being paid every single time they mention the brand,
rather for the purchases that their code is used for – more mentions is more revenue for
the influencer (Tea 2016).

2 Literature Review

Nowadays people not only communicate directly with companies and celebrities through
social media, they expect a dialogue and engagement from the brand’s side as well
(Bennett 2014). Digital retailers can provide stimuli to their followers through their
daily post on social media (Sihombing et al. 2020) and gain valuable insights about their
customers’ attitudes and behaviors (Schiniotakis and Divini 2018). Social media has also
allowed for the creation of focused online communities where individuals passionate
about the same thing can connect much easier than before (Schiniotakis and Divini
2018). A perfect example of this is the make-up community’s ability to connect with
each other, make-up creators (make-up artists), and brands that produce make-up.
The return on investment from using social media influencers over more traditional
advertising strategies like TV is still debated. A study by Kadekova and Holiencinova
(2018) concludes that the impact that TV and influencer marketing have is different
6 I. Yfantidou and M. Grncarov

in various age groups and for this reason a survey has been conducted for additional
information. However, within the rapidly changing landscape of advertising, and the
increased availability of targeting software, the evaluation of a single variable such as
age is no longer adequate for justifying how impactful different channels are. There is a
lack of research on the impact gender, market, and industry have on the effectiveness of
influencer marketing, including evaluation of it across multiple social media platforms.
Research on influencer marketing is scarce thus this work is thought essential in order
to understand the trend of utilizing this method of marketing and its contribution to the
development of the digital marketing industry.
Influencer marketing has offered a new way for marketers to form strategic partner-
ships which have a long-term benefit for their company. In the make-up industry, it is
more than clear that influencers have helped brands increase their profits, as previously
explained. Aside from the numerous brand partnerships that we observe with influencers,
it is still relevant to ask whether or how much influencers affect consumer preferences
and buying behavior when it comes to make-up.

RQ1 Does Influencer Marketing in the make-up industry affect consumer preferences?
With RQ1 this paper attempts to see if there is a connection between influencer marketing
and consumers preference towards the advertised product or service. According to a
study, trustworthy influencers can affect consumers beliefs, attitudes and preferences
(Wang et al. 2017). Similarly, influencers who are viewed as experts tend to be more
persuasive (Aaker and Myers, 1987) and can drive consumer purchase intention (Ohanian
1991).
RQ2 Is Influencer Marketing cheaper for the results it gives to the make-up companies?
Data shows that at least in the US, influencer marketing is cheaper for the reach it
gives companies. As mentioned earlier, TV advertisements have a cost of $30 per 1,000
people reach (Fou 2014), while influencer marketing comes to an approximate $10 per
1,000 impressions (Chen et al. 2017). What none of these studies considered as far as
advertising for the make-up industry is that not every TV channel is watched by a niche
audience. On the other hand, a make-up specific influencer is much more likely to have
a following of people who enjoy seeing make-up related content and would perceive
recommendations from that influencer much more legitimate.
RQ 3 Does the industry the company operates in influence the effectiveness of Influencer
Marketing?
While the purpose of this paper is to focus on influencer marketing in the make-up indus-
try, it is important to be objective and consider whether the effectiveness of influencer
marketing depends on the industry that it is being used in. Are sports and fitness related
influencers equally ‘influential’ and desired by brands, or even perhaps more so? One
great example is the already abundant gaming industry which is full of online influencers
that frequently test and promote games online, some of which are paid to promote. There
is also the question of different demographics and age groups that should be considered
when looking at different industries. Although there are cases which show the effective-
ness of influencer marketing in various industries, this is still a subject of research and
Influencer Marketing in the Make-up Industry 7

could vary from one to another, as well as other factors such as geographic location or
local culture.
The three research questions can be answered from secondary data analysis, the inter-
views conducted for this study and the open-ended parts of the survey. Lastly, considering
the popularity of influencer marketing it is hypothesized that respondents have purchased
products that were promoted by influencers rather than TV ads (H1). It is believed that
women are influenced more by traditional advertising compared to men (Sutton 2009).
Similarly, we hypothesize that women are more likely to be influenced by influencer mar-
keting and make a purchase after they have been exposed to an influencer’s sponsored
advert (H2).

Hypothesis 1 (H1): Respondents are more likely to have bought a product that is
recommended by an influencer compared to a product that was advertised on TV.

Hypothesis 2 (H2): Females are more likely to purchase products that are advertised by
influencers, compared to men.

3 Methodology
In order to gather further information and achieve those objectives, primary and sec-
ondary data were collected and analyzed. Secondary data regarding the effectiveness
and ROI of TV and social media advertising was collected through the internet and
other studies as mentioned in the literature review section. Other secondary data was
obtained through the personal social media accounts of influencers and via contacting
their agents. For primary data, a survey was conducted through the period of November
2019–June 2020. Primary data will help confirm or reject hypotheses as well as provide
descriptive analyses.
The survey was created in Google Forms and the prospective respondents were
sent the survey link through email or/and through social media. Hence, for this project
the researchers’ personal network was used as a potential respondents’ pool and their
contacts were asked to pass on the survey link to other contacts, thus creating a ripple
effect. No personal data was stored during the collection of the respondent’s answers,
in alignment with GDPR policies. The online survey includes four variables related to
demographics and eleven questions relevant to social media, influencer marketing and
TV usage. In total, 870 responses were received within seven months and SPSS (v.22)
was used for data analysis.

4 Findings

SPSS was used to analyse the data, however the authors relied mainly on descriptive
statistics as the target is to describe and understand the features of the data set by giving
short summaries. Table 1 presents the demographic characteristics of the sample in terms
of gender, age group, economic activity and education.
As illustrated in Table 1, the majority of respondents are females (68%) compared
to males. Simply for observation, information related to age was used to see if there
8 I. Yfantidou and M. Grncarov

Table 1. Demographic characteristics of the sample

Category Absolute frequency Relative frequency


Gender Male 278 32%
Female 592 68%
Age group Gen Z 692 79.5%
Gen Y 74 8.5%
Before 1981 104 12%
Economic activity Unemployed 57 6.5%
Employed 270 31%
Student 543 62.5%
Education Primary 17 2%
Secondary 352 40.5%
Bachelor’s 418 48%
Master’s 83 9.5%

is a difference between how diverse generational groups react to influencer marketing.


Yet, the random survey ended up having almost 80% of respondents from the same age
group (Gen Z), due to which our results testing generational differences were considered
insignificant. Similarly, when it was decided to look into how different economic activity
affected influencer marketing’s success, we ended up seeing that most of the respondents
were students (temporary employed for a few months of the year), thus this test was also
unsuccessful.
In the introductory part of the survey, the respondents were asked if they knew
what an influencer was and if they were familiar with the term. 87% of the respondents
said that they were aware of the term ‘influencer’ and how influencer marketing works.
Since 7.5% of the respondents were not aware of what the term influencer meant it was
implied in the following questions what the terms means with useful examples from
internationally known influencers so that the respondents may proceed in answering the
following questions.
Also, 53% of the respondents said they follow influencers on social media platforms
(Instagram, YouTube, Twitter, Facebook) and 22% said that they have seen content from
influencers despite not following them. Regarding the category of influencers that the
respondents are following, they said that 20.9% followed make-up influencers, 13%
are following sports stars, 7.8% are following influencers related to gaming and 4.3%
follow kids related influencers. 54% of the respondents said that they follow celebrities
(general) on social media, meaning no specific niche to their content (Fig. 1). While
celebrities are the most followed group, make-up influencers took up a large portion of
the following among females. Yet, some respondents in an open-ended question state
that they follow celebrities who often advertise make-up, such as Kim Kardashian West.
A One-sample t test was performed to examine how often respondents have bought
a product that was seen at a TV ad (Table 2) or product that was recommended by
Influencer Marketing in the Make-up Industry 9

Fig. 1. Categories of influencers that are followed by the sample

an influencer (Table 3). A Mean of 1.87 indicates that respondents rarely bought a
product that was advertised on TV. Although slightly higher, a Mean of 2.11 shows that
respondents would rarely buy a product after they had seen a recommendation by an
influencer (3-point scale from 1-never to 3-very often). The results indicate that there is
statistical significance, and indeed respondents are more likely to have bought a product
that is recommended by an influencer compared to a product that was advertised on TV.
Hence, H1 is confirmed.

Table 2. One-sample t test for products purchased from TV ad

One-sample N Mean Std. deviation Std. Error


Statistics Mean
Purchased TV ad 870 1.87 0.78 0.34
Test value = 0
One-sample Test t df Sig. (2- Mean dif- 95% confidence interval
tailed) ference of the difference
Purchased TV ad 5.501 869 .000 1.87 Lower Upper
1.72 2.03

When secondary data had reaffirmed that influencer marketing is in fact effective,
perhaps even more so than TV advertising, it was decided to test whether there is a
difference in gender preference to type of advertising. The survey conducted helped us
look at how many men and women had purchased a product from influencer marketing
(med to compare two groups of interest: males and females. As illustrated in Table 4) and
TV ads (Table 5). An Independent Samples t test analysis of differences was performed
to compare two groups of interest: males and females. As illustrated in Table 4, the
Mean for purchases for males is 1.79 and for women it is 0.69, meaning that women are
more likely to buy a product that is recommended by an influencer compared to men.
Since the Levene’s test for equality of variances indicates that the significance associated
10 I. Yfantidou and M. Grncarov

Table 3. One-sample t test for products purchased from influencer recommendation

One-sample N Mean Std. deviation Std. Error


Statistics Mean
Purchases 870 2.11 0.65 0.41
influencer ad
Test value = 0
One-sample Test t df Sig. (2- Mean dif- 95% confidence interval
tailed) ference of the difference
Purchased 5.143 869 .000 2.11 Lower Upper
influencer ad 1.99 2.23

with the F value is higher than 0.05, then we should be looking at the equal variance
line of the output. The significance level shows little support for the hypothesis that
the means are equal. In other words, there is statistical difference between the male’s
preference mean and the female’s preference mean for products purchased from an
influencer advertisement. Hence, H2 is confirmed as there is evidence to support that
females are more likely to purchase products that are advertised by influencers, compared
to men.

Table 4. Independent samples t-test for purchased products from influencer marketing ads

Purchased t-test for equality of means


influencer 95% Confidence
ad
t df Sig Mean Std. error Lower Upper
(2-tailed) difference difference
Equal −2.626 194 0.009 −0.298 0.113 −0.521 −0.074
variances
assumed
Equal −2.564 112.177 0.023 −0.298 0.116 −0.528 −0.068
variances
not
assumed

Moving on to Table 5, the Mean for purchases for males is 1.24 and for women it is
1, which, surprisingly, means that men are more likely to buy a product that is advertised
on TV compared to women. Like the previous results, the Levene’s test for equality of
variances shows that the significance associated with the F value is higher than 0.05.
The significance level shows little support for the hypothesis that the means are equal.
In other words, there is statistical difference between the male’s preference mean and
the female’s preference mean for products purchased from a TV advertisement.
Influencer Marketing in the Make-up Industry 11

Table 5. Independent samples t-test for purchased products from TV ads

Purchased t-test for equality of means


TV ad 95% Confidence
t df Sig.(2-tailed) Mean Std. error Lower Upper
difference difference
Equal 1.923 186 0.056 0.24 0.125 −0.006 0.487
variances
assumed
Equal 1.933 113.969 0.056 0.24 0.124 −0.006 0.487
variances
not
assumed

Considering the open-ended questions that are included in the survey, it is confirmed
that the industry the company operates in influences the effectiveness of influencer mar-
keting (RQ3). The survey provides the following categories of influencers: sports stars,
make-up gurus, gaming, kids related, celebrities (general). Respondents can select more
than one category. When we separate the data set into smaller data sets by filtering the
influencer category, we can then look at the comments section and see that respondents
who follow celebrities report being more influenced by their recommendations. For
example, there is a comment about a respondent who admits to be influenced by Kim
Kardashian’s Instagram posts. Similarly, respondents who follow make-up influencers
seem to be affected by their recommendations as mentioned in a comment about using
James Charles’ vouchers to buy make-products. However, there are very few comments
from respondents who follow gaming influencers and zero for kids related influencers.
Also, for the ‘how often have you purchased a product recommended by an influencer’
question, 89% of people who follow gamers said ‘never’, 91% of people who follow
kids related influencers said ‘never’, and only 3% of people who follow sports starts said
‘very often’ (Fig. 2). As a result, the brand industry affects the effectiveness of influencer
marketing. In a similar vein, RQ1 is confirmed as Fig. 2 shows that influencer marketing
in the make-up industry affects consumer preferences. This is in accordance with other
scholar’s findings, for example influencers can affect consumers beliefs, attitudes and
preferences (Wang et al. 2017), people who are considered experts in an area tend to
be more persuasive (Aaker and Myers 1987) and drive consumer purchase intention
(Ohanian 1991).
12 I. Yfantidou and M. Grncarov

Fig. 2. Influencer category and purchase frequency

5 Conclusions
The current study aims to conduct a comparative analysis of influencer marketing to
other marketing alternatives as well as analyze its effectiveness and the successful usage
of influencer marketing. Although the research was focused on exploring influencer
marketing in the make-up industry, valuable insight was gained on influencer marketing
overall as well as in other industries.
There is limited research on influencer marketing, and none on influencer marketing
in the make-up industry. Most of the information which is considered as a basis to
this study was collected from marketing and psychological studies, as well as marketing
agencies and directly from influencers. For this reason, some of the data has a wider range
rather than a specific number – something especially relevant to pricing of influencer
collaborations which tend to be determined case by case.
The survey conducted includes responses from international respondents and it is
interesting to see the relationship between influencer marketing and gender, as we found
evidence that women are more likely to buy a product that is promoted by an influencer.
Interestingly though, it is also found that men are more likely to buy a product that is
advertised on TV compared to men. Also, RQ1 and RQ3 are both confirmed through
primary data analysis, as it is obvious that influencer marketing in the make-up industry
does in fact affect consumer preferences and brand industry affects the effectiveness
of influencer marketing. Secondary data from marketing as well as psychology related
research articles has confirmed that the average price of traditional marketing is higher
than influencer marketing when comparing effective reach (RQ2). Besides, when make-
up brands advertise their products on TV, they target at a very wide audience, not just
make-up users. Yet, a make-up specific influencer is much more likely to have a following
of make-up users and would have a positive reaction towards the recommendations from
that influencer.
All in all, this research paper proved that influencer marketing is more effective for
make-up brands and it has become essential for marketers with a focus on that industry
Influencer Marketing in the Make-up Industry 13

as it looks to be better value for money with higher ROI compared to that from other
marketing options such as TV and Online Paid Ads (pay-per-click).
A hybrid research approach is employed with both qualitative and quantitative
research designs. Primary data were collected with the use of an online survey, whereas
the authors briefly interviewed two popular make-up influencers who want to keep their
anonymity.

6 Limitations and Future Research


One goal of this research is to explore an understudied area in academia. The lack of
exploration on this topic meant that there were not many available academic sources
to gather data from. More so, the data from primary research may differ if the sample
is different, for example if only respondents with a full-time job take participate in the
research. Another limitation is the sources used, many of which had to be obtained
via direct contact with influencers, agencies, and companies that have worked with
influencers. Making this data publicly accessible is difficult since some of the matters
concerned are financial, which are dealt with on a case-by-case basis. The same goes
with finding industry averages, when the general assumption is that not everyone is
compliant or reporting all gains from influencer marketing to the tax authorities.
The company most open to give out information was Morphe Cosmetics, thus a limi-
tation was that the main cases of influencer marketing in the make-up industry are based
on this company’s collaborations. More information from similar size companies may be
useful to see if there is an industry standard when it comes to influencer collaborations.
It would also be interesting to see country specific research since regional culture
and media may have effect on the various results obtained in that state.
Finally, although influencer marketing is still in its developing stages, future
researchers should collect more data and over longer periods of time to examine if
the length of marketing campaigns influence the effectiveness.

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Brand Semiotics as a Tool to Create Stronger
Viewer Involvement with Brand Visuals
on Social Media

C. du Plessis(B)

Marketing Communication, Department of Communication Science,


University of South Africa, Pretoria, South Africa
[email protected]

Abstract. This paper draws on a visual social semiotic analysis to illustrate how
brand semiotics could be used as a social media marketing tool to select brand
visuals that will attract attention and drive social conversations. Consumers nowa-
days access and interpret online brand messages differently due to social media
and access to more technologies. While brands today have more visibility and can
create and share brand messages on numerous social media platforms for a wider
reach, the power has shifted to consumers. Because of more access to online infor-
mation consumers can choose to either ignore or share and engage with a brand’s
messages. By analysing one brand visual that sparked many reactions on social
media, it is demonstrated how stronger viewer involvement can be achieved with
embedded signs and symbols with which the viewer can resonate. The findings
demonstrate that it is important for social media marketers to develop the inner
meaning of visuals by placing consumers in a specific visual relationship with the
visual. In doing so, the paper addresses the paucity of research on the semiotics
of brand visuals and also provides a heuristic for social media marketers how to
consider signs and symbols embedded in visuals for more impact on social media.

Keywords: Brand message · Brand semiotics · Brand visual · Social media


marketing · Visual semiotics

1 Introduction
In the digital age consumers have unprecedented access to online information and thus
also have more knowledge about and access to brands (Campbell 2014). How a brand
represents itself in digital spaces have thus become more important to connect emo-
tionally with consumers (Vos 2019). As a result, social media marketers also use visual
communication to convey brand information through brand imagery to have a greater
visual impact (Kaulback 2018). While a brand cannot exist without product and services,
a brand’s signs and symbols (intangible aspects) have become increasingly important
to connect with consumers in social media while having to compete with thousands of
other brands. Tangible brand features such as product and services should thus not be the
only considerations for a brand’s social media strategy, but a brand should also signify

© The Author(s), under exclusive license to Springer Nature Switzerland AG 2021


F. J. Martínez-López and D. López López (Eds.): DMEC 2021, SPBE, pp. 16–23, 2021.
https://doi.org/10.1007/978-3-030-76520-0_2
Tool to Create Stronger Viewer Involvement with Brand Visuals 17

it’s messaging using signs and/or symbols (Campbell 2014). Social media marketers
cannot control how brand messaging is interpreted, but it is argued in this paper that a
semiotics vocabulary could assist them to decode the meanings (cues) that resonate more
with consumers (Olbertová 2018; Vos 2019). Many social media marketers nowadays
use brand visuals to express the brand and to captivate consumers in social media as
part of the brand’s story (Ivanov 2017), but often neglect to consider the brand’s signs
and symbols to better connect with consumers. To address the paucity of research on
the semiotics of resonating brand visuals, the study is driven by the following research
question:
How can social media marketers create stronger viewer involvement with embedded
signs and symbols in brand visuals?
The paper proceeds in several parts. The brand and visual brand messaging in social
media are first discussed followed by a discussion of the semiotics of a brand as a tool
for a brand’s social media strategy. To answer the research question one brand visual
that received much consumer engagement in social media is analysed by focusing on
visual semiotics. The paper ends with a discussion and conclusions.

2 The Brand and Visual Brand Messaging on Social Media

Consumers nowadays are faced with an overload of brand messaging on social media
and continually process visuals while forming opinions about a brand (Avery 2019).
Consequently, the concept of a brand is dependent on interpretation by consumers and
only exists when there are distinct ideas and meanings about the brand in their minds
which are instilled with brand messaging (Campbell 2014). Numerous definitions of
a brand are available in the academic literature covering different topics. In addition,
brand experts define brands with different nuances (Kapferer 2012). A brand is thus
not a predetermined concept but rather multidisciplinary with different perspectives
across disciplines (Le Roux and Du Plessis 2014). For this paper, a definition of a
brand is adopted as “a multidimensional construct that exists in a continuous process
of cyclical communication between the actions of the firm and the interpretations and
redefinitions of the consumers, through which the brand is imbued with certain values
and expectations” (Yenicioglu and Christodoulides 2014, p. 269).
It is well-documented that successful brands connect with consumers on social media
through brand stories that depict a powerful visual mental representation of the brand
(Hong 2016; Perreira 2019). These brands stories are driven by social word of mouth
(viral marketing on social media) to extend the reach of social conversations around a
brand’s story (Hajli et al. 2014). Brand messaging often uses brand imagery on social
media which is the aesthetic appearance of a brand’s core messaging which can include
but are not limited to a brand’s visual identity, advertisements and other brand visuals
depicting the brand’s story (Garret 2020; Keating 2016). Unlike an advertisement, a
brand story is a cohesive narrative about why a brand exists and matters and usually
inspires an emotional reaction with consumers. Within this context, effective brand
visuals relate to and have a personal meaning to the consumer (Avery 2019). It has thus
become imperative for brand visuals to resonate with consumers for them to participate
in (co-create) the brand (Ind et al. 2020). A brand’s visual messages with brand visuals
18 C. du Plessis

must thus also speak to the essence of a brand in a way that resonates with the viewer
and with which semiotics of a brand can assist.

3 Semiotics of a Brand as a Tool for a Brand’s Social Media


Strategy
Since Manning’s (2010) influential paper on semiotics of brand, scholars such as Oswald
(2015), Conejo and Wooliscroft (2015) and Olbertová (2018) have contributed mean-
ingfully to the body of knowledge of brand semiotics. However, the semiotic resources
that underpin effective brand visuals to connect with consumers are still not fully under-
stood. Semiotics is a multidisciplinary field of study involving many different theoretical
positions and methodological applications of semiotic resources to understand the use
or interpretation of signs and symbols and the way they work to convey meaning (Chan-
dler 2007). Van Leeuwen (2005, p. 3) defines semiotic resources as ‘the actions and
artefacts we use to communicate’ and are ‘always material, social and cultural resources
at the same time’. These semiotic resources, Jewitt and Oyama (2004) argue, are used
to interpret the inner meaning of visuals.
Brands are essentially semiotic systems that function in a cultural environment, cre-
ating a connection with the consumer through visual language (Oswald 2015). Conejo
and Wooliscroft (2015, p. 292) consequently describe a brand as a ‘semiotic marketing
system’ that integrates the consumer’s culture with the brand’s ‘meaning infrastructure.’
This being the case, brand semiotics can be said to be the interaction of the product(s),
organisation, customers and stakeholders which shape the brand (Lencastre and Côrte-
Real 2010), while addressing shifting consumer perceptions and attitudes and blending
identity with a broader cultural meaning (Khattri and Prakash 2016). At the same time,
humans constantly construct meaning and connotations through the process of signifi-
cation and by using signs, brands essentially create a ‘perceptual presence’ and mental
representation of the brand while connecting with consumers (Sudarsan 2015). However,
brands must be clear in their social media strategy about what they want to represent
and what value visuals should add before selecting semiotics resources (Ivanov 2017).

4 Visual Semiotics as Visual Vocabulary for Brand Visuals


For this study, the analysis of the brand visual was done from the perspective of visual
semiotics anchored in a social constructionist worldview. From visual semiotics, the
idea of intentional use of symbolic meanings was drawn. This method was adopted to
better understand how a brand can enhance stronger viewer involvement with embedded
signs and symbols in the brand visual. Visual semiotics studies the meanings of visual
signs and symbols in different contexts (Danesi 2017). In this regard, Kress and van
Leeuwen’s (2006) grammar of visual design rooted in Halliday’s (1978) work provides
a useful vocabulary which can be used to plan, select, test and evaluate resonating brand
visuals to convey visual cues on social media through visual composition. Specifically,
the interactive metafunction of Kress and van Leeuwen’s (2006) framework is useful to
enable stronger viewer involvement with brand visuals since it shows how the partic-
ipants in a visual interact with each other. Of importance are the interactions between
Tool to Create Stronger Viewer Involvement with Brand Visuals 19

the producer, represented participant(s) (RP) and the viewer that can strengthen how
the viewers may become more involved with the visual. The interactive metafunction
uncovers layers of social relationships between producers and viewers/reproducers to
determine how the visual engages the viewer. For this reason, this function is especially
relevant for social media marketing since it reveals how the brand visually conveys inner
meaning for the viewer to become captivated (see Harrison 2003).
The following levels of analysis of the interactive metafunction were considered
(Harrison 2003: 53):

• Visual demand: Image act and gaze: eyeline of the RP in relation to the viewer.
• Social distance and intimacy: how close the RP(s) in the visual appears to the viewer
resulting in feelings of intimacy.
• Point of view: horizontal angle and involvement, namely the relationship between the
position of the RP(s) and the viewer and the vertical angle and power, namely the
relationship of the RP and the viewers.

4.1 A Case of a Brand Visual That Sparked Strong Viewer Involvement on Social
Media
Since the study focuses on how a brand can enhance stronger viewer involvement with
embedded signs and symbols in visuals it was important to select a brand visual that
generated many interactions on social media. The brand visual used for the analysis is
also not an advertisement, but an appealing visual shared on social media to support the
brands’ story (see Hong 2016).
The visual as depicted in Fig. 1 labelled First-Ever Selfie with Jesus, was taken
by Lee Thompson co-founder of The Flash Pack, a travel agency in London, United
Kingdom (UK), which caters for a younger target audience. He took advantage of the
2014 FIFA World Cup in Brazil by sharing a highly spreadable visual in digital media two
weeks before the World Cup commenced to tell the brand’s story of adventurous single
travellers. This visual generated more than 100 million views globally and directed two
million views to the agency’s website within four days after it was shared. In addition,
the visual generated 50 million interactions on social networking sites such as Facebook,
Twitter and Instagram, 909 000 hits on YouTube, 400 000 search results pages on Google,
a 600% increase in newsletter subscriptions and a 1500% increase in customers. Several
social media influencers also joined the millions of social media conversations (Vayas
2015). The visual is still coloured and without text depicting a young Caucasian male
on top of the Christ Redeemer statue, looking into the camera while smiling and holding
his camera (assumingly a mobile phone) in his one hand. Skyscrapers, the earth and
people are visible in the far distance. The producer and the representative participant
(RP) is the same male, while the viewers of the visual on social media platforms are
dispersed globally. The context of the visual is a prominent tourist landmark in Brazil,
South America, the Christ Redeemer Statue in Rio de Janeiro.

5 Analysis of the Brand Visual


Turning to Kress and van Leeuwen’s (2006) framework, the close camera angle of
the smiling face and visible shoulders of the RP framed at a close personal distance is
20 C. du Plessis

Fig. 1. The visual labelled First-Ever Selfie with Jesus is in the public domain (credit: Lee
Thompson).

reinforcing a demand through its visual direct address. The viewer is recognised because
of the frontal angle, while the visual and the viewer create a direct connection as the image
looks straight at the viewer, creating intenseness, directness and a feeling of oneness.
This forms an imaginary bond with the RP, as the viewer becomes an active participant
in the relationship between the visual, the RP and the creator. The sociable arm gesture
in the visual further draws the viewer into the visual, expecting the viewer to join the
RP in his adventure as a friend. The creator of the visual chose to enhance feelings
of closeness with the viewer while sharing this exciting moment. The viewer and the
RP in the visual share an eyeline, so the viewer becomes part of the same, unexpected
world while the viewer can identify with the RP. The viewer sees the RP directly, so
the implication of boldness is strong and clear. It is also the RP’s smiling face in the
foreground that is most salient in the visual and first attracts the viewer’s attention. The
vertical angle of the image creates proximity with the RP at that high level, but still shares
his level of experience. The creator of the visual wanted to include the background of
the image to highlight the gravity of the moment. The horizontal angle focuses on the
distance between the RP and earth, with the viewer standing in front. The high angle
of the image with the RP looking up and the viewer looking down creates a feeling of
less power for the RP and more power to the viewer. This angle encourages a sense
of empowerment and even freedom for the viewer to share in this incredible moment
and surroundings. The viewer is invited to become overwhelmed by the grandeur of
the surroundings. The combination of the two angles reinforces involvement with the
extreme experience of the RP and creator of the visual. The creator of the visual could
have used other semiotic resources such as concentrating on an offer and not a demand,
by perhaps using a different camera angle to focus more on the distance to the ground
and visiting tourists and less on the “selfie” aspect. However, this would have diminished
the feeling of oneness with the RP’s experience and lessened viewer engagement with
the intensity of the moment. The viewer would also have interacted less emotionally
with the visual.
Tool to Create Stronger Viewer Involvement with Brand Visuals 21

6 Discussion
The analysis of the brand visual by considering the interactive metafunction provides
a heuristic for brands involved in social media marketing to visually depict the brand’s
inner meaning intrinsic to the brand’s core values to connect with consumers (see Perreira
2019). The image of the First Ever Selfie with Jesus captures an adventurous moment
and communicates the message as part of the brand’s story that the travel agency will
ensure a life-altering, exciting holiday that addresses the needs of the adventurous single
traveller. In doing so, the visual sparked the imagination of the target market through the
brand’s association with lifestyles. The visual thus became a timeless brand narrative
of a daring moment that drove social conversations intrinsic to the Flash Pack brand. In
this regard, the visual expressed and evoked an emotion from the viewer which in terms
of the interactive metafunction processes made the visual engaging (see Harrison 2003;
Ovilgy 2018). This is also evident in how the social relationships between the producer
and viewers/reproducers are represented supported by the success metrics of this brand
visual.
The image act and gaze, social distance and point of view created a direct connection
between the creator and viewer and thus a feeling of oneness. The viewer was drawn
into the visual and became an active participant in the relationship between the visual,
the RP and the creator. The viewer could look at the visual from an inside perspective
and became engaged in the same world as depicted in the visual. Hence it can be argued
that the emotions surrounding the visuals as well as enhancing feelings of closeness
with the viewer created stronger viewer involvement and a context to talk about the
brand on social media. In addition, the visual spoke to a universal lifestyle trend of being
adventurous as a single traveller and capturing an adventurous moment with a selfie.
Although the travel agency is based in the UK, the image spoke to consumers globally
because of being able to connect with like-minded travellers and those who admired
the selfie (see Olbertová). In addition, when the viewer and the RP in the visual share
an eyeline, the viewer becomes part of the same world, as a friend, and can identify
more with the RP. The viewer was drawn into the visual with a strong affective response
and not as an onlooker to the scene. The visual invited a response from the viewer and
acknowledged the viewer’s presence. The viewer entered the image frame and related to
the visual. Also, by placing the viewer in a specific visual relationship with the visual,
strong viewer involvement occurred (Harrison 2003).

7 Conclusion

The contribution of this study is twofold. The analysis firstly adds to the body of knowl-
edge on the semiotics of resonating brand visuals and secondly provides some functional
insight for social media marketers into how awareness of symbols and signs embedded
in visuals could have a strong visual impact on consumers. Furthermore, knowledge
about vocabulary for visual language must become important to social media marketers
to better connect emotionally with consumers in chaotic online spaces. The main lim-
itations of this study are that only one visual was analysed while focusing solely on
the interactive metafunction of the visual grammar framework. In addition, consumer
22 C. du Plessis

responses to the visual were not tested but rather secondary data were considered as
an indicator of the visual’s engagement success. The findings nevertheless provide a
potential mechanism which social media marketers could use to plan and select brand
visuals for online brand messages. This study also opens important opportunities for
future research about creativity in branding to engage social media users through visu-
als. Future research is needed to delimitate how to use visual grammar to enhance visual
engagement on social media by also considering other vocabulary.

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Talking to Voice Assistants: Exploring Negative
and Positive Users’ Perceptions

Michela Patrizi(B) , Maria Vernuccio, and Alberto Pastore

Sapienza University of Rome, Rome, Italy


{michela.patrizi,maria.vernuccio,alberto.pastore}@uniroma1.it

Abstract. The widespread use of voice assistants (VAs), which collect and pro-
cess a huge volume of user data through user interactions, is beginning to attract the
attention of marketing researchers. The early studies investigating consumers’ neg-
ative (i.e., risk) and positive (i.e., benefits) perceptions related to users-VAs inter-
actions appear partial and fragmented. Consequently, this paper aims at exploring
the key perceptual factors of risk and benefits of interactions with VAs on smart-
phones. Then, we propose to profile Generation Y users according to their percep-
tions and analyse whether they are significantly different in terms of frequency of
VA use, VA attitude, VA familiarity, innovativeness and age. By adopting a quan-
titative exploratory approach, 349 questionnaires are collected and validated. By
running an exploratory factor analysis, a three-factor solution is outlined. Besides,
the non-hierarchical k-means cluster analysis highlights three Generation Y user
clusters. This research contributes to the nascent strand of studies on user percep-
tions related to interactions with VAs, by offering an overall view of perceived
risk and benefits. Finally, we propose to marketers strategic guidelines in terms of
targeting and marketing communication design.

Keywords: Voice assistant · Personal data collection risk · Personal data misuse
risk · Benefits

1 Introduction
Voice assistants (e.g., Google Assistant) are artificial intelligence (AI) technologies that
converse with users as if they were human beings (Vernuccio et al. 2020a, b) thanks
to deep learning algorithms. VA usage data are becoming increasingly important, with
4.2 billion voice assistants being used worldwide, especially on smartphones and smart
speakers (Statista 2021). Generation Y consumers are heavy users of VAs; they have
twice the adoption rate of Baby Boomers and use VAs for both utilitarian (e.g., calling
someone, checking schedules) and leisure (e.g., playing quizzes or games) purposes as
well as for shopping and reading product reviews (Capgemini Research Institute 2018).
VAs are based on learning algorithms that collect and analyze a huge volume of users’
personal and behavioral data. In a period where particular attention is being paid to pri-
vacy protection from a regulatory point of view (e.g., the GDPR in Europe), researchers
have begun to investigate perceived risk related to interactions with VAs (Kaplan and

© The Author(s), under exclusive license to Springer Nature Switzerland AG 2021


F. J. Martínez-López and D. López López (Eds.): DMEC 2021, SPBE, pp. 24–34, 2021.
https://doi.org/10.1007/978-3-030-76520-0_3
Talking to Voice Assistants 25

Haenlein 2020). In some studies, the perception of risk was analyzed with reference
to the perceived risk of personal data collection, which is related to concerns that data
may be collected without personal consent and illegally stolen by third parties (Rase
et al. 2018; McLean and Osei-Frimpong 2019; Hong et al. 2020; Pitardi and Marriot,
2021). Other researchers have considered perceived personal data misuse risk, which
refers to the fear that personal data are used and disclosed improperly (Saffarizadeh
et al. 2017; Cho 2019). However, the literature on risk in the VA field seems disjointed
since scholars have adopted specific theoretical perspectives (e.g., the theory of rea-
soned action, information privacy models, uses and gratification theory and resistance
models). In addition, there is no consensus on the measurement scales used, and no
study has analysed both perceived personal data collection and perceived personal data
misuse risks. In addition, risk perception has mainly been analysed in the context of
smart speakers, with little attention paid to smartphones, which are the most commonly
used devices. Considering more optimistic perceptions, Rase et al. (2018) investigated
the general usefulness of VAs by applying both the theory of reasoned action and the
information privacy model, while Moriuchi (2019), analyzed the perceived usefulness
of the Google Assistant on Google’s website using the technology acceptance model.
Moreover, Fernandes and Oliveira (2021) examined VA perceived usefulness by follow-
ing the service robot acceptance model and Pitardi and Marriot (2021) investigated the
perceived usefulness of Alexa by integrating human-computer interaction literature with
para-social relationship theory. Finally, McLean and Osei-Frimpong (2019) considered
utilitarian, hedonic and symbolic benefits as antecedents of Alexa usage following uses
and gratification theory. Regardless, no study has analyzed benefit perceptions when
users interact with VAs on smartphones. To date, to the best of our knowledge, only
McLean and Osei-Frimpong (2019) investigated personal data collection risk and bene-
fits jointly: the former moderates the positive impact of utilitarian, hedonic and symbolic
benefits on in-home VA usage.
Despite the growing focus on risk and benefit perceptions, the specific and partial
perspectives adopted do not allow us to grasp a holistic view of users’ negative and posi-
tive perceptions arising from interactions with VAs. In addition, little attention has been
given to the smartphone context. To fill this gap, our research simultaneously explores the
main dimensions of risk and benefit perceptions related to user-VA interactions on smart-
phones. Moreover, to the best of our knowledge, no study has identified groups of users
based on these perceptual differences. Thus, this work has a twofold aim: 1) to explore
the main perceptual dimensions regarding the risk and benefits related to interactions
with VAs and 2) to identify user clusters based on differences in perceptions.
To achieve these goals, we collected data through a web survey focused on Gener-
ation Y users, who are the segment most prone to VA use. Data were analysed through
exploratory factor analysis (EFA) and k-means cluster analysis. In this way, our con-
tribution fits into the nascent literature aimed at grasping users’ perceptions related to
interactions with VAs by offering the first holistic view of positive and negative user per-
ceptions. In addition, our findings provide managers with interesting insights in terms of
targeting, interaction experience design and marketing communication regarding value
propositions on VAs. This paper is structured as follows. In the next section, we describe
the literature on perceived risks and benefits in the VA context and formulate the research
26 M. Patrizi et al.

questions. Then, the methodology and main results are presented. Finally, we propose the
academic and managerial implications, limitations and suggestions for future research.

2 Theoretical Background and Research Questions

In the context of VA, scholars have investigated risk perceptions by referring to two
different concepts: perceived privacy risk and privacy concerns. The former concept
originated in the human-computer interaction field to indicate concerns related to the
increased level of personal data collected by digital technologies without the consent of
users (Collier 1995). Given the central role of voice-based AI technologies in everyday
life, the perception of risk associated with improper data collection has become increas-
ingly significant since VAs (e.g., Alexa on Amazon Echo) have security flaws that can
be harnessed by hackers to illegally access data (Liao et al. 2020). The perception of
risks related to data collection has been analyzed only in the context of smart speaker
interactions by adopting specific perspectives. In particular, Rase et al. (2018), applying
both the theory of reasoned action and the information privacy model, considered per-
ceived privacy risk as an antecedent to VA attitude, while McLean and Osei-Frimpong
(2019), adopting uses and gratification theory, reported that perceived privacy risk mod-
erates the causal relationships between perceived benefits and the usage of in-home
VAs. Moreover, Hong et al. (2020) emphasised the positive effect of perceived privacy
risk on resistance to VA use by following the resistance model. They also noted how
unfamiliarity with VAs on smart speakers should enhance perceptions of privacy risk.
Finally, Pitardi and Marriot (2021) highlighted how perceived privacy risk negatively
affects both attitude to use and VA trust by integrating human–technology interactions
with para-social relationships theories. The concept of “privacy concerns” has been the
object of considerable attention by researchers in different strands of study so that only
in the literature on information systems have four different conceptualizations with their
respective measurement scales been identified (Smith et al. 1996; Malhotra et al. 2004;
Dinev and Hart 2005; Hong and Thong 2013) and used in the field of marketing (e.g.,
Saffarizadeh et al. 2017; Cho 2019). These scales include some common items relating
to user perceptions of personal data misuse risk, which refers to concerns that personal
data are used and disclosed improperly. In the VA field, Cho (2019) does not find privacy
concern differences based on the device used (smartphone vs. smart speaker). Moreover,
voice (vs. text) interactions led to a positive VA attitude only when individuals had low
levels of privacy concerns. In conclusion, the literature on perceptions of risk related to
interactions with Vas appears fragmented. As scholars have adopted partial perspectives,
there is no agreement on the measurement scales that should be used, and no study has
jointly investigated the two concepts of risk.
Utilitarian benefits refer to instrumental and functional benefits. VAs offer important
utilitarian benefits not comparable to those offered by any other technology, such as the
opportunity to interact with the device with little strain, hands-free, and without the effort
of looking at or touching a physical interface (e.g., the smartphone screen) (Hoy 2018).
Marketing scholars use the term “hedonic benefits” to indicate aesthetic and affective
experience attributes, such as enjoyment and fun (Schuitema et al. 2013). According to
McLean and Osei-Frimpong (2019), utilitarian benefits could be crucial in encouraging
Talking to Voice Assistants 27

consumers to use VAs, while hedonic benefits may be essential to the repeated use of
these new technologies. Finally, symbolic benefits concern users’ social images derived
from interactions with technologies (Schuitema et al. 2013). To date, only McLean and
Osei-Frimpong (2019) have analyzed perceptions of utilitarian, hedonic and symbolic
benefits related to interactions with VAs in the smart speaker context. Moreover, this
contribution is also the only one that has put benefits in relation to perceived privacy
risk. In particular, risk moderates the positive effects of benefits on in-home VA usage.
Despite the growing attention of the marketing literature on perceptions of per-
sonal data collection and misuse risks, as well as benefits related to user-VA interac-
tions, knowledge on this topic is still in its infancy and appears partial and fragmented.
Therefore, it seems useful to adopt a holistic perspective to explore the key perceptual
dimensions of risk and benefits. In addition, little attention has been given to VAs on
smartphones. Consequently, the following research question is formulated:
RQ1 - What are the key perceptual dimensions of the risk and benefits related to
interactions with VAs on smartphones?
Given the importance of Generation Y as the users most accustomed to interacting
with VAs (Capgemini Research Institute 2018), we decided to focus on them. Since this
segment is composed of users within a wide age range (25–40 years old) and because no
study in this field has performed a cluster analysis based on the perceptual dimensions of
the risk and benefits associated with VAs, we propose the following research question:
RQ2 - Which clusters of Generation Y users can be identified based on perceptual
differences in risk and benefits related to interactions with VAs on smartphones?

3 Methodology

To answer the research questions, in 2020, we conducted a web survey focused on Gen-
eration Y users, i.e., those 25–40 years old (Monaco 2018). The survey was conducted
in Italy and first involved postgraduate university students, and then other respondents
were added through snowball sampling. Screening questions were inserted to select
users born between 1980 and 1995 who have used VAs on smartphones at least once a
month. As an initial step, to test the questionnaire, a pilot study was conducted with 20
respondents. Based on the results, we made some minor revisions. The final sample is
composed of 349 target respondents (82.9% of the total respondents), of whom 52.7%
are women (Table 1), and the average age is 29 years.
The questionnaire, composed of five sections, was administered through Survey-
Monkey®. In the first section, we detected perceived personal data collection risk and
perceived personal data misuse risk. The first was measured by adapting the four-item
scale (e.g., “I am worried that the voice assistant gathers too much data about me”)
developed by McLean and Osei-Frimpong (2019) to our context, while perceived per-
sonal data misuse risk was measured through the adapted four-item scale (e.g., “I am
concerned that the information I provide to the voice assistant could be misused”) devel-
oped by Dinev and Hart (2005). In the second section, utilitarian (e.g., “The use of the
voice assistant is a cost-effective way to manage my time”), hedonic (e.g., “Completing
tasks with the voice assistant is fun”) and symbolic benefits (e.g., “The use of the voice
assistant improves my image among my friends”) were measured using McLean and
28 M. Patrizi et al.

Table 1. Profile of the respondents (N = 349)

Category (%)
Gender
Female 52.7
Male 47.3
Education
Junior High School Graduate 0.6
High School Graduate 10.6
Bachelor’s Degree 34.4
Master’s Degree 38.1
Ph.D 15.2
Other 1.1

Osei-Frimpong’s scales (2019). The third section focused on which VAs are mainly used
on a smartphone (e.g., Google Assistant, Siri), VA attitudes and VA familiarity, which
were measured by using Moriuchi’s five-item scale (2019) and adapting the three-item
scale by Griffin et al. (1996), respectively. In the fourth section, we measured innova-
tiveness (Bruner and Kumar 2007). In the last section, structural data (gender, age and
educational qualifications) were registered.

4 Findings
We conducted an EFA using SPSS 25 software to analyse the perceptual dimensions of
risk and benefits associated with users-VAs interactions. We used PCA and the varimax
rotation. To identify the factors to be extracted, we considered three criteria: 1) eigenval-
ues, 2) scree plot, and 3) parallel analysis. Then, we ran a k-means cluster analysis based
on the factor scores to find clusters of Generation Y users based on perceptual differ-
ences. The EFA results showed a three-factor solution (19 items), with all factor loadings
above 0.50 (minimum value 0.588; maximum value 0.907) and no cross-loading above
0.30. According to Costello and Osborne (2005), our findings are satisfactory. The three
factors extracted accounted for 67.22% of the total variance. In addition, the Kaiser-
Meyer-Olkin (KMO) index (0.878, p < 0.001) confirmed the sampling adequacy, and
the variable appropriateness for the factor analysis was verified by Bartlett’s test of
sphericity (χ2 = 6660.48 (171), p < 0.001). Finally, the internal consistency of the
items in each factor (Hair et al. 2015) was corroborated with Cronbach’s alpha and com-
posite reliability (CR) (factor 1: α = 0.924, CR = 0.934; factor 2: α = 0.878, CR = 0.90;
factor 3: α = 0.925, CR = 0.934). The extracted factors can be categorised as (Table 2):
1) data collection and misuse risk, 2) utilitarian and hedonic benefits, and 3) symbolic
benefits.
Talking to Voice Assistants 29

Table 2. Exploratory factor analysis results

Factor Item Factor loading


Factor 1 – data I am concerned that the information I provide to 0.890
collection and misuse the voice assistant could be misused
risk (α = 0.924) I am concerned about proving information to 0.882
voice assistant because of what others might do
with it
I am concerned about providing information to 0.872
voice assistant because it could be used in a
way, I did not foresee
I am worried that the voice assistant gathers too 0.855
much data about me
I am worried that my personal data saved with 0.851
the voice assistant may be lifted
When I shop through the voice assistant, I am 0.752
concerned that my credit card information may
be stolen and misused during the transfer
I have my concerns about the confidential nature 0.694
of my interactions with the voice assistant
I am worried about executing a financial 0.659
transaction by voice assistant due to the data it
gathers
Factor 2 – utilitarian and Performing tasks with the voice assistant allows 0.825
hedonic benefits (α = me to manage my time efficiently
0.878) Performing tasks with the voice assistant 0.806
facilitates my life
The use of the voice assistant is a cost-effective 0.805
way to manage my time
I think using the voice assistant is pleasant 0.768
I think using the voice assistant is enjoyable 0.731
Performing tasks with the voice assistant fits my 0.724
program
Completing tasks with the voice assistant is fun 0.588
Factor 3 – symbolic The use of the voice assistant is for me a status 0.907
benefits (α = 0.925) symbol
The use of the voice assistant makes me seem 0.897
more important among my friends
The use of the voice assistant makes me seem 0.897
more distinguished than those who do not
The use of the voice assistant improves my 0.831
image among my friends
Notes: Total variance extracted = 67.22%; KMO = 0.878; Bartlett’s χ2 = 6660.48 (171), p <
0.001.
30 M. Patrizi et al.

The non-hierarchical k-means cluster analysis (Ward’s method), based on the three
factors identified by the EFA, was performed to explore the presence of similar VA
perceptions among users. Four criteria allowed us to identify the final three-cluster
solution: 1) within-cluster and between-cluster variance (F-test), 2) data interpretability,
3) the number of respondents in each cluster, and 4) the pseudo F-test (126.11) (Calinski
and Harabasz, 1974). The generalisability of the cluster solution was verified by the
Rand index (0.8009) (Rand 1971).

Table 3. K-means cluster analysis results

F-statistic Cluster
1. Iconic 2. Rational and emotional 3. Scared
Factor 1 – Data 16.568* 0.15 −0.31 0.35
collection and misuse
risk
Factor 2 – Utilitarian 160.167* 0.22 0.57 −1.02
and hedonic benefits
Factor 3 – Symbolic 397.143* 1.49 −0.53 −0.37
benefits
N 349 83 159 107
% of sample 100% 23.78% 45.56% 30.66%

Notes: *p < 0.001.

The first cluster, which we named “iconic”, is composed of 83 respondents and


represents 23.78% of the sample (N = 349). This cluster has a high level of sensitivity
to symbolic benefits (positive standardised score 1.49, thus the highest value among the
three clusters). Moreover, members of this cluster are partially interested in utilitarian
and hedonic benefits (0.22) and have a perception of risk slightly above average (0.15).
The second cluster, composed of 159 respondents (45.56% of the sample), is desig-
nated “rational and emotional” since its members are particularly sensitive to utilitarian
and hedonic benefits (0.57, the highest value among the three clusters). These users are
not interested in symbolic benefits (−0.53, the lowest value among the three clusters)
and do not perceive the risk associated with the collection and misuse of data to be high
(−0.31, the lowest value).
Finally, the third cluster, called “scared”, consists of 107 respondents (30.66% of
the sample). This segment has the highest value among the three clusters in terms of
perceived risks (0.35) and does recognises neither the utilitarian and hedonic benefits
(−1.02, the lowest value among the three clusters) nor the symbolic benefits (-0.37)
(Table 3).
To reveal the differences among the three clusters, they were compared based on
the variables measured in the third, fourth and fifth sections of the questionnaire. The
relationships between cluster membership and the qualitative descriptive variables were
studied through connection analysis and the chi-squared test. The findings highlight
a significant association between cluster membership and the frequency of use (χ2 =
Talking to Voice Assistants 31

66.240 (6), p = 0.000), while associations with the VA used (χ2 = 4.759 (8), p = 0.779),
gender (χ2 = 1.489 (2), p = 0.475) and educational qualifications (χ2 = 7.835 (10),
p = 0.645) are all insignificant. In particular, “scared” cluster users have a low average
usage frequency, while “rational and emotional” cluster users have a high average usage
frequency. Moreover, to verify statistically significant differences among cluster means,
we ran a series of one-way ANOVAs with the quantitative descriptive variables as the
dependent variables and cluster membership as the independent variable. As shown in
the Table 4, the results indicated significant differences in terms of VA attitudes, VA
familiarity, innovativeness and age.

Table 4. One-way ANOVA cluster means and significance levels

Dependent variables Cluster mean F-statistic P-value


1. Iconic 2. Rational and emotional 3. Scared
VA attitude 5.03 4.90 3.83 40.956 p = 0.000
VA familiarity 4.98 5.13 3.91 24.333 p = 0.000
Innovativeness 4.38 3.31 2.48 35.288 p = 0.000
Age 27.36 28.40 27.57 3.298 p = 0.038

Specifically, the “scared” cluster had the worst VA attitudes, the lowest average level
of VA and the lowest average level of innovativeness compared to the other two clusters.
Moreover, the users belonging to the “rational and emotional” cluster have above average
ages compared only to the “iconic” cluster. Finally, users in the “iconic” cluster had low
average ages compared to those in the “rational and emotional” cluster (Table 5).

Table 5. Multiple comparisons

Key dependent Cluster Mean difference P-value


variables
VA Attitude 3 1 −1.20 p = 0.000
2 −1.07 p = 0.000
VA Familiarity 3 1 −1.06 p = 0.000
2 −1.21 p = 0.000
Innovativeness 3 1 −1.89 p = 0.000
2 −0.83 p = 0.000
Age 2 1 1.04 p = 0.072
3 0.83 p = 0.151*
Notes: *p > 0.1 NS
32 M. Patrizi et al.

5 Conclusion
This study fits into the nascent strand of studies on VAs, holistically identifying and
interpreting the key dimensions of perceived risk and benefits related to interactions
between users and VAs. The EFA identified a satisfactory structure composed of three
factors: “data collection and misuse risk”, “utilitarian and hedonic benefits” and “sym-
bolic benefits”. The first factor is composed of eight items referring to both perceived
personal data collection risk and perceived personal data misuse risk. The second factor,
composed of seven items, is based on perceptions of both practical and hedonic benefits.
Finally, the symbolic benefits factor is related to four items regarding users’ social status
and image. The k-means cluster analysis reveals three Generation Y user clusters (“icon-
ic”, “rational and emotional”, “scared”), which are described in terms of the frequency
of VA use, VA attitude, VA familiarity, innovativeness and age. The users in the “iconic”
cluster are particularly sensitive to symbolic benefits and are younger than those in the
“rational and emotional” cluster. Moreover, they are the most interested in the purchase
and use of new technologies (innovativeness). The “rational and emotional” cluster is
composed of users attracted by both utilitarian and symbolic benefits, having a slightly
higher average age than users of the first cluster and using VAs on smartphones more
frequently. Finally, in the “scared” cluster, users are particularly sensitive to data col-
lection and misuse risk, their usage frequency and VA familiarity are lower than in the
other two clusters, and their VA attitudes are more negative. In addition, these users are
the least inclined to use new technologies.
The contribution of this study to the academic literature is fourfold. First, it proposes
an advancement in the fragmentary knowledge about the risk and benefits related to
interactions with VAs by offering the first holistic view of these positive and negative
perceptions. Moreover, concerning perceptions of the “dark side”, our findings show how
users perceive, in an integrated way, the different dimensions of risk that are associated
with data collection (e.g., Hong et al. 2020) and the misuse of data (e.g., Cho 2019). At the
same time, considering the “bright side”, the analysis highlights users’ unified views of
utilitarian and hedonistic benefits. The extant literature indirectly echoes this finding with
the “utilitarianism” concept, related to both hedonic and utilitarian items (Babin et al.
1994). Moreover, these perceptions are reflected in the VA use for practical and leisure
purposes by Generation Y users (Capgemini Research Institute 2018) (RQ1). Finally,
this is the first study that has proposed using cluster analysis to highlight perceptual
differences in terms of risk and benefits among groups of Generation Y users (RQ2).
In terms of managerial implications, the EFA and cluster analysis results offer impor-
tant cues to practitioners regarding targeting, interaction experience design and mar-
keting communication about the value proposition of VAs. For example, to reach the
“iconic” users, communication activities should be focused on the prestigious and inno-
vative image that VA users can acquire. To address the “rational and emotional” cluster,
marketers should care about highlighting the variety of utilitarian and entertainment
functionalities of VAs as well as emphasising both benefits in their communications
to target users. Finally, to reach the “scared” users, the interaction experience should
be designed to be as safe as possible. In addition, marketing communications should
highlight security in data collection and use practices.
Talking to Voice Assistants 33

Our study is not exempt from limits. First, we use a non-probabilistic sample of
Italian Generation Y users, who interact with VAs on smartphones. Consequently, this
research design should be applied to other countries, other segments (e.g., Generation
Z) and other devices (e.g., smart speakers) in specific VA usage contexts (e.g., in-home).
Besides, future research lines could explore also the positive and negative perceptions
of non-users. As our study has an exclusively exploratory focus, future works could
deepen the possible causal links between perceptual variables and the intention to use
VAs and/or resistance to the use of VAs on smartphones.

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The Influence of Brands and Platform
Mechanics on Creator’ Content Sovereignty
on TikTok

Markus Rach(B)

School of Business, University of Applied Sciences and Arts Northwestern Switzerland FHNW,
Olten, Switzerland
[email protected]

Abstract. TikTok, the fastest growing app of 2020, has received much attention
for its growth, creativity and marketing opportunities. Much accelerated through
COVID19, TikTok has grown to over 800 million monthly active users and has
catapulted itself in frontline media. However, the app has also shown to tightly
control its infrastructure through its algorithm centric built, its approach to content
censorship and active brand management. With that, TikTok has gone different
routes than many predating platforms. Through TikTok’s creator marketplace and
indirectly monetizing content creators through its creator fund, TikTok has also
shown to hold a tight grip on content creator. For this reason, this study examines
the impact of TikTok and brands on content creator’ content sovereignty. Through
structured interviews, this study found evidence to suggest that TikTok’s influence
on the content behavior of its creator exceeds that of brands. It continues to propose
a conceptual model to validate the findings through an empirical research track.

Keywords: TikTok · Content sovereignty · Influencer · Content creator

1 Introduction
TikTok has become the most talked about social media platform since its meteoritic
rise during the COVID-19 pandemic in 2020 (Weimann and Masri 2020; Bhandari and
Bimo 2020. Throughout 2020, TikTok has much capitalised upon users prolonged mobile
online activity and thus grew its user base to over 800 million active users, coming from
over 2 billion app downloads (Su et al. 2020). TikTok is frequently reported to be the most
downloaded app in almost every app-store and achieved high media coverage (Su et al.
2002; Medina Serrano et al. 2020), not only for its stunning growth numbers, but also
the platform’s ongoing struggle with content censorship allegations (Anderson 2020),
user data protection and of course the impact of China’s ongoing tradewar with the US
and other political issues (Janusch and Lorberg 2020). Academic interest in the platform
has also started to increase with research focusing foremost on advertising and branding
effects, the increasing usage of the app and potential political interferences through
TikTok. However, very little research has yet focused on the platform’s impact on content
creator (Rach 2020). TikTok does not generate own content but acts as a matchmaking

© The Author(s), under exclusive license to Springer Nature Switzerland AG 2021


F. J. Martínez-López and D. López López (Eds.): DMEC 2021, SPBE, pp. 35–42, 2021.
https://doi.org/10.1007/978-3-030-76520-0_4
36 M. Rach

platform, connecting users with user generated content (UCG) in order to monetize user
engagement through advertising (Zeng et al. 2020). This reliance upon UCG is one of
the few traits TikTok shares with competitors like Facebook, Instagram, YouTube and
Twitter (Taprial and Kanwar 2012; Susarla et al. 2012). In contrast to other platforms,
TikTok ignores users’ peer network, but focuses solely on users’ platform behaviour for
its algorithmic driven content curation. For this reason, the importance of the content
creator is elevated as a vital element to increase user engagement and render the platform
interesting to brand sponsorships. Through various mechanics, such as the Community
Guidelines, the algorithm and the Creator Fund, TikTok moderates and impacts content
and user interaction to a greater extent than other platforms (Lin 2020). At the same
time, brands excerpt their influence on content creator through sponsored engagements.
This paper therefore seeks to tighten the current research gap with regards to platform
and brand impacts on content creator on TikTok. It seeks to provide insights, if and to
which extent the content sovereignty of TikTok content creator is impacted by either
the platform or brands. Therefore, this paper focuses on economically driven content
creator to compare the potential direct and indirect behavioural altercation effect on
their content sovereignty. As such, this paper seeks to further stimulate discourse about
creator’ content sovereignty within the larger framework of matchmaking platforms and
persuasive technology applications in social media.

2 Methodology
Based on the prior research conducted in this field, the following research question has
been formed, which will be answered through a sequential research method, building
upon qualitative interviews with TikTok content creator: to which extent, if at all, is the
content sovereignty of TikTok creator impacted by either platform mechanics, or brand
sponsorship demands? This research question has been materialised through an extensive
literature review, followed by series of qualitative interviews with TikTok content creator.
The work of (Thomas et al. 2019) has been used to construct supporting questionnaire
items and scaling to measure the perceived level of influence and persuasion exerted on
content creator.

3 Literature Review
Due to TikTok’s young age within the social media landscape and thus the missing
large scale research coverage, particularly in critical areas, a rigorous literature review
has been conducted to account published academic works, but also practitioner reports.
Table 1 provides an overview of applies search parameters. Each search was full-text,
time-restricted from 2017 to 2020 and using the following keywords.
Google search results have been further restricted by including the “content cre-
ator” operand, resulting in 155 findings. The only research identified within the scope of
this paper is a conference presentation (Rach 2020), which hypothesizes the impact of
TikTok platform mechanics on economically driven content creator. All other streams
of research focus primarily on influencer effects, marketing and branding, TikTok’s
growth, or privacy and censorship issues. Since these were irrelevant for this study, they
The Influence of Brands Mechanics on Creator’ Content on TikTok 37

Table 1. Literature Review Search Criteria

Search Criteria (2017–2020)


Database TikTok TikTok + TikTok +
content creator
EBSCO Host 2’108 143 54
Google Scholar 7’430 5’040 1’170
ScienceDirect 116 84 16

are not further discussed. The paper of Rach (2020) provided first evidence of sub-
tle behavior altercation impact through the platform’s algorithm and abrupt behavior
altercation impact through platform mechanics, such as the enforcement of TikTok’s
community guidelines (Bandy and Diakopoulos 2020). It assumed, that TikTok’s mon-
etization objectives determine the behavior altercation impact the platform exercises on
its content creator. However, it ignored to weigh these impacts against the second poten-
tial altercation force, brand sponsorships. In summary, based on the conducted literature
review, a research gap to understand the behavior and behavioral impacts on content
creator has been confirmed.

4 Qualitative Interviews
To conduct qualitative interviews, content creators with active brand sponsorships were
first recruited via a network sampling technique in dedicated creator groups on LinkedIn,
Facebook and various online forums. Network sampling has been proven effective in
studies relating to the recruitment of social media users (Heckathorn and Cameron
2017). To qualify for the study, at least 2 different brand sponsored posts had to be
realised. Further, creator had to have at least 1 million followers on the platform. This
number was set so to avoid opportunistic content creator and only focus on creator with
a high level of platform involvement (Narassiguin and Sargent 2019). To restrict cultural
influences, only content creator in Europe and North America were targeted. Since the
above failed to provide the necessary sample based on the set filter criteria, a manual
sampling was initiated. Content creator fitting the above criteria were identified using
TikTok’s Creator Marketplace feature and subsequently contacted via in-app messaging,
E-Mail, or through their linked Instagram account. Through this, a total of 125 content
creators were contacted. 36 agreed to participate in the study, a further 13 were eliminated
through either self-selected no-show, or language barriers. All interviews were conducted
via videoconferencing and kept at 20 min, following a pre-set interview structure. Table
2 provides an overview of interviewed content creator.
65% of interviewees were based in the US, 9% in Canada and the rest in Europe.

5 Results
Main results are summarized in Table 3. Based on the conducted interviews, 87% of
content creator acknowledged to have been impacted by algorithmic changes, or other
38 M. Rach

Table 2. Interview list

# Follower Gender Age range Content focus


count in
million
1 8 F 15–19 Dance
2 5 F 20–29 Storytelling
3 4 F 15–19 Entertainment
4 4 F 15–19 Dance
5 4 M 30–39 Stories
6 4 F 15–19 Dance
7 3 F 15–19 Dance
8 3 F 20–29 Tutorials
9 3 F 20–29 Entertainment
10 2 M 20–29 Stories
11 2 M 30–39 Learning with TikTok
12 2 F 15–19 Dance
13 2 M 20–29 Dance
14 2 F 20–29 Entertainment
15 2 F 20–29 Singing
16 2 M 20–29 Car related
17 2 F 20–29 Entertainment
18 1 M 15–19 Storytelling
19 1 F 15–19 Dance
20 1 F 30–39 Cooking
21 1 F 15–29 Dancing
22 1 M 20–29 Car related
23 1 F 15–19 Dance

indirect platform impacts. About 22% reported to have been directly impacted by plat-
form induced penalties due to community guideline violations. To contrast, the study
of Rach (2020) found over 80% impacts by algorithmic changes and 40% impact by
other platform mechanics. Thus, this study found a much higher creator focus on the
algorithm, but lower dependency on other platform mechanics. Creator seemed aware
of community guidelines and appeared very savvy in avoiding any potential violation or
flagging of their content. With the increasing following of a creator, risk mitigation mea-
sures to avoid any platform interreference seemed to positively correlate. Thus, the larger
the account’s following and the higher the impact of the platform on the creator’s income
structure, the more sensitive and aware creator appeared of the potential harm a guideline
The Influence of Brands Mechanics on Creator’ Content on TikTok 39

violation could have on their account’s monetization potential. All interviewed content
creator provided hints of adjusting their personal platform behaviour to maximize user
views and engagement. This finding extends the previous study of Rach (2020), which
demonstrated a behavioural algorithm driven impact on posting frequencies.

Table 3. Results summary

Impact dimension TikTok Brands


Perceived direct impact 22% NA
Perceived indirect impact 87% 30%
Monetization impact (direct) 43% 73%
Monetization impact (indirect) 100% 40%
Reason to content adjust 100% 22%

To contrast, the impact of brands on creator’ content sovereignty proved less signif-
icant. Over 60% of content creator did not adjust their content style or creative to the
demands of brands. The rational voiced was that overall account reach and relevancy
was more valuable for further monetization opportunities than singular sponsored posts.
Furthermore, creator stated to know the platform and their audiences’ taste better than
sponsoring brands. As such brands often rely upon creator’s advice and content sugges-
tion for their sponsored engagements. However, almost 22% admitted having adjusted
to the liking of sponsored brands. Particularly smaller accounts seemed more prone to
any form of influence, both platform and brand related.
Further noteworthy is the perceived monetization impact of the platform and that
of brands. Since TikTok creator can receive three streams of monetization, direct brand
monetization, TikTok creator fund monetization and marketplace influencer deals, the
indirect monetization impact of TikTok was rated much higher and much more influen-
tial by content creators. This included any adverse algorithmic effect on an account’s
reach. To contrast, the direct monetization impact of brands was rated higher to the
current sponsorship potential, but much lower in overall impact on a creator’s content
sovereignty.

6 Discussion of Findings

Whilst this study provided some interesting findings, any further discussion has to be
both contextualized and demand empirical verification. First, the direct monetization
through brand sponsorships has a lesser effect on creators’ content sovereignty than the
platform itself. Considering that TikTok operates its own creators’ marketplace (Collie
and Wilson-Barnao 2020) and stricter content moderation, its influence is perceived
higher than that of any brand relationships. A lose interpretation of findings might
suggest a platform dependency by creator, but a sponsorship interdependency. Thus,
the skewedness of perceived dependency leans towars TikTok.
40 M. Rach

Contrasting influencer behavior on other platforms, some similarities can be noted,


particularly by studies done on influencers on Instagram and their exhibited behavior
towards brands. Account reach is understood as a long-term value, which generally
supersedes short-term monetization opportunities. This correlates also with increase of
account size as measured by the number of followers. Creator seem to act more tactical
with an increase in account followership. However, with an increasing dependency on
brand deals as a source of personal income, this content sovereignty protecting behavior
seemed to take a turn. Unfortunately, the sample of income dependent accounts was
too small to contrast these findings to existing Instagram studies in order to understand
if account growth stimulates a tipping point in content behavior (Breves et al. 2019;
Lou and Yuan 2019). Personal observations of the top 50 creator accounts by followers
seemed to provide confirming evidence, with sponsored posts appearing scripted and
not blending into the overall content structure of observed accounts.
To stimulate further research and to summarize the findings of this qualitative study
on the content sovereignty of TikTok creator, the following conceptual model, as seen
in Fig. 1, has been proposed as a result of this study’s findings.

Brands Advertising Demand

Income Dependency

Creator Content Sovereignty

Account Size Account Reach

TikTok Mechanics & Algorithms

Fig. 1. Conceptual Model of Creator Content Sovereignty

7 Conclusion
This paper somewhat confirmed and validated the pre-dating study by Rach (2020) about
the behavioral altercation impact of the TikTok platform on content creator. It further
highlighted, that the influence of the TikTok platform on the content sovereignty of its
content creator outweighs the impact monetization brand partners have. Whilst this might
not seem harmful, it poses a tremendous change to the influencer-marketplace dynamic
and highlights the potential level of behavioral impact of the TikTok platform. For
brands seeking to invest in sponsored posts and for creator alike, it is vital to understand
impacting forces on their relational construct and return expectations. It raises questions
about the potential impact the platform could have creator brand posting vs. Platform
native forms of advertising. Since a competitive platform already announced to guarantee
views on its advertising products, the importance and relevance of creator to brands will
be put to question.
The Influence of Brands Mechanics on Creator’ Content on TikTok 41

8 Limitations and Further Research


Although all possible efforts have been undertaken to quality control the outcome of
this study, some limitations have to be noted. First, this paper’s research was built upon
a qualitative research method to propose a conceptual model for further validation.
Findings might thus not be representative and require substantial empirical validation.
Further, the interview selection, although objectivized through selection criteria, did
not follow a random selection method and thus holds the danger of a selection bias.
At the time of research, no means was discovered to avoid a selection bias for the very
specific scope of this paper. Lastly, since qualitative interviews were conducted, although
following a preset structure, an operational interview bias cannot be excluded.
Nevertheless, the findings of this research are grounds for further quantitative
research to validate the formed conceptual model empirically. Furthermore, the scope of
this paper can be expanded to other social media platforms to understand the potential
impact of platforms and brands on the behaviour and therefore content sovereignty of
its creator. Particularly since younger generations strive to become content creator, it is
vital to understand behavioural impacts to propose regulatory, educational, or platform
monitoring processes, to neutralize behavioural altercation effects resulting from poten-
tially manipulative influences. Finally, influencers are perceived as the current solution
to the constant decrease of advertising effectiveness. Thus, if influencers adjust their
content behaviour to the objective conformity of a platform and or the liking of brands,
their level of influence might decrease due to the increasing advertising perception and
gradual loss of authenticity. Measuring this effect could have a big impact on the market-
ing practitioners and their future budget planning towards native forms of advertising,
the planning of organic platform interaction, or creator engagements.

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Interactivity in Social Media: A Comparison
in the Movie Studios Sector

Joan-Francesc Fondevila-Gascón1(B) , Pedro Mir-Bernal2 , Marc Perelló-Sobrepere3 ,


and Marc Polo-López3
1 Communication Telecommunications Marketing and Economy, Blanquerna-Universitat
Ramon Llull, EU Mediterrani-Universitat de Girona, Cesine, Universitat Pompeu Fabra,
Euncet-UPC, EAE Business School, CECABLE, Barcelona, Spain
[email protected]
2 Universidad de Navarra, Pamplona, Spain
3 Communication Telecommunications Marketing and Economy, Blanquerna-Universitat

Ramon Llull, EU Mediterrani-Universitat de Girona, Cesine, UPF, Euncet-UPC, CECABLE,


Barcelona, Spain

Abstract. This research analyzes the social media activity of three movie studios
(20th Century Fox, Warner Bros and Universal Studios), and how that is affecting
in the numbers and relevance of each. We develop a database to keep a record
of the decisions this companies have been doing and how they take advantage of
the tools presented by the social media. Methodology is quantitative. We collect
frequency of posts, special events, types of post, the number of likes and comments
retrieved from the viewers and also the number of shared posts. We have focused
in different parts of each social media since, each one is designed to fulfill one
specific aspect. With that approach we expect to determine which of the companies
has understood better the way they have to be used and if they had won any kind
of advantage through the good use of this medias presented as more interaction
between themselves and the viewers and a more effective way to present their
products. We conclude a correlation between enterprises (movie studios) and social
media.

Keywords: Cinema · Interactivity · Marketing · Social media · Digitization

1 Introduction

Social media and interactivity are conditioning the marketing activity of movie studios in
the Broadband Society environment (Fondevila-Gascón 2013), in which competitiveness
is high thanks to the new online video business models (Currah 2006; Clemons 2009;
Artero 2010). There is no excess of scientific literature in the study object of this article.
Some articles have analysed the progress of many movie studio industries (Lombardi
2013), that try to create a plot twists and redefine their storylines (Klecker 2013). One of
the principal topics is the migration to the online activity (Iordanova and Cunningham
2012). Movie has changed from a classic entertainment.

© The Author(s), under exclusive license to Springer Nature Switzerland AG 2021


F. J. Martínez-López and D. López López (Eds.): DMEC 2021, SPBE, pp. 43–49, 2021.
https://doi.org/10.1007/978-3-030-76520-0_5
44 J.-F. Fondevila-Gascón et al.

The three principal players in the movie industry arena are Universal Pictures, 20th
Century Fox and Warner Brothers. About cinema and possible impacts of social media,
the research is focused in the status of the promotion, distribution and exhibition in Spain
(Deltell and García Fernández 2013), and in the activity in social media, especially
in Twitter (Deltell et al. 2013) and Spanish producers (Deltell Escolar and Clemente
Mediavilla 2016).
With the rapid growth in both the movie industries and the development of social
media, the presence of both of these industries becomes inseparable due to the many
types of social media (Fondevila-Gascón et al. 2012; Fondevila-Gascón et al. 2020a) and
sources like crowdfunding (Fondevila-Gascón et al. 2015). In the interactive ecosystem,
thanks to Hybrid broadband broadcast Television (HbbTV) standard (Fondevila-Gascón
et al. 2017a, b, c), the social media presence is crucial. About brand longevity, it is pro-
gressively linked to social media activity (Preece et al. 2018). The enterprise can obtain
benefits thanks to interactive options, like HbbTV (Fondevila-Gascón 2012; Fondevila-
Gascón et al. 2017a, b, c). From the business perspective, the value propositions that are
offered by these movie studios are immensely unique.

2 Methodology

The aim of this paper is to investigate the length that different movie studios undertake in
efficiently using social media as a platform to promote their movies and to establish an
atmosphere that will enhance the level of curiosity of their customers. The factors include
the next: frequency of posts, special events, types of post, the number of likes and com-
ments retrieved from the viewers and also the number of shared posts. It is based in a com-
bination of methodological indicators about social media from Fondevila-Gascón et al.
(2013: 161–163), Fondevila-Gascón (2014), Fondevila-Gascón and Perelló-Sobrepere
(2014: 115–116), Fondevila-Gascón et al. (2017a, b, c), Fondevila-Gascón et al. (2020a,
b).
The appropriate strategy to analyze the presence of different movie studios on social
media is through explicitly observes their activities in the online world. The social
media platforms that will be observed are Facebook, Twitter, Instagram, and YouTube.
Facebook allow its regular users to ‘like’, ‘share’ ‘comment’ and use different emoticons
to express a specific emotion (Fondevila-Gascón et al. 2020b) be longer videos and
Instagram uses photos or shorter videos, that is something that these companies should
take into account in order to gain more visibility. The film studio corporations must know
how to appropriately make the most impact through their marketing attempts (Cavallo
et al. 2012).
We contrast interaction between the different movie studios and the reactions that
come from different customers. It also tries to reveal the level of engagement that cus-
tomers have with the movies. We compared the performance of all the observed variables
from the three different movie studio companies.
Another observation that is equally important is regarding the reactions that people
are creating as the result of the hype that have been posted on these social media. People
generally tend to comment, re-share the posts and leave a ‘like’ signs. This gives the
freedom for the viewers to express their thoughts regarding those upcoming box office
Interactivity in Social Media 45

movies. In a sense, these reactions can measure how popular are these movies perceived
by the many customers both positive and negative.

3 Results and Findings


Since we are comparing 4 different types of social media, we will observe in which of
them people use the ‘like’ button in the most frequent way. In Fig. 1, there is an account
on the amount of likes from each of the social media.

Fig. 1. The number of likes per social media

We observe that YouTube is the social media in which people leave the greatest
number of likes. The fundamental purpose of YouTube is not for observing the amount
of ‘likes’ a video has, instead it supposed to be the amount of ‘views’ it has. The value
of a post on Instagram lies in the number of ‘likes’ it has (Parmelee and Bichard 2012).
That is the reason we will choose Instagram to compare the number of likes between
posts retrieved per social media (Fig. 2).

Fig. 2. The number of ‘likes’ retrieved by different movie studios on Instagram.

Warner Brothers has the most amounts of likes retrieved for the posts that they
published on Instagram. One of the main reasons is that Warner Brothers has been very
46 J.-F. Fondevila-Gascón et al.

successful in delivering their contents that intrigued more people to like more of their
posts in comparison to the other movie studios. It is very important to note that this
superior like does not have anything to do with the frequency of posts made by Warner
Brothers. Publishing the most amounts of posts with a good content makes people keener
in leaving their ‘likes’.
There is also a specific feature on YouTube that allows enterprises to promote their
products through advertisement (ad) that every so often appeared before the desired
video was about to play. Some of these ads can be skipped without the need of having
a premium account, but some of those ads could not be skipped without acquiring the
premium privilege. This type of ad is an example of ‘viral advertising’ that is available
on social medias such as: YouTube. Viral advertising refers to an advertising technique
in which video advertisements are distributed from one user to another via e-mail and
online social networking (Golan and Zaidner 2008).
The rate of posts conducted by the 3 movie studios is different in social media
platforms. Twitter and Instagram are the most used social media platforms for Warner
Brothers. Figure 3 presents the number of comments made towards a specific post in
different types of social media platform. The number of comments retrieved in different
platforms distributed quite similarly. Even though, we did have an extreme minimum
and also an extreme maximum number of comments. Universal Pictures received the
least number of comments on Instagram. Warner Brothers received the most amounts of
comments on YouTube.

Fig. 3. Total comments per social media

The number of comments can help to indicate the level of engagement that the viewers
have on a specific post. Since it does take more time to comment on something rather
just leaving a ‘like’ or sharing a certain post. Based on observing the number of posts
that Universal Pictures made on Instagram, it shows that they made the least number of
posts in this social media platform. However, an interesting case can be seen from the
unprecedented amount comments retrieved by Warner Brothers. It is indicated that the
Warner Brothers posted the least videos on YouTube, however they managed to receive
the greatest number of comments. This really does help us to better understand that the
number of posts does not necessarily affect the number of comments they receive. In
this sense, the content of the video is what truly important and not its amount. Therefore,
Interactivity in Social Media 47

we can say that people are in favor to comment on the fewer video posts made by the
Warner Brothers in comparison to the many video posts made by other movie studio
companies.

4 Conclusions and Discussion


There is a correlation between enterprises and social media. In marketing, the advantage
that social media platforms offer for businesses and enterprises are unquestionable.
Within the film industry, the final and perhaps one of the most important stages is the
selling process of that movie itself. In order for a movie to be recognized and known by
the general public, a persistent and effective marketing effort is highly needed (Cavallo
et al. 2012). The real challenge that these movie studios have is to efficiently promote
their movies to all corners of the globe.
The purpose of advertising a movie is not limited to the creation of awareness alone.
Movies are basically tangible products that have a certain sense of uniqueness in its
nature. When a movie managed to achieve its most successful stage, for instance receiv-
ing an award (like in science) or some sort, the reminiscence of it will remain for more
years to come. Due to this unique value proposition, endorsing a movie is also an activity
of establishing a level of engagement and building that jubilant ambience.
Each social media has its own particular purpose of engagement. When Universal
Studios published a video of a movie trailer on YouTube, it means that the company
focuses on observing the number of views and the number of times that particular trailer
has been played. Frequency of posts in any type of social media does not guarantee a
great deal number of views, likes or comments. It was the case of Universal Studios that
this film studio tends to post a lot of videos on their main channel on YouTube, however
they too receive the less amount of likes in comparison its competitors. People tend to
a post with more specific and valuable content. Interactivity (Fondevila-Gascón 2012;
Fondevila-Gascón et al. 2017a, b, c) is decisive.
There is a good number of posts made by each movie studio regarding special events,
interview with the casts of the movie and also behind the scenes of some of the making
process of those movies. It turns out that these kinds of posts generate an even more
engagement from the public than the regular movie trailers. This may be derived from
the fact that people tend to connect more with the casts of the movie and also, they tend
to seek for more information about the movie that trailer does not provide them.
Like Warner Brothers is the movie studio that stands out the most in terms of the
public enthusiasms that they generated from their posts in all social media platforms.
It is compelling to truly realize that Warner Brothers retrieved the most reactions even
though they were not the most frequent one to publish variety number of posts. It is
simply because they put a lot of thoughts to make their posts to have a diminishing level
of content that intrigued many viewers. It can be concluded that social media really does
enhances the level of engagement between the general public with the movie studios. It
is also a valid statement to mention that movie studios need to adjust the best strategies
from using each of the social media platforms.
48 J.-F. Fondevila-Gascón et al.

Research included in the Project Challenges of the General Directorate of Scientific


and Technical Research, General Sub directorate of Research Projects, Ministry of Econ-
omy, Industry and Competitiveness, Spain, “New forms of interactive advertising in tele-
vision, Internet and digital media. Real applications on HbbTV” (CSO2017-88895-R).
Blanquerna-Universitat Ramon Llull and CECABLE.

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(2010)
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Ecomark, Milano (2012)
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theory, and predictions. J. Manage. Inf. Syst. 26(2), 15–41 (2009)
Currah, A.: Hollywood versus the Internet: the media and entertainment industries in a digital and
networked economy. J. Econ. Geograph. 6, 439–468 (2006)
Deltell, L., García Fernández, E.C.: Film promotion in the digital universe. The end of the cinema
exhibition in Spain. Hist. Comun. Soc. 18, 203–217 (2013)
Deltell, L., Claes, F., Osteso, J.M.: Twitter en las campañas comunicativas de películas
cinematográficas. El Profesional de la Información 22(2), 128–134 (2013)
Deltell Escolar, L., Clemente Mediavilla, J.: Productoras españolas en la red. Actividad en Twitter
y Facebook. Estudios sobre el Mensaje Periodístico 22(2), 969–980 (2016)
Fondevila-Gascón, J.-F.: Connected television: advantages and disadvantages of the HbbTV
standard. Cuadernos de Información 32, 11–20 (2012)
Fondevila-Gascón, J.F., Del Olmo-Arriaga, J.L., Bravo Nieto, V.: Digital presence and reputation
in social media: comparative in the fashion industry. Fonseca J. Commun. 5, 92–116 (2012)
Fondevila-Gascón, J.-F.: Periodismo ciudadano y cloud journalism: un flujo necesario en la
Sociedad de la Banda Ancha. Comun. Hombre 9, 25–41 (2013)
Fondevila-Gascón, J.F., Herrando-Soria, C., Beriain-Bañares, A., Del Olmo-Arriaga, J.L.: Social
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Digital Transformation Induced by the Covid-19
Pandemic

Sankhani Hemachandra1 and Nora Sharkasi2(B)


1 Graduate Program in Digital Business and Innovation,
Tokyo International University, Tokyo, Japan
2 Digital Marketing and Analytics, Institute for International Strategy,
Tokyo International University, Tokyo, Japan
[email protected]

Abstract. The covid-19 pandemic has posed massive challenges to every actor of
our social system. In Southeast Asia, businesses are no exception; well-established
corporations moved toward digital transformation faster than others. With a pre-
scriptive objective in mind, this study explores the acceleration of the digital trans-
formation in the retail industry in Sri Lanka upon the Covid-19 pandemic. Taking
a qualitative research approach, the paper describes different approaches for DT.
Business leaders from banking, telecommunication, and fast moving consumer
goods were interviewed. Some business leaders had a strategic vision towards dig-
italization, not because they anticipated the pandemic coming, but rather because
of its advantages. Managers saw that digital transformation would bring two main
advantages. One is through disintermediation, by reaching out to clients directly,
and that customers can reach out to businesses anytime anywhere. Second, in terms
of the cost factor, digital implementations were conceived comparatively cheaper
in the long run. The ‘new normal’ of businesses keep changing its ways every day
as the virus variants evolve, warning us, this could be a situation that we have to
deal with for longer than anticipated. This makes investing in digitalization and
further keep the impetus of agile implementation worth the effort.

Keywords: Digital transformation · Value creation and delivery · Marketing


channels · Business networks · Covid-19 pandemic

1 Introduction

Digital transformation is not a new concept; business practices in developed nations


had already experienced a wave of innovative business solutions and automation, and
ever since reaped its benefits. With the number of successful business cases undergoing
digital transformation is on the rise, especially in the rapidly growing economies like
Singapore and Malaysia, neighbouring developing nations like Sri Lanka try to build
traction toward digital transformation.
We argue that the digital transformation carried out by businesses during the pan-
demic was not a manifestation from below, not just an outcome of traditional top-down

© The Author(s), under exclusive license to Springer Nature Switzerland AG 2021


F. J. Martínez-López and D. López López (Eds.): DMEC 2021, SPBE, pp. 50–61, 2021.
https://doi.org/10.1007/978-3-030-76520-0_6
Digital Transformation Induced by the Covid-19 Pandemic 51

system design authorized by the decision-makers in the organization; rather, it is trig-


gered by the unexpected and sudden escalation of the limitations imposed on our systems
due to the pandemic and fuelled by ongoing worldwide digital transformation activities.
We thus see digital transformation as an inevitable endeavour and that it was just a mat-
ter of time for nation-wide practices to embrace the digital concept. We argue that the
pandemic accelerated the impetus of such transformation.
The second section of this article articulates the definition of digital transformation
based on a thorough review conducted by Vial (2019). In this section, we also elaborate
on our adopted conceptual framework adjusted by filtering out relevant building blocks
to fit our context. A historical brief on digital transformation in Sri Lanka is also included
in this section. Section 3 lays out the methodology of this exploratory study, and Sect. 4
discusses results organized in subsections relevant to the building blocks of the concep-
tual framework; we also discuss organizational changes in value creation delivered by
varying intermediation modes and channels. The paper is concluded in Sect. 5.

2 Conceptual Framework

Digital transformation happens when the company starts to solve problems or conduct
daily routines on digital platforms. It combines changes associated with society, econ-
omy, legal and policy measures, business models, and organizational culture (Gunawar-
dene 2017). Enterprises have understood the potential value of technology changes and
the pivotal role of the data-driven innovation (Berghaus and Back 2017). The fore-
most benefit of the digital transformation is that it generates real-time information,
connects customers and suppliers with other business entities more effectively (Ensaria
and Karabay 2014).
Our study adopts Vial (2019) conceptual framework based on reviewing 282 papers
winnowed from the information system literature to define digital transformation (DT).
Some adjustments have been made to the framework illustrated in Fig. 1 below to fit our
study’s scope and context. Out of the 23 definitions examined in (Vial 2019, Table 1), the
following definition by Haffke et al. (2017) could be the closest to our context, “Digital
transformation encompasses the digitalization of sales and communication channels,
which provide novel ways to interact and engage with customers, and the digitalization
of a firm’s offerings (products and services), which replace or augment physical offer-
ings. Digital transformation also describes the triggering of tactical or strategic business
moving by data-driven insights and the launch of digital business models that allow new
ways to capture value.”

Covid-19 as a Source of Disruption. Covid-19 has recently inducted and accelerated the
implementation of DT worldwide and across different industries (Iivari et al. 2020). It
accelerated the planned digitalization process for enterprises already undergoing trans-
formation (e.g. the interviewed financial institution) and created a greater urgency for
those organizations still early in the transformation process (e.g. the interviewed fast
moving consumer goods enterprise). In this exploratory study, we consider the effect of
Covid-19 on the acceleration of DT, taking cases from the retail industry in Sri Lanka
for closer examination.
52 S. Hemachandra and N. Sharkasi

In Mar 12–14, schools, pre-schools, and universities were closed until further notice.
The government declared a lockdown form 20th March 2020 to nearly 52 days across Sri
Lanka, the island-wide curfew in low risk areas was relaxed in Apr 20th . However, in May
1- 03 again, an island-wide curfew was imposed (IFPRI 2020). First, the state emergency
law imposed, and under the emergency law island-wide curfew is declared. During the
curfew, people were not allowed to go out except for essential service workers like those
who are granted special permission and working in hospitals, army, navy, police…etc.
Supermarkets and pharmacies started online ordering and delivery services, and those
activities were also closely monitored by the Sri Lankan army. By the third week of May,
the curfew was lifted. At the beginning of the lockdown, companies in the country were
closed completely but slowly started to work remotely, many were reluctant to adopt the
“Work from home” concept. Many companies were unprepared to meet the requirements
by each passing day. At the early few weeks of lockdown, there were huge inefficiencies
in distributing essential grocery and supplies by the government. On the other hand,
large supermarket chains have their own home delivery systems up and running in place
before Covid-19.

Fig. 1. Conceptual framework based on Vial (2019) with adjustments

Strategic Responses to Covid-19 Disruption. Due to the exogenous and endogenous


tensions arising at the Covid-19 pandemic, to keep business up and running, an agile
execution of digital transformation is crucial to achieve a quick response to bounce back
(Gunther et al. 2017; Huang et al. 2017). However, such a rapid response could have
had happened in the absence of a well-formed and approved digital business strategy
that secures pre-determined allocated resources. Researchers debated the importance of
the fusion of digital business strategy and digital transformation strategy (Bharadwaj
et al. 2013). Discoveries are expected to surface when examining cases where digital
transformation was not even aligned to a well-formed digital business strategy during
Covid-19 pandemic.
New ways for value creation. Value creation is attained by deploying digital tech-
nologies within a context that unlocks new affordances and uncovers new paths to create
value to different entities as in enterprise, consumer, or society (Kane 2014; Markus and
Robey 1988).

Value Networks. Digital transformation could lead to three possible mediation strate-
gies, as explained in (Vial 2019):
Digital Transformation Induced by the Covid-19 Pandemic 53

(i) A disintermediation strategy uses digitalization to bypass intermediaries and enable


direct transactional and information exchanges among members of the network
(Hansen and Sia 2015).
(ii) Through remediation strategy, enabling close collaboration and coordination
among participants as in supply chain systems (Klotzer and Pflaum 2017).
(iii) Network-based mediation, where despite the potentially conflicting interests of the
network participants, they come together to form a system to generate value for
customers (Tan et al. 2015).

Added to the above three different networks, content creation networks as in private
or public online communities for value generation (Oestreicher-Singer and Zalmanson
2012) could also be sources of value creation for businesses.

Digital Channels. Social media platforms are now considered a crucial element in the
marketing omnichannel strategy (Hansen and Sia 2015). The novel advanced algorithms
deployed in decision-making business applications (Gunther et al. 2017) allow compa-
nies to effectively target prospects and draw consumer insights that help effectively serve
and retain customers. Social media platforms were also crucial in effectively reaching
out to customers (Chuang 2019) and forming co-creation of business ideas for products
and services (Piller et al. 2012).

3 Methodology
Our approach to inquiry took the form of in-depth interviews (IDI) following the stan-
dards of convenience sampling (Blackstone 2012). An overview of the research process
can be seen in Fig. 2. It is important to note here, at this stage of the study, the inten-
tion is to describe the acceleration process of digital transformation with a prescriptive
objective in mind (Nolen and Talbert 2011) and not theoretical as of yet.
The data processing started by researchers listening to the recorded zoom interviews,
then, they transcribed them in a MS Word document to form the “corpus”. The researchers
then read the transcript again and performed line-by-line general coding, highlighting
main terms and phrases. Afterwards, the researchers eliminated dross and organized the
corpus into smaller segments of paragraphs. These segments were then transferred to a
MS Excel datasheet for further processing. Each segment of text was placed in a single
cell in the datasheet under the label “What is said by the informant”.
The interview number and industry were specified for each interview transcript in the
Excel sheet. The following columns were also added and populated by the transcript’s
segments:
In-vivo Codes. We highlighted the informant’s prominent keywords. Prominent key-
words are those found to describe a state of mind or contextual emotional reaction. This
way the segment was labeled with multiple in-vivo codes.

Memoing. The researchers documented their memos in this cell, indexed by researcher’s
initials and dates.
54 S. Hemachandra and N. Sharkasi

Constructed Codes. “what is not said by informant”: researchers’ interpretations of the


informant’s statement. This is peer-reviewed and cross-referenced by the researchers.

Temporal Context. Tagging the segment based on whether it is relevant to the situation
before or after the pandemic, some segments’ temporal context was left blank.

Categories. The researchers grouped the codes into


categories, in order to reduce the different pieces of
data in the future analysis. For example: ‘changes
in marketing operations’, covering those coded as:
social media, customer service, website presence,
digital advertising.
The corpus of the online IDI was saved in an
MS. Word document, then after dross cleaning, the
segments of text were stored in an MS. Excel data
file saved in Google Drive. The raw data of the cor-
pus amounts to approximately 48 pages (transcribed
with 12-font Times, New Roman). The transcript
encompasses a total of (101) segments of text, all
with a word count ≥ of 10. Three interviews were
conducted with decision-making leaders in bank-
ing, telecommunication, and Fast Moving Consumer Fig. 2. Encoding process based on
Goods FMCG. inductive grounded theory approach
We followed the procedure of grounded theory analysis by (Charmaz 2014) with a
prescriptive objective in mind, as follows:

Scripting. The video recordings of the interviews were transformed into writing. Notes
of rephrased wordings as in words referring to formally introduced concepts were
included in square brackets [], while notes of vocal observations or rewritten words,
as in “every month” to “monthly”, were enclosed in curly brackets {}.

Document Repository. Before embarking on the actual analysis of the corpus of the
data collected, a spreadsheet was created to contain the following: (1) original quotes
of informants (in vivo/inductive codes), (2) researchers’ interpretations of the inductive
codes (constructed codes), (3) the context was indicating any important body language
as well as flagging events before and after the pandemic, and (4) abstractions; these are
extractions from the original quotes, and finally (5) any notes taken by the researcher
during the data collection, and data analysis processes.

Coding. After reading interview transcripts, we proceeded with an initial cycle of (open)
coding of the data. The initial coding encompassed the process of breaking down the
qualitative data into discrete parts of original quotes of the informant (a segment of text)
and dropping the dross. Then, the researcher specified inductive and constructed codes.
Multiple iterative steps were taken until the researchers exhausted possibilities.
Digital Transformation Induced by the Covid-19 Pandemic 55

Abstraction of Categories. The second cycle of analysis involved the more in-depth
reading of text and extraction of main topics per original quotes, examining them
and comparing them for similarities and differences, remaining open to all possible
theoretical directions.

Construction of Themes. A recursive process whereby the themes are reviewed in rela-
tion to the coded data categories and the entire corpus of collected data. Making sure
the highlighted themes satisfied the criteria specified in (Braun and Clarke 2012).
Following these steps, and after the initial first cycle of open coding of the data
(Charmaz 2014), we proceeded to the second cycle of analytical coding (Braun and
Clarke 2012). Three interviews were conducted with leaders and decision-makers of
varying managerial levels across different industries in Sri Lanka. More details about
the Informants could be seen in Table 1. Table 2 shows a brief on the company profiles
of the informants.

Table 1. Characteristics of the data sources

# Content Industry Number of words Transcribed pages Duration


originator approximate
1 Regional Banking 3459 12 40 min
manager
2 Brand Telecom. 2864 10 30 min
manager
3 Senior brand FMCG 2989 10 30 min
manager

Table 2. Company profiles

Industry Nature Market share Employees Customer base


Banking All type of $0.1124bn market 2230 Personal customers,
commercial banking capitalization SME and corporate
products and services
Telecom. Advanced mobile $0.4974bn market 4535 Mass audience in Sri
telephony and high capitalization Lanka
speed mobile
broadband services,
Satellite TV
connections
FMCG Manufacturers and Not available 450 Sri Lankans mostly
distributes of food women
items and personal
care products
Telecom.: Telecommunication; FMCG: Fast Moving Consumer Goods
56 S. Hemachandra and N. Sharkasi

4 Analysis
Strategic Response to Covid – 19 in the Retail Industry in Sri Lanka. The three enter-
prises examined in this study could be ranked at different levels of progressions with
their digital business strategy (Mithas et al. 2013, p. 472). In our banking case, a strategic
plan was put in place before the pandemic. The banking industry has had already intro-
duced digital products even before the pandemic started. For example, cash Automated
Teller Machines (ATM) and cash deposit machines, called CDM. A ‘virtual wallet’
mobile application was launched before the pandemic; to transfer money, pay bills, and
then use it for purchase · · · e-banking service where you can log in from anywhere
and do banking transactions without going to a branch; those services were available
even before the lockdown. “Then we introduced pay apps; we called them plastic less
payment gateway. [regional manager of a financial institution].” In contrast, the FMCG
firm had no such a plan and neither a future vision toward DT before the pandemic. The
telecom vendor had some digitization, but digitalization was thin on the forefront with
customers’ payment processing.

Table 3. Company profiles

FMCG Banking Telecom.


Presence Non-existent In place before Covid In place before Covid
of strategic “Previously, we were into the “we have introduced this “It is part of our annual plan
plan manual process of e-banking service where you and five-year vision plan
distribution. Most of our can log in from anywhere and [· · · ] many customers used
handling process was done do banking transactions to go to an outlet or used to
manually in terms of sales without going to a branch. go to the service center to
handling. Through our So, those things were pay their bill or buy a reload
distributors and business available even before card to pop up their mobile,”
partners, we placed our lockdown. Those are “This has been shifted in the
products in retail outlets.” pre-COVID initiatives.” past 3 months,”
Agility of Front & Back-end Front-end & Back-end Front-end
execution “We have moved our entire “During the pandemic, the “Finance point of view I
sales process into to digital bank had to shift its customer would say, we even went to
platform where we have acquisition practices to fully digitalized payment
launched a e-commerce tools digital, “during the lockdown acceptance, purchase order
which we did not have period, we provided acceptance, approval systems
previously. We launched our customers who are willing to in full digital format.”
website during the lockdown register with such facilities
and through fan pages in through our website.” We
social media we requested them to send their
communicated our delivery applications, soft copies by
services and all the other email, and acknowledge it
information and guidance and provide service.”
required. We took all our
marketing and promoting
related activities to digital
platforms.”
(continued)
Digital Transformation Induced by the Covid-19 Pandemic 57

Table 3. (continued)

FMCG Banking Telecom.


Perception Hybrid-term Long-term Long-term
“We framed the idea of “We have two separate “Because we saw digital
making all processes into segments, government sector transformation will bring two
digital as crisis management” and private sectors like main advantages for us. One
“but we have gone for ERP government institutions and is, we can reach to the
systems to a certain level private institutions. Private customers and customers can
which is tracking our data.” institutions are fast to react to reach to us without any
“Currently, {monthly} we are these technological changes intermediary boundaries …
saving all our data [in the and digitalization.” in the long term that is very
system]. It generates some “In 2019, the fiscal year plus point for the cost factor
automated projections also 2018/19, we came up with to the company. Because of
which is helpful in our the initiative to change into those two reasons we anyway
decision making. It is still in the digital concept. Because planned and during this
developing stage. So even we understood that going COVID period we accelerate
before corona outbreak, we forward, digitalization is it.”
were practicing some digital something we cannot avoid.”
methods.”

On the agility of execution (Gunther et al. 2017; Huang et al. 2017), we examine
DT’s acceleration on the front-end compared to the back-end. Despite that the FMCG
had no DT plan before the pandemic, the FMCG interviewee stated, “we have been
assigned to sustainability reporting portal where employees link all transactions in one
portal. This was established before the pandemic.” However, with the lockdown con-
straints, DT’s acceleration was focused on the forefront with customer communication
and sales. Even with the DT plan in place, as in the banking institution, DT’s impetus
was intense on the forefront, particularly for customer acquisition. Both firms focused
on DT of marketing and sales operations. The focus of the telecommunication company
was placed on financial and service operations. The telecommunication company could
be ranked in terms of digital transformation progression as in-between. It already had
a plan, but it is still young, and not much was achieved on the ground yet before the
pandemic. The telecommunication company also had to respond to the upward surge in
data consumption during the pandemic and the lockdown. Most people started work-
ing and studying from home because there was an upward trend in data usage. Third,
device sales comparatively plumped; this is maybe due to the restriction of movement
and willingness to avoid going to outlets to stay safe. Refer to Table 3 for details from
the transcript of the interviews.

Value Creation During Covid-19 Pandemic. Due to the lockdown, business leaders had
to come up with innovative solutions to keep their business up and running within the
‘new normal.’ In this study, we focus on sales and marketing changes for value creation.

Banking. “There is a shift from print media to online sources because the bank was used
to post lots of advertisements in newspapers, magazines,… etc., before the virus out-
break. But during the lockdown period, magazines and newspapers were not available;
therefore, what we did was we shifted our focus and attention to social media and our
58 S. Hemachandra and N. Sharkasi

website. We have our website and our own Facebook page and Twitter. We heavily used
those platforms to market our products as well as educate our customers on what we
are doing these days, how they can join with these services, how they can get benefit
out of these facilities, how the bank is going to help them during this lockdown and
after that how the bank is going to help them rebuild their businesses, all these com-
munications conducted through social media. It was very effective. [· · · ] “During the
lockdown period, we provided customers who are willing to register with such facilities
and use during the lockdown period because of this immobility, through our website. We
requested them to send their applications, soft copies by email and acknowledge it and
provide service; then, after the lockdown period, customers can come physically to the
branch and complete the documents. So, without completing all documents, we allowed
customers to use facilities. [regional manager of a financial institution]”.

FMCG. As per the FMCG, “challenging to run our business with a manual system there
were so many limitations with the people, with the regulations, security issues · · · we
have moved our entire sales process into to digital platform · · · launched our website
during the lockdown … shifted from place to space · · · first time in the history of the
company · · · For each brand, we have our own social media accounts · · · used some
other pages like retail chains to promote items · · · we used distribution channels that
are digitally strong · · · We launched our website during the lockdown which contains
all our products, and through fan pages, in social media, we communicated our delivery
services and all the other information and guidance required. And we took all our mar-
keting and promotional related activities to digital platforms · · · Through these digital
platforms; we were able to deliver our products to customers to their doorsteps. During
this period and during the lockdown, we listed and made available our products in other
e-commerce sites and delivery sites by namely Uber, pick me, kapruka.lk, etc. Before
we were kind of distant from our customers … to communicate with our clients, it was
through intermediaries; it took two, three stages to reach out · · · digital platforms give
us a chance to get directly connected with our clients, good opportunity to get their direct
response · · · we are developing a kind of platform where we can do direct marketing
and sales. [senior brand manager of an FMCG company]”.

Telecommunication Company. There is a tendency that marketing function shifts more


toward digital platforms compared to other functions. “marketing-wise… we used to have
lots of ground presence, …, we had shops, we had outdoor events, but after coronavirus,
around 80%–90% of ground operations had to shift in to digital. In terms of the business
revenue, as I said before, there was a hit from payment collection, but meantime data
usage has gone up, which is again a revenue increment, on the other hand, and device sales
went down… we saw digital transformation would bring two main advantages for us. One
is, we can reach to the customers, and customers can reach to us without any intermediary
boundaries, and number two is it is in terms of the cost factor. Those implementations are
comparatively cheap for us. For example – opening 25 physical outlets vs. maintaining
a mobile app for the same operation. [brand manager of telecommunication industry].”
Digital Transformation Induced by the Covid-19 Pandemic 59

5 Conclusion and Marketing Implications


Digital transformation is not only about establishing a presence online, use social media
for advertising, or conduct meetings on zoom. Digital transformation happens when
the company starts to solve problems or conduct daily routines on digital platforms to
survive. This paper contributes to understanding the strategic response of DT during the
Covid-19 pandemic in the retail industry. Companies at a different level of progression
of DT accelerated their DT impetus differently at the front and back-end.
In the case of the banking industry, before the pandemic, it had a strategic plan in
place; however, with the pandemic’s coming, most efforts focused on the revenue gen-
eration streams at the forefront of sales and marketing. The pandemic opened windows
to advance the impetus of DT. The bank considered alternative identity authentication
methods to transform operations traditionally done in-person to online, as in customer
acquisition.
Similarly, in the telecom vendor with a prepaid B2C business model in Sri Lanka,
the telecom industry also focused on customers’ forefronts through the financial and
payment system, sales, and customer service. The lockdown had forced the firm to
automate and digitize its payment receivable operations. It also demanded attention to
enhance the reliability of internet services and device sales. The firm had also extended
its customer service hours around the clock.
Despite the absence of a well-formed DT plan, the FMCG was forced to accelerate
DT on both front and back ends. The personnel of the marketing department of the
FMCG used to travel long hours to meet clients before the pandemic. Moving their B2B
communications online through a secure portal had eliminated intermediaries during
the pandemic. With digitalized communications, goods were moving faster and more
conveniently. An e-commerce site was launched to maintain a revenue stream from
customers.
With the lockdown limiting face-to-face interaction with customers onsite, most
businesses opted to create new touchpoints with customers in the social media and digi-
tal sphere. Some firms invested heavily in social media for customer acquisition through
opening channels for online registration for services or customer retention through pro-
viding services online and extending customer support service hours. Communication
through owned media, as in the business’s owned website and earned media through high
engagement with customers on social media, further helped businesses survive during
the pandemic. Many companies have accelerated or even introduced digital means to
their companies with the pandemic.
Some of the telecom industry’s implications are to focus on the B2C business model,
especially if its B2B revenue model was hurt during the pandemic. Diversifying revenue
streams through device sales could also be another option for start-up telecom companies
during the pandemic. As for FMCG, disintermediation on the back end had proven to
aid the fast movement of goods in a developing country like Sri Lanka.
The Covid-19 pandemic is expected to accelerate technology adoption in a develop-
ing country like Sri Lanka. It is also likely to positively affect building trust with financial
institutions; the future of the B2C model could be digital, which may relax constraints
on the size of bank branches onsite or even the number of branches within a region.
60 S. Hemachandra and N. Sharkasi

The study is not free of limitations; we examined three different cases in the retail
industry. The scope of the study is limited to three denominations. The interview did
not cover detailed dynamics of task forces created to combat the pandemic, neither the
line-of-command nor the approach of decision-making during the pandemic.

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17302196
Towards an Understanding of the Intention
to Engage on Facebook

Diep Ngoc Nguyen1 and Nora Sharkasi2(B)


1 Digital Business and Innovation, Tokyo International University, Kawagoe, Japan
2 Digital Marketing and Analytics, Institute for International Strategy,
Tokyo International University, Kawagoe, Japan
[email protected]

Abstract. Facebook is attracting marketers’ attention as a productive tool for


generating successful marketing campaigns. Understanding the aspects influenc-
ing customers’ intention to purchase was thoroughly examined in the literature.
Nevertheless, the relationship between the intention to purchase and the intention
to engage is still largely understudied. The objective of this study is to explore
possible relationships between the components of the latent dependent variable,
individual intention to engage on Facebook (FB), and the components of the
latent independent variables; crowd’s engagement, cognitive and affective trust
components, and order-related risk factors, by using a five-point anchored scale
of the intention to purchase for measurement. The results showed that the crowd’s
engagement behavior is positively associated to the intention to follow a brand’s
FB page, while financial risk found to be negatively associated to the intention
to share or like a brand’s FB content. Results also suggested it could be a good
practice to avoid symbols and emoji’s in the advert’s primary text, and that trusted
FB friends’ engagement behavior is positively related to the intention to comment,
making it a suitable candidate for harboring e-WoM. This study helps practitioners
identify important factors for the success of digital marketing campaigns.

Keywords: Facebook consumer engagement · Crowd engagement behavior ·


Affective trust · Cognition trust · Order-related risk factors

1 Introduction
Most of the youth nowadays spend long hours on social media platforms engaging with
various consumption activities. In Asia/Oceania region, it is estimated that users stay on
social media for an average of 2 h and 30 min a day (Metev 2020). Businesses had quickly
integrated social media into their digital marketing strategy considering an additional
effective touchpoint to reach out to prospects at the grassroots level for its power to
enable a business to directly engage with customers and prospects (Shailashree 2019).
Marketers are striving to come up with various effective ways to engage the consumer
with their brands on social media (Schivinski et al. 2016; Yang et al. 2016). Based on
the foundation of crowd capital theory, the aggregate of individuals engaging behavior

© The Author(s), under exclusive license to Springer Nature Switzerland AG 2021


F. J. Martínez-López and D. López López (Eds.): DMEC 2021, SPBE, pp. 62–73, 2021.
https://doi.org/10.1007/978-3-030-76520-0_7
Towards an Understanding of the Intention to Engage on Facebook 63

forms a crowd’s engaging behavior that could, in turn, influence other individuals to act
(Prpic et al. 2013). On Facebook (FB), the crowd engagement concept could capture
customers’ total set of behavioral activities toward a brand (Gummerus et al. 2012). In
this study, we define the following manifestations of a crowd’s engaging behavior: the
total number of likes, positive and negative comments, the total number of followers on
a brand’s page.
Trust is necessary to complete a transaction (Torkzadeh and Dhillon 2002). It is
defined as the belief of an individual (trustor) expecting the (trustee) will meet expec-
tations (Zhang et al. 2008). This study embraces the model proposed by McAllister
(1995) to define trust. In this model, trust is studied as a combination of cognitive-based
and affective-based components. Affective trust emerges from the social bonds among
individuals (Chen et al. 1998). In the context of this study, affective-based components
are identified as the effect of the engaging actions of tightly known FB friends and the
non-tightly known FB friends, as well as the effect of featuring influential figures like
celebrities or known social media starlets in a FB advert.
In an e-commerce context, cognitive trust could be the action of an in-depth examina-
tion of an online store’s properties. This examination could result in either encouraging
or discouraging the intention to purchase. In digital marketing, consumers’ intention to
take action is triggered by advertising (Hyun et al. 2011). Research studies in digital
advertising show that a poor design of the advertisement leads to failing in competing
for customer’s attention (Simola et al. 2011), thus failing to engage with them. The
attributes of a website such as images, videos, emotional symbols, textual content could
enhance customer attitudes (Hsieh et al. 2011; Loiacono et al. 2002). Nantel and Glaser
(2008) advocated that the mother-tonged language associates with perceived usability.
Intrinsic properties of the advert, examined in this study under the cognitive-based trust,
are the quality of media, emoji, and symbols in the primary text of the FB advert, the
advert’s language, and whether or not the brand’s FB property displays a standalone
website outside FB.
Despite the rapid adoption and varied marketing material used to engage prospects,
researchers and practitioners lack evidence of how consumers engaging behavior may
unfold in the presence of different drivers of consumer’s intention of purchasing. For
example, in the context of a brand awareness campaign with a focus on electronic Word
of Mouth e-WoM (Tsimonis and Dimitriadis 2014), if one identifies that risk-averse
consumers are less likely to comment on a brand’s FB marketing material, in response,
practitioners could incorporate assuring call-outs into the ad copy served to this cohort
of consumers on social media.
Regarding the manifestations of the risk factors subject of the study, they are temporal
risk identified as a prolonged delivery or possible delay (Vijayasarathy and Jones 2000),
product financial risk defined in the threat of product loss with no insurance of delivery
and no return policy (Kanuk and Schiffman 1994), as well as information risk as in the
invasion of personal privacy (Bhatnagar 2000).
This is a confirmatory study attempting to explore possible relationships between the
components of the latent dependent variable, individual intention to engage on Facebook
(FB), and the components of the latent independent variables; crowd’s engagement,
64 D. N. Nguyen and N. Sharkasi

cognitive and affective trust components, and order-related risk factors, by using a five-
point anchored scale of the intention to purchase. The results showed that the crowd’s
engagement behavior is positively associated to the intention to follow a brand’s FB
page, while financial risk found to be negatively associated to the intention to share or
like a brand’s FB content. Results also suggested it could be a good practice to avoid
symbols and emoji’s in the advert’s primary text, and that trusted FB friends’ engagement
behavior is positively related to the intention to comment, making it a suitable candidate
for harboring e-WoM. This study helps practitioners identify important factors for the
success of digital marketing campaigns.
The remainder of this paper is structured as follows: the second section explores
the importance of consumer engagement behavior and layouts the theoretical threads
leading to the manifestations of main drivers of consumer intention to purchase on social
media platforms. In order to answer the main question of the research, on what drivers
of the intention to purchase could relate to an engaging behavior on FB, we describe
the research methodology and measurement instrument used in the third section of the
study. The fourth section of the study illustrates the output of the statistical tests, and
the study is concluded in section five.

2 Literature Review
Engaging behavior online could also be defined depending on the affordances enabled by
the user interface through its different features. It could be described through the action
taken to engage with a brand, for example, liking or sharing a Facebook (FB) advert
or following the brand’s FB page (Moran et al. 2019). Engagement with a brand on
social media may be manifested through making a purchase, electronic word-of-mouth
(e-WoM) activities like commenting, recommendations to friends by sharing a brand’s
advert or post, helping other customers in an active participation mode, blogging, and
even writing reviews (Van Doorn et al. 2010). Engagement with the brand’s advert or
posts takes the form of (a) liking, (b) commenting, and (c) sharing, while that with the
brand’s FB page is limited to liking or following the page. According to Ananda et al.
(2019), these forms of actions could be classified into (1) Endorsement engagement
as in “liking” or “commenting” on the FB advert of a brand or a business, or when
“following” the brand’s FB page. (2) Recommendation engagement when “sharing” the
brand’s promotional or non-promotional content either on the individual’s FB wall, or
“sharing” it with a FB group community, or “sharing” a brand’s story. In general, any
pass-on behavior of a brand’s related content is considered recommendation engagement.
Crowd Engagement Behavior. A key factor affecting the individual’s engaging behav-
ior online is the crowd’s engaging behavior; for example, the total number of likes or
comments on the advert. Crowd Behavior refers to engaging behavior generated by indi-
viduals within a group of people connected by the same purpose regardless of the strength
of the tie or connection. Crowd engagement concept could capture customers’ total set
of behavioral activities toward a brand (Gummerus et al. 2012). The theory of crowd
capital (Prpic et al. 2013), concerned with the study of crowd capability to influence
individual behavior, has been utilized in various research areas related to engagement.
Customer engagement with a company has been found to have positive association to a
Towards an Understanding of the Intention to Engage on Facebook 65

brand’s awareness and purchase intention (Hutter et al. 2013) and subsequent purchasing
behavior (Malthouse et al. 2016). Hazari et al. (2017) emphasized the effect of online
crowd engagement on gender; the study found that the intention to purchase and the trust
of females is highly influenced by crowd engaging behavior than that of males. Chen
(2017) studied customer engagement on the mobile platform to predict the intention to
purchase by perceived values.
H1 : The underlying variables of the latent independent variable, crowd engagement
behavior (number of likes, number of comments, positive comments, and negative com-
ments) are positively associated to the individual’s intention to endorse (like, comment,
follow) the brand on FB.
H2 : The underlying variables of the latent independent variable, crowd engagement
behavior (number of likes, number of comments, positive comments, and negative com-
ments) are positively associated to the individual’s intention to pass-on or recommend
(share, create story) the brand on FB.
Trust Components. Trust is necessary to complete a transaction (Torkzadeh and Dhillon
2002). The effect of trust is positively significant to the willingness to purchase (Alfina
et al. 2014). This study adopts the model proposed by McAllister (McAllister 1995) to
define trust. In this model, trust is studied as a combination of cognitive-based as well as
affective-based trust components. This study adopts the model proposed by McAllister
(1995) to define trust. In this model, trust is studied as a combination of cognitive-based
and affective-based trust components.

Affective Trust. Affective trust has been studied from different perspectives; in an online
game-based community, findings showed that the community’s identity would strengthen
long-term relationships within it and is tied to interpersonal trust (Tsai 2019). The for-
mation of online purchase intention and trust was investigated by recent studies as in
(Sharma 2020; Chang et al. 2019), whereby trust is characterized as the readiness of one
party (trustor) to be helpless against the activities of another party (trustee) dependent
on the promise that the other party (trustee) will deliver a specific activity critical to
the trustor, irrespective to the capacity to screen or control the other party (Zhang et al.
2008). Thus, trust could be defined as the belief of an individual (trustor), expecting the
trustee will meet expectations. Trust could also be realized as assessing the reliability
of a trustee (Sabel 1993). In the context of digital advertising, the FB user with her pre-
set expectations accumulated through historical experiences interacting with FB friends
forms some level of trust.

Affective trust has been studied from different perspectives; in an online game-based
community, findings showed that the community’s identity would strengthen long-term
relationships within it and is tied to interpersonal trust (Tsai 2019). Affective trust
emerges from the social bonds among individuals. Trust could be studied by inves-
tigating whether the engagement actions of closely known and trusted or distant FB
friends influence the individual’s intention to engage. The effect of influential figures
like celebrities or known social media starlets could also be investigated as an affective
component of trust due to the bond the followers form with the influential figure or the
attitude toward their endorsements (Singh et al. 2020).
66 D. N. Nguyen and N. Sharkasi

H3 : The underlying variables of affective trust (engagement behavior of trusted FB


friends, and engagement behavior of social media influencer) are positively associated
to the individual’s intention to engage with a brand on FB (endorse or pass-on).
H4 : The engagement behavior of distant FB friend is negatively associated to the the
individual’s intention to engage with a brand on FB (endorse or pass-on).
Cognitive Trust. Cognitive-based trust is the process of using evidence and analysis to
form the trust components. This represents an individual’s judgment and assessment
process to reach the stage of placing a high likelihood that the trustee will meet expecta-
tions. In an e-commerce context, cognitive trust could manifest in the action of in-depth
examination around online stores’ properties. The attributes of a website such as images,
videos, emotional symbols, textual content could enhance customers’ attitudes (Hsieh
et al. 2011, Loiacono et al. 2002). Another property is the language that the site used to
convey the messages. Nantel and Glaser (2008) advocated that the mother-tonged lan-
guage associates with perceived usability. Those factors are the first impression when
customers come to examine digital stores like a FB-based brand’s store. A FB advert has
the same attribution as in eCommerce websites, such as images, videos, copies, and a
collection of emoji. We study the following Ad intrinsic properties: media quality, pres-
ence of emoji’s and symbols in primary text, language, and presence of outside business
website URL on FB property.
H5 : Cognitive trust is positively associated to the individual’s intention to engage with
a brand online.
Risk Factors. Assessing quality, fit, and desirability are difficult to ascertain in online
purchasing decisions. The distance between the customer and the product and the time
gap between purchase and receiving the product creates purchase uncertainty. The lack
of personal contact with the brand in a virtual environment where transactions automated
via mediated platforms adds to the uncertainty and doubt in the authenticity of the prod-
ucts (Gerber et al. 2014; Cunningham et al. 2005). According to Kanuk and Schiffman
(1994), Perceived risk can be grouped into six categories: functional, physical, financial,
time, psychological, and social risk. Research by Bhatnagar (2000) concluded that there
are three major components of risk; they are financial, product, and information risk
(Security and privacy). Miyazaki and Fernandez (2001) expanded their investigation to
include the relationship between perceived risks and purchase intentions. They showed
that when it comes to online shopping, privacy and security risks are of utmost concern.
Furthermore, Doolin (2005) pinned downed that privacy risk factors are negatively asso-
ciated with online shopping. Vijayasarathy and Jones (2000) also showed that delivery
and return of items bought on the Web raise serious concerns to customers. We per-
formed multiple statistical tests on the manifestations of the risk factors subject of the
study, and they are temporal risk identified as a prolonged delivery or possible delay,
product financial risk defined in the threat of product loss with no insurance of delivery
and no return policy, as well as information risk as in the invasion of personal privacy.
H6 : Order risk factors is negatively associated to the individual’s intention to engage
with the brand on FB.
A summary of the theoretical framework of the study is illustrated in Fig. 1.
Towards an Understanding of the Intention to Engage on Facebook 67

Fig. 1. Theoretical framework of the study

3 Method and Data Collection

This study employed a five-point anchored measurement scale following a quantitative


approach. The anchors of the scale are set to gauge the perceived intention to purchase for
all underlying variables of the independent latent variables of the study; 1: Not complete
purchase – 5: Complete purchase.
Designing the measurement scale around the “engagement” construct would have
yielded a vague instrument design due to the fact that engagement is not measured
directly, unlike in the “intention to purchase.” The five-point anchored scale ranges
from 1–5, whereby polarized anchors were labeled as “not complete a purchase” and
“complete a purchase,” respectively. Grounded on empirical bases (Malthouse et al.
2016; Hutter et al. 2013; Berger et al. 2012; Zhou et al. 2012), the design is thought to
best suit this study. The mechanical sum of the underlying variables is used to compute
the value of the latent constructs (Angeles et al. 2014). For example, the intention to
engage, denoted here as ‘EngI,’ is computed: EngI = like + share + follow + comment.
A self-administered questionnaire was published online via Google Forms targeting
international students residing in Japan. To date, the random sample includes a total of
69 valid responses in the 17–30 years old bracket. About 70% of females with over 60%
of the sample fairly spending over 5 h on FB daily. With the present sample size of 69,
testing the null hypothesis of the form: H0 : ρs = 0 vs. ρs = 0 , we could detect an
68 D. N. Nguyen and N. Sharkasi

alternative value of ρs as small as (0.3–0.4) with 80% power using the two-tailed test
with a significance level of 0.05 (Fig. 1a).

4 Results

In order to study the drivers of an individual’s engaging behavior with brands on FB, we
first examine the association between the crowd’s engagement behavior and the indi-
vidual’s intention to engage. This is done through testing the correlational relationships
between each underlying variable of the crowd’s engagement behavior and the individ-
ual’s intention to proactively engage at the purchase consideration stage. Table 1 below
summarizes the significant relationships detected with the data collected up-to-date by
Spearman coefficients, denoted as rs and their p-values.

Table 1. Spearman coefficients and P-values between crowd’s engagement behavior and
individual’s intention to engage on FB

Crowd engagement behavior and individual’s intention to endorse rs p-value


Crowd’s num. of likes on FB advert Follow 0.313 0.008***
Number of followers on brand’s FB page Follow 0.271 0.024**
Crowd’s positive comments on FB advert Follow 0.263 0.028**
Comment 0.276 0.021**
Crowd engagement behavior and individual’s intention to recommend/pass-on
Crowd’s negative comments on FB advert Intention to share 0.254 0.034**
Exposure to brand’s FB stories 0.254 0.034**
The statistically significance level (α = 0.01***; 0.05**; 0.1*).

Examining the individual’s intention to endorse, one can observe that individual’s
whose intention to purchase is positively affected by (a) the number of likes on an advert
or the brand’s page, (b) the number of followers on the brand’s FB page, (c) and also
affected positively by the positive comments on diverse brand’s digital property on FB;
have high tendency to also follow the brand’s FB page in the consideration stage of the
purchase decision making experience. It is also found that the positive impact of positive
comments on the intention to purchase could also induce the commenting engaging
behavior of the individual. Up-to this stage of the study, no significant correlations
were found between the crowd’s engagement behavior and its impact on stimulating the
individual’s intention to hit the like button. In regards to the individual’s intention to
pass-on the brand’s marketing content through sharing, results showed that individual’s
intention to sharing the brand’s marketing material is correlated when the intention to
purchase is discouraged by the negative comments on the advert and when affected
by the brand’s FB stories. The nature of the positive relationship involves a lack of
interest to share when the intention to purchase is discouraged by negative comments.
It is surprising that the respondent’s intention to purchase was not sparked by brand
Towards an Understanding of the Intention to Engage on Facebook 69

stories. To examined the correlation of affective trust components and an individual’s


intention to engage, we also performed Spearman rank correlation tests. Table 2 lists the
Spearman coefficients and their p-values.

Table 2. Spearman test for individual intention to engage and trust components

Affective trust components Individual’s engagement rs p-value


Engagement behavior of a tightly known Comment 0.223 0.064*
FB friend
Engagement behavior of non-tightly known Share 0.243 0.043**
FB friend Comment 0.372 0.001***
Cognitive trust components
Quality of media used in FB advert Share −0.243 0.043**
Comment −0.372 0.001***
The primary text of advert contains emoji, Comment 0.208 0.08 *
characters, or symbols
The statistically significance level is (α = 0.01***; 0.05**; 0.1*).

The results of investigating affective-based trust components indicated that an indi-


vidual’s intention to purchase affected positively by the engagement behavior of closely
known FB friends had a positive relationship with the individual’s intention to comment.
This is in conformation with the reciprocal nature of the personal exchange of communi-
cation on social media platforms (Tandoc et al. 2020). However, the positive correlation
between the engagement behavior of loosely known FB friends and the intention to
share or comment takes another direction. As the intention to purchase is not positively
affected by the engagement behavior of FB friends distant to us, similarly, our inten-
tion to share and comment is discouraged at the consideration stage of the purchasing
process.
As per cognitive trust, despite the expected negative relationship of low media on the
intention to purchase, we found that consumer’s intention to engage was not negatively
affected by the low media quality of the advert; however, their intention to engage,
through sharing or commenting, was very low. One reasonable explanation for this
could be the advertising policies of FB itself. The regulations state that the resolution of
pictures or videos must be 1200 × 628 pixels in order to get the approval for showing up
on FB newsfeed. This means consumers on FB are never exposed to low media quality.
For FB adverts with primary text, including symbols and emojis, the results indicated
a negative relationship between the intention to purchase in the presence of emojis and
symbols in the primary text, which was found related to a low intention to comment.
Pertaining order risk factors and the individual’s intention to engage, the Spearman rank
correlation test is used to generate the coefficients and their corresponding p-values,
as in Table 3. A positive correlation is detected between risk-averse individuals whose
intention to purchase is affected negatively by the threat of no return policy and the
speculation of invasion of privacy, and the discouraged intention to share.
70 D. N. Nguyen and N. Sharkasi

Table 3. Spearman test for individual’s intention to engage and FB advert risk factor

Risk factors Individual’s engagement rs P-value


No return policy Like 0.300 0.011**
Share 0.301 0.011**
Risk of personal privacy Share 0.247 0.040**
The statistically significance level is (α = 0.01***; 0.05**; 0.1*).

5 Conclusion
Crowd engagement behaviors (e.g., the number of likes, followers, and positive com-
ments) were found to relate to the individual’s intention to follow the brand’s page on FB.
Writing a comment is positively associated to the crowd’s positive comments. Results
also indicated a positive correlation between the low influence of less trusted or distant
FB friends and the intention to purchase and share and comment. Tightly known and
trusted FB friends’ engagement behavior influences the individual’s intention to com-
ment. This could be implicitly understood through the reciprocal power in marketing in
general and viral marketing in particular (Tandoc 2020). Risk-averse individuals iden-
tified in this study by their low intention to purchase in the case of no return policy,
and suspicion of invasion of privacy are found to also be deterred from sharing or liking
brand’s marketing content on FB. In general, the significant relationships detected with
risk factors and trust components were found to relate to the individual’s intention to
share or comment. At the same time, the crowd’s engagement behavior was found to
relate to the intention to follow the brand’s FB page.
The results could help practitioners in predicting engagement metrics of digital mar-
keting campaigns, for example, harboring crowd’s likes and comments in a digital mar-
keting campaigns could help in growing the number of followers on the brand’s FB
page. Whereas, when marketing campaigns aim at rising brand awareness through e-
WoM (Tsimonis and Dimitriadis 2014) or enhance the number of comments, it could be
a good practice to avoid including symbols, and emoji’s in the primary text of the FB
advert – as results indicated.
Results suggest that, enhancing the campaign’s ad copies by incorporating call-
outs that mitigate risks could probably enhance the individuals’ intention to share. It is
important to note that this research tested correlational relationships and not causal ones.
Drawing from possible related theories in social psychology, we could possibly enhance
our understanding of the characteristics that could describe risk-averse consumer cohorts
in relation to their attitude to share. Some of the research limitation is the small sample
size, a larger sample will help test the theoretical model rather than exploring associations
between underlying variables of latent constructs. For future work, more data will be
collected to employ confirmatory factor analysis (CFA) for model validity confirming
that latent variables likely measures what we want them to measure. Bayesian hypothesis
testing could also be investigated as well as Structural Equation Modeling SEM to
analyze the structural relationship between measured variables and latent constructs.
Towards an Understanding of the Intention to Engage on Facebook 71

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2011.06.034
Metrics of Engagement on Social Networks
and Their Relationship to the Customer’s
Decision-Making Process Under e-Commerce
Conditions

L’udovít Nastišin(B) and Richard Fedorko

Faculty of Management, University of Prešov, Prešov, Slovakia


{ludovit.nastisin,richard.fedorko}@unipo.sk

Abstract. In today’s world, social media is already a full-fledged part of the mar-
keting mix. Their growth has been huge in recent years. Our paper seeks to analyze
the metrics that make up social media engagement and their relationship with con-
sumer’s purchase intentions. The variables examined in our study were the number
of likes, comments, shares, followers, and respondents’ purchase intentions. Data
for this study were collected via the CAWI - computer assisted web interview-
ing method. The dataset consisted of 372 respondents. In the study, we analyzed
the degree of correlation for the four established hypotheses. The results indicate
the statistical significance of the examined relationships for all selected social
media exposure metrics. These findings were presented in the context of existing
research with an aim to expand current knowledge in this area. The results sup-
port the perceived importance of these variables in the purchasing process while
proving important for e-commerce and s-commerce.

Keywords: Social Media · Engagement · Purchase Intention · e-Commerce

1 Introduction

E-commerce is currently one of the most effective business area. Social media is no
exception. From a business point of view, social media are very attractive due to their abil-
ity to communicate directly with the consumer (two-way communication). The impor-
tance of social media combined with consumer shopping behavior in recent years has
been a much sought-after topic and many researchers are trying to analyze it from dif-
ferent points of view. Ecommerce sales are forecasted to have increased 32.4% over the
previous year with brick-and-mortar forecasted to fall 3.2% (eMarketer 2020). This issue
is very broad and, therefore, there are still many areas that will need to be addressed in
this respect. There are many ways to communicate on social media with new ones con-
stantly evolving or emerging. Both theory and practice call for a deeper understanding
of the impact of social media on shopping behavior, with engagement playing a key role.
The aim of this paper is to examine the factors that create this engagement on social
media. In particular, the paper focuses on likes, shares, comments and the number of

© The Author(s), under exclusive license to Springer Nature Switzerland AG 2021


F. J. Martínez-López and D. López López (Eds.): DMEC 2021, SPBE, pp. 74–82, 2021.
https://doi.org/10.1007/978-3-030-76520-0_8
Metrics of Engagement on Social Networks and Their Relationship 75

followers and their relationship with purchase intentions. Such a research setting has not
been explored in great detail so far. The concept of involvement in the digital environ-
ment of social media is still a question open for in-depth research, and we believe that
our analysis will contribute to a deepening of the knowledge of this issue. Therefore, the
aim of our research is to identify the statistical significance of the relationships between
the main social media engagement metrics and the intention to subsequently purchase a
product from a brand which publishes the content on social media platforms.

2 Theoretical Background and Current State of Research

Social networks have a large number of metrics, so it is practically impossible to monitor


every single metric in detail. On the other hand, it seems to be sufficient to focus only
on certain types of indicators that indicate the success of marketing activities in this
area. Social media can increase traffic to a company’s website. Google Analytics has
a built-in report for tracking website traffic from social media networks, so we can
directly measure their impact on e-commerce. In this case it’s about s-commerce. It is a
subset of e-commerce that involves social media and online media that supports social
interaction, and user contributions to assist online buying and selling of products and
services (Lam et al. 2019). Social media sites can be powerful tools for distributing
content and promoting engagement but, like much of marketing, long-term success on
social media requires continuous efforts.
Bamini et al. (2014) argue that marketing managers must perceive marketing on
social media as an important marketing tool capable of making an effective contact with
the younger generation. A good indicator of success in this environment is the social
media presence. Research by Lee et al. (2020) also confirms that brand engagement in
the online space has a positive impact on consumers’ purchase intentions. This means
that the users of these platforms are active participants in mutual communication with
the brand and not just passive followers. Engagement on social media can be understood
in relation to consumer shopping behavior at two levels. The first is the proactive level,
which is mainly about creating and publishing relevant content of a brand. It is also about
sharing this content through other communication channels. The second level is reactive.
It is about communicating with users of these platforms, for example, commenting on
posts or writing direct messages (Schaffer 2013). The most important role of brands on
social media is to engage their followers (Loureiro et al. 2019). These followers interact
not only with content published by brands, but also with content shared by their network
of acquaintances on social media, thus sharing information and social values.
According to a study by Poyra et al. (2013), followers are divided into two groups:
consumers of published content and those actively engaging with the published content,
i.e. posts. The most basic engagement metrics in this environment are likes, shares,
comments, and the size of the fan base that enters the engagement calculation. Under the
notion of the purchase intention, we mean the consumer’s perceived intention to buy a
particular product (Balakrishnan et al. 2014). Interactions with the brand on social media
are very important for this factor because active users of social media strengthen the
brand, brand awareness, involvement in mutual communication and thus subsequently
stimulate shopping indicators (Loureiro et al. 2019). Studies by Rahman et al. (2017)
76 L’. Nastišin and R. Fedorko

and Agnihotri et al. (2016) have even shown that these metrics have a strong positive
impact on online shopping. An earlier study by Quester and Lim (2003) showed a
certain relationship between the purchase of products and interaction with the brand
as such. If we move into online environment, this relationship persists. Increasingly,
brand engagement in the digital space, such as social media, has a significant impact on
consumers’ purchasing decisions. Poyry et al. (2013) argues that all basic social media
engagement metrics are inconspicuous forms of consumer purchasing recommendations.
In the field of social media, the phenomenon of FOMO (fear of missing out) is becoming
increasingly important as, according to the research Good and Hyman (2020), it is able
to influence people’s purchase intentions. In this regard, Shareef et al. (2019) combine
purchase intentions with the factor of trust in the brand in the e-commerce environment.
If we look at the current state of knowledge in this area, we will find several interesting
related studies that analyze related issues. Ferran’s research (2014) aimed at finding out
which factors play a key role in the success of published content. Furthermore, Pereira
et al. (2014) discussed the importance of the fan base for the brand.
The study by Linjuan (2013) or Zoha (2016) addressed independent involvement on
social media. Luarn et al. (2015), Rahman et al. (2016) and Traphagen (2015) addressed
the relationship between content and engagement in the online space. Shao and Ross
(2015) and De Olivier et al. (2015) examined the motivation of social media users to
engage with the brand. The use of social media in the context of consumer behavior was
analyzed by Sosic (2019). Xue (2019) examined the theory of social impact through a
news feed on Facebook. Alotaibi et al. (2019) investigated the issue of what influences
confidence and purchasing decisions of consumer on Instagram. However, the number of
studies which analyze specific components of social media engagement in this regard,
is limited. Kudeshia (2016) and Damianos et al. (2015) examined loyalty and brand
awareness on social networks.

3 Methodology
The subject of our research were the main engagement metrics relevant to social media
and purchase intention in terms of s-commerce, i.e. a subset of e-commerce taking
place in the social media space. The survey was attended by 372 respondents who were
engaged through an electronic questionnaire. The sample consisted of 48% men and
52% women. Their age composition largely referred to the demographic composition
of the population in Slovakia (eacea.ec 2019), where this research itself was conducted.
The age distribution of the research sample was as follows: 22% of respondents were
under 20, 34% of respondents were aged 21–30 years, 23% of respondents were aged
31–40 years and 21% of respondents were over 41 years. This demographic distribution
ensured the relevance of the sample for the declared purpose. The only condition was
that the respondents have to be active users of at least 2 social media. The aim of the
research was to identify the statistical significance of the relationships between the main
social media engagement metrics and the perceived intention to purchase a product from
a brand which publishes the content on social media platforms using an analysis. Based
on this goal, we postulated the following research hypotheses:
Metrics of Engagement on Social Networks and Their Relationship 77

Hypothesis 1: The number of likes as a social media engagement metric is statistically


significantly related to the intention of users to buy a product from a given brand.

Hypothesis 2: The number of shares as a social media engagement metric is statistically


significantly related to the intention of users to purchase a product from a given brand.

Hypothesis 3: The number of comments as a social media engagement metric is sta-


tistically significantly related to the intention of users to buy a product from a given
brand.

Hypothesis 4: The number of followers as a social media engagement metric is sta-


tistically significantly related to the intention of users to buy a product from a given
brand.

Researched Variables: Number of likes, Number of shares, Number of comments,


Number of followers: these are behavioral metrics of social media which represent
the personal attitude of the user of these platforms to the content published on them
(Cheonsoo and Sung-Un 2017).
Purchase intention: the Sum total of cognitive, affective and behavioural towards
adoption, purchase, and use of the product, services, ideas or certain behaviours (Dadwal
et al. 2020). Or as defined by Drossos and Giaglis (2010), it is an individual’s conscious
plan to make an effort to purchase a brand.
Based on the analysis of the normal distribution of the sample, we chose to verify
the hypotheses using inductive statistics, namely the Pearson correlation coefficient in
order to measure the linear association between the selected variables. To present the
effect size of the relationship, we used the definition according to Cohen (1988), which
states a value below 0.1 is considered a trivial effect, the value up to 0.3 is a small effect,
up to 0.5 is a medium effect and a value above 0.5 is a large effect. Our research plan is
visually represented in the following conceptual framework of the selected issue, which
is built on the basis of studies Lee et al. (2020) and Loureiro et al. (2019) (Fig. 1).

Fig. 1. Conceptual research model

4 Research Findings
Before examining the selected contexts, we also analyzed the attitudes of the respondents
to the issue. It turned out that of all the engagement metrics that we address in our
78 L’. Nastišin and R. Fedorko

research, the number of comments is considered to be the strongest indicator of the


success of a brand’s marketing communication on social media. This metric was found
in more than half of the respondents. The same result, but only at the level of two
thirds of the respondents was shown in comments and their impact on the purchase
intention process. Although these attitudes to the given facts show only a subjective
perception of the issue by the respondents, we also analyzed the correlation relations
of the selected variables in order to better grasp the given context. The first metric to
be analyzed is likes. The table below shows the relationship in question is statistically
significant at the significance p = 0.000 and the correlation coefficient r = 0.378, which
can be interpreted as a moderately strong dependence. We therefore accept hypothesis
H1. It could be said that the number of likes as a metric of social media engagement is
statistically significantly related to the intention of users to buy a product from a given
brand (Fig. 2).

Purchase intention Correlation (r) Sig.


Like 0.378 0.000

Fig. 2. Correlation metrics likes and purchase intention

We then analyzed the content sharing as a metric of social media engagement. Even in
this case, statistical significance was confirmed at the level of p = 0.000. Here, however,
the correlation coefficient was even higher, but still in the interval of a moderately strong
relationship with the value r = 0.448. Thus, the hypothesis is accepted. It can be argued
that the number of shares as a metric of involvement on social media is statistically
significantly related to the intention of users to buy a product from a given brand (Fig. 3).

Purchase intention Correlation (r) Sig.


Shares 0.448 0.000

Fig. 3. Correlation metrics shares and purchase intention

The attention was paid to the comment metric. As already stated above, this metric
was subjectively evaluated as the most effective of all. This trend was confirmed by
the statistical testing, where the significance at p = 0.000 brough about a very strong
relationship at the level of the correlation coefficient r = 0.512. Although it is only just
beyond the limit of a moderately strong relationship, this also shows the dominance of
this metric. Based on this, we accept the hypothesis with the statement that the number
of comments as a metric of involvement on social media is statistically significantly
related to the intention of users to purchase a product from a given brand (Fig. 4).

Purchase intention Correlation (r) Sig.


Comments 0.512 0.000

Fig. 4. Correlation metrics comments and purchase intention


Metrics of Engagement on Social Networks and Their Relationship 79

The size of the fan base was analyzed as the last. The relationship turned out to be
statistically significant with a value of p = 0.000 and with a degree of relationship at the
level of the coefficient r = 0.285, which is defined in this case as a small dependence.
However, we still accept the hypothesis that the number of followers as a metric for
social media engagement is statistically significantly related to the intention of users to
purchase a product from a given brand (Fig. 5).

Purchase intention Correlation (r) Sig.


Followers 0.285 0.013

Fig. 5. Correlation metrics followers and purchase intention

5 Discussion
After a statistical analysis of the selected relationships, we can state that the results
generally support the study of Lee et al. (2020) on a positive relationship between
engagement and shopping behavior. The importance of this finding is also supported
by the statement of Loureiro et al. (2019) on the importance of engagement for the
success of e-commerce activities as such. In our case, the relationship turned out to
be statistically significant in all exposure metrics. There is a parallel with the studies
of Rahman et al. (2017) and Agnihotri et al. (2016), whose studies also declared the
positive impact of these metrics on consumers’ purchase intentions. In the presented
paper, comments proved to be the strongest metric. This could be explained by the
degree to which comments contribute to brand engagement in the online space is greater
than, for example, in case of likes. Likes are also a form of engagement, but require
less effort than comments and so do not burden the consumer so much. On the other
hand, comments require much more input from the people who write them as ideas need
to be formulated in a precise way. At first glance, writing a comment does not seem
to be difficult, but in the case of micro-communication, difference is noticeable. This
phenomenon was also confirmed by Cvijikj and Michahelles (2013). On the other hand,
the size of the fan base was not such a strong factor in the given case, although it was
statistically significant. The size of the fan base plays a role in the whole process, but as
proven in the study by Pereira et al. (2014), it is not enough to significantly influence the
purchasing intention. The analysis of the current state of knowledge in this field pointed
out the fact that the process of proving the significance of these relationships at the level
of specific engagement metrics has its gaps and there is a need for further research.
These results will contribute to the understanding of the established relationships at
the theoretical level and also provide implications for practice. The mere fact that all
analyzed engagement metrics have a statistically significant impact on the purchasing
intention will force social media managers to pay more attention to monitoring these
metrics and handling them properly. The study by Khan et al. (2020) confirmed that
activities related to the communication conveyed through social media significantly
supports engagement. According to Poyra et al. (2013), social media managers shall
make effort in this regard to support shopping intentions.
80 L’. Nastišin and R. Fedorko

6 Conclusion
In our study, we analyzed the relationship between social media engagement metrics
and shopping intentions. The aim was to identify, with the help of the analysis, the
statistical significance of the relationships between the main social media engagement
metrics and the intention to purchase a product from a brand which publishes the content
on social media platforms. Based on the presented research, these relationships were
confirmed and compared with existing research in this field. The results can help social
media managers to better understand the broader impact of these metrics on e-commerce.
However, the field of social media is still relatively young in terms of knowledge, and thus
the study also has certain limitations. These include the size of the sample (one country),
and thus the results cannot be generalized and the fact that the shopping intentions
were taken into account as the only variable, while it is generally known that shopping
intentions consist of a larger number of variables. At the same time, however, these
limitations open up space for future research, which is crucial for a deeper understanding
of the processes in question.

Acknowledgement. This paper is one of the partial outputs under the scientific research grant
VEGA 1/0694/20 - Relational marketing research - perception of e-commerce aspects and its
impact on purchasing behaviour and consumer preferences and VEGA 1/0609/19 - Research on the
development of electronic and mobile commerce in the aspect of the impact of modern technologies
and mobile communication platforms on consumer behaviour and consumer preferences.

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Online Shopping Problems in the Context of B2C
E-commerce in the Visegrad Four Countries

Richard Fedorko(B) and Štefan Kráľ

Faculty of Management, University of Presov, Prešov, Slovakia


[email protected], [email protected]

Abstract. As online shopping grows, problems with online shopping grow, too.
The main aim of the paper is to evaluate and compare problems customer face
when online shopping in the Visegrad Four countries (Slovakia, Czechia, Hungary,
Poland). The paper outlines the theoretical basis of online shopping and describes
the main problems related to shopping via Internet. Based on data from the Eurostat
database, the paper compares specific online shopping problems in the years 2015,
2017 and 2019. We found that the highest incidence of problems with online
shopping in 2015 was reported in Hungary (40%), in 2017 in Poland (18%) and
in 2019 in Czech Republic (28%). The most frequent problem in all V4 countries
was that the delivery time of goods or services was longer than it was stated by
the seller on the store’s website.

Keywords: Online shopping · Internet · Visegrad four · B2C · E-commerce ·


Customers · Problems

1 Introduction
With the development of digital technologies and the increased use of the Internet, online
shopping is becoming increasingly popular and the number of consumers shopping
online is growing steadily, too. Of the total population of almost 7.7 billion people,
about 4.4 billion use the Internet. In 2019, 2.8 billion customers (We are social 2019)
shopped online. Currently, the world is facing a COVID-19 pandemic, so it can be
assumed that the number of online shoppers will rise as a result.
Customers opt for online shopping because they find it more convenient and faster
than shopping in a brick-and-mortar stores (Muthumani et al. 2017). Despite this, online
shopping comes with a number of problems that often discourage customers from shop-
ping online. Thus, shopping behavior can be affected by various difficulties that can
occur when shopping online.
The aim of the paper is to evaluate and analyze problematic areas of the online
shopping process faced by consumers in the online environment in the Visegrad Four
countries in 2015, 2017 and 2019.

© The Author(s), under exclusive license to Springer Nature Switzerland AG 2021


F. J. Martínez-López and D. López López (Eds.): DMEC 2021, SPBE, pp. 83–94, 2021.
https://doi.org/10.1007/978-3-030-76520-0_9
84 R. Fedorko and Š. Kráľ

2 Theoretical Background of the Issue


Online shopping is a form of e-commerce that allows consumers to directly purchase
goods or services from a retailer over the Internet using a web browser. Online stores
have gained popularity over the years, especially because online shopping is a convenient
and easy way to shop from the comfort of home (Prabha and Karunanidhi 2017). As the
use of the Internet increases, e-commerce is now becoming available to a large number
of customers (Holdorf and Haasis 2014).
Ganapathi (2015) states that online shopping offers several benefits to customers.
Above all, the customer does not have to physically visit the brick-and-mortar shop,
which saves time. The customer can choose from a wide range of products and also
compare products or prices. Online stores also offer customers discounts that cannot be
obtained in a brick-and-mortar stores. The big advantage is unlimited time for decision
making and place from which an order can be placed - the online order can be placed
anytime and anywhere.
Online shopping comes with certain risks, too. Problems include, for example, late
delivery of the product, the risk of incorrect product size or color, or the risk of product
damage (Prabha and Karunanidhi 2017). Kavitha (2017) adds a problem with returning
a product and additional fees. Arffin et al. (2018) also outline the risks associated with
online purchases, namely financial risks, product risks and security risks. E-commerce
faces several issues related to security, trust, reputation, legal framework, payment mech-
anisms, advertising or online catalogs (Haleema and Iyengar 2016). Diaz (2016) states
that difficulties with online purchases may include lack of trustworthiness, inability to
test the product, technical problems or limited Internet access. In their research, Karim
(2013) and Savarimuthu and Devi (2016) found that major problems with online shop-
ping include difficulties with online payment security, privacy, distrust, unclear warranty
rules and lacking customer service. It is important that online traders prevent problems
from happening. However, if problems do occur, they need to be resolved immediately,
as customers may become sceptical about online shopping if they are unsure whether
their issues will be resolved quickly (Del Duca et al. 2011).
Although the Internet has enabled retailers to reach new markets and new consumers,
maintaining them and gaining long-term trust and loyalty has become a challenge (Ban-
dara et al. 2020). For successful online sales, the seller should ensure a clear technical
design of the website, ease of use, a seamless communication platform and payment
gateway, flawless products and services, and last but not least, perfect communication
and security (Rajib 2016). Abdullah et al. (2019) state that the most important factor
influencing the success of e-commerce are detailed product or service information and
the reputation of the website. The ease of use and the security and protection of personal
data are considered to be no less important factors.
Over time, it is expected people will completely stop visiting brick-and-mortar stores
and switch to online shopping. Therefore, e-commerce businesses need to follow current
trends and adapt to a rapidly evolving online environment. Businesses need to be able
to respond promptly to changes and problems in the online environment in order to
stay competitive (Artene 2014). An unsatisfactory solution of a customer’s problem can
have negative consequences for the seller (Kawaf and Tagg 2017). The inability of an
online retailer to meet customer expectations or solve customer problems encourages
Online Shopping Problems in the Context of B2C E-commerce in the Visegrad 85

the customer to opt for other online retailers. In addition, a dissatisfied customer has
access to many online channels through which he can disseminate information about
negative experiences with the online seller (Singh and Crisafulli 2016).
The importance of online shopping is growing in the Visegrad Four countries (V4),
too. The Visegrad Four represents an informal grouping, which consists of 4 Central
European countries, namely the Slovak Republic, Poland, the Czech Republic and Hun-
gary. This group was founded on February 15, 1991. The V4 countries are countries that
share the same values, have a common history, culture and geographical status (Ministry
of Foreign and European Affairs of the Slovak Republic 2019). The aim of this group is
to encourage cooperation among the members, especially with their neighbors. Its cru-
cial concern is the democratic development of all parts of Europe. The intention of the
V4 countries is to contribute to the building of a European security architecture based on
effective, complementary and mutually reinforcing cooperation and coordination within
the existing European and transatlantic institutions. All activities of the Visegrad Group
are aimed at strengthening stability in the Central European region (Visegrad Group
2021). The cooperation of the V4 countries is strong even nowadays, in particular in
economy, infrastructure, energy, digitization and innovation. Equally important is the
cross-border cooperation and cultural aspects, coordination of foreign policy and the
promotion of common interests at the European level as well as in relation to third
countries (Ministry of Foreign and European Affairs of the Slovak Republic 2019).
With the growth of e-commerce, the Slovak Republic competes with many large
European states. More than 12,600 e-shops are registered in Slovakia and revenues
from e-commerce exceed 1.3 billion euros (Heureka 2020). Out of 79% of internet
users in Slovakia, 60% shop online. The best-selling category of products Slovaks buy
online is clothing and household goods (Eurostat 2020a). For online purchases, cash
on delivery has long been the preferred method of payment. However, recent trends
show payment cards and bank transfer payments are becoming increasingly popular
(Marková 2020). The Czech Republic is the fastest growing e-commerce market in
Europe (Morgan 2019). There are currently more than 40,700 e-shops in the Czech
Republic. 78.5% of Czechs over the age of 16 use the Internet, of which 64% make online
purchases. Revenues from e-commerce in the Czech Republic reached more than 7.61
billion euros in 2020. The popularity of online payments (by payment card) is growing
while the popularity of cash on delivery is weakening (Czech e-commerce 2021). The
best-selling category of online products in the Czech Republic is clothing, followed by
trips, accommodation and household items (Eurostat 2020a). E-commerce in Poland
consists mainly of small and medium-sized enterprises. In 2020, 11,000 new e-shops
were launched in Poland. Of the total population of 38 million, 77% use the Internet. In
2020, almost 80% of Polish Internet users shopped online. Revenues from e-commerce
in Poland in 2020 reached almost 22 billion euros (Czech e-commerce 2021). Poles
most often buy clothes and household goods (Eurostat 2020a). The preferred method of
payment for online purchases in Poland is bank transfer, followed by cash on delivery
(Payvision 2020). In Hungary, online shopping is also advancing, but at the slowest pace
of the V4 countries. The main reason is the distrust that Hungarians still feel towards
this type of shopping. The preferred method of payment is still cash on delivery (Jurčo
2020). The most frequently purchased products in Hungary in 2019 were clothing and
86 R. Fedorko and Š. Kráľ

electronics (Eurostat 2020a). In 2020, 65.7% of Hungarians shopped online, almost 4.86
million consumers. Revenues from e-commerce in Hungary in 2020 amounted to 1.46
billion euros (Statista 2021).

3 Methodology
The aim of the paper is to evaluate and analyze problematic areas of the online shopping
process faced by consumers in the online environment in the Visegrad Group countries
in 2015, 2017 and 2019. V4 is an important tool for cooperation and promotion of the
interests of these states in the EU. This grouping is the result of 4 countries’ efforts in
the field of democratic development and security in the Central European region. V4
members strive for joint promotion of topics which connect them and are also important
for the population, e.g. digitization, transport infrastructure and energy policy (Novak
2021). There has been an extensive research into the issue of e-commerce in the Visegrad
Four countries in recent years, e.g.: Analysis of the potential for the development of
the digital economy in V4 countries (Balejová 2014); The problematics of using mobile
devices for e-commerce in the V4 countries (Bacik et al. 2018); Impact of the e-commerce
on distribution channels of insurance services; E-commerce from the perspective of
Visegrad Four countries (Corejova et al. 2020). For this reason, we consider the Visegrad
Four countries as a suitable research sample for our research. In relation to the available
data, we formulated the following research questions: How did the incidence of online
shopping problems change in the V4 countries during the period under review? What
differences in online shopping problems can be observed in the V4 countries? What
were the most common problems with online shopping in the V4 countries during the
period under review? The data used in the analysis were obtained from the database of
the Statistical Office of the European Communities (Eurostat). The data analyzed cover
the general population - individuals aged 16 to 74 who made at least one online purchase
in 12 months. The unit of measurement is the Percentage of individuals. Due to missing
data, the years 2015, 2017 and 2019 were selected for analysis. Based on the available
data, we focused on the following issues: the overall problems that consumers faced
when shopping online; delivery time issues; problems with wrong or damaged goods;
technical problems with online shopping; difficulties in finding warranty information;
problems with delivery costs or final price; frauds. The obtained data were graphically
processed in the RStudio program.

4 Results
The proportion of consumers shopping online varies across the EU. Consumers in differ-
ent countries face various problems when shopping online. Based on the available data,
it is possible to evaluate and compare changes and differences in the problems faced by
customers based in Visgerad Group countries when shopping online.
Figure 1 shows the share of online shopping consumers in the V4 countries and the
overall average in the EU countries, who made at least one online purchase in 12 months
in 2015, 2017 and 2019. It can be stated that in all countries there was a gradual increase
in online shopping in the monitored years. While in 2015 and 2017 Slovakia had the
Online Shopping Problems in the Context of B2C E-commerce in the Visegrad 87

Fig. 1. Share of online shopping consumers in V4 countries and the EU (Eurostat 2020b)

largest share of online purchases (50% and 59%), in 2019 it was overtaken by the Czech
Republic (64%). In all V4 countries except Hungary, the share of online purchases in
the monitored years was at a level comparable to the overall average of EU countries.
Also, the average found for the V4 countries was at a similar level in all years as that
found for the EU.

Fig. 2. Share of e-commerce turnover in total wholesale and retail turnover (Eurostat 2020b)

Figure 2 shows the percentage share of e-commerce turnover in the total turnover
from wholesale and retail in the V4 countries in the monitored years. With regard to
the average of EU countries, the average of V4 countries and individual V4 countries, a
growing share of e-commerce in total turnover could be observed. The Czech Republic
had the largest share of e-commerce turnover on total turnover in the monitored years.
Hungary had only a 10% share in 2015, but doubled it by 2019. Slovakia recorded a
share in all years at a level comparable to Poland.
Figure 3 shows the overall share of problems which customers faced when shopping
online in the monitored years. Within all EU countries, the average share of problems
was 25% in 2015, 24% in 2017 and 28% in 2019. The average share of problems within
the V4 countries was comparable to the EU average, except for 2017, when the average
88 R. Fedorko and Š. Kráľ

Fig. 3. Customer problems when shopping online in V4 and EU countries (Eurostat 2020b).

of V4 reached only 15%. It is only natural that the incidence of problems with online
shopping grows with the increasing popularity of online shopping. This is also confirmed
by the data recorded in the monitored countries. In each of the V4 countries, a decrease in
the incidence of problems was recorded in 2017 compared to 2015, with the exception of
Poland, which recorded the same level of problems. In 2019, there was a slight increase
in these problems in all countries, except for the Czech Republic, where the increase
was very significant, up to 17% compared to 2017. Slovakia recorded an increase of 7%
in 2019, Poland by 1% and Hungary by 4% compared to 2017.

Fig. 4. The time of delivery of goods or services was longer than stated by the seller (Eurostat
2020b)

The most common problem with online shopping in the V4 countries was the longer
delivery time of goods or services than stated by the seller on the store’s website (Fig. 4).
As for the EU average, there was a 1% and 3% increase for the years under review.
In Slovakia, a 5% decrease was recorded in 2017 compared to 2015, but in 2019 the
incidence of this problem increased again by 3%, from 7% to 10%. Hungary recorded an
increase of 9% in 2019, from 4% to 13%. In Poland, there was only 1%, increase from
Online Shopping Problems in the Context of B2C E-commerce in the Visegrad 89

10% to 11% and then to 12%. The Czech Republic recorded a decrease of 3% between
2015 and 2017, but in 2019 it had the highest increase of 13%.

Fig. 5. Wrong or damaged goods (Eurostat 2020b)

Another problem with online shopping was the delivery of wrong or damaged goods
(Fig. 5). The EU average reached 6% in 2015 with a subsequent increase by 1% in 2017
and 2019. The average of the V4 countries was at the level of 3% in 2015 and at the level
of 7% in 2019. In the V4 countries, Slovakia and Poland recorded the most problems
of this kind in 2015 (4%), Hungary in 2017, specifically 6%, and in 2019 the Czech
Republic, specifically 10%. Values in Slovakia reached 3% in 2017 and 6% in 2019.

Fig. 6. Technical problems when ordering/shopping (Eurostat 2020b)

Technical problems when ordering or shopping online were recorded on average by


8% of online shoppers in EU countries in the years under review (see Fig. 6). The average
of the V4 countries was 3% in 2015 and 2017 and 5% in 2019. Hungary recorded a level
of 2% in 2015 and 4% in 2017 and 2019, much like Poland in 2015 and 2017. In 2019, the
share of technical problems in online shopping in Poland increased to 5%. In 2015, 3%
of online shoppers in the Czech Republic and Slovakia recorded technical problems with
90 R. Fedorko and Š. Kráľ

online shopping. In 2017, only 1% of online shoppers in the Czech Republic experienced
technical problems, while in 2019 the number was up to 7%. As for Slovakia, there was
only a slight increase from 2% to 3% in 2019.

Fig. 7. Difficulty finding warranty information (Eurostat 2020b)

Difficulties in finding warranty information on the seller’s website were stated by 4%


of online shoppers on average in EU countries over the years under review (see Fig. 7).
The average for the V4 countries ranged from 2 to 3%. 3% of online shoppers in Poland,
Slovakia and the Czech Republic also recorded these problems in 2015, 3% of online
shoppers in Hungary recorded this value in 2017 and 2019. In Slovakia, the share of
online shoppers who had difficulty finding warranty information increased from 1% in
2017 to 2% in 2019. The Czech Republic recorded an increase of 4% in 2019 compared
to 2017.

Fig. 8. Delivery costs or final price were higher than stated by the seller (Eurostat 2020b)

One of the problems that customers encountered when shopping online was that
the cost of delivery or the final price was ultimately higher than stated by the seller on
its website (see Fig. 8). In EU countries, on average, 3% of customers encountered this
Online Shopping Problems in the Context of B2C E-commerce in the Visegrad 91

problem in the years under review. The average of the V4 countries was at the level of 1%
in 2015 and 2017 and 1.5% in 2019. In the V4 countries, the values in 2015 were at the
level of 1% in Slovakia, Poland, Hungary and at the level of 2% in the Czech Republic.
In 2017, 1% of online shoppers in Slovakia, Poland and the Czech Republic encountered
this problem while in Hungary it was 2%. In 2019, 1% of customers in Slovakia and
Poland and 2% in the Czech Republic and Hungary encountered this problem.

Fig. 9. Problems with fraud (Eurostat 2020b)

Figure 9 shows the proportion of shoppers who faced a fraud problem when shopping
online. The EU average was 2% in 2015 and 2017 and 3% in 2019. The V4 average
was 1% in 2015 and 2017 and 1.5% in 2019. In 2015 and 2017 1% of online shoppers
encountered this problem in the Czech Republic, Poland and Hungary. In 2015 and
2017, less than 1% of online shoppers in Slovakia recorded problems with fraud when
shopping online. In 2019, the share of experience with fraudulent online shops increased
by 1% in each of the countries, with the exception of Poland, which recorded the same
value as in 2017.

5 Conclusion
As the Internet use grows rapidly, e-shopping is becoming more widespread in the EU.
The importance of online shopping is also growing due to the benefits that customers
appreciate, in particular the ability to shop anytime and anywhere, access to a wide range
of products and the ability to easily compare prices (European Commission 2018). In
addition to the benefits that online shopping offers, it also brings about certain problems
and risks that online consumers face.
Based on the above analyzes, it can be concluded that not only online shopping,
but also the problems associated with it are growing every year. Regarding the overall
problems, the highest incidence of problems was recorded in 2015 in Hungary (40%),
in 2017 in Poland (18%) and in 2019 in the Czech Republic (28%). The most common
problem in all V4 countries was the longer delivery time of goods or services than that
stated by the seller on the store’s website. Another relatively common problem was
92 R. Fedorko and Š. Kráľ

the delivery of wrong or damaged goods. In 2015, most such goods were delivered to
customers in Slovakia and Poland (4%), in 2017 in Hungary (6%), in 2019 in the Czech
Republic (10%). On average, 8% of online shoppers in the EU underwent technical
problems with online shopping in the monitored years, while, for example, in Slovakia
only 3% of online shoppers experienced technical problems in 2015, 2% in 2017 and
3% in 2019. Difficulties in finding warranty information on the seller’s website ranged
from 1% to 5% across the V4 countries under review. The incidence of the problem with
the delivery costs or the final price being higher than what was stated by the seller on its
website was lower in the V4 countries than the EU average - below 2%. Slovakia recorded
only 1% incidence of this problem in the monitored years. Customers also faced fraud
problems when shopping online. Specifically, in 2015 and 2017, 1% of online shoppers
reported such problems in the monitored countries, with the exception of Slovakia, where
the value was below 1%. In 2019, the incidence of this problem increased by 1% in all
countries except Poland, which reported the same values as before - at level of 1%.
The reason for the increasing number of problems with online shopping may be the
increasing number of consumers who shop online. The share of e-commerce turnover
in total sales turnover also increases year on year. For companies, this means, on the
one hand, an increased turnover and an increased number of customers, but on the other
hand, with the growth in sales volume, it is also possible to expect a growing incidence of
problems. As the number of online orders increases, so does the likelihood that businesses
will be under more pressure and order processing time will increase. Online retailers will
have problems coping because they are not able to adapt to the growth of the market in
timely manner, and will therefore make more mistakes. Error rates will increase. Errors
may also be made by delivery companies, not only sellers themselves.
Lack of relevant data caused problem to the research, as complete data have not
been available for several years. Future research may compare data collected with data
collected from countries of Western and Eastern Europe. COVID-19 and its effect on
online shopping and the problems associated with it may be researched too.
Online shopping is becoming increasingly popular, also given the need to minimize
personal contact during the COVID-19 pandemic. It is more than certain that the conse-
quences of this pandemic will be significant, especially in the field of online shopping.
More and more consumers prefer online shopping to shopping in brick-and-mortar stores
for reasons brough along by the pandemic - restrictions on movement, lack of products
in shops and health concerns (Reddy 2020; Sharma and Jhamb 2020; Shashidhar 2020).
It is possible to assume that with the increase in online shopping, problems with online
shopping will also grow. On the other hand, despite the growing number of problems
with online shopping, people do not seem to be put off by shopping online. On the con-
trary, the number of people shopping online is growing (Sabou et al. 2017; Karthikeyan
2016). Despite the growing number of purchases made online, it is necessary for mer-
chants to know and identify the problems that their customers face when shopping online
and to solve them to the maximum satisfaction of customer. As competition between
e-merchants increases, customers can easily choose another online retailer if problems
recur.

Acknowledgements. This article is one of the partial outputs under the scientific research grant
VEGA 1/0694/20 - Relational marketing research - perception of e-commerce aspects and its
Online Shopping Problems in the Context of B2C E-commerce in the Visegrad 93

impact on purchasing behaviour and consumer preferences and VEGA 1/0609/19 - Research on the
development of electronic and mobile commerce in the aspect of the impact of modern technologies
and mobile communication platforms on consumer behaviour and consumer preferences.

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The New Adult on the Block: Daily Active Users
of TikTok Compared to Facebook, Twitter,
and Instagram During the COVID-19 Crisis
in Belgium

Johan Hellemans(B) , Kim Willems, and Malaika Brengman

Department of Business – Marketing Cluster, Vrije Universiteit Brussel, Brussels, Belgium


[email protected]

Abstract. It is believed that due to quarantine regulations during the covid-19


crisis, more people are attracted to social media. Especially TikTok seems to be
linked to this crisis, given its rise to fame during the same period. However, to date,
very little is known about TikTok regarding the number of users or usage charac-
teristics. While considered a Social Network Site (SNS) oriented toward a younger
audience of kids and teens, we hypothesized that TikTok would find its way to
mainstream adult audiences, given the increasing attention devoted to this particu-
lar SNS in popular media. Cross-sectional data from 2500 Belgians (age between
18–64 years old) during the covid-19 crisis in 2020 show an expanding adoption
of TikTok in daily active users (DAU). Further logistic regression analyses on the
number of DAU show individual differences in sociodemographic background
comparing SNS Facebook, Twitter, Instagram, and TikTok. The adult’s resulting
profile on TikTok is younger, less graduated, with a lower income, living in urban
areas, and having kids. Contrary to expectations, we did not find a gender effect
nor a student effect. While not yet at the level of Facebook and Instagram, TikTok
succeeded to quickly gain momentum in the adult space, to a level that is reaching
that of a longer-standing platform like Twitter.

Keywords: Social Network Sites · Facebook · Twitter · Instagram · TikTok ·


COVID-19

1 Introduction
Today, social media seems omnipresent, and it has changed almost any aspect of society,
facilitating and transforming information and communication between people, groups,
businesses, and governments (Shiau et al. 2018; Xu et al. 2012). People are spending
less time interacting physically with each other and are spending an excessive amount
of time socializing over the web (Colabelli et al. 2010). Due to quarantine regulations
during the covid-19 crisis, it can be expected that even more people are attracted to social
media to stay in contact, be informed, or find distraction or enjoyment.
Our primary research question was to investigate whether widespread SNS usage
had increased during 2020 among an active adult population aged 18 to 64 and whether

© The Author(s), under exclusive license to Springer Nature Switzerland AG 2021


F. J. Martínez-López and D. López López (Eds.): DMEC 2021, SPBE, pp. 95–103, 2021.
https://doi.org/10.1007/978-3-030-76520-0_10
96 J. Hellemans et al.

this supposed trend applies to all SNS or only for some and not for others. Over the years,
some Social Network Sites (SNS) like Facebook, Instagram, and Twitter have risen to
dominance in user base, revenue, or cultural and media phenomenon. Nonetheless, the
short history of SNS shows that new SNS can emerge quickly, just like existing SNS
change their modalities, while other SNS lose popularity or get suspended (Boyd and
Ellison 2007; Rains and Brunner 2015). How fast it can go, is demonstrated by the
recent story of TikTok. One of the most recent SNS to rise to fame during the covid-19
crisis and considered the fastest-growing SNS application (Weimann and Masri 2020).
To date, very little is known about TikTok in terms of user- or usage characteristics.
So far, the SNS went somewhat unnoticed in academic circles. Overall, it is considered
an SNS that was mainly adopted by children and adolescents, representing the largest
demographic group on TikTok (Bossen and Kottasz 2020). It became quickly apparent
that TikTok became very big in Belgium, seemingly overnight, and not only amongst
kids and teens. As a result, in this paper, we opted to focus mainly on this new SNS,
comparing it to other SNS, given that so little academic research on TikTok is available.
The number of users worldwide and in Belgium can vary depending on the source and
internet site that report on it. Official figures provided by Bytedance, the Chinese owner
of TikTok, are scarce and infrequent. Citing internal TikTok usage figures, the media and
entertainment site Emerce referred to 2.2 million Belgian users (Boogert and Libbenga
2020). De Tijd, a prominent economic and financial newspaper in Belgium, reported
3 million Belgian users in 2020, which is almost threefold the number of registered
users of 2019 (Samain 2020). The difference in these numbers is, however (in part),
likely due to a difference in definition. By any definition, the increase in adoption seems
phenomenal though, given that TikTok was only launched internationally by the end of
2017 and only became available worldwide mid-2018 when merging with musical.ly, a
lip-syncing and dance app targeted to younger audiences. The news site CNBC citing an
internal TikTok source, reported almost 700 million monthly active users worldwide in
2020, where at the beginning of 2018, it counted only 55 million global users (Sherman
2020). This phenomenal growth gives rise to the question of whether this expansion
came at the expense of other SNS or not.
In March 2019, the New York Times (Herrman 2019) already heralded TikTok as
“a new extraordinarily popular video app,” “a refreshing outlier in the social media
universe,” and one that is “genuinely fun to use.” Bossen and Kottasz (2020) explored
the uses and gratifications of TikTok sought by adolescents in Denmark and identified
that indeed entertainment motives were the primary driver. Haenlein et al. (2020) indicate
the focus on entertainment as one reason why both Instagram and TikTok attract more
influencers, given it is relatively easier to obtain a follower base and gain social capital
in the form of views and likes as these SNS rely less on existing offline connections.
Furthermore, the available content presented to a user is not follower-based as in other
SNS but rather organized on a “For You” recommendation page selected by an algorithm.
While this feature also exists on Instagram, it is considered the primary landing page
on TikTok. This unique feature also makes that users driven by fame-seeking motives
have the impression that TikTok can gratify this need best because they can present their
content to non-followers, and their content can go viral (Leight 2019). The success of
the SNS reaching cultural relevance and growing media attention goes hand in hand with
Daily Active Users of TikTok Compared to Facebook, Twitter, and Instagram 97

the overnight success story of young TikTok users like the 16-year-old Charli D’amelio,
with 100 million followers, the most followed person on the app, far beyond well-known
stars after being only one year on the platform, and brands that offer these influencers
life-changing deals to get their products and messages across. Searching in Go Press
Academic, an archive of articles and notes in Belgium’s popular media sources, resulted
for 2018 in 22 features of TikTok in Belgian published newspaper and magazines. In 2019
this increased to 191 references and exploded to 1844 references in 2020. In Belgium,
the success of TikTok can be explained by the increasing attention of popular media due
to the success of local teenage TikTok stars and the brand-deals they secure. Headline
stories were about older established celebrities in the entertainment industry that adopted
the SNS and tried to mimic this success in a time where they have less spotlight on them;
government and virologists that adopted the SNS to get their covid-19 measures across
to a younger audience; the ban of the SNS in India; the potential ban in the US; and the
unsuccessful takeover attempt by Microsoft. With this increasing attention in traditional
media, adults and parents met the latest social media phenomenon initially adopted by
their kids and teens.
This shift from teens and students, as early adopters of SNSs, that adults later follow
is not new to TikTok. Younger people have been more comfortable with online commu-
nication than adults (Thayer and Ray 2006). Moreover, visual-based applications created
specifically for mobile use like Instagram and Snapchat have been known to incite and
perpetuate teen cultures (Charteris et al. 2014) in a similar vein as TikTok today. Also,
Facebook was initially launched as a student-only SNS. Younger adults used Facebook
more frequently and were significantly more emotionally impacted by the site than older
adults (Hayes et al. 2015). Earlier research also showed that young people preferred not
to share their Facebook profiles with older people and their parents (West et al. 2009).
However, today, the increasing adoption of some SNSs by older users has led to a more
intergenerational landscape. It can be regarded as a specific so-called collapsed con-
text, in which boundaries between separate online communities start to blur, creating
potential conflict amongst its users (Marwick and Boyd 2011), that younger age groups
might try to resolve in different ways, and which could result in shifting SNS usage
(Gil-Lopez et al. 2018). In contrast with the earlier findings, Yang (2018) shows that
students accepted parents and family on their Facebook profile similar to peers in such
a context. However, it seems that it makes them more cautious about what they share
online (Yang 2018), limiting themselves to merely disclosing what is universally appro-
priate (Gil-Lopez et al. 2018). On Instagram, younger Instagram users responded by
creating so-called Finsta-accounts (fake or secret Instagram) that portray more genuine,
less filtered behavior (Dewar et al. 2019), and that is shared only with intimate friends
who are presumed to keep the shared content private (McGregor and Li 2019). Finally,
younger users might be retreating to other sites (Wiederhold 2012), abandoning certain
SNS or segmenting their content shared per SNS.
SNSs have altered how business in general and marketing is conducted (Xu et al.
2012). Also, the advent of new successful SNSs with new modalities can profoundly
change the way companies and brands evaluate their marketing efforts. Indeed, in times
of pandemic quarantines, the growth in the user base of TikTok did not go unnoticed
amongst marketers aiming to tap into this user base by collaborating with influencers on
98 J. Hellemans et al.

the popular SNS (Haenlein et al. 2020). While TikTok still trails Facebook in the number
of users, revenue, and advertising, Haenlein et al. (2020) see a shift towards Instagram
and TikTok compared to Facebook for influencer marketing, given they are more on-
trend, serve younger populations with different consumption patterns, and are seen as
more appropriate than Facebook for this type of marketing. According to the authors,
marketing managers still have a less than adequate understanding of those platforms than
their knowledge of more traditional media channels (Haenlein et al. 2020) and might
not be aware of the challenges a new collapsed context poses.
The proliferation of SNS poses a challenge to marketing and advertising managers
in selecting the right social network platform(s) for their marketing purposes based on
who they want to reach and with what purpose. While the number of active users might
be readily available for some SNS in industry reports, press releases, and annual account
statements, such information is not publicly available for all SNSs like TikTok. Fur-
thermore, if some user information is available, it is far from certain that the measure is
captured in the same way across these platforms. Even far less is known about how many
users there are across different SNSs. Such information is not available from a single
company, and the industry and academics are to rely on survey information. Under-
standing the difference in audience characteristics of different SNSs and the potential
overlap between platforms is crucial in determining the right SNS and budget allocation
based on the audience group’s size and characteristics that can be reached and targeted
(Bolotaeva and Cata 2010).

2 Research Questions
The current research extends our previous study (Hellemans et al. 2020) into the under-
lying individual differences in specific socio-demographics of Facebook, Instagram, and
Twitter by also including TikTok. While the SNS indeed has been noted in popular media
given its remarkable success, research into the sociodemographic factors for TikTok is
- to the best of our knowledge - not yet available. Furthermore, we investigate to which
degree certain SNSs were adopted over 2020 during the covid-19 crisis.
This paper contributes to the recent stream of research that takes a cross-SNS app-
roach by (1) comparing Facebook, Twitter, Instagram, and TikTok use in terms of
daily active usage (DAU) and (2) in terms of individual differences and specific socio-
demographics: age, gender, student, education, relationship status, kids, working, income
and urbanization, (3) while particularly examining this in the extraordinary pandemic
period of 2020.
Due to quarantine regulations during the covid-19 crisis, it can be expected that
even more people are attracted to social media to stay in contact, be informed, or find
distraction or enjoyment. Therefore, we hypothesize a positive time-effect where the
DAU-scores of each SNS increase during the crisis. Furthermore, given the popular
press messages, we assume this effect to be larger for TikTok.
Based on our previous research (Hellemans et al. 2020), we hypothesize about under-
lying individual differences per SNS. Notably, we expect more female users on Instagram
and Facebook and more males on Twitter; more students, and younger ages on all three
SNSs. We assume the age, student, and gender effect to apply to TikTok as well. Previ-
ously we also observed fewer users with a graduate degree on Facebook and more users
Daily Active Users of TikTok Compared to Facebook, Twitter, and Instagram 99

with a higher income on Twitter, and more working population on Instagram. We assume
users with kids to be more on Facebook and TikTok. With regards to the socio-economic
status, on TikTok, we do not have an assumption. We expect those living in urban areas
to be more associated with Instagram and TikTok to reflect their trendiness.

3 Methodology

3.1 Sampling

Cross-sectional data were obtained from a Belgian online panel on regular frequency
probes for SNS usage by a self-completed survey. Data from 2020 was selected over five
periods, resulting in a sample of N = 2500 respondents, of which 49% being female. The
data includes one-period pre-covid (period 1). The average age reported is 42.4 years
(SD = 13.4). Besides age, other sociodemographic variables included as binary dummy
variables are: (1) female, (2) graduate degree, (3) student, (4) single, (5) working, (6)
higher income, (7) kids, (8) urban area.

3.2 Usage Measure


In this survey, participants rated how frequently they consulted different SNS on a 7-
point frequency scale designed to obtain the number of DAU users per SNS platform,
going from “not at all” (i.e., score 1) to “daily-to several times a day” (i.e., score 7).
DAU users are defined as users that log into the SNS at least once a day (Score 7). This
scoring was obtained for Facebook, Twitter, Instagram, and TikTok. This measure is a
standard metric used by SNS companies and industry press reports. Also, other academic
research on SNS adoption (Haight et al. 2014; Yu et al. Yu et al., 2016) has made use of
a dichotomized measure or dichotomize their measure during the analytical stage given
the non-normal distribution of the user frequencies. The results will, as such, also be
further analyzed with non-parametric statistical testing.

4 Results

4.1 DAU-Scores 2020

Table 1 shows the obtained DAU users for each specific SNS over 2020 on the total
sample. Facebook remains by far still the most frequently used site, with DAU reaching
64.6% in 2020. Instagram further attains up to 26.0% DAU users. Twitter is used daily
by 11.1% overall. Finally, TikTok is used on average across 2020 by 5.5% daily. It is the
only SNS showing a steady, significant increase across the periods in 2020 from 1.2%
in period 1 to 9% in period 5 (Chi-square, χ2 = 43.0, df = 4, p < 0.01), supporting our
hypothesis and the general notion that TikTok was the leading platform to grow in 2020
while not penalizing the usage of other SNS in terms of DAU. For the other SNSs, no
significant periodic effects were observed in 2020. If we compare the number of DAU
users with our reported 2019 data (Hellemans et al. 2020), the adoption of TikTok so far
did not result in a lower DAU user base for Facebook (64.6% versus 61.4% in 2019),
100 J. Hellemans et al.

Twitter (11.1.% versus 9.5% in 2019), and Instagram (26.0% versus 24.3% in 2019).
The R Hetcor package available in SPSS was run to estimate the polychoric correlation
between our DAU-measures presented in Table 2. The strongest correlation observed is
the one between Instagram and TikTok and Instagram and Twitter.

Table 1. DAU frequency during 2020

Period 2020 P1 P2 P3 P4 P5 Total


Total n 500 500 500 500 500 2500
Facebook 63.0% 65.2% 63.2% 63.6% 67.8% 64.6%
Twitter 9.6% 13.0% 10.8% 10.4% 11.8% 11.1%
Instagram 26.4% 27.2% 25.0% 26.0% 25.2% 26.0%
TikTok 1.2% 2.8% 6.6% 7.8% 9.0% 5.5%

Table 2. Polychoric correlations DAU frequency scores

Facebook Twitter Instagram


Twitter 0.34
Instagram 0.49 0.60
Tiktok 0.30 0.49 0.60

4.2 Individual Differences in SNS Usage


To contribute to understanding individual differences, logistic regressions were run on
each DAU measure of Facebook (FB), Twitter (TWT), Instagram (INSTA), and TikTok
(TT), and the available sociodemographic variables as well as the period indicator in
2020 as determinants.
The results in Table 3 show that the negative effect of age seems to be the only
demographics effect being consistent across each DAU-measure (FB, b =− 0.01, p <
0.05), (TWT, b =− 0.04, p < 0.05), (INSTA, b = − 0.07, p < 0.05), and (TT, b = −0.07,
p < 0.05) which is in line with previous findings (Hellemans et al. 2020). A significant
student effect can be noted for TWT (b = 0.76, p < 0.05) and INSTA (b = 0.56, b <
0.05) and not for FB or TT. TWT shows significantly more male DAU-users (b = −0.79,
p < 0.05) while Instagram (b = 0.23, p < 0.05) and FB (b = 0.38, p < 0.05) show more
female DAU-users. Contrary to our expectation no gender effect was noted for TT. A
significant positive effect was observed for having kids for FB (b = 0.15, p < 0.1), TWT
(b = 0.38, p < 0.05), and TT (b = 0.35, p < 0.1). Further, we observed a significant
positive effect of urban regions for TWT (b = 0.43, p < 0.05) and TT (b = −0.61, p <
0.05) while not for INSTA. A negative effect of a graduate degree can be observed both
for FB (b = − 0.29, p < 0.05) and TT (b = − 0.44, p < 0.05), while a positive effect
Daily Active Users of TikTok Compared to Facebook, Twitter, and Instagram 101

Table 3. B-coefficients logistic regressions on DAU per specific/general SNS

FB TWT INSTA TT
Female 0.38* −0.79* 0.23* 0.21
Age −0.01* −0.04* −0.07* −0.07*
Single −0.06 −0.21 0.11 −0.24
Graduate degree −0.29* 0.4* 0.18 −0.44*
Working 0.24* 0.27 −0.01 −0.27
Student 0.13 0.76* 0.56* 0.44
Higher income −0.04 0.23 0.17 −0.41**
Kids 0.15** 0.38* 0.08 0.35**
Urban −0.01 0.43* 0.11 0.61*
Period 0.04 0.04 0.00 0.48*
Constant 0.8* −1.4* 1.07* −2.02*
χ2 65* 151* 459* 209*
Nagelkerke R2 0.04 0.12 0.25 0.23
*p < 0.05.
**p < 0.10.

applies to TWT (b = 0.40, p < 0.05). The effect of working is only observable for FB
(b = 0.24, p < 0.05). A lower-income effect only is applicable for TT (b = −0.41, p <
0.1). Finally, a periodic positive effect over 2020 was found for TT only (b = 0.48, p <
0.05).

5 Discussion, Implications, and Limitations


The landscape of SNS is continuously changing. In Belgium, this is demonstrated by
TikTok, which was adopted massively by adult users. This increase does not seem to
have penalized other SNS in their DAU-base. We should note that while the other SNS
also keep their position that a potential loss to TikTok might have been compensated by
an increasing number of new users, given our cross-sectional approach. Future research
with a longitudinal approach following the same users can establish whether this is the
case or not. Furthermore, while it might not have eroded their DAU-base, it could well
be that the intensity of use and engagement might have experienced an impact. Further
research can look into intensity parameters like session duration or specific activities on
SNS. It remains to be seen whether the overall increase of SNS usage is sustained once
the country’s quarantine measures are lifted or whether a specific number and type of user
being more time-constrained again will choose one over the other. Comparing current
results with our previous findings (Hellemans et al. 2020) shows that sociodemographic
differences between different SNS exist and that the underlying profile of DAU can
change over time and in atypical periods. Our findings suggest that the potential overlap
of TikTok with Instagram is the highest. As expected, the DAU-profile of TikTok is
younger, less graduated, having a lower-income, living in urban areas, and having kids.
Contrary to expectations, we did not find a gender effect nor a student effect. While not
yet at the level of Facebook and Instagram, TikTok succeeded to quickly gain momentum
102 J. Hellemans et al.

in the adult space as well, to a level that is reaching that of a longer-standing platform
like Twitter.
With users on more platforms and shifting user attention, marketing managers’ choice
of selecting the best combination in reach and frequency becomes more complicated.
They should be more cautious when they estimate their target group, the size, and the
engagement of each SNS. As it is recommended to adopt the style of a campaign to
the culture and features of a particular SNS (Haenlein et al. 2020), the next challenge
of marketing managers choosing a popular upcoming platform like TikTok will exist in
finding the suitable trade-off between the style of the initial younger age group and the
older target groups that followed them. The SNS itself will need to see how it can keep
its image of being the new cool kid on the block while it grows into adulthood, as a new
collapsed context starts to emerge, in which boundaries between different age groups
blur.

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Fight Against Corona: Exploring
Consumer-Brand Relationship via Twitter
Textual Analysis

Francesco Smaldone1(B) , Mario D’Arco1 , and Vittoria Marino2


1 Department of Business Science - Management and Innovation Systems,
University of Salerno, Fisciano, Italy
[email protected]
2 Department of Law, Economics, Management and Quantitative Methods (DEMM),

University of Sannio, Benevento, Italy

Abstract. This study investigates how social media (SM) can affect the consumer-
brand relationship phenomena. Basing on the literature concerning the so-called
“dark side” of social media (e.g., fake news and memes), the authors analyze
the case of Corona beer. Web-users attacked this Mexican brand due to the link
between its brand name and the Coronavirus. The case was analyzed via Twitter
textual analysis. Results offer insights for both scholars and practitioners.

Keywords: COVID-19 pandemic · Corona extra · Instant marketing · Sentiment


analysis · Twitter analysis · Text mining

1 Introduction
In current times, the COVID-19 pandemic represents a critical challenge for the finan-
cial markets and organizations and final customers. The different lockdown restrictions
adopted by governments worldwide to reduce the spread of the virus have strongly mod-
ified consumption patterns and firms’ revenues. Specifically, people started to use online
interfaces for working, conducting business, studying, and engaging in a widening range
of recreational activities on SM.
According to the extant literature, SM has both a ‘bright side’ and a ‘dark side’
(Kietzmann et al. 2011; Baccarella et al. 2018; Smaldone et al. 2020). It means that
SM brings both advantages and disadvantages to individuals and firms. Specifically, as
highlighted by Baccarella et al. (2018), the bright side of SM is represented by the fact that
firms can use online channels to engage with consumers, sell their products/services, and
create customer services initiatives as well as numerous communication and marketing
strategies. At the same time, SM should cause several incidents and troubles, such as
hate speech (Mondal et al. 2017; Pohjonen 2019), cyberbullying (Del Vigna et al. 2017),
and brand attack episodes (Rauschnabel et al. 2016).
During the pandemic outbreak, SM revealed both a ‘bright side’ and a ‘dark side’.
‘Focusing on the dark side’, online users contributed to the development of fake news

© The Author(s), under exclusive license to Springer Nature Switzerland AG 2021


F. J. Martínez-López and D. López López (Eds.): DMEC 2021, SPBE, pp. 104–111, 2021.
https://doi.org/10.1007/978-3-030-76520-0_11
Exploring Consumer-Brand Relationship via Twitter Textual Analysis 105

(Merchant and Asch 2018), disinformation campaigns (Sfichi and Lavric 2020), and
online hate speech towards the Chinese and Asian population (Schild et al. 2020).
Another surprising phenomenon concerns the number of ironical and parodic social
media contents linking due to the name similarity of the beer ‘Corona’, a Mexican cor-
poration owned by Constellation Brands (STZ), and the Coronavirus. Because of such
negative buzz around Corona, the intention to buy this famous beer brand in the United
States among adults has fallen to its lowest level in the past two years, while the brand’s
perception has also collapsed (Corbet et al. 2020).
The results of a phone survey conducted in February 2020 by the public-relations
agency 5WPR revealed that 38% of 737 American beer drinkers “would not buy Corona
under any circumstances”. A total of 16% said they were “confused about whether
Corona beer is related to the coronavirus”. However, the picture depicted by Mag-
gie Bowman, senior director of communications for the beer division of Constellation
Brands, is different. Specifically, she said: “Despite the misinformation circulating, con-
sumer sentiment and sales remain strong. Consumers understand there is no linkage
between the virus and our business” (Bradley 2020).
Against this backdrop, the paper presents a Twitter analysis to explore people’s
sentiment towards Corona Extra. To reach this objective, we first illustrate a brief the-
oretical background about the role of fake news, internet memes, and consumer-brand
relationship. Thereafter, methods and research design are outlined as well as discussion,
implications, and concluding remarks.

2 Marketing Problem-Solving Modes

The COVID-19 has infected millions of people, but also the mass media and the Internet.
Particularly, fake news, namely, deliberate disinformation or hoaxes spread via tradi-
tional and new media, can harm the population more than the virus (Sfichi and Lavric
2020). The World Health Organization is trying to fight the Coronavirus and the trolls
and conspiracy theorists. According to Shu et al. (2017), online fake news is intrusive and
diverse in topics, styles, and platforms. Generally, fake news is published and distributed
on the Internet, to purposely mislead, befool or lure readers for financial, political, or
other gains” (Shu et al. 2017, p. 4). Sometimes fake news is targeted at brands. Such
information can affect the consumer decision-making process and cause damages to a
brand’s reputation and consumers (Chen and Cheng 2019).
In concomitance with dramatic events such as the COVID-19 outbreak, fake news can
result from psychological suffering such as anxiety and fear. Specifically, as highlighted
by Presti et al. (2020), things that have consonance with COVID-19 might acquire func-
tions of ‘bad’, ‘diseased’, or ‘dangerous’, such as the case of the Corona Extra. Together
with fake news, another phenomenon that characterizes the Internet is the proliferation
of viral challenge memes. This form of participatory digital culture exploded during
the summer of 2014 with the Ice-Bucket Challenge videos of people tipping water over
themselves (Burgess et al. 2018).
The word “meme” was neologized by the biologist Richard Dawkins in The Selfish
Gene (1976). According to Dawkins, a meme is a cultural unit transmitted from person
to person via imitation (Pauliks 2020). From a semiotic perspective, viral challenge
106 F. Smaldone et al.

meme is an example of multimodal texts, that is, units of signification resulting from the
combination of different semiotic resources, such as videos, sounds, and written texts
(Baldry and Thibault 2006).
The mass media have accused viral challenge memes of being both narcissistic and
mindlessly conformist (Burgess et al. 2018). Researchers (Benaim 2018) also underline
the high symbolic value of internet memes. As in the case of the Ice Bucket Chal-
lenge, memes are used for charity. Therefore, such symbols represent a critical resource
for marketing, advertising, and branding (Holt and Cameron 2010). Specifically, some
brands and companies can benefit from internet users who create and disseminate (with-
out payment) memes (Benaim 2018). Similarly, online communities can use memes to
denigrate companies or boycott their products (Fournier and Avery 2011).
Based on these theoretical considerations, the present research investigates the case of
Corona Extra. This brand was at the center of a false narrative because of the homonymy
involving the Coronavirus and its brand name. During the initial phase of the pandemic
outbreak, Corona Extra became the target of several hilarious memes. The most emblem-
atic example is the Corona beer challenge with a sword published by Mr Uekusa and
emulated by other internet users.
This study aims at investigating the impact that a diseases name can have on a
product or brand. Specifically, the attention is focused on the following research question:
how can consumer-generated contents, such as memes, help or hurt a brand and thus
strengthen or diminish consumers-brand relationship and brand image?

3 Methods and Research Design

This study adopts an explorative approach to detect customers’ perceptions via Twitter
textual analysis in the Anglosphere. Data Mining has been applied to the extracted
tweets employing Text Mining (TM) techniques. Geocoded scraping via R software
(https://r-project.org/) was performed to derive the prominent tweets in the target market.
Nevertheless, “corona beer virus” was selected as a keyword about Corona Extra and
the semantic linkage to Coronavirus.
Data mining was performed via the twitter R package, developed by Gentry (2015).
Tweets’ text was analyzed via tm package, developed by Feinerer et al. (2018). Tweets
were recollected from the official website (https://twitter.com), stored, and analyzed
via Text Analysis, Sentiment Analysis (SA), and Topic Modelling. After the data were
stored and cleaned, TM was performed via R software to examine the retrieved tweets
to proceed with the data visualization. The collection of 222,549 tweets is an exhaustive
amount of data to explore phenomena linked to Corona Extra and Coronavirus via TM
techniques.
Co-occurrences-based terminological combinations were obtained via the stylo pack-
age. Topic Modeling was conducted via the topic models R package. Topic Modeling
was employed to derive the main thematic areas linked to the case study computing the
probability of each word to be included in a topic. The last step of the methodology
is SA; that is, the automatic (or semi-automatic) analysis of texts, pictures, or videos
to extract and categorize the content’s opinions. SA helps predict social, political, and
economic events and understand public opinion on a specific theme of discussion, profile
Exploring Consumer-Brand Relationship via Twitter Textual Analysis 107

opinions on products and brands, and collect customers’ emotions. SA is used to analyze
the writer’s state of mind on a specific subject and classify it as positive, negative, or
neutral (Feldman 2013). In this research, it was employed a supervised SA algorithm.
The algorithm employs the NRC lexicon to explore customers’ emotions in Twitter data.

4 Results

After the methodological introduction, the results of the BDA are reported in this section.
Bigrams, weighted word clouds, and sentiment outputs were computed via R software to
perform text mining. Sentiment analysis with NRC lexicon is shown in Fig. 1. Through-
out, a comparative weighted word cloud with topic modeling is depicted in Fig. 2. Focus-
ing on the bigrams analysis, the ten terms with the highest occurrences are “corona
beer” (81126), “beer challenge” (30654), “sword challenge” (17121), “sword coro-
na” (13671), “beer friend” (10677), “right home” (10669), “everything right” (19664),
“friends’ home” (10657), “hour outside” (10652), and “outside pub” (10648).

Fig. 1. Chord diagram representing emotions’ scores distribution obtained via NRC lexicon-based
sentiment analysis.
108 F. Smaldone et al.

Figure 1 shows the emotions derived from the extracted tweets and sentiment scores.
Tweets regarding Corona Extra were almost positive (62%). The most common emotion
was joy (40.3%), trust (13.8%), and surprise (3.29%), respectively. Among the negative
emotions (38%) was found a consistent amount of fear (14.6%), followed by anger
(12.25%), anticipation (7.81%), disgust (4.9%), and sadness (3.57%).
The comparative word cloud reported in Fig. 2 shows the set of words weighted
on the base of their occurrences. Each color indicates one of the following topics: 1)
meme challenge, 2) lifestyle, 3) brand perception, 4) COVID-19 pandemic. The first
topic comprises words such as “beer”, “challenge”, “corona, sword”, “coronavirus”,
“Mexican”, “body”, “Jenga”, “taco”, and “tablecloth”. The second topic includes words
such as “beer”, “corona”, “virus”, “weather”, “garden”, “everyone”, “holidays”, “mar-
keting”, “drink”, and “smart”. The third topic related to brand perception contains terms
such as “beer”, “right”, “home”, “friend”, “outside”, “everything”, “pub”, “hour”, “feel”,
“depth”, and “contempt”. The fourth topic embraces words such as “corona”, “beer”,
“Mexico”, “drinking”, “people”, “Covid”, “shut”, “million”, “today”, and “since”.

Fig. 2. Comparative weighted word cloud with topic modeling.

5 Discussion
The link between Corona Beer and the Coronavirus is coincidental. However, this asso-
ciation had a negative influence on the consumer-brand relationship. Several individuals
Exploring Consumer-Brand Relationship via Twitter Textual Analysis 109

in their minds connected the disease to the beer and thus started to post on Twitter texts
which contained negative sentiments, such as fear and disgust.
Focusing on Corona’s presence on SM, it is worth to notice that the beer brand did not
make any public comments or acknowledgment of the name similarities. The decision to
remain silent in the cultural conversation was the right choice. As revealed by the topic
modelling analysis, the negative buzz about Corona Beer has trespassed thanks to several
viral internet meme challenges realized by Mr Uekusa (e.g., Corona Sword Challenge
and Corona Beer Challenge with Jenga) and imitated by other individuals. The videos
proposed by the International Variety performer positively impacted the brand because
the internet users started to tweet positive emotions such as joy. Paradoxically, Corona
obtained free media coverage and brand promotion via earned media in the worst of
times.
The phenomenon of the association between diseases and brand products is not new.
For example, in the 1980s, the sales of candy Ayds were negatively affected by the
AIDS pandemic. The company attempted to save the product reputation by changing
Diet Ayds, but the situation gets worse.
From the practitioners’ point of view, this type of situation creates a dilemma due to
the unpredictability of the public’s response. This case teaches us that sometimes silence
seems the most logical approach. Therefore, in this type of scenario, a brand can wait
that the coincidence between the brand name and the disease will die down over time.
During this time-lapse, brand managers should monitor the target audience’s sentiment
via Twitter analysis to explore the mood of the online conversation and collect data for
better decision-making.

6 Conclusion
This study investigated Twitter users’ reaction, considering the linkage between the
brand Corona and the Coronavirus. In total, 222,549 tweets have been collected. Among
them, around 62% of the tweets contain a positive sentiment. It means that despite several
individuals in their minds connected the disease to the beer, a substantial segment of
consumers did not detach themselves from the brand Corona.
This study has some limitations; data were collected in the initial stage of the
pandemic. Future research should investigate the actual sentiment to understand
consumers’feeling towards Corona Extra.

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How to Leverage Digital Marketing in B2B:
A Study on Italian SMEs During the Covid-19
Outbreak

Lala Hu1(B) and Mirko Olivieri2


1 Catholic University of the Sacred Heart, Milan, Italy
[email protected]
2 IULM University, Milan, Italy

[email protected]

Abstract. In this study, we analyze the digital marketing tools activated by SMEs
operating in B2B during the Covid-19 outbreak in the first half of 2020. Before
the health emergency, SMEs used social and digital media in a limited way as
compared to traditional tools, such as printed material and client visits. In order to
understand how the pandemic changed the digital marketing strategies adopted in
B2B, we conducted a study on nine Italian SMEs. We collected semi-structured
interviews with key informants belonging to companies operating in different
sectors. Findings suggest new relational approaches and opportunities based on
digital marketing and they discuss the main objectives of the main digital tools
adopted during the initial phase of the Covid-19 pandemic.

Keywords: B2B · Covid-19 · Digital marketing · SMEs · Social media

1 Introduction
The Covid-19 pandemic has had dramatic effects on companies’ and people’s everyday
lives due to the restrictions aimed at containing the virus that were implemented in most
countries in the world. For example, the use of social media, which was already growing
in recent years, has increased exponentially. According to an Ipsos research (2020), the
time spent on social media by Italians surged by 70% during the first lockdown in March-
May 2020 as compared to the previous year. Social media platforms are now considered
a strategic asset of companies for various business purposes (Felix et al. 2017; Tafesse
and Wien 2018). In the case of small and medium enterprises (SMEs), previous studies
have shown that only a small portion of these companies adopt social media, mainly due
to the lack of staff familiarity and technical skills to use such technologies (Michaelidou
et al. 2011). However, it has been highlighted that social media can provide several
benefits to SMEs, for instance they have a positive impact on financial performance, cost
reduction on marketing and customer service, and they can improve customer relations
and information accessibility (Ainin et al. 2015). So far, a few studies have analyzed
social media adoption among SMEs (Odoom et al. 2017). Therefore, some scholars such
as Wang et al. (2016) have highlighted the need to examine the developments of social

© The Author(s), under exclusive license to Springer Nature Switzerland AG 2021


F. J. Martínez-López and D. López López (Eds.): DMEC 2021, SPBE, pp. 112–120, 2021.
https://doi.org/10.1007/978-3-030-76520-0_12
How to Leverage Digital Marketing in B2B 113

media marketing activities in SMEs operating in B2B. Moreover, as the pandemic is


still ongoing, there is a lack of studies in marketing literature regarding the effects of
Covid-19 on SMEs’ adoption of social media in the B2B context. Hence, we conducted
a qualitative research to analyze the role of social media in B2B marketing strategies of
Italian SMEs during the first Covid-19 lockdown in 2020.
The remaining of this paper is structured as follows. In the next section, a literature
review of the academic studies focused on the topic of digital marketing strategies of B2B
companies provides the theoretical basis of this research. In Sect. 3, the research question
and the method adopted for this study are presented. The findings of the research follow
in Sect. 4. Finally, the discussion of the results and conclusions of the study conclude.

2 Literature Review
2.1 Digital Marketing in B2B
Traditionally, the B2B marketing approach considers the role of personal relation-
ships and interactions to be key, especially between sales representatives, where contact
between sales and customers is in fact the heart of an effective customer relationship
management strategy (Bocconcelli et al. 2017). However, over time digital marketing
strategies have also emerged in B2B, increasingly shifting the attention of professionals
to online brand communities born with the purpose of sharing content (Huotari et al.
2015). The research conducted by Järvinen et al. (2012) highlights that B2B companies
are aware of the potential of digital marketing to improve business results, but the lack of
resources limits their ability to fully exploit them. Previously, researchers have mostly
explored the identification of web-based applications, which can be traced back to mul-
tiple categories: wikis, blogs, social networks, public or private communities, content
sharing websites, social tools, and virtual social networks (Ammirato et al. 2019; Lacka
et al. 2020). Indeed, according to a recent research (Diba et al. 2019), B2B marketing
professionals currently use popular digital platforms like Facebook and Instagram to
launch a content network, then they switch to more B2B-oriented social media such as
LinkedIn to share more specific content. Hence, social media and blogs are subject to a
growing interest in B2B marketing, as they offer more personalized interactions between
customers and suppliers, strengthening the relationship and allowing interaction between
markets (Andersson and Wikstrom 2017).
The rapid growth of digital technologies has had a great impact on how, where
and when B2B stakeholders interact for business purposes, offering the opportunity
to contact and establish relationships between companies and stakeholders (Huotari
et al. 2015). As Keinänen and Kuivalainen (2015) point out, there are many factors
that influence the buyer behaviour in the B2B context, such as the marketing mix, the
product, the price and distribution. In other words, according to Diba et al. (2019), the
buying and selling processes for B2B firms have become less linear as customers seek
and evaluate information and experiences on digital channels such as social media. At
the same time, the number of stakeholders involved in these processes has also increased
and, consequently, closing sales has become more complicated (Lingqvist et al. 2015).
In this scenario, in order to develop a two-way and contextual communication, social
media offer great opportunities to B2B companies.
114 L. Hu and M. Olivieri

2.2 Social Media Use Among SMEs


Traditionally, social media are more popular tools in B2C contexts where online commu-
nities are formed around a brand for the promotion of products or services (Katona and
Sarvary 2014). However, as social media platforms have become increasingly impor-
tant and widespread, also B2B online communities have started to grow. Among the
benefits of social media for B2B companies, social media can contribute to reach sales
purposes, improve the relationship with their customers, increase customer engagement
or increase brand awareness among stakeholders (Agnihotri et al. 2016; Bocconcelli
et al. 2017; Odoom et al. 2017; Karjaluoto et al. 2015). Some scholars (Iankova et al.
2019; Järvinen et al. 2012) have also highlighted that social media offer the possibility
of communicating in real time with the target using different types of content, such as
videos or images.
In the context of SMEs, social media can be advantageous as they can be adopted
as tools for both external and internal communication (Meske and Stieglitz 2013). The
low cost of social media and their ease of use without specific IT skills allows SMEs
to integrate digital tools into their businesses (Alam 2009). For example, Wikstrom
(2017) demonstrated the benefits of the LinkedIn adoption for B2B SMEs, as this social
network allows to reach a large audience by taking part in specific forums to illustrate
how products can solve certain needs.
Nowadays, we face the end of traditional B2B marketing due to the opening of
further avenues to access product information and the critical role of content in the
new digital environment (Gagnon 2014). An important change in B2B concerns the
shift towards digital communication channels in customer decision making (Järvinen
and Taiminen 2016). In this scenario, SMEs, which are traditionally slower in adopting
technologies (Abou-Shouk et al. 2015), should take new paths by strengthening the
adoption of social media in their marketing strategies. Furthermore, researchers such as
Karimi and Naghibi (2015) focused on the fact that marketing strategies in SMEs are
informal and unstructured as SMEs direct their attention to sales with the aim to survive.

3 Research Question and Method


The Covid-19 pandemic represents a disrupting event that has had major consequences at
economic level, limiting business operations all over the world. The purpose of this paper
is to investigate how the Covid-19 outbreak influenced the digital marketing strategies
and social media use of SMEs operating in B2B. Consequently, we pose the following
research question:

RQ: how did smes operating in b2b leverage their digital marketing strategies during
the Covid-19 outbreak?

We tried to answer our research question by carrying out a qualitative analysis.


Indeed, some studies on this topic (Wang et al. 2016) have adopted a qualitative approach
because it allows researchers to go deeper into the topic to gather information about
companies’ motivations and strategies.
Specifically, we conducted nine semi-structured interviews with key-informants from
firms belonging to diversified sectors in order to increase study generalizability, as
How to Leverage Digital Marketing in B2B 115

cross-sectional studies allow researchers to obtain a richer picture of the considered


phenomenon (Corsaro 2020; Jarvi et al. 2018). The requirement for the key-informants’
involvement in our analysis (see Table 1) is to have an extensive professional experience
in the marketing and communication areas of SMEs operating in B2B.

Table 1. Interviewed key-informants

Company Sector Business role of key-informants


Company A Electronics Social media manager
Company B Luxury cutlery Marketing manager
Company C Electronics Marketing and business development manager
Company D Computer technology Marketing and communication manager
Company E Bottle caps Partner and commercial director
Company F Home installations CEO
Company G Luxury furniture CEO
Company H Personal protective equipment Country Manager
Company I Personal protective equipment General Manager

We opted for semi-structured interviews as the advantages of this method lie in the
ability to extrapolate deeper insights and the possibility for key-informants to narrate
their concrete experiences in a spontaneous way, contextualized to the initial period of
the Covid-19 pandemic.
With the aim of collecting data, the key-informants were contacted individually both
via online platforms and by telephone. The semi-structured interviews were conducted
between the months of April and October 2020, with an average duration of one hour
each. After receiving the key-informants’ permissions, the interviews were recorded and
transcribed. The purpose of the interviews is twofold: (1) to identify the evolution of
SMEs’ digital marketing strategies during the Covid-19 outbreak, and (2) to investigate
the use of social media by SMEs to counter physical restrictions.

4 Findings
4.1 Digital Marketing Strategies During Covid-19 Era
Interviews focused on the influence of the pandemic on the digital marketing strategies
of B2B SMEs, and their online and offline activities in general. Key informants declared
that before the pandemic their companies used to rely on traditional tools such as printed
materials (i.e. brochures, leaflets), client visits, and trade fairs to showcase their products
and meet potential clients. Most companies had implemented digital channels and social
media, but in a limited way as there was not a specific role in the company specialized
in such tools, or because of lack of time. Another barrier that was reported concerned
age, since most roles in SMEs might not be as young as most social media users.
116 L. Hu and M. Olivieri

A common theme emerged concerns the fact that, while on the one hand the lockdown
limited many activities including shutdown of factories and points of sale, on the other
hand it gave the opportunity to assess the company’s internal value. The push towards the
recovery of previous projects, the reinforcement of digital skills and new relational skills
led firms to update their marketing strategy and tactics. Indeed, digital channels became
essential to maintain contact with stakeholders in various ways. For some interviewed
companies, the Covid-19 emergency represented an opportunity to implement specific
digital content for the first time. Previous communication material like product brochures
which used to be printed were adapted to digital formats or new versions were created.
In B2B, the relational dimension is considered central for SMEs as these companies
are traditionally slower in the adoption of technologies (Abou-Shouk et al. 2015), both
for a reputational objective and sales purposes. Since the restrictions imposed by the
lockdown slowed down the physical contact, and above all the possibility of physical
meetings, a shift was necessary. Starting from March 2020 lockdown, Italian SMEs
replaced physical meetings mainly with videocalls and webinars. Videocalls were used to
contact existing and potential clients to provide information and support. Then periodical
webinars were organized aiming at reinforcing relationships, increasing loyalty, and
pursuing engagement objectives. Furthermore, webinars were useful for product training
purposes.
Among other digital tools implemented, some of the interviewed companies decided
to create newsletters both for maintaining relationships and to provide news about the
company. Other SMEs developed a corporate blog on their website to publish updates
regarding their company and the sector in which they operate.

4.2 SMEs’ Adoption of Social Media During Covid-19


Our research highlights that before the health crisis social media platforms were used
to share content which were developed for other digital channels, especially the above
mentioned websites and blogs. However, the Covid-19 pandemic pushed firms to create
specific content to post on social media. Due to physical movement restrictions, SMEs
increased their use of social media to provide information to their clients and show their
presence and availability. Webinars shared on social media received a positive feedback
from clients and increased brand awareness.
Another advantage of social media concerns personalization. For instance, Company
A was able to test additional LinkedIn functions to better target content and generate
awareness among partners and customers. Company H stressed the opportunity to per-
sonalize content thanks to social media analytics, however the key informant stressed
that this should be integrated with sponsored content on social media and search engines
in order to increase reach.
The sector in which companies operate affects their choice of the platform, the tone
of voice of the contents and the objectives to be achieved. In particular, our research
reported four main social media platforms managed by SMEs, i.e. LinkedIn, Facebook,
Instagram and YouTube, as they represent the key channels to convey B2B online content.
Among our sample, companies are present equally on LinkedIn and Facebook, followed
by Instagram and YouTube. LinkedIn is recognized as the main channel for SMEs’ B2B
activities, in which companies take advantage of the opportunities to build and expand
How to Leverage Digital Marketing in B2B 117

the target of contents through extra features such as LinkedIn Sales Navigator. Hashtags
and groups allow to monitor industry trends and competitors’ activities, and to share it
both internally and as an input for new content.
Regarding the role played by Facebook, the majority of key informants expressed
different opinions, especially since the company sector strongly determines the target
audience. For example, the platform turns out to be a simple “showcase” especially for
companies that present highly technical content and for this reason it followed a similar
content strategy to LinkedIn.
As for Instagram, also in this case the benefits of the social media use and its actual
role are perceived to be different. Instagram seems to be more effective for those compa-
nies whose products’ aesthetic and design dimensions can be conveyed through images
and video, e.g. luxury sector. For most interviewed companies, Instagram use in B2B is
quite limited, although key informants recognized the potential of the platform. In Table
2 we summarize the main digital tools activated during the Covid-19 outbreak and their
objectives.

Table 2. Main digital tools and respective objectives used by SMEs during the Covid-19 outbreak

Digital tools Objectives


Brochures/leaflets • To provide product information
• To increase sales
Webinars • To reinforce business relationships
• To increase loyalty
• To increase engagement
• To deliver product training
Videocalls • To provide information and assistance
• To maintain business relationships
Blogs • To publish news and updates regarding the company and sector
Newsletter • To provide news and updates regarding the company
• To maintain business relationships
Social media • To increase brand awareness
• To provide information and assistance
• To increase sales
• To share content from other digital tools
• To create more personalized content

5 Discussion and Conclusion

The study confirms previous research regarding the slow adoption of digital tools among
B2B companies (Järvinen et al. 2012). However, the Covid-19 pandemic led firms to a
substantial increase of social and digital media adoption, whose effects are perceived
as not reversible. As in Michaelidou et al.’s (2011) study, most interviewed managers
118 L. Hu and M. Olivieri

expected the budget dedicated to online tools to overtake offline tools in the next few
years.
The Covid-19 has offered SMEs with the opportunity to strengthen digital skills,
which previously were not central in their marketing activities. Thanks to digital tech-
nologies, SMEs operating in B2B can activate faster and more direct communications,
which are less dependent on face to face interactions (Obal and Lancioni 2013) and
allow higher levels of personalization (Itani et al. 2017). As compared to larger firms,
SMEs usually lack resources to invest in costlier tools such TV or print advertising. On
the one hand, digital tools and social media usually require lower investments, therefore
they could meet SMEs’ budget constraints. On the other hand, as our study suggests,
more investments—also in terms of time—should be devolved to train professionals and
develop a specific B2B digital marketing strategy.
Findings of this research show that B2B SMEs should increase the use of digital tools
and social media, as they represent an opportunity to achieve different marketing objec-
tives from sales to brand awareness and customer engagement (Agnihotri et al. 2016;
Bocconcelli et al. 2017; Karjaluoto et al. 2015). Furthermore, the Covid-19 outbreak gave
a strong boost to the evolution of marketing strategies, making digital channels more
central for companies operating in B2B to maintain and reinforce business relationships.
Nevertheless, even in the post-Covid-19 era traditional marketing and communication
tools will not be completely replaced by digital media, therefore an effective integration
should be implemented.
In conclusion, this study provides evidence on the benefits of digital and social media
adoption among SMEs. However, it suffers from some limitations. As the interviews
were conducted in the same geographical area, i.e. Italy, research findings might not be
generalizable. Furthermore, this qualitative research did not consider the perspective of
B2B SMEs’ buyers. Future research could deepen their point of view also by adopting
quantitative methodologies in order to investigate the perception of buyers as well as
effects in sales and engagement generated by the contents shared on social media by
SMEs.

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How Does the Number of Instagram Followers
Influence Brand Attitude: The Role of Purchase
Intention, Perceived Product Quality, Referrals,
Brand Trust, and Gender

Ricardo Dias1 , Luis F. Martinez1(B) , and Luisa M. Martinez2


1 Nova School of Business and Economics, Universidade Nova de Lisboa, Lisbon, Portugal
[email protected]
2 IPAM Lisboa, UNIDCOM/IADE, Universidade Europeia, Lisbon, Portugal

[email protected]

Abstract. The presence of brands online has intensified over the past decade.
Previous research has found that following online updates from a brand’s Facebook
page enhances brand evaluations. As Instagram is emerging as one of the most
popular social media platforms, we extended previous research by simulating the
experience of navigating online on a smartphone while focusing on this platform.
Our main goal was to understand if brands with a large number of followers versus
brands with a small number of followers are perceived differently by consumers.
Findings from two studies (N total = 313) suggest that purchase intention and
brand trust are higher for Instagram brand pages with a large number of followers.
However, the perceived quality and likeliness to refer the brand to a friend are
not affected by the number of followers. Also, we found no significant gender
differences across variables.

Keywords: Instagram · Followers · Attitude · Purchase intention · Perceived


product quality · Referrals · Brand trust

1 Introduction

A plethora of research has been conducted on how social media metrics (e.g., likes,
tweets and shares) affect consumers’ opinion about products. Facebook and Twitter, as
the platforms that accompanied the social media boom since it started, have naturally
captured greater attention on this topic. Fewer studies have addressed the influence of
the number of followers on Instagram’s brand pages on consumers’ purchase intention,
perceptions of quality, likeliness to refer, and brand trust. However, previous research
clearly shows that a larger number of followers is related to a larger number of likes and
shares of a post, and vice-versa (Lipsman et al. 2012; Xie and Lee 2015). Additionally,
Sherman et al. (2016) conducted a study using a functional Magnetic Resonance Imaging
(fMRI) that simulated Instagram. The results showed that, when participants viewed
neutral, risky or even their own images with many likes (when compared with fewer

© The Author(s), under exclusive license to Springer Nature Switzerland AG 2021


F. J. Martínez-López and D. López López (Eds.): DMEC 2021, SPBE, pp. 121–128, 2021.
https://doi.org/10.1007/978-3-030-76520-0_13
122 R. Dias et al.

likes), greater activity in different parts of the brain was exhibited. The authors concluded
that “(…) adolescents were more likely to like a photo if that picture had received more
likes from peers” (p. 1031). Moreover, Spetz and Angelsted (2017) found that there
is a positive relation between the number of followers on Instagram fashion brands
and purchase intention. Still, more research is needed to better understand how having
a small vs. a large number of followers could impact brand attitude. Accordingly, the
importance of promoting Instagram profiles has resulted in the emergence of specialized
paid services allowing marketers to find influencers according to established criteria.

2 Hypotheses Development
Given the easily perceived brand pages on social media, cues such as the number of fol-
lowers might help people to make a quick assessment about the brand and its products
as well as influence their purchase intention (Dehghani and Tumer 2015). The ‘need to
touch’ a product is negatively correlated with a product perceived quality, especially for
online purchases (San-Martín et al. 2017). These findings highlight the importance for
brands to have a large number of followers, who could eventually contribute to increas-
ing the perceived product quality. Moreover, Beukeboom et al. (2015) analyzed brand
evaluation from current followers, new followers and non-followers, and concluded that
new followers had a significative positive increase on all brand evaluation measures,
whereas non-followers showed no significant changes. Kim and Ko (2012) tested the
presence of luxury brands on social media and concluded it increased likeliness to rec-
ommend a product and purchase intention. Additionally, the net promoter score’s (NPS)
benefits for brands have been demonstrated in the context of Facebook social media
(e.g., Dholakia and Durham 2010), thus it is now vital to comprehend if the number of
followers on Instagram is able to influence customers’ recommendation to peers. Also,
consumers’ intentions to transact online are positively related to trust in e-commerce
(Pavlou 2003). This author also stated that “trust reduces behavioral uncertainty related
to the actions of the Web retailer, giving the consumer a perception of some control over
a potentially uncertain transaction” (p. 106). We suggest that building trust will probably
unchain positive buying behaviors and ease the decision-making process in an online
environment. Lastly, considering gender differences, Eagly (1983) found females to be
more susceptible to social influence than males. Ilie et al. (2005) concluded there are
gender differences in perceptions and use of communication technologies. These find-
ings would lead us to ask if they remain valid when transposed to an online environment,
specifically on Instagram. Hence, we formulate the following five hypotheses:

H1: Purchase intention is higher for a brand page with a large number of followers,
when compared to one with a small number of followers on Instagram.
H2: Consumers’ perceived product quality is higher for a brand page with a large number
of followers, when compared to one with a small number of followers on Instagram.
H3: A brand present on an Instagram page with a large number of followers has a higher
probability of being referred to a friend or acquaintance, when compared to one with a
small number of followers on Instagram.
H4: Consumers will trust more a brand with a large number of followers, when compared
to one with a small number of followers on Instagram.
H5: There are gender differences for the variables tested.
How Does the Number of Instagram Followers Influence Brand Attitude 123

3 Study 1
This study focused on analyzing how consumers’ attitudes vary in relation to a brand
when it presents a profile page with a large vs. a small number of followers on Instagram.
Participants engaged in using a platform emulating the social media (Instagram).

3.1 Method
One hundred and ten participants (47.3% women; M age = 20.81 years, SD = 2.57 years)
aged between seventeen and twenty-eight years old. All participants were required to be
familiar with Instagram. We programmed a native Android application that fuses a ficti-
tious version of Instagram with different questions related to this study and manipulated
the number of followers (small vs. large). We used a between-subjects design, so the
participants were randomly assigned to one of the two conditions. To control for demand
effects and removing an affective component from our study, we used brands that are
likely unfamiliar between the people who were asked to participate in the study: three
real small Portuguese brands that show scarce sales in the market (Mojo Swimwear,
Skinii Skateboards, CordiCastro); two fictitious brands (Bolo d’Hoje, MovIdeia) and a
Chinese brand that is not present in the Portuguese market (Loz Blocks). There were two
questionnaires (A and B): the number of followers in the brand page was changed – for
example, in questionnaire A, the brand Loz had 35 k followers, whereas in questionnaire
B it had only 4237; the next Instagram profile of Mojo Swimsuits had 1200 followers
in questionnaire A and 421 k in questionnaire B and so on. The rationale was to adopt
brands that would on average appeal equally to both genders or, alternatively, more to
men or women but in the same proportion. Although each questionnaire in the study (A
and B) contains the same pictures and hence this matter might not change the results,
it was decided to not use photos with faces, given the findings of Bakhshi et al. (2014).
In the study they conducted, it was found that independently from participants’ gender
and age, “photos with faces are 38% more likely to receive likes and 32% more likely to
receive comments, even after controlling for social network reach and activity” (p. 965).
First, participants could navigate through the platform in the same way as a real
Instagram experience – they were able to view the profile page and open each of the
brand’s posts in order to see the full-size pictures. Next, four questions about the brand
were presented, assessing purchase intention and likeliness of referral (Beukeboom et al.
2015) as well as perceived quality and brand trustworthiness (Chu and Choi 2011). In
the end, all participants experienced six different Instagram brand pages and answered
to four questions on each one, produced a total of six hundred and sixty answers (110 *
6) for each of the first four constraints (110 * 6 * 4 = 2640 answers in total).
Followers are the main driver of engagement for both likes and comments on Insta-
gram pages (Bakshi et al. 2014). People with more than 30000 followers are seen as
celebrities, regardless of what they do for a living (Djafarova and Rushworth 2017).
Using this number as a benchmark, we decided to represent brands with a large number
of followers with numbers varying from 35000 to 500000, and brands with a small num-
ber of followers with values ranging from 500 to 9500. As likes are proportional to the
quantity of followers, calculations were made to render the Instagram emulation look
legitimate. An engagement rate between 0%–1.64% is considered low; 1.65%–3.48%
124 R. Dias et al.

is medium; 3.49%–6.67% is high and, above that, very high (Georgia 2017). For both
unpopular and popular brands, we used a percentage between 1.5% to 9%, thus varying
the percentage among posts, as in the real social media photography posted at different
times have different engagement rates. We sought to emulate these relevant aspects.

3.2 Results
Purchase Intention (H1). An independent samples t-test was used to test the hypoth-
esized relationship between the number of followers and the purchase intention. Signif-
icant differences were found in the consumers’ purchase intention when presented with
a small number of followers brand page (M = 4.55, SD = 1.46) or a large number of
followers brand page (M = 4.82, SD = 1.51) conditions; t(658) = −2.31, p = .021.
These results suggest that a large number of followers on Instagram does positively
impact consumers’ purchase intention. Specifically, H1 was confirmed.

Perceived Product Quality (H2). The results of an independent samples t-test have
shown that there are no significant differences in the consumers’ perceived product
quality when presented with a small number of followers brand page (M = 5.06, SD
= 1.24) or a large number of followers brand page (M = 5.22, SD = 1.24) conditions;
t(658) = −1.57, p = .117. Contrarily to what was hypothesized, these results suggest
that the number of followers does not influence consumers’ perceived product quality.
Hence, H2 was rejected.

Likeliness of Referral (H3). A t-test for independent samples concluded that there are
no significant differences in the likeliness of referring a brand to a friend or acquaintance
when presented with a small number of followers brand page (M = 4.75, SD = 1.47) or a
large number of followers brand page (M = 4.84, SD = 1.51) conditions; t(658) = −0.76,
p = .449. These results advocate that the number of followers does not impact the
likeliness of consumers’ referring a brand to a friend or acquaintance. Consequently, H3
was rejected.

Brand Trustworthiness (H4). An independent samples t-test was used to test the
hypothesized relationship between the number of followers and the consumers’ brand
trust. Significant differences for brand trust were found between consumers presented
with a small amount of followers brand page (M = 4.70, SD = 1.29) or with a large
amount of followers brand page (M = 4.93, SD = 1.34) conditions; t(658) = −2.26,
p = .024. Our results suggest that, when consumers are presented with products on an
Instagram page with a large number of followers, they are more inclined to trust the
brand than in the case of a small number of followers on its page. Accordingly, H4 was
confirmed.

Gender Differences (H5). For all the variables tested, no significant gender differences
were found. Thus, H5 was rejected.
How Does the Number of Instagram Followers Influence Brand Attitude 125

4 Study 2
The first study focused on providing participants an experience as similar as possible
to the real Instagram social media platform. This implied not making them explicitly
aware of the purpose of the study (i.e., comparing small vs. large number of followers).
We concluded that Instagram pages with a large number of followers can induce bigger
trust in their potential customers’ minds and also increase the purchase intention for
their products, when compared to pages with a small number of followers. To evaluate
if people’s reaction to the number of followers changes according to their awareness on
the subject, a second and shorter follow-up study was conducted. We aimed to assess
participants’ willingness to purchase a product and brand trust when explicitly making
participants aware of the small vs. large number of followers conditions for a specific
Instagram page, thus this second study also serves as a manipulation check.

4.1 Method
Two hundred and three participants (50.2% females) who were not part of the first study
responded to an online questionnaire. The previously disposed brand Mojo Swimwear
was used with similar attributes as before (pictures, number of followers and number
of followees). We made clear that we were evaluating the participants’ reaction to the
number of followers the Instagram brand page had. Participants read: “The following
brand pages have the same characteristics and represent the same brand as you can
see. Only the number of followers changes between both. Bearing these in mind, please
answer the following questions”. The questions were: “Which one of the two brand
pages gives you a higher willingness to purchase a product from this brand (for you or
as a gift)?” and “Which one of the two brand pages conveys a higher level of trust in the
brand you are seeing?”. For both questions, participants had to choose one out of three
possible answers: (1) “The brand page with the largest number of followers”; (2) “The
brand page with the smallest number of followers”; or (3) “Both brand pages give me
the same willingness to purchase/convey me the same level of trust”.

4.2 Results
Concerning purchase intention, 56.7% of respondents chose the page with the large
number of followers as giving them the higher willingness to purchase a product; 39.9%
answered both pages give them the same willingness to purchase; and, lastly, 3.4%
felt that the page with the smallest number of followers gave them a higher purchase
intention. For brand trust, 82.8% of the respondents declared that the page with the
largest number of followers provided them more trust than the others; 3.0% claimed to
feel the same trust in both pages; and 14.2% affirmed the smallest number of followers
to provide them the biggest trust in the brand. Finally, and similarly to the first study, we
did not find any gender differences across variables.

5 Discussion and Conclusion


The results achieved have indicated that having an Instagram brand page with a large
number of followers when compared to one with a small number of follower’s influences
126 R. Dias et al.

consumers’ purchase intention and brand trust. In contrast, a large number of followers
is not able to influence the likeliness of referring brand’s products to a friend nor to
increase the brand’s perceived quality on Instagram. Our studies also revealed that men
and women are not differently affected by the number of followers in the Instagram
brand profile. This is not only surprising for the ways different genders are socially
influenced, but also important for expenditures contention, as these results highlight that
implementing a gender targeting strategy for several variables might not be required by
firms on Instagram. Additionally, we contradict Veirman et al. (2017) study, who found
that a person with a high number of followers (influencer) who advertises a product
might negatively influence the consumer attitudes towards the brand when compared
to one with a small number of followers. However, Veirman et al. (2017) focused on
influencers whereas our study focused on Instagram brand pages.
Practical Implications. We conclude that is possible to positively influence the con-
sumers’ perception and attitude by increasing the number of followers of an Instagram
brand’s page, and benefit from a higher purchase intention and brand trust. Our results
provide new empirical insights in the way marketers should pursue their brand’s online
positioning and strategy while giving suggestions on how to tackle the factors that the
number of followers fails to influence.
Limitations and Suggestions for Future Research. First, this study was conducted
with Portuguese and young participants only. Given that Instagram is a global platform
where users come from every region in the world, our conclusions cannot by nature be
representative of consumers’ behavior on a worldwide scale. Nevertheless, Millennials
and Gen Z have grown up socializing and making purchases online, using social networks
and digital media on a daily basis, making them the most demanding and tech-savvy
generation cohorts (Mangold and Smith 2012). Thus, they provide useful information
on how the biggest technology consumers act and how similar cultures might behave
when facing the same situations online. Second, in order to avoid pre-made judgments,
we have used only brands that are unlikely to be known by the respondents. There is,
nonetheless, a small probability that some of the participants were already familiar with
one or more brands which might have influenced a small portion of the results. Third,
there is an ongoing debate among opinion makers – namely bloggers and journalists – if
a company should engage in the activity of actually buying both followers and likes.
Both factions provide different arguments. The skeptical ones argue that these followers
will not engage with posted content, hence they will be merely a number, providing a
bad reputation to the brand. On the contrary, the supportive part believes in the fact that
it provides a good starting point for beginners and help to boost the value of already
established online profiles. Future studies could experiment to build two similar Insta-
gram brands from inception, one where both followers and likes would be bought and
one which would grow organically. The final analysis of the results would provide us
with a solid conclusion on whether small brands or startups could benefit from a faster
growth by influencing consumers’ purchase intention and brand trust. Another interest-
ing study could focus on how having an Instagram brand page with a large number of
followers could impact the company’s actual sales. The use of familiar brands – instead
of unknown brands, which were used in this study – could also be examined closely to
find out if the number of followers impacts them as much as unfamiliar ones.
How Does the Number of Instagram Followers Influence Brand Attitude 127

Acknowledgments. This work was funded by Fundação para a Ciência e a Tecnologia


(UID/ECO/00124/2013, UID/ECO/00124/2019 and Social Sciences DataLab, LISBOA-01-
0145-FEDER-022209), POR Lisboa (LISBOA-01-0145-FEDER-007722, LISBOA-01-0145-
FEDER-022209) and POR Norte (LISBOA-01-0145-FEDER-022209). This study was also
supported by UNIDCOM under a Grant by the Fundação para a Ciência e a Tecnologia
(UIDB/DES/00711/2020) attributed to UNIDCOM/IADE – Unidade de Investigação em Design
e Comunicação, Lisbon, Portugal. The authors declare that they have no conflict of interest. All
procedures performed in studies involving human participants were in accordance with the ethical
standards of the institutional and/or national research committee and with the 1964 Helsinki dec-
laration and its later amendments or comparable ethical standards. Informed consent was obtained
from all individual participants included in the study.

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Online Atmospherics - An Evaluation
of the Current State of the Art and Future
Research Directions

Eva Maria González Hernández1 , Jan-Hinrich Meyer2(B) , and Andrea Trujillo1


1 Tecnológico de Monterrey, Escuela de Negocios, Monterrey, Mexico
{emgonzal,andrea.trujillo}@tec.mx
2 IQS School of Management, Universitat Ramon Llull, Barcelona, Spain

[email protected]

Abstract. Previous research has demonstrated that atmospherics (lighting, scent,


music, temperature, store layout, product display, etc.) impact consumers’ emo-
tional and behavioral responses, and marketers have applied them to in-store strate-
gies to stimulate purchases. However, in the last decades retailers are confronting
a significant technological transformation and face the challenges to attract a dig-
ital consumer in an online setting. This work focuses on new insights provided
by marketing researchers about the role of atmospherics in the context of online
stores. We contribute to this debate by providing a systematic literature review
of articles published in the last decade on atmospherics in the main journals of
marketing. The present study has two main objectives: first, identify theoretical
keys about the role of atmospherics in online stores. And second, recognize areas
for future research.

Keywords: Atmospherics · Online stores · E-commerce

1 Introduction

Over decades, the retailing industry has followed similar strategies for growth and prof-
itability mainly focusing on opening additional outlets. Yet, the digitalization has put an
end to this development, and demands companies to choose and integrate a wide array
of innovations to remain competitive in today’s hyperconnected world (Grewal 2017).
The integration of digital technology in all aspects of consumer’s daily lives has shaped
and increased consumer expectations with regards to product and service quality, as well
as the customer experience. The enhanced connectivity of customers has led to strong
changes in purchase behavior. The current Covid 19 pandemic has further accelerated
this development by speeding up the adoption of digital technologies on the consumer
side at an unprecedented rate, and opening up the digital world to previously reluctant
segments (Van Bellegham 2020). In order to keep up with these developments, retail-
ers need to allow their business models to evolve and create experiences that allow for
seamless purchases in an omnichannel environment.

© The Author(s), under exclusive license to Springer Nature Switzerland AG 2021


F. J. Martínez-López and D. López López (Eds.): DMEC 2021, SPBE, pp. 129–136, 2021.
https://doi.org/10.1007/978-3-030-76520-0_14
130 E. M. G. Hernández et al.

Especially virtual stores still face the challenge of incorporating tangibility, real-
ism, immediacy, closeness and enjoyment. The lack of touch and feel has been a major
drawback for online retailers since the early days (Weathers and Makienko 2006) and
keeps being a major impediment to purchase until today (González et al. 2021). Yet, the
digitalization is a reality, as demonstrated by solid double-digit growth rates around the
world over the last decade and further advanced by the pandemic which accelerated the
online shift by nearly two years to an estimated 30% of total retailing in the US (Van
Belleghem 2020). Generating superior online experiences has therefore been a major
goal for online retailers, in order to overcome the previously described barriers and facil-
itate a better online experience (González et al. 2021). Research has facilitated several
insights, regarding product displays, design elements, technological implementation and
social interaction. Yet, the integration of the different elements, and the creation of a
generalizable framework towards better online experiences still remains a challenge for
researchers and practitioners (Roggeveen et al. 2020).
A major research gap is the identification of the relevant factors for the Customer
Experience design of online retailing experiences and the subsequent classification in
how far the different elements add value for the customer. We posit that this requires a
rethinking of the traditional framework for purchase experiences (e.g. Bitner 1992), by
including new dimensions and variables for the digital environment. In this study, we
aim to revise the academic advances from the last decade in order to identify innovative
and relevant factors. Finally, our study proposes an adapted framework for the design
of online retailing experiences and lines out fruitful areas of future research. Our study
is based on a systematic literature review of academic publications form the last decade
and a descriptive analysis the relevance of different factors and variables, to conclude
with our proposed framework.

2 Understanding the (Online) Customer Experience

According to Holbrook and Hirschman (1982), customer experience is constructed from


symbolic, esthetic and hedonic consumption elements. Verhoef et al. (2009) define the
experience as a holistic construct which evokes cognitive, affective, social and physi-
cal consumer responses to a store. Both definitions coincide in the complex nature of
experience based on the interaction between the environment set by the retailer and
the customer. Our study focuses on those design elements that are most likely to evoke
positive customer responses (Verhoef et al. 2009). Traditional research in retailing and
marketing has highlighted repeatedly the importance of physical design elements such
as lighting, store design or product display, which can evoke positive emotions and in
turn increase the likelihood of purchase (e.g. Bitner 1992). The strategic importance of
the physical environment has been long recognized in academic literature in order to
influence consumer perceptions, evaluations and behavior (Grewal et al. 2009).
Among the pioneering frameworks to explain the impact of the retail environment on
consumer purchase behavior are the models from Baker (1986) and Bitner (1992). Baker
proposes three core dimensions which are atmospherics (e.g. lighting, music, tempera-
ture), design (architecture, layout, distribution) and social factors. Bitner (1992) on the
other hand proposes a combination of environmental factors, which impact consumers
Online Atmospherics - An Evaluation 131

in a cognitive, affective and in a physical way. The three key dimensions are ambi-
ent conditions, the spatial layout and symbols. In a later revision, Turley and Milliman
(2000) propose a combined version of the prior models by enhancing Bitner’s work by
the additional dimensions of exterior design and a social factor.
In recent years, academics have devoted and increased amount of attention to the
design of online experiences, which has brought along a richness of different theoreti-
cal frameworks. These frameworks can be classified into three groups. The first group
focuses on the transfer and adaptation of existing offline-based knowledge on atmospher-
ics to the new digital reality (e.g. Roggeveen 2020). The second group of studies has a
more technological orientation and take predominantly a human-technology interaction
focus (e.g. Wolfinberger and Gilly 2003). Finally, the third group of studies aims on a
holistic digital point of view by purely focusing on the online customer experience (e.g.
Trevinal and Stenger 2014).
Considering these recent theoretical advances, our work tries to thoroughly revise
the existing research in order to 1) deliver an overview of the current state of academic
research with regard to online atmospherics in online retailing, 2) identify those variables
and dimensions that matter most in consumer decision making and proposing an updated
theoretical framework based on recent research advances, and 3) to reflect on areas and
opportunities for future research in the field of online retailing, customer experience
design and omnichannel.

3 Methodology
The first decision was to define the databases and journals which would enter our study,
and we did so by applying the following criteria: a) the international scientific prestige
of the database and b) the scientific rigor of the incorporated journals (Schibrowsky et al.
2007). Therefore, Scopus was chosen as the primary database for our study, and the search
was complemented with results from Business Source Premier, ABI/INFORM, Emerald
and ultimately Google Scholar. In total, we revised around 20 different academic Journals
from the areas of Marketing, Retailing, E-commerce and Management and considered
the years from 2000 until 2019 as the timeframe for the sample collection.
After identifying a list of relevant keywords (e.g. online environment, web atmo-
spherics, e-commerce), we searched the titles, abstracts and article-adjunct keywords of
the previously mentioned databases. The keywords were driven by the three theoretical
dimensions defined in the last section. In total, we found 154 scientific publications in
the searched databases over the relevant timeframe. In a second stage, we evaluated the
suitability of each of the encountered publications for further analysis by thoroughly
revising the abstract. This review allowed us to identify if the encountered studies really
focused on online atmospherics, or if the search result was incidental. During this second
stage, the overall sample was reduced to a final sample of 96 documents which were
deemed suitable for further analysis (The full list of references is available upon request).
Following Schibrowsky et al. (2007), two expert reviewers conducted the content
analysis of each document. First, reviewers identified the descriptive data for each article
(e.g. Journal name, year of publication, keywords, citations). Then, they classified the
theoretical framework for each article and recorded the methodological design, as well
132 E. M. G. Hernández et al.

as the key variables. Finally, experts cataloged the main results for each of the articles
with special attention to significant effects.

4 Descriptive Results
Our results show, that out of the 96 studies under investigation, 30.2% were published
in the first five years of our observation frame (2000–2004), 42.7% in the second 5-
year period (2005–2009), and 27% were published in the remaining years (2010–2019).
Furthermore, we were able to identify the research fields of our sample: 27% of the studies
were published in the field of Business, Management and marketing, 40% pertain to the
area of Technology, Internet & E-commerce, while 28% were published in the area of
Retailing, and the remaining 5% belong to the field of Consumer Psychology.
From a theoretical perspective, our analysis of the sample shows two dominant
schools of thought underlying most studies. On the one hand, there is a cohort of studies
applying a consumer psychology perspective, while on the other hand the next largest set
of studies adopts a human-technology interaction perspective. For the former group, the
most frequently applied background is the classic Stimulus-Organism-Response (SOR)
model (Mehrabian and Russel 1974) which is strongly rooted in the field of physical
retailing, and is used in 30% of the studies in the sample. For the latter group of studies,
the Technology Acceptance Model (TAM), as well as the Human Computer Interaction
(HCI) model make up a combined 10% of the studies in the sample. The remaining
articles do not propose a clear reference to the underlying theoretical background, while
most of them clearly apply variables pertaining either to the background of consumer
psychology, communication or technology.
With regards to the methodology applied by the studies under investigation, our
results show that a vast majority rely on quantitative approaches. While experimen-
tal designs make up 40% of the studies, survey methods represent 39% of the cases.
Qualitative designs only make up for 4% of the studies under revision.
In order to revise and classify the variables under investigation, we follow the more
recent advances from Turley and Milliman (2000) and Trevinal and Stenger (2014) as
a frame of reference. The results show that 46% of the studies apply variables relating
to physical aspects of the online store (site design). In more detail, 36% of the studies
apply variables originating from research on physical stores (aesthetics), while another
10% of the studies use variables, which are unique to the digital environment, as grouped
in the dimension of vividness. Secondly, there is a cohort of studies which centers on
the functional aspects of online stores (usability), which can be grouped in two major
dimensions, ease of use and transaction capability. In particular, results show that 24% of
the studies apply variables facilitating the online experience, which are summarized in
the ease-of use dimension; while 14% of them focus rather on the process of facilitating
the purchase, which are grouped in the transaction capability dimension. Finally, we
identified a third group of variables, which can be recapped under the concept of social
interaction. While 9% of the studies are centered around social presence variables, the
remaining 8% of the studies focus on variables related to entertainment. These results
show the scarcity of academic work on new concepts, including the online-exclusive
vividness dimension in the site-design, as well as in the social interaction dimensions
mentioned last.
Online Atmospherics - An Evaluation 133

For the dependent variables, we are able to see a much more homogeneous pattern. In
line with attitudinal theory, most papers investigate the cognitive, affective and behavioral
responses of the consumers with regards to the independent variables (Eroglu et al. 2001).
Specifically, our results show that 43% of the studies measure behavioral variables, 38%
include cognitive variables and 19% focus on the affective aspects. Finally, a large set
of studies also relies on holistic assessments such as satisfaction or loyalty (8%).

4.1 Vividness, Transaction Capability and Social Interaction


We limit our analysis to those independent variables with the highest degree of novelty,
being vividness, transaction capability, social presence and entertainment.
When looking at vividness, we observe that the results have been obtained by manip-
ulating interactive elements, such 3D product representations or videos. In general,
we observe significant results of vividness elements on different levels of consumer
responses. For the cognitive dimension, we can see that vividness positively affects the
attitude towards the store (e.g. Fiore and Jin 2003) and the product (Klein 2003), as
well as for product selection and evaluation (Roggeveen et al. 2015). Similarly, for the
affective responses, there are positive effects with regard to the emotional state of the
consumer during the online shopping experience (e.g. Shen and Khalifa 2012) and an
increase in enjoyment and entertainment, both on an individual as well as on a social
level (e.g. Kim et al. 2007; Shen and Khalifa 2012). When turning to the behavioral
responses the studies show positive effects of increased vividness on purchase inten-
tions, time spent in the store, and the intention to come back to the store in the future
(e.g. Fiore and Jin 2003; Kim et al. 2007)
Transactional capacity is often assessed via security and privacy concerns (e.g.
Jaiswal et al. 2010; Wolfinbarger and Gilly 2003), trust (e.g. Goode and Harris 2007),
payment processes or return policies (Dholakia and Zhao 2010). Positive effects are
mainly shown over holistic assessments like store satisfaction (Park and Kim 2003) or
loyalty towards the retailer (Wolfinbarger and Gilly, 2003), as well as for attitudinal
measures such as brand attitude (e.g. Kim et al. 2015) such as purchase or store usage
intention.
Finally, when turning to the effects of social interactivity, the most studied vari-
ables include user-generated comments and recommendations (online reviews), which
are shown to impact affective responses via emotional reactions (Ning Shen and Khal-
ifa 2012) and behavioral responses by impacting product choice (Senecal and Nantel
2004). Entertainment is measured by enjoyment and fun, and yields affective responses
measured by positive emotions such as pleasure (Fiore et al. 2005) as well as holistic
variables such as loyalty or satisfaction (Gao and Bai 2014).

4.2 Towards a Theoretical Framework for Online Atmospherics


Considering the analysis results, we propose a conceptual model for the evaluation of
online atmospherics, that in the line of thinking of Turley and Miliman (2000), or the
revised framework by Roggeveenet et al. (2020). As can be seen in Fig. 1, we propose
three major dimensions for a holistic evaluation of online atmospherics. On the one
hand, there is a strong need to provide a consumer experience that underscores the
134 E. M. G. Hernández et al.

realness and the closeness of both the online store, as well as the products. This physical
dimension is based on design factors, which include the visual presentation and the
vividness of the experience. Especially the latter, the creation of a vivid environment is
crucial for such an experience, as virtual stores still lack means to create the realism of
a physical experience. Secondly, we focus on the functional aspects of the store which
are linked to the usability. Stores need to facilitate the life of the consumers as much as
possible via seamless and easy-to-use interfaces, and by evoking trust and security via
the transactional capacity. Last but not least, our model includes a social and interactive
dimension focusing on social presence, as well as entertainment. Virtual entertainment
and virtual social interactions have been on the rise for more than a decade, yet the current
Covid-19 crises has increased consumer knowledge and expectations even more, and
should make these elements even more useful for a good customer experience.

Fig. 1. Conceptual framework for online atmospherics

5 Discussion, Limitations and Ideas for Future Research


In this study, we have tried to obtain a state-of the art overview of the theoretical and
the empirical work on online atmospherics. Our analysis yields three major dimensions,
which allow the construction of a holistic proposal for a theoretical framework, focus-
ing on the physical, functional and social aspects of the online store. Our conclusions
highlight the importance of both, traditional retailing factors, such as design and layout,
but also bring along unique online specific parts, such as vividness or social presence.
Our model highlights the need for online retailers to build their stores in such a way that
they are easy to use and secure for the customers while creating experiences, which are
vivid, entertaining and social.
Online Atmospherics - An Evaluation 135

Our current study is subject to a several limitations, that could be addressed in future
research. On the one hand, there is always the risk to have overlooked some relevant
work due to different keywords or different areas of publication. On the other hand,
our analysis for now could be enhanced with potential moderators for the different fac-
tors. For instance, the social and entertaining functions might have a stronger relevance
for hedonic products, than for utilitarian products, while several studies hint that the
design factors might be gender contingent (González et al. 2021). Furthermore, the
overall importance of the three dimensions for now remains incomparable. A quanti-
tative, metanalytic approach might help to compare effect sizes and shed light on the
relative importance. Finally, this study could be enhanced by the development of a holis-
tic assessment tool for online store by developing a measurement instrument, based on
the three major dimensions in this study.

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How TikTok’s Algorithm Beats Facebook & Co.
for Attention Under the Theory of Escapism:
A Network Sample Analysis of Austrian,
German and Swiss Users

Markus Rach(B) and Marc K. Peter

School of Business, University of Applied Sciences and Arts Northwestern Switzerland FHNW,
Olten, Switzerland
{markus.rach,marc.peter}@fhnw.ch

Abstract. TikTok was the undisputed rising star of Social Media in 2020.
Although the app has started to rival Facebook for attention and the entire social
media landscape regarding monthly active user growth, academic research on Tik-
Tok’s secret to success is still scarce. This paper seeks to contribute to research
by trying to identify how TikTok outperforms its rival with an advanced algo-
rithm and inspire more academics to investigate the subject. A literature review
will provide context, followed by a study amongst TikTok users in Austria, Ger-
many and Switzerland. Results show that TikTok has overtaken Facebook by an
average of 30 min amongst teenagers’ daily app usage. TikTok’s matchmaking
algorithm plays a major role in this battle for attention by not only focusing on
a user’s friendship network, but on the user’s explicit behaviour. Evaluating the
theory of escapism as a motivator to use the app seems to suggest that TikTok
outperforms Facebook based on content related criteria. Since both applications
apply matchmaking on the basis of user generated content, it is suggested that
TikTok’s user focused algorithm outranks that of Facebook. TikTok thus marks a
trend change in social media by putting user centric algorithmic content curation
before peer-network driven considerations.

Keywords: TikTok · Facebook · Social media · User centricity

1 Introduction
Social media is an important tool of digital marketing strategies (Peter and Dalla Vecchia
2021). Among the social media landscape, TikTok was the fastest growing application
(app) of 2020, both by number of downloads and user growth (Weimann and Masri
2020). Since its acquisition and integration of musica.ly in 2018 (Stokel-Walker 2000),
TikTok has been unstoppable. TikTok, a matchmaking platform based on user generated
content (UGC), has exceeded 2 billion downloads. Based on official reports, TikTok
had over 700 million monthly active users (MAU) by mid-2020. It is expected that the
app will have over 1 billion MAU by early 2021, thus ranking it among the top 10
largest social media platforms (Bellan 2020). If one would add the number of Douyin

© The Author(s), under exclusive license to Springer Nature Switzerland AG 2021


F. J. Martínez-López and D. López López (Eds.): DMEC 2021, SPBE, pp. 137–143, 2021.
https://doi.org/10.1007/978-3-030-76520-0_15
138 M. Rach and M. K. Peter

users, the Chinese version of TikTok, its position would increase to be the fourth largest
social media platform, trailing behind Facebook, YouTube and WhatsApp. Although
both TikTok and Douyin belong to the Chinese company ByteDance, an AI (artificial
intelligence) technology company, due to their strict separation of both users’ content
and legal entities (as per the requirement of the Chinese government), the MAU count
is equally separate. Despite the impact of COVID-19 to the average utilisation of the
Internet and social media, the question of how TikTok has catapulted itself in only three
years to a social media superpower remains largely unanswered. Even more impressive
than the growth in MAU is TikTok’s ability to engage users for a long time. In fact,
practitioners’ studies have shown that on average, users spend only eight minutes less
on TikTok (52 min according to Davis 2019) than on Facebook (58 min according to
Famemass 2019). For younger generations, TikTok’s main user base, the daily app usage
exceeds that of Facebook by a long distance (80 min according to Newton 2020). TikTok’s
amazing leap against incumbent competitor Facebook raises the question of how TikTok
manages to engage its users so successfully and for such a long time in terms of daily
usage. Following a literature review on social media and TikTok, a network sample
analysis among social media users in Austria, Germany and Switzerland will try to shed
light to the investigation.

2 Social Media and Escapism

In order to assess the state of research on TikTok, an extensive literature review has been
conducted via Google Scholar and ScienceDirect for articles relating to TikTok and
its algorithm. ScienceDirect revealed 49 results and Google Scholar 12 results, all of
which were reviewed. Whilst more research around the topic of TikTok can be found, the
majority of research concentrates on the impact of TikTok on marketing and advertising
in general and privacy issues. A total of only five articles were identified discussing the
TikTok algorithm and its impact on user engagement. Across all articles, the identified
commonality is the notion that algorithm based personal recommendations have started
to become the dominating growth driver of matchmaking platforms (Tao et al. 2020),
including TikTok and Facebook, but also on e-commerce sites such as Amazon. Partic-
ularly platforms built on UGC place a much higher priority on the algorithmic curation
of content, as its users are driven to use the app through the motivation of escapism,
besides other drivers. Much research on the motivational drivers for the use of social
media has found escapism to be the most prominent driver (Whiting and Williams 2013).
Escapism can be interpreted as the seeking of joy, fun, diversion and entertainment from
our buzz-filled life (Korgaonkar and Wolin 1999) in combination with the key motivators
of archiving, self-expression, communication and voyeurism (Omar and Dequan 2020).
Studies already confirmed the connection of escapism with regards to social media usage
(Kırcaburun and Griffiths 2019; Mülleret et al. 2017). Therefore, it is important to under-
stand how escapism is formed on TikTok and which factors contribute to the assumed
escapism superiority of TikTok compared to other social media apps. This research thus
seeks to answer the question how, if at all, the algorithmic content curation on TikTok’s
ForYouPage (FYP) exploits escapism notions more effectively than other social media
sites.
How TikTok’s Algorithm Beats Facebook & Co. for Attention 139

3 Research Methodology
Based on the literature review, a questionnaire was created that covered the concept of
escapism and the five motivators as per Omar and Dequan (2020). Impacting factors on
the construct of escapism and the questionnaire have been discussed in five qualitative
validation interviews with open questions. The data for this research was drawn in
December 2020 via an online survey based on the network sampling technique from
Blagus et al. (2017). Also referred to as network sampling, this technique has emerged
as both cost effective and representative to model a sample from a real network (Jalali
et al. 2016). The sampling was created through private messages on Facebook and
TikTok. Facebook has been incorporated due to the fact that 85% of TikTok users also
are on Facebook (Hootsuite 2020). Through this method, a total of 341 survey responses
were received. 217 were completed and/or fulfilled the minimum age criteria of 13
years, which is the minimum age to use TikTok as defined in the app’s terms of service
and community guidelines (TikTok 2021). In addition, users had to be residents of
Austria, Germany or Switzerland to account for a high cultural similarity, i.e. a shared
application of the escapism motive. Based on the Index of Cultural Similarity (Roose,
2020), Austria, Germany and Switzerland showcase a high notion of similarity, justifying
the scope limitation for replication and further research stimuli. Language was thus used
as a natural selection criterion during the network sampling process. The questionnaire
was setup in German, which is the only officially spoken language present in all three
countries.

4 Findings

The evaluated responses revealed a user gender split of 55% male to 45% female. This
is closely aligned to the generic online user demographics (ITU 2020). The sample
covers all three German speaking countries: 76% of respondents were from Germany,
14% from Austria and roughly 10% from Switzerland. This mix slightly overemphasises
the population of Germany with 85 million, Austria with 8.8 million and Switzerland
with 8.4 million. The majority of respondents (79%) were between 13 and 34 years old.
Assessing the primary motivator to be on TikTok largely validated the study of Omar
and Dequan (2020). Escapism was shown as the most prominent factor. However, in
contrast to the study of Omar and Dequan (2020), self-expression ranked as the second
most important factor, followed by communication. Archiving and voyeurism did not
show a strong correlation. An overview of correlation results is shown in Table 1 for
TikTok. In comparison, the same results are shown in Table 2 for Facebook. Computed
p-values proved <0.05, thus suggesting significant findings.
140 M. Rach and M. K. Peter

Table 1. Correlation of motivators for the use of TikTok (r) (n = 217)

Sample Escapism Archiving Self-expression Communication Voyeurism


(n)
Germany 165 0.561 0.681 0.648 0.701 0.658
Austria 31 0.582 0.647 0.614 0.648 0.678
Switzerland 21 0.527 0.683 0.598 0.694 0.681

Table 2. Correlation of motivators for the use of Facebook (r) (n = 217)

Sample Escapism Archiving Self-expression Communication Voyeurism


(n)
Germany 165 0.731 0.467 0.692 0.652 0.399
Austria 31 0.649 0.482 0.638 0.619 0.426
Switzerland 21 0.663 0.501 0.546 0.605 0.417

Escapism and self-expression dominate over the other factors, particularly when
compared to motivators for the use of Facebook. The analysis of the influencing drivers
on escapism revealed two specific factors, namely a content related factor (to take users
away from their daily life, to provide a distraction of sorts) and an app related factor
(relating to the usability of the app to achieve a state of distraction with relative ease).
Table 3 provides a comparison between TikTok and Facebook of factors forming the
concept of escapism.

Table 3. Correlation of factors forming the concept of escapism (r) (n = 217)

Factors TikTok Facebook


Content related
Interesting 0.782 0.663
Relevant 0.856 0.682
Surprising 0.738 0.527
Entertaining 0.904 0.631
App related
Ease of use 0.831 0.572
Peer-network 0.739 0.859

TikTok outperforms Facebook in most criteria. In addition, TikTok’s entertainment


value and content relevancy to the user hint towards a major difference as compared
to Facebook. In the app related factors, TikTok outperforms Facebook mainly through
How TikTok’s Algorithm Beats Facebook & Co. for Attention 141

the app’s usability. This suggests a lower user effort to escape reality on TikTok, as
compared to Facebook. Contrary however, the network or peer effect to use either app
shows a slight advantage of Facebook.

5 Discussion and Conclusion


5.1 Discussion

Based on the findings, the view emerges that user-centric algorithmic content curation
outperforms other forms of algorithmic content creation under the escapism motivator for
the use of social media. Since both TikTok and Facebook can be classified as algorithm-
based matchmaking platforms, using a form of automated UGC curation to serve their
users, this study suggests relevant findings for both practitioners and scholars alike.
Findings have shown that under the same motivator, TikTok outperforms Facebook on
capturing user engagement, as evidenced by prior studies through the increasing time
spent on the platform. Whilst the motive of escapism was higher for TikTok than for
Facebook, one could suggest that TikTok and Facebook serve different purposes. TikTok
is the go-to app for escapism, while Facebook is the go-to app for communication
or archiving. This however dilutes each app’s ability to form the notion of escapism.
Looking into the identified impacting factors (Table 3), a much clearer picture emerges.
TikTok manages to serve its users more individually relevant content. It manages to
capture attention by ignoring the peer-circle, but by focusing on the engagement of each
user with the curated content for this specific user. However, the algorithmic curation
of content introduces the risk of decreasing content variance. This would assume the
entertainment value to decrease. To give an example, if a user values cat-related content,
after a certain number of cat-related content servings, it is likely the gained utility of
another cat-related content piece would diminish. Although this study did not account
for the utility of perceived content servings over time, the impact of surprising content on
escapism on TikTok suggests that their algorithm better mitigates the risk of a filter bubble
than Facebook. Since the major difference between both platforms is to be found in the
importance which the algorithm places on a user’s peer-network, the hypothesis to seek
the difference in perception in the algorithm further manifests. This leads to an interesting
discussion on the importance of networking and user connection in newly emerging
social networks versus the ability to capture, interpret and utilise users’ behavioural
traits to optimise platform objectives.

5.2 Limitations and Further Research

Although all efforts have been undertaken to deliver construct and content validity,
some limitations with regard to reliability and generalisability have to be stated. First,
the applied network sampling technique contains a self-selection bias on both network
usage and study participation. In addition, since this study is based on the findings of
prior research, it most likely also includes a scope and design bias.
The research project suggests further studies to empirically verify results with a
larger sample and across different cultural spheres. Further, analysing the influence of
142 M. Rach and M. K. Peter

demographic user attributes on factors contributing to escapism could provide more


granular results and reveal much of the inherent motivators to use a social media app.
Lastly, to avoid a content and content format bias, it is highly suggested to conduct
similar studies, contrasting TikTok to other social media platforms such as Instagram
Reels, Snapchat Spotlight, YouTube Shorts and Triller. Finally, it would be of value to
understand if users perceive a difference in content quality or relevancy as an impacting
dimension on their escapism motive, if compared by the same content format.

5.3 Conclusion

This research project provided evidence that TikTok is impacted to a higher degree by
the theory of escapism than Facebook. With both platforms sharing the notion of UGC
matchmaking, this study suggested to seek the difference in influence not in the utility
users gain from using the platform, but the ability of the platform to stimulate the moti-
vator of escapism. In this regard, TikTok outperformed Facebook, which suggests that
user generated content curation impacts the motivation of escapism in a superior way, as
compared to network-based content curation. Suggestions for further research have been
provided. The benefit of further research could help to understand how user behaviour on
social media is changing and what the likely impacts are on brands, platforms, content,
algorithms, and users.

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The Social Media Monitoring Process and its
Role in Social Media Strategy Development

Cécile Zachlod(B) and Marc K. Peter

School of Business, University of Applied Sciences and Arts Northwestern Switzerland FHNW,
Olten, Switzerland
{cecile.zachlod,marc.peter}@fhnw.ch

Abstract. Social media marketing is an integral part of digital marketing. It


requires a strategy, user generated content and technology applications. A review
of the identified German literature unveiled eighteen social media strategy frame-
works, of which only three included the component of social media monitoring.
This is in contrast to the English literature, where social media monitoring is
evidenced in a large literature review. The research analyses and describes the
eighteen identified frameworks in the German literature, validates them against a
generic social media strategy framework consisting of seven components/steps;
and describes the underrepresented component of social media monitoring by
suggesting a four-step process.

Keywords: Social media · Social media strategy · Social media monitoring ·


Social media listening

1 Introduction

Social media marketing is seen as an integral part of digital marketing, with many
organisations taking advantage of this digital channel (Peter et al. 2017). It is regarded
as a cost-effective digital marketing tool used by organisations in order to drive brand
building, customer communication, customer loyalty, lead generation, search engine
optimisation, social selling, and word-of-mouth marketing (Jensen 2006; Leeflang et al.
2014; Peter and Dalla Vecchia 2021). In order to benefit from social media, a strategy,
valuable content (including a process to enable and foster the creation of user generated
content) and technology applications are required (Effing and Spil 2016). Such applica-
tions may include marketing automation and social media monitoring, both providing
analytical capabilities around markets, themes, products, users, and competitors (Dalla
Vecchia et al. 2020). This research project aims to identify the components of social
media strategies in order to understand the role and process of social media monitoring.

© The Author(s), under exclusive license to Springer Nature Switzerland AG 2021


F. J. Martínez-López and D. López López (Eds.): DMEC 2021, SPBE, pp. 144–152, 2021.
https://doi.org/10.1007/978-3-030-76520-0_16
The Social Media Monitoring Process and its Role 145

2 Research Methodology
A literature review was conducted with the goal to identify and analyse all relevant
literature about social media strategy frameworks and the social media monitoring
process based on pre-defined keywords (social media strategy, social listening, social
media monitoring1 ) in the German literature (referring to works in the German language
from Austria, Germany and Switzerland) in the EBSCO (2020) and ProQuest (2020)
databases. The search revealed that there has been only a limited focus on academic
social media strategy frameworks in the past, but research is available on the topic of
social media monitoring. As a result, a second literature review was conducted on the
keyword “social media strategy” in the Google Scholar and Swisscovery databases. It
turned out that a larger number of practice-oriented books, book chapters and articles
can be found there. The focus therefore shifted to the identification and analysis of prac-
titioner publications for social media strategy frameworks; while the academic body of
knowledge (in English and German) was utilised in order to understand the role and
process of social media monitoring. For the topic of social media strategy frameworks,
the first thirty results were selected in each of the two databases following relevance
sorting. After duplicates (eighteen) were removed, forty-two articles remained. Twelve
social media strategy frameworks where eventually selected for further analysis based
on their assumed completeness, i.e., the existence of strategic planning, management and
operational components following Gorry and Morton (1971). Furthermore, four comple-
mentary frameworks referenced in the selected twelve papers were also considered and
analysed, resulting in a total of eighteen analysed frameworks. Finally, a comparative
analysis was conducted that identified all component/steps in the identified frameworks.
The analysis followed the seven identified elements of social media strategy frameworks
by Effing and Spil (2016).

3 Social Media Strategy Frameworks


The eighteen identified and analysed social media strategy frameworks in the German
literature were summarised in Table 1. They were placed (numbered as steps 1 to 7)
according to the overall process identified by Effing and Spil (2016). Target audience
refers to the definition of target segments/groups in order to tailor activities to the
market (identified in all eighteen sources); channel management includes the defini-
tion and orchestration of the various channels and social media platforms (seventeen
sources); objectives/goals include the goal setting process for the social media strategy
(all sources); resources includes the definition and description of the required infras-
tructure, applications, human resources and budgets (twelve sources); policies includes
the set of rules including the legal framework , e.g. privacy policies (nine sources); con-

1 The German keywords to conduct the literature review were “Social Media Strategie”, “Social
Media Monitoring”, and “Social Media Listening”.
146 C. Zachlod and M. K. Peter

tent management refers to the development and implementation of a content roadmap


(sixteen sources); and finally, monitoring refers to the process and tasks to capture and
analyse social media data. It is surprising to see that only three sources (Beilharz 2014;
Decker 2019; Rankl 2016) have referenced this component/step of a social media strat-
egy. It shall be highlighted that these three frameworks were developed in later years,
potentially allowing to conclude that the monitoring component was not considered
as equally important as other components in the earlier literature. In addition, many
frameworks include some type of analysis, for instance as a one-off measurement in the
strategy development process (e.g. Bauer and Bensmann 2019; Hilker 2010; 2012; Li
and Bernoff 2009; Pahrmann and Kupka 2020; Stuber 2012) or performance marketing
and controlling (e.g. Mack and Vilberger 2016), but not as an ongoing social media
monitoring activity.
It is worthwhile to mention the framework from Li and Bernoff (2009) as one of the
first social media strategy frameworks in the German literature. It offers a good basic
structure. The framework consists of the four steps people (target group/audience), objec-
tives, strategy and technology (Ruisinger (2011) also draws on the model from Li and
Bernoff (2009)). Lembke (2011) combines classic company-related marketing methods
with social media. With the detailed ten-step strategy process from Hilker (2010, 2012),
the author describes that not all steps have to be worked out completely in strategy
development and execution. The framework serves primarily as a guideline and should
be adapted from case to case by selecting individual steps in a targeted manner. This is
aligned to the framework from Stuber (2012), who designed the framework as an itera-
tive process, consisting of four steps: define goals, discover, participate and manage. The
process is complemented by three central aspects (people, content, tools), which must be
taken into account in all dimensions of the four recommended process steps. Ceyp and
Scupin (2013) focus on defining objectives and make a distinction between communica-
tion channels and forms of media alignment. Based on their consulting experience, Mack
and Vilberger (2016) established a process model with eight guiding questions in three
phases (based on the models from Li and Bernoff (2009) and Hilker (2010, 2012)). The
authors highlight the need for a maturity analysis as part of the analysis phase. Decker
(2019) provides a social media cycle with ten steps. It was developed from previously
observed frameworks and is understood as a more advanced social media management
approach. A focus on “brand-compliant” social media marketing is provided by Bauer
and Bensmann (2019), and the established framework from Pahrmann and Kupka (2020)
includes six components/steps. Overall, the lack of monitoring as a strategy component
in the German literature is even more evident when considering the comprehensive lit-
erature review by Effing and Spil (2016), who analysed sixty-six articles and drew their
conclusion that monitoring is an essential component of social media strategy.
The Social Media Monitoring Process and its Role 147

Table 1. Components/Steps of Social Media Strategy Frameworks in the German Literature


following the framework from Effing and Spil (2016)
148 C. Zachlod and M. K. Peter

4 Social Media Monitoring


Monitoring, even though only covered in three frameworks as per the literature review,
is an essential component of social media strategy development and execution, gounded
in the omnipresence of social media in our daily life. A recent study from Switzerland
has shown that 71% of Swiss Internet users are active on social media and nearly all
teenagers (99%) (Latzer et al. 2020). The most mentioned reasons for participating on
social media are (1) social interaction and (2) information seeking. While social inter-
action focusses on communication and interaction with each other over a social media
platform, information seeking highlights the goal of seeking information using social
media (Whiting and Williams 2013). Apart from individuals, organisations have also
increasingly explored the advantages of social media and have an increased focus on
social media monitoring. Social media monitoring can be defined as the systematic
search for content on the social web relevant to an organisation through an ongoing
process (Hadi and Fleshler 2016). Subsequently, the collected data is presented through
standardised analysis in order to make business decisions based on the findings (Manzira
and Bankole 2018; Orlandi et al. 2020). An organisation can utilise social media mon-
itoring for various purposes, including what is being said about the organisation, about
its products and services, and up-to-the-minute relevant information including audience
target groups and competitor insights. It can also be used for quality assurance, e.g.,
customer service, product optimisation, reputation management and/or crisis prevention
(Dalla Vecchia et al. 2020). It is important to distinguish social media monitoring from
performance measurement and controlling, where the organisation reviews its own social
media activities. The literature provides the terms social media monitoring, social media
listening, social media analytics and social media mining. While social media moni-
toring (Hadi and Fleshler 2016; Manzira and Bankole 2018; Orlandi et al. 2020) and
social media listening (Chumwatana and Chuaychoo 2017; Pomputius 2019) conclude
on the same meaning (i.e., the collection, analysis and presentation of relevant social
media data), social media analytics, on the other hand, is regarded in the context of an
interdisciplinary research field as a set of tools, frameworks and methods to collect and
analyse social media data in order to extract hidden patterns and information in a single
task (Fan and Gordon 2014; Stieglitz et al. 2014; Zeng et al. 2011). Finally, social media
mining is regarded as a component within social media analytics with the purpose to
extract valuable patterns from social media data by identifying various entities such as
customers, tags, keywords, and topics (Choi et al. 2020).
Social media monitoring requires a continuous and systematic process. Depending
on the strategic goals of the organisation, the monitoring process must be designed
differently. Even with a passive social media strategy (where the organisation does not
maintain its own social media profiles), it is important to install a simple monitoring
process, as users still might discuss issues relevant to that organisation (Pahrmann and
Kupka 2020). Social media monitoring systems are based on keywords such as the
organisation’s brand, products, suppliers or competitors, and the social media profiles
of individuals such as the company management or internal and external influencers
(Rappaport 2010). In order to provide a basic structure for social media monitoring, the
review of the literature enabled the definition of a four-step process (Fig. 1), consisting
of 1) data collection (preparing search queries aligned to the social media strategy as
The Social Media Monitoring Process and its Role 149

defined earlier), 2) data preparation (to clean and filter the data set, e.g. to remove
irrelevant results), 3) data analysis (utilising tools and approaches, such as sentiment
analysis, and to structure and summarise data), and 4) data presentation (to provide
recommendations in a format which suits the social media strategic objectives and the
recipients of the presentation) (Beilharz 2014; Decker 2019; Evertz 2017).

Fig. 1. The social media monitoring process following Beilharz (2014), Decker (2019) and Evertz
(2017)

5 Discussion and Conclusion

5.1 Discussion
The review of German literature on social media strategy frameworks revealed that the
monitoring component has not often been included, despite of its presence in the English
literature. Social media monitoring (or social media listening) provides an important
feedback loop and enables an organisation to review and optimise its activities; and at
the same time, to identify relevant social media engagements and activities impacting
its own organisation, even under a passive social media strategy.
The literature highlights some challenges with social media monitoring, including the
high investment cost to setup a social media monitoring solution and process, with many
organisations struggling to justify the investment (e.g., Henry 2011). At the same time,
social media monitoring has some limitations, including the lack of access to users’
private messages (for obvious reasons) on platforms such as Facebook Messenger or
WhatsApp (Moreno et al. 2017). Research findings suggest that organisations referencing
social media strategy frameworks from the German literature might have a disadvantage
over those which reference English literature, as social media monitoring seems to be
more prevalent there. This gap should be closed by those organisations who purely
referenced strategy frameworks which emerged in the German literature.

5.2 Limitations and Further Research

The limited availability of social media strategy frameworks in the German literature
is perceived to be a limitation in terms of a large data set for analysis, especially when
comparing the eighteen identified frameworks against the large number of articles and
150 C. Zachlod and M. K. Peter

presented frameworks in the English language. In addition, the limitation to the Ger-
man literature might further reduce the scope of the investigation as other frameworks
originating in the German speaking region might have been published in the English
literature. It is suggested that empirical research shall be conducted to investigate the
phenomena of the lack of social media monitoring in many frameworks in the German
literature, in order to either validate this perceived gap in business practice, or to provide
evidence that best practice does indeed include monitoring as part of a generalisable
social media strategy framework.

5.3 Conclusion
Social media strategy, as identified in the German literature and as supported by a large
study in the English literature, should be built around seven key components or pro-
cess steps, including 1) the definition of the target audience, 2) the definition of the
relevant channels and platforms, 3) the definition and articulation of the organisation’s
objectives and goals, 4) the identification and definition of the required resources, 5)
the establishment of policies for all relevant parties, 6) the creation of a content man-
agement framework, and 7) social media monitoring. While the seventh step, social
media monitoring, is not widely recognized in the Germany literature, it can be found
in the English literature. Its four process-steps of data collection, data preparation, data
analysis and data presentation provide important analytics, both in an active and passive
social media engagement, to monitor the social media landscape in terms of company,
product, audience, and competitor insights.

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Organic Reach on YouTube: What Makes People
Click on Videos from Social Media Influencers?

Jason Weismueller1(B) and Paul Harrigan1,2


1 UWA Business School, The University of Western Australia, Perth, Australia
[email protected]
2 College of Business, Zayed University, Dubai, UAE

Abstract. Our research investigates what increases click-through rates on


YouTube videos, specifically the role of the thumbnail, the video title, and the
verification badge. In the thumbnail, we look at the role of color characteristics
and the inclusion of people, drawing on color psychology and the parasocial inter-
action phenomenon. In the video title, we look at the role of capital letters and
emotional words, drawing on the elaboration likelihood model and negativity bias.
Finally, we look at the role of the verification badge, drawing on source credibility
theory. To test our hypotheses, we gather data from YouTube, by using YouTube’s
Application Programming Interface (API) to collect 50,000 thumbnails, video
titles and other relevant data from a total of 1000 influencers in 10 different cate-
gories. Our findings will have implications across the marketing and information
systems domains and, practically, will provide guidance for the many influencers
who rely on the optimal reach of their videos as their source of income.

Keywords: Influencer marketing · Social media marketing · Clicks · YouTube ·


Thumbnails · Organic reach

1 Introduction

Social media has become an integral part of consumers’ daily lives. On average, global
internet users spend 144 min per day browsing through social networks (Clement 2020).
In particular social networks that offer online videos and streaming services have gained
popularity. YouTube is the most successful social media platform in this realm. For
instance, it was found that 90% of internet users in the United States accessed YouTube
to watch online video, thus, ranking as the number one online video platform (Tankosvka
2021). Perhaps not surprisingly, this prompts worldwide brands and their marketers to
use YouTube to disseminate their brands messages. The delivery of brand messages
is often carried out by so-called social media influencers. Influencers are usually social
media users who are at the center of a sufficiently large, engaged and trusting community
of mostly young consumers and attract the interest of relevant brand marketers, who need
to engage with these communities (Lou and Yuan 2019; Yuan and Lou 2020). There is a
growing stream of research that investigates the effectivity of paid influencer marketing
campaigns (for a review: Hudders et al. 2020). However, not much is known about how

© The Author(s), under exclusive license to Springer Nature Switzerland AG 2021


F. J. Martínez-López and D. López López (Eds.): DMEC 2021, SPBE, pp. 153–160, 2021.
https://doi.org/10.1007/978-3-030-76520-0_17
154 J. Weismueller and P. Harrigan

influencers and brands can reach their audience more organically. With people spending
much of their screen time on YouTube, often just randomly browsing through content,
there is a high potential to organically reach new customers, viewers, or subscribers. In
fact, it is the only way to reach people on YouTube who are not already subscribers to
one’s YouTube channel, thus, being of high importance to influencers and marketers.
But what makes social media users click a video when they seemingly have an unlimited
number of videos to pick from? YouTube offers a range of features that may influence
people’s likelihood to click a video. Video thumbnails, which are snapshots of videos
that people see as they’re browsing YouTube, are one of the most powerful tools to make
people click a video. Similar important is the video title, which aims to get people’s
attention through buzz words or capital letters. Once a video is clicked and consumed,
research has shown that advertising messages on YouTube, in particular when they come
from influencers, can increase brand awareness, brand attitudes and purchase intentions
(Dehghani et al. 2016; Lee and Watkins 2016; Sokolova and Kefi 2020).
Against this backdrop, we aim to address two research questions: (1) Which thumb-
nail characteristics lead to increased views of videos from social media influencers? (2)
Which other visual cues (e.g., video title, verification badge, display of video duration)
lead to increased views of videos from social media influencers? Upon answering these
research questions, we propose six hypotheses. First, drawing on color psychology, we
hypothesize that a thumbnail with higher colorfulness increases video clicks. Second,
drawing on the phenomenon of parasocial interaction, we expect the presence of the
influencer in the thumbnail to increase video clicks. Third, underpinned by empirical
work on consumer responses to emotions, we propose that emotional face expressions
(i.e., surprise) will more likely gain people’s attention, thus leading to increased video
clicks. Fourth, drawing on the elaboration likelihood model and negativity bias, we
propose that textual cues that increase people’s attention such as capital letters or neg-
ative emotions will lead to increased video clicks. Fifth, drawing on expectancy theory,
we expect an inverted U-shape between the displayed video duration and video clicks.
Finally, using source credibility theory, we hypothesize that a verification badge leads
to increased video clicks.
To test our hypotheses, we collect data from the most successful YouTube accounts
and analyze the data with a range of different tools including image processing and
language processing. First, we compile a list of 1,000 influencers with the most suc-
cessful YouTube accounts (in terms of number of followers) in 10 different categories.
These categories include gaming, comedy, beauty, film and others. The social media
analytics website Socialblade is used to collect relevant data (i.e., name and channel
ID) of the Top 100 accounts in each category. Second, we use YouTube’s Application
Programming Interface (API) to collect information (e.g., thumbnail, number of views,
and video title) on the latest 50 videos of each account. Third, we use the Image Colour
Summarizer API to analyze the colorfulness, dominant colors and lightness of each of
the thumbnails. Fourth, we utilize the Microsoft Face API to check whether a person is
present in the thumbnail and analyze facial expressions (i.e., emotions) in each of the
thumbnails. Finally, we use textual analysis program Language Inquiry Word Count to
analyze language characteristics (i.e., emotions, capital letters, negations or pronouns)
of each of the video titles.
Organic Reach on YouTube 155

Our study aims to make three main contributions. First, we use big data with a total
of 50,000 video thumbnails and video titles from the most 1000 most popular YouTube
accounts. Prior research on YouTube influencers is dominated by surveys (Lee and
Watkins 2016; Sokolova and Kefi 2020; Xiao et al. 2018). Here, we study real-world
thumbnails, video titles and most importantly, engagement metrices such as video views
(as opposed to intentions to click a video). Second, rather than focusing on how the
video content may influence consumer attitudes and behaviors, we focus on what makes
consumers click the video in the first place. Thus, being able to investigate how brands
and social media influencers can increase their reach beyond their usual following. In
so doing, we provide specific advice on how changes in the thumbnail and the video
title for a specific video can increase reach. Third, we draw on source credibility theory,
elaboration likelihood model, color psychology, parasocial interaction, negativity bias
and expectancy theory to provide an overview with multiple theoretical perspectives of
the mechanisms involved when people browse through YouTube and make the decision
to click a video or not.

2 Influencer Marketing
Influencer marketing involves the identification and use of social media influencers.
In line with Lou and Yuan (2019, p. 2), we define a social media influencer as “first
and foremost a content generator: one who has a status of expertise in a specific area,
who has cultivated a sizable number of captive followers-who are of marketing value
to brands- by regularly producing valuable content via social media”. An influencer
creates and shares content related to niche areas of interest or expertise (e.g., politics,
sports, gaming) on social media platforms such as YouTube, Twitter and Instagram.
Individuals or consumers with an interest in the particular area can follow and interact
with influencers to keep up with the latest news and trends.
Research has investigated influencer marketing’s impact in various contexts (e.g.,
De Veirman et al. 2017; Djafarova and Trofimenko 2019; Lou and Yuan 2019; Weis-
mueller et al. 2020). For example, Lou and Yuan (2019) investigated how message value
and credibility affect consumer trust, which ultimately influences brand awareness and
purchase intention. Research into which content and influencer characteristics leads to
increased value for brands - in form of brand awareness and purchase intention - is
important, because it can showcase the effectivity of influencer campaigns. However, to
the best of our knowledge, no research has investigated how influencer campaigns can
increase their reach. This includes the reach within an influencer’s following (as not every
follower necessarily clicks the video) and the reach beyond the influencer’s following.
Investigating on how social media influencers can increase their reach is important as it
can boost the performance of an influencer campaign.

3 YouTube’s Browsing Environment


This study focuses on YouTube, an online video-sharing platform, that allows users
to create and upload videos that are viewed and shared by hundreds of millions of
viewers. More specifically, over 2 billion logged-in users visit YouTube each month,
156 J. Weismueller and P. Harrigan

people watch over a billion hours of video a day and those videos receive billions of
views (YouTube 2021). YouTube’s browsing environment consist of a range of features,
including a thumbnail, a video title, a verified badge and a label that displays the duration
of the video. Figure 1 displays an overview of how the YouTube browsing environment
is designed. YouTube has algorithms that usually detect user watching patterns and
recommend content that consumers like based on their previous watch history. Thus, the
YouTube browsing environment is heavily personalized. However, even when a video
is suggested by the YouTube algorithm, it is not guaranteed that the user clicks on the
video. Whether a user clicks on the video or not may depend on various features that
were previously discussed. In the following, we examine those features in more detail.

Fig. 1. YouTube browsing environment

4 The Impact of Thumbnails and Other Visual Cues on Video


Clicks
4.1 Thumbnails
The most prominent feature in the YouTube browsing environment is the thumbnail. A
thumbnail is either a randomly chosen frame of the video or a custom-made image from
the video owner. Thumbnails act like billboards to help viewers decide to watch a video
and often consist of a combination of photo, text and icons (see Fig. 2).
One of the most dominant characteristics in a thumbnail is color. Color theory has
been widely applied in the marketing literature, including the context of brand recog-
nition (Amsteus et al. 2015), product packaging (Garaus and Halkias 2020) and social
media marketing (Yu et al. 2020). For instance, Yu et al. (2020) found that generally,
individuals appeared more likely to respond to brighter and more saturated pictures on
Instagram. Further, research on ad impressions found that more saturated images lead to
an increase in click-through rates (Sokolik et al. 2014). More saturation in images appear
to evoke greater levels of attention and arousal in people, which in turn increases their
engagement with content that contain images with high saturation. Based on the above,
we propose that increased colorfulness (saturation) leads to increased video clicks.
Organic Reach on YouTube 157

Fig. 2. YouTube thumbnail

Another dominant characteristic is whether a person is present in the thumbnail, or


not. Research has found that one of the main drivers of why people engage with influencer
content is the para-social interaction (PSI) the audience creates with the influencer (Lou
and Kim 2019; Sokolava and Kefi 2020). PSI creates a feeling of personally knowing
the influencer. While PSI is usually related to how openly the influencer engages with
the audience, we argue that the presence of the influencer in the thumbnail may increase
the feeling of closeness to an influencer, therefore, leading people to click the video.
Hence, we hypothesize that the presence of an influencer in the video increases video
clicks.
If the influencer is present, it is of interest which emotions are expressed through
the influencer’s face. The importance of emotions in affecting people’s attitudes and
behaviors have been widely discussed in a marketing context (for a review: Gaur et al.
2014). Research on the use of emotions on YouTube found that emotional videos ads
positively impact sharing of the ad. Moreover, it was found that an element of surprise
can increase shares of YouTube ads (Tellis et al. 2019). Beyond emotional content,
previous studies have shown that emotional facial expressions capture visual attention
(Sawada and Sato 2020). In sum, emotional and surprising content and emotional facial
expression can increase people’s attention and influence subsequent behavior. Based
on the above, we suggest that surprising and emotional face expressions will lead to
increased video clicks.

4.2 Video Title and Other Visual Cues


Perhaps, the second most dominant feature is the video title. A video title is restricted
to 100 characters and the video owner can freely choose the title. Although, to the best
of our knowledge, there is no research on video titles on YouTube and how they attract
video views, there is a large number of studies on the importance of text in marketing (for
an overview: Berger et al. 2020). In this study, we expect that text can increase people’s
158 J. Weismueller and P. Harrigan

attention through capital letters and emotional words. Capital letters are used as an
expression of emphasis, thus, making people more alerted (Posner and Boies 1971). In
professional and personal settings capital letters are also used to signal strong emotions.
Drawing on the elaboration likelihood model (Petty and Cacioppo 1986), we propose
that people who are browsing through YouTube are in a low-effort mode, thus, being
easily persuaded to click the video by visual cues that get their attention such as capital
letters. Consequently, we expect the use of capital letters can increase video clicks.
Beyond capital letters, emotions are often expressed through positive and negative
words. In our study, we can expect negative words to increase people’s attention, hence,
increase the likelihood of people clicking the video. This is underpinned by people’s
negativity bias (Rozin and Royzmann 2001; Vaish 2008), which refers to people’s ten-
dency to attend more to negative stimuli rather than positive stimuli, which in turn has a
greater effect on people’s attitudes and behaviors. Therefore, we propose that negative
words will lead to increased video clicks.
Other visual cues include the video duration and the verification badge. Practitioners
and marketers alike have tried to find the optimal duration for videos on YouTube (Chi
2018; Tellis et al. 2019). Consumers live in a time-poor environment, which indicates
that a video should be long enough to convey critical information, but short enough to
suit the time constrained environment of consumers.
Thus, we can expect users to already take the video duration into account before even
clicking a video. This is line with expectancy theory, which proposes that an individual
selects a specific behavior based on the expected outcome (Vroom 1964). In our context,
it is the time investment in relation to the benefit the video provides. While a very short
or a very long video can likely provide benefits to the viewer, we expect videos with
a mid-range length to show the highest benefit in relation to viewer’s time investment.
Thus, we argue an inverted U-shape between video duration and video clicks.
The verification badge next to the YouTube channel name is displayed when a channel
has been verified by YouTube. To be eligible for verification, a channel needs to have
at least 100,000 subscribers, a channel banner, description, profile picture, and content,
and be active on YouTube (Google 2021). Consequently, the verification badge indicates
credibility. Prior research on influencer credibility found that credibility can increase
brand awareness and purchase intention (Lou and Yuan 2019; Weismueller et al. 2020).
Drawing on source credibility theory, we hypothesize that the presence of a verification
badge increases video clicks.

5 Conclusion

Influencer marketing has become an important marketing communications tool as it


offers engagement with a large number of potential buyers in a short time period at
lower cost than traditional advertising (Hudders et al. 2020). YouTube, which is one
of the most successful social media platforms with more than 2 billion logged-in users
each month, is the second most used platform for influencer campaigns (Mediakix 2019;
YouTube 2021). Consequently, brands are regularly engaging those influencers to pro-
mote sponsored content on their YouTube channels. While a large number of studies
focused on content characteristics and influencer characteristics to investigate how these
Organic Reach on YouTube 159

characteristics influence consumer attitudes and behaviors, research on what makes peo-
ple click YouTube videos from influencers in the first place remains largely unexplored.
Our study intends to close this gap and examine which features (i.e., thumbnail charac-
teristics and video title) increase video clicks. In so doing, we provide specific advice
on how changes in the thumbnail and the video title for a specific video can increase
reach. An increased reach enables marketers to expose their advertising message to a
larger audience beyond the followers of the influencer. More specifically, the advertising
message may reach people who have similar interests as the followers of the influencer,
but are not yet subscribed to the influencer’s YouTube channel. What follows is a boost
in performance for the influencer marketing campaign. A boost in performance is benefi-
cial as influencer campaigns can increase brand awareness, brand attitudes and purchase
intentions (Dehghani et al. 2016; Lee and Watkins 2016; Sokolova and Kefi 2020).

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Online E-Communication Channels: The
Impact of CSR and Reviews on Purchase Intent

Leanne Johnstone1 and Cecilia Lindh2(B)


1 Department of Business Administration, Örebro University School of Business, Örebro,
Sweden
[email protected]
2 School of Business, Society and Engineering, Mälardalen University, Västerås, Sweden

[email protected]

Abstract. The ever-growing online shopping environment provides an opportu-


nity for companies of all sizes to reach expanding customer bases across borders.
However, research on the factors influencing online purchase intent are limited,
and even more from an international point of view given that geographical market-
place barriers are less evident online. This paper explores the various antecedents
of online purchase intent in terms of e-communication strategies (e.g. corporate
social responsibility [CSR], peer reviews and expert opinion) for international
consumers. To approach this as a global phenomenon, an international dataset of
804 international online consumers is analysed. The study finds complexity in the
actors and pathways that inform purchase intent in the online retail context. Par-
ticularly, it finds that a company’s CSR has no direct effect on purchase intent but
is mediated by information received from online reviews by peers and experts as
intermediary e-communications channels. This suggests that online retailers must
consider other communication strategies, beyond the traditional buyer-seller dyad,
to boost CSR perceptions and purchase intent. The study offers a first step to the-
orising the online retail context as an international phenomenon where traditional
marketing concepts currently remain under-problematised.

Keywords: CSR · E-communication strategies · E-WOM · Influencers · Online


relationship marketing

1 Introduction

Marketing communications in the online context is considered increasingly important


to connect retailers and brands with their consumers (Killian and McManus 2015) by
building relationship capital (Etter and Fieseler 2010) and trust (Kim and Peterson 2017).
While there is the viewpoint that consumers prefer offline marketing channels in terms
of the physical store (see Frambach et al. 2007), it is no longer adequate to assume
such preferences given the rise in mobile technologies and online marketplaces (Bacile
et al. 2014; Thaichon and Quach 2015). This is because the Internet is known as an
interactive space for retailers and consumers to communicate with one another (Boateng

© The Author(s), under exclusive license to Springer Nature Switzerland AG 2021


F. J. Martínez-López and D. López López (Eds.): DMEC 2021, SPBE, pp. 161–183, 2021.
https://doi.org/10.1007/978-3-030-76520-0_18
162 L. Johnstone and C. Lindh

2019), where both products and brands can be regarded as international (see Yamin and
Sinkovics 2006; Stallkamp and Schotter 2019).
In contrast to traditional unilateral marketing communications pathways (Gurău
2008), online marketing channels – or e-communications – is contingent on a dialogue
between the retailer and consumer, which subsequently increases customer loyalty and
equity over the duration of the relationship (Kumar and George 2007; Boateng 2019).
Online marketing communications is considered distinct in terms of its interactivity,
transparency and memory (Gurău 2008). Specifically, the Internet allows for multiple
sources of interaction between retailers and their potential consumers, as well as other
actors. Moreover, information is both transmitted and stored in cyberspace. This means
that information about a retailer, brand or product is accessible to all internet users
and is not as easily removed. Together, these aspects provide online consumers with
more power in the relationship through intensified online social networks where multi-
ple actors are involved in the transmission of information (see e.g. Constantinides et al.
2008; Labrecque et al. 2013; Lou and Yuan 2019; Melancon and Dalakas 2018).
Although studies into the antecedents of online purchase intent have been increasing
in popularity, with implications for both online marketing communications theory and
practice (e.g. Beukeboom et al. 2015; Lee et al. 2017), much remains to be known about
how various antecedents interact. While some emphasise the importance of corporate
branding (e.g. Chen-Yu et al. 2016) and reviews (c.f Camilleri 2017) by not only the
online retailer but also intermediary actors such as influencers (cf. Jacobsen 2015; Lindh
and Lisichkova 2018; Lou and Yuan 2019), others explore the communicative effects
of corporate social responsibility (CSR) in the online context as an emerging field of
interest (see Anastasiadou et al. 2019; Dincer and Dincer 2010). Particularly, CSR is
becoming increasingly important in the contemporary marketplace which attaches more
importance to sustainable consumption. To this end, some argue that CSR can used as a
strategic tool for companies to interact with consumers in the co-creation of brand value
in the online context (Etter 2013; Uzunoğlu et al. 2017). This is because consumers often
attribute positive perceptions to companies that are socially responsible (Becker-Olson
et al. 2011; Gürhan-Canli et al. 2018).
It currently remains unclear how various e-communication strategies interact on the
online retail context to affect purchase intent for international consumers as an entity.
Previous research into online consumer behaviour has looked at national or cross-national
datasets (e.g. Hudson et al. 2016), asserting that retailers target marketing communica-
tions strategies to consumers in terms of their cultural orientations (e.g. Becker-Olsen
et al. 2011). Nevertheless, others assert the Internet as a global phenomenon that knows
no geographical, socio-political or cultural boundaries (see e.g. Safari et al. 2013). On
the one hand, the conventional viewpoint asserts that online retailers should ‘personally’
communicate and interact with the global consumer through targeted e-communication
strategies (Ang 2011). This would lead to targeted consumer groups in terms of product
offering (Pope and Waeraas 2016). On the other hand, there is the assumption that online
retailers can gain from broad-scope marketing and/or CSR strategies which target inter-
national consumers as an entity (see Anastasiadou et al. 2019). This is becoming espe-
cially evident as globalisation, internationalisation and digitalisation compress time and
space. Consequently, Anastasiadou et al. (2019) argue that studies into the antecedents
Online E-Communication Channels 163

of purchase intent as cross border, international and communicative phenomenon are


needed. This responds to the notion that international marketing communications are
not bounded by the limitations of space and time, in contrast to may traditional studies
in international marketing, which traditionally concern physical and psychic distance to
demonstrate the need of differences in strategies between countries (Safari et al. 2013;
Yannopoulos 2011).
The aim of this study is to explore the various antecedents of online purchase intent
in terms of e-communication strategies (e.g. CSR, peer reviews and expert opinion)
for international consumers. Given the increasing importance attached to CSR for both
domestic and international brands (Schramm-Klein et al. 2016; Ferreira and Ribeiro
2017), it investigates the consumers’ perceived value of CSR (by the company and/or
intermediaries)1 , product reviews by other users (usually posted by previous customers
who already purchased the product (Elwalda and Lu 2016; Park et al. 2007) and expert
opinion (via external influencers, who often express their opinion through social media
platforms) as ever-important e-communication channels that interact to inform online
purchase intent. These antecedents are tested through a structural equation model of
804 international consumers. This has the primary aim of developing e-communications
marketing theory as an interactive phenomenon based on a series of (f)actors which
incite global consumers to purchase online. Here, the antecedents of purchase intent are
posed as decisive for building and sustaining relationships between the retailer and the
online consumer (Park et al. 2007).
The findings contribute to online marketing communications studies by proposing
that third-party actors (i.e. intermediaries such as influencers or the general population)
are essential for building consumer perceptions of a product or a brand. It also con-
tributes to relationship marketing theory by elaborating on the prerequisites for building
consumer trust in the online context, beyond the physical store and physical interactions.
Here, purchase intent is built through social interaction on, for example, social media
websites that are not only set up by the store. Finally, the study contributes to emerging
studies that present online consumers as an international phenomenon. For practition-
ers, it suggests that the use of intermediary actors and social media channels, as well
as an openness to an international presence are profitable strategies. The study confirms
that it is especially important for online consumers to engage in active and constructive
dialogue with the company and its products.

2 Theoretical Background and Hypotheses


Online marketing communications is arguably contingent on both the e-communication
strategies adopted by the retailer and the relationships between the involved actors.
Nevertheless, in contrast to traditional marketing strategies, the outcome in the online
context is not only contingent on the firm. This is because the online context provides a
forum for both satisfied and unsatisfied stakeholders to express opinions about a product
or a brand. Here, marketing e-communications strategies imply that consumers can be
swayed by opinions from, for example, review websites, social media posts and online
1 Note that the term ‘intermediary’ is used in this paper in its literal sense as an intermediary
channel in the online context that could affect purchase intent such as an online influencer.
164 L. Johnstone and C. Lindh

influencers in addition to the retailer. This ‘new’ marketing context allows consumers to
communicate on equal terms (see Castello et al. 2016) with retailers as communication
about a product or a brand is increasingly based on interpersonal relationships, trust and
credibility.

2.1 E-Communication Strategies for Online Retailers


Online retailers strategise through new and adapted marketing channels to reach wider
groups of consumers. E-communication strategies serve different functions for online
retailers to manage corporate brand or product images by navigating online information
and dialogues. It is no longer enough for companies to have nicely designed, functional
websites; online consumers expect retailers to actively engage in dialogue with them
(Jacobsen 2015). Particularly, the online context increasingly asserts that consumers’
opinions are heard, and their needs are met (Golob and Podnar 2014). To this end,
Killian and McManus (2015) propose that e-communication strategies can be broadly
categorised in terms of a) relationship management, b) providing news, c) customer
engagement through creative campaigns and d) entertainment functions through, for
example, games. Thus, online platforms can serve as a means for retailers to deliver
information to potential customers in a timely manner (Colleoni 2013). This information,
however, is no longer unidirectional as conventional marketing communications theory
asserts. Rather, it embraces a duality between the retailer and consumer through multiple
pathways for the online retail context.
Previous studies have found that the relationship between the retailer and consumer
is improved through online discussions with peers and/or the brand (Johnstone and Lindh
2018; Shen et al. 2016). Here, relationship strength is based on social ties and interper-
sonal trust. Particularly, e-communication is more likely to be effective when consumers
source information from others in their network who they perceive as trustworthy. Given
that trust is socially embedded (Granovetter 1985), trustworthiness ultimately depends
on the frequency of social interactions and the intimacy of the exchanges in terms
of their personalisation (see Marsden and Campbell 1984; Ros-Diego and Castelló-
Martínez 2012). This implies that user activity and connectivity in online platforms is
directly proportional to the level of trust perceived between the involved actors, and
subsequently the trust attributed to a certain retailer, brand or product. Therefore, online
marketing communications arguably rests on the pillars of social interaction and online
relationships between the involved actors.

2.2 Actors in the Online Retail Context


The online, international retail context challenges conventional marketing communica-
tion strategies as marketing relationships become more complex due to a higher number
of actors being involved. To make sense of this complexity, it is first necessary to overview
the actors that serve as information and communication conduits in the online context.
This helps frame the antecedents of purchase intent through e-communications strategies
based on those involved.
The Internet provides a wide array of information which can be accessed instanta-
neously from any geographical location. Consequently, consumers in the online context
Online E-Communication Channels 165

can obtain information about a product or a retailer through two main channels, namely:
the retailer itself or from intermediary actors in the online context. First, online retail
websites can be regarded as primary actors in the consumers social network (Brown
et al. 2007). These corporate websites communicate a particular message about the
company, from the company, and are typically one-way channels. Nevertheless, retail
websites increasingly offer consumers the opportunity to contact the company and/or
give a review of a product they have tried; i.e. return a message which can help retail-
ers improve their future product or service offerings. Second, conventional word of
mouth (WOM) channels (e.g. family or friends) are increasingly complemented online
by electronic-WOM (eWOM) sources, e.g. social media posts, review websites, blogs,
celebrities, influencers etc. (Ghazi et al. 2013). These eWOM sources are regarded in
this paper as intermediary actors in the online context between the retailer and the con-
sumer. They exist in the cyberspace of social networks or other review platforms and
do not constitute a physical meeting between two actors. Whereas WOM tends to occur
between people in close proximity with prior ties, eWOM occurs between participants
in various geographies that are connected through a network of people (Kozinets et al.
2010; Lou and Yuan 2019; Zahoor and Qureshi 2017). To this end, eWOM exhibits some
unique characteristics in terms of its enhanced volume, reach, dispersion, anonymity and
salience (see King et al. 2014 for an overview). Nevertheless, eWOM is increasingly
important for informing consumer decisions, both online and in the physical store.
Peer reviews are considered extremely valuable eWOM channels for informing pur-
chase intent (Gretzel and Yoo 2008). This is because (potential) consumers feel relatable
to one another as part of a broader social network where trust and credibility are built
through online interactions and exchanges. Additionally, expert reviews (i.e. from pro-
fessionals in a particular field or celebrity influencers) are also deemed important in
the online context (Johnstone and Lindh 2018; Lou and Yan 2019). Such ‘experts’ can
influence their followers through product or brand reviews which often product a direct
link to the retail website for potential consumers. While indeed they may be paid by
companies to do this, the positive effect of expert reviewers in influencing purchase
intent is widely known due to their perceived credibility and trustworthiness (Johnstone
and Lindh 2018). This means that while online experts are often not physically close to
their followers, they are often perceived as close in terms of their desirably attributes and
characteristics as perceived by their followers. This is due to the Internet breaking down
the physical or metaphorical boundaries of space and time. Generally, individuals follow
others online who they feel similar to in terms of interests. They may also follow indi-
viduals who they aspire to be like. Thus, the potential role of online experts, particularly
influencers, is huge and increasingly realised for marketing communications strategists.
Nevertheless, the lack of ‘expertise’ for regular online reviewers (i.e. a peer on social
media), however, is compensated by the fact that s/he is not paid to give an opinion
(see Dou et al. 2012). This may, in fact, increase the legitimacy or trustworthiness of
such opinion by a wider group of online shoppers, beyond the realm of the influencer’s
sphere.
166 L. Johnstone and C. Lindh

2.3 Hypotheses

It appears that the relationships and communication between online actors are increas-
ingly important for increased online purchase intent. Online purchase intent can be
defined as the intent to purchase a product from an online retailer, rather than merely
signaling attitude towards that retailer (see Spears and Singh 2004). Consequently, it
offers practitioners with estimations of future purchase likelihood. The discussion thus
far suggests that international consumers are more likely to purchase from online retail-
ers if they receive information and dialogue about the company or brand and its products
from not only the company itself, but also other actors in the online context (e.g. social
media peers or expert reviewers). This is implicitly founded upon the principles of rela-
tionship marketing and the notion of trust, particularly interpersonal trust between the
involved actors (i.e. individuals, the company and its website). Resultantly, the following
hypotheses are built by expanding on various types of communication by online actors
as possible antecedents of increased purchase intent to build the research model.

2.3.1 CSR in Online Relationships


In recent years, corporate social responsibility (CSR) has become increasingly important
due to various institutional pressures. On the one hand, companies are put under more
pressure from multilevel governance structures that promote sustainable development.
On the other hand, consumers are becoming more aware of the social and environmental
implications of unsustainable consumption and business practices, thus making com-
municating CSR activities a relevant tool in marketing. This has led to a new wave of
literature that looks at CSR, from a communications perspective and how consumers
perceive it as relevant for their desire to purchase from a specific vendor.
In the general marketing communications and CSR literature, much work has already
been done which is also relevant for the online context. CSR communication is deemed
important for building corporate reputation and stakeholder relations (Becker-Olson
et al. 2011). It has long been known to yield benefits in terms of sustained business (see
Maignan et al. 1999), and globally irresponsible firms tend to suffer in terms of proposed
purchase intent (e.g. Ferreira and Ribeiro 2017). Resultantly, companies are expected
to communicate CSR openly and responsively by listening to external stakeholders and
responding to criticism and questions in the online context (Perks et al. 2017).
Nevertheless, studies into online CSR communication are in their relative infancy
and levels of online CSR interactivity tend to be low (Dincer and Dincer 2010). For
example, Etter (2013) suggests that online retailers tend to adopt a reactive interaction
approach to CSR communication on Twitter, responding only when their CSR issues
are explicitly addressed by other users. Kent and Taylor (2016) further that the strength
of e-communications channels as relationship-building tools between the company and
consumer is currently under-utilised for CSR actions (see also Ros-Diego and Castelló-
Martínez 2012). Moreno and Capriotti (2009) suggest that this is because online CSR
communication remains largely a unidirectional phenomenon between the company and
its (potential) consumers. Arguably, consumer perceptions of CSR by an online vendor
is potentially decisive for informing purchasing behaviour. As the issue is becoming
increasingly relevant, more and more consumers can be expected to take CSR into
Online E-Communication Channels 167

consideration before making a purchase (Anastasiadou et al. 2019; Shabib and Gan-
guli 2017). This applies to both domestic and international retailers to varying degrees
(Ferreira and Ribeiro 2017).
Arguably, online CSR communication can be used as a strategic tool for companies
to interact with their consumers in the co-creation of brand values (Etter 2013; Uzunoğlu
et al. 2017). There is a general understanding that the more interactive a CSR message is,
the more it elicits a response from the user (Abitbol and Lee 2017). Consumer engage-
ment with an online product or brand is therefore contingent on two-way communication
(see Ettinger et al. 2018) and the congruence between the company’s CSR messages and
its overall mission or business model (Abitbol and Lee 2017). As such, there is the expec-
tation that the online retailers’ use of e-communications channels to convey messages
and discuss their CSR efforts in order to build consumer trust through interactivity and
transparency (Du et al. 2007), rather than merely adopting a reactive approach to this
communication channel. By inciting a genuinely positive perception of the company’s
CSR and responding to consumer queries, companies can build their corporate reputa-
tion and consumer purchase intent (Kollat and Farache 2017). Consequently, the first
hypothesis is proposed:
H1. An online retailer’s perceived CSR work positively influences consumer purchase
intent
Here, the emphasis is on the consumers’ perception of an online retailer’s CSR work.
In this sense, it refers to a preference among the consumers for a company to appear to
act sustainably, rather than being a divisive feature of a specific product.

2.3.2 Online Reviewers


Social media marketing is considered particularly effective for consumer relationship
management and e-communication strategies (Filo et al. 2015). For example, it allows for
e-WOM between not only retailers and consumers (Felix et al. 2017), but also between
peers or celebrities and consumers (see Zeng and Gerritsen 2014) by sharing experiences
with/about a brand or product (Hudson et al. 2016). Consequently, social media market-
ing can be viewed as an effective eWOM strategy which is a social phenomenon drawing
on the fundamentals of relationship marketing, and particularly interpersonal trust (see
Morgan and Hunt 1994). It is instrumental for relationship management (Maecker et al.
2016), brand loyalty and awareness (Bernritter et al. 2016; Shi et al. 2016) and increased
sales (Trusov et al. 2009), particularly for weaker brands (Ho-Dac et al. 2013). It also
helps predict consumer behaviour (see Hamilton et al. 2016).
Much research has been conducted on the influence of online reviews for increased
purchase intent. Online reviews regard communication between various actors in the
online retail context. Here, consumers evaluate product and corporate reviews based
on the perceived trustworthiness and credibility of those reviewing the product, brand
or company (Shan 2016). Therefore, online reviews are particularly relevant for the
exploration of online marketing communications between the focal actors (i.e. the retailer
and consumer) and intermediaries (i.e. eWOM sources).
While reviews are used to reduce uncertainty about a product, service or brand by
informing consumer attitudes (Reimer and Benkenstein 2016), there are not exempt
168 L. Johnstone and C. Lindh

from critique. Particularly, source credibility poses a major problem for online mar-
keters (Banerjee et al. 2017) and the level of trustworthiness in online reviews can be
questioned. The motivations to engage in online reviews are multiple. While some find
that participants engage in eWOM for self-enhancement (e.g. De Angelis et al. 2012),
others find that it is for altruistic reasons; i.e. to help other consumers (Hennig-Thurau
et al. 2004). Moreover, various studies have found that ‘middle-of-the-road’ consumers
are less likely to review products or services (e.g. Hu et al. 2009) and there is the need
to ensure balanced feedback (King et al. 2014). This is because only those really happy
or really unhappy about a product, brand or retailer are likely to use eWOM channels
to express their opinions (Hu et al. 2009). To this end, the reviewers are caught in a
relationship whereby they are not only reviewing the product or retailer but are also con-
currently being reviewed by the potential customer. Particularly, potential consumers
evaluate the reviewer and review through message content and review extremity (Filieri
2016). Here, the relationship between the reviewer and consumer within a social network
is considered important for increasing brand trust, loyalty and sales (Jun et al. 2017).
Arguably, the distance between the consumer and the physical product in the online
retail context leads consumers to seek online reviews. As such, the third-party review
as intermediary actor in the online context can be considered an important antecedent
of purchase intent. The review can also be considered an integral e-communications
channel within which trust is established in not only the person reviewing, but also the
product or a brand as an indirect effect (see Johnstone and Lindh 2018). As previously
suggested, these reviewers as eWOM intermediaries regard both reviewers from the gen-
eral population (i.e. peer reviewers) and those which entail some form of celebrity status
(i.e. expert reviewers such as influencers). Together, these e-communication channels
are deemed important for informing online purchase intent by strengthening the focal
relationship between the retailer and consumer.
First, the opinions of reviewers and review websites, in addition to review functions
on some retailers’ own websites have become more valuable as well as have intensified in
recent years. This is because reviews provide (potential) consumers with information to
inform not only attitudes, but purchase intent. Specifically, it has been argued that reviews
made by the general population increase the trustworthiness of not only the reviewer but
also the product or brand (Dou et al. 2012). This is in comparison to reviews made by the
retailer or producer which may be viewed as biased. Therefore, the second hypothesis
is:
H2. Online reviews of the product or retailer by the general population positively
influence consumer purchase intent
Second, online ‘expert’ reviews made by celebrity influencers or professionals are
also influential for increasing purchase intent for not only an online product, but also
a specific webstore that they may be endorsed to promote. Rather than forming a part
of the general population, online expert reviewers regard some form of celebrity status
which is illustrated through their multitude of followers. These experts often test and
comment product in films, which they post online. In contrast to reviews made by other
consumers/users found on the retailer website, these are found in other external online
Online E-Communication Channels 169

forums such as YouTube or other similar platforms. Thus, expert reviews have the poten-
tial to influence the purchase intent of vast groups of the general population. Arguably,
they exhibit more power in the review process from a corporate strategic perspective and
may be deliberately employed by a company to positively review their products. Various
online marketing studies have highlighted the importance of top, celebrity reviewers or
influencers for retailers marketing strategies (e.g. Banerjee et al. 2017; Johnstone and
Lindh 2018). Therefore, the third hypothesis is:
H3. Online reviews of the product or retailer by expert reviewers positively influence
consumer purchase intent

2.3.3 Potential Indirect Effects

Evidently, product or brand communication by the company as well as external review-


ers as intermediaries in the online context are important for increasing purchase intent.
Arguably, combining these antecedents can help improve the strength of the relation-
ship between the consumer and retailer in terms of purchase intent for international
consumers.
First, the conventional CSR communications model, based on one-way communi-
cation from the firm to the field to influencer consumer perceptions of the retailer, is
presented as increasingly limited. In this sense, the effect of CSR communication by the
online retailer itself may not be enough to explain purchase intent. This is because one-
way communication channels can be regarded as telling stakeholders a particular story
(i.e. sensegiving), rather than involving them in constructive dialogue (i.e. an iteration
between sensegiving and sensemaking) (Morsing and Schultz 2006). Further, it may also
call external stakeholders to question the true CSR practices of a firm by defending its
legitimacy through extensive one-way CSR communications campaigns, which may be
received with scepticism (Ashforth and Gibbs 1990). Consequently, Perks et al. (2017)
argue that consumer involvement is significant in the evaluation of a company as socially
responsible and therefore trustworthy. Thus, CSR currently requires ‘more sophisticated
CSR communication strategies’ to ensure consumer engagement (Morsing and Schultz
2006, p. 323). This may involve consumers engaging in CSR dialogue with the company
itself and/or intermediaries, thus having the potential to explain the focal relationship
between CSR and purchase intent. Here, the opinion of other actors in the online context
may help form consumer opinion about an online retailer and subsequently affect pur-
chase intent. In this sense, even though direct CSR communication may be perceived as
important, it alone may not be enough to inform purchase intent. Therefore, an indirect
effect of CSR on purchase intent by opinions from reviewers and experts is proposed:
H4a. The effect of an online retailer’s CSR as perceived by the consumer on purchase
intent, is mediated by reviews by the general population
H4b. The effect of an online retailer’s CSR as perceived by the consumer on purchase
intent, is mediated by expert reviews
The final assumption rests on the notion that consumers who seek opinions online,
do so from multiple sources. This asserts that trust in the product or retailer is increased
170 L. Johnstone and C. Lindh

through various eWOM intermediaries who express opinions that guide action, rather
than merely relying on one information source. Hence, the final hypothesis is offered:
H5. The effect of online peer reviews on purchase intent is strengthened by the reviews
of experts

3 Method

The method to investigate is data collection through a standardized survey and hypotheses
testing in three models, developed with LISREL. This part discusses the survey and
shows the relevant statistical outputs for the analysis.

3.1 Survey Administration and Data Set

The aim of this study is to explore the various antecedents of online purchase intent
in terms of e-communication strategies (e.g. CSR, peer reviews and expert opinion)
on increased online purchase intent for international consumers. Particularly, the online
retail context is considered global in its outlook and reach (Safari et al. 2013). Therefore,
in accordance with recent online consumer research, this study looks at an international
dataset of consumers as an emerging marketing phenomenon which requires broad-scope
marketing strategies that account for consumption preferences as increasingly interna-
tional (e.g. Anastasiadou et al. 2019). As such, the consumer sample is not segmented in
terms of cultural or national orientations which arguably diminish over space and time
for the online retail context.
Respondents were sent a weblink to the survey through online social networks, email
and other mobile technologies. Potential respondents were further encouraged to forward
the survey link to others in their social network, and where possible, survey links on
social media platforms were shareable. The survey period lasted one month, yielding
804 responses from 57 countries (see Appendix A). This was composed of 51% females
and 49% males, and most respondents were in the 21–30 age category, reflecting the
predominance of millennials (i.e. those born between the early 1980s and mid-1990s
(Mangold and Smith 2012)) using such interactive technologies (see Pate and Adams
2013).

3.1.1 Considerations
Searching for respondents buying fashion online poses several difficulties. First, it is
impossible to define a population as it would require assessing the number of online
consumers in the world. Therefore, no population is defined in this study and instead of
assembling a “sample” in the conventional sense, appropriate respondents were searched
for. This achieved a data set fulfilling the requirements of being a large and demographi-
cally varied group of online consumers around the globe. Furthermore, as the respondents
received the weblink through different media forms for taking the survey, its cover let-
ter clearly stated the purpose of the research and the role of the participants for this
investigation.
Online E-Communication Channels 171

3.2 Survey Items, Data and Validity

To test the hypotheses based on the four concepts of purchase intent, CSR, online peer
review and expert opinion, latent variables were formed. Purchase intent indicates the
intent for future purchases (see Spears and Singh 2004) and is an established perfor-
mance variable. The items used in this study have been previously developed, serving
as proxies of future purchase behaviour (Beldad et al. 2016; Hausman and Siekpe 2009;
McKnight and Chervany 2001). These were specifically formulated to capture future
online purchase intent as well as the expansion of online purchase intent into differ-
ent product categories. While the effects of the various e-communication channels may
also increase future in-store sales, this study concentrates on the online retail context as
an international phenomenon whereby consumers can buy products from geographies
beyond their locale. For CSR, the items used have been pretested in previous studies
on the international consumer (Anastasiadou et al. 2019; Shabib and Ganguli 2017).
These regard three items for CSR in terms of the activities a company presents as engag-
ing (e.g. regarding environmentally friendly production and various social conditions).
Meanwhile, the two items used to test the involved intermediaries of peer reviewers from
the general population have been formulated specifically for this study, although inspired
by previous research on e-WOM (e.g. Amblee and Bui 2011). Particularly, items were
constructed to assess how online reviews from peers contribute to a sense of trust or
security in the product and its evaluation (see also Costa e Silva et al. 2012), as well as
an evaluation of the importance of online reviews. Finally, the extent to which expert
advice informs purchase intent regards items which have been pre-tested in a previous
study (Lindh and Lisichkova 2018). These regard the aspects of following experts and
taking their advice seriously. Given that the survey contained both pre-tested and adapted
items, which are necessary to find new knowledge in some contexts, the survey was pre-
tested in a smaller group of 30 people to ascertain that the questions were logical, clear
and that no two were nearly identical or possible to mix up.
When using scales that are only partly validated by previous research, as in this
case, a way of validating them is by iterations in a measurement model. Fornell and
Larker (1981) and Steenkamp and van Treijp (1991) explain that through iterations, the
program points to the appropriate latent variables (construct) by examining the data. In
this case, a few of the items used in the standardised survey were omitted for the purpose
of this research as they did not fit into the latent variables. For the items regarding new or
unexplored constructs, such as those on reviews by other consumers or information from
experts, these iterations are extra important. They show in this case that the items about
reviews that were asked to measure the impact of online reviews by anyone who already
purchased the product, indicate the same construct, which then is named “influence from
reviews”. Similarly, the items on how experts are important are shown to indicate on
the same construct, named “influence from experts”. This explorative approach does not
diminish the importance of logic with theory, which on the contrary, is quite important
(Eriksson 1998; Jöreskog and Sörbom 1993). However, in this survey, all items are
grouped in an order that seems logical to respondents; which was also checked in the
pre-testing process to remove errors. This means that the items indicating e.g. influence
from reviewers are found in different places in the survey, but for the measurement
model, they were put together.
172 L. Johnstone and C. Lindh

The primary issue in testing the measurement model is to look for discriminant (that
latent variables measure different phenomena) and convergence validity (that the items in
one construct load adequately, i.e. measure the same phenomenon). The data important
to examine are the R2 loadings which should be over 0.2; the t-values which should
be over 1.96 and the factor loadings (completely standardised solution) which should
exceed 0.3 (Eriksson 1998; Holm et al. 1996; Jöreskog and Sörbom 1993). The items
that meet these criteria for the suggested latent variables in the measurement model are
displayed in Table 1.

Table 1. Constructs and indicators

Constructs and indicators R2 t Factor loading


CSR
It is important to me that the company I buy from engages in 0.51 16.94 0.72
environmentally friendly production
It is important to me that the company I buy from treats 0.79 8.42 0.89
employees well
It is important to me that the company I buy from engages in 0.71 11.38 0.85
fair trade
Purchase intent
I intend to keep on buying from the Internet/web 0.48 17.04 0.69
I believe that I will buy more online in the future 0.90 3.32 0.95
I want to buy other things (that I have not bought previously) 0.59 14.51 0.77
from the Internet in the future
Influence from reviews
Reviews make me feel secure when buying online 0.44 9.68 0.75
When buying online, how important are reviews in your 0.56 6.62 0.67
evaluation of products?
Influence from experts
I follow experts in the field that I am interested in 0.68 5.93 0.82
I take advice from experts seriously 0.70 5.42 0.84

To find causalities, the hypotheses were tested in a structural equations model. Struc-
tural equation modelling is a frequently used method in marketing research to assess
empirically complex models and contribute to new theoretical ideas (Martínez-López
et al. 2013). In this paper, LISREL (as developed by Jöreskog and Sörbom 1993) is
applied to develop the model (Fig. 1, shown in the results section) with a set of items to
form each latent variable. The method also permits for mediating effects to be shown,
although referred to as “indirect effects” in the LISREL output. A mediated effect accord-
ing to Baron and Kenny (1986) is when a path (between e.g. A and B) is not significant
(and the hypothesis rejected) but other paths between e.g. A -> C and C -> B are sig-
nificant to imply that the relationship between A and B is explained by C. In the case
Online E-Communication Channels 173

of this analysis, there are indirect effects supporting the set of hypotheses suggesting
mediation. In the case of how CSR effects purchase intent, there is an indirect but not a
direct effect. Meanwhile, in the case of the effects by reviews (expert and general) there
are both direct and indirect effects. In the analysis of the causal model shown in Fig. 1,
the indirect effect by CSR on purchase intent is displayed. It shows that reviews by the
general public and experts together mediate. In order to analyse them separately, the
model was divided into two in LISREL (testing additional to the main model). When
running the model as two, all values and indexes still meet the given criteria for validity
and in both cases the path from CSR to purchase intent is insignificant, and the indirect
effect showing mediation are significant (their values shown in Fig. 1). The result for
the specific model is elaborated on in the result section.
A causal model achieved through LISREL concerns also nomological validity,
assessed in terms of p-value that is to be significant (btw 0.01–0.05). Other ways to
ascertain fit of the data to the model are the use of fit indexes (their respective references
shown in Table 2). All given criteria are met for the model developed (those values are
presented in Table 1 and Fig. 1, this model is referred to as Model 1 in Table 2), but as
the mediation test also involved testing the two mediating constructs in separate models,
Table 2 on fit indexes shows the values also for the two other test models, referred to as
Model 2 (to find mediation by reviews from the public) and Model 3 (developed to test
for mediation by experts).

Table 2. Fit indexes, n = 804

Fit measures Fit guideline Reference Model 1 Model 2 Model 3


(p-value) P ≥ 0.05 (0.03) (0.02) (0.04)
Chi-Square /df P ≤ 3.0 Segars and Grover 1.62 1.98 1.55
(1993)
GFI P ≥ 0.90 Hayduk (1987) 0.99 0.99 0.99
AGFI P ≥ 0.80 Hayduk (1987) 0.98 0.98 0.98
CFI P ≥ 0.90 Byrne (2001) 0.99 0.99 0.99
TLI (NNFI) P ≥ 0.90 Bentler and Bonnet 0.99 0.99 0.99
(1980)
RMSEA P ≤ 0.08 Byrne (2001) 0.03 0.03 0.03

4 Results
To test the models, paths were evaluated in terms of t-values and estimates. T-values that
are > 2 and significant (estimates of at least 2*) are deemed as supporting the hypotheses,
and those with lower values are not supported (Fig. 1).
Interestingly, H1 which proposes that the perceived CSR by the online retailer posi-
tively impacts purchase intent for international consumers is not supported. Nevertheless,
all other paths are significant, thus supporting the other hypotheses. Particularly, not only
174 L. Johnstone and C. Lindh

Fig. 1. Structural model

do online reviews from peers and experts directly impact purchase intent (H2 and H3
are supported), both forms of review help explain the relationship between CSR and
increased purchase intent.
For the indirect pathways, claiming that H4a and H4b are supported requires and H2
and H3 being significant, as well as the paths from CSR to the two review constructs.
However, to be certain that the latter two function as intermediate variables and there
is an indirect effect, the KSI on ETA effect must be significant too. In this case, they
are significant (4.52: 0.08** as shown in Fig. 1 where the dotted arrow showing the
first hypothesis is). This supports that the two constructs of public and expert reviews
mediate CSR’s effect on purchase intent. In separation, the two constructs both mediate
CSR, as shown along the dotted arrow in the right half of the model in figure (H4a
and H4b). Finally, the model finds that the effect of online reviews by the general
population is strengthened by the reviews of experts, supporting H5. This suggests
that online international consumers seek multiple information sources to inform their
purchase intent. Consequently, conventional unilateral communications channels are
diversifying into multiple pathways for the online retail context. These pathways are
becoming increasingly important for international consumers who continually expect
more from retailers and their products.

5 Concluding Discussion

This study looked into the multiple actors and e-communications pathways that increas-
ingly inform the online retail context. Specifically, it aimed to explore the various
antecedents of online purchase intent in terms of e-communication strategies (e.g. CSR,
peer reviews and expert opinion) for international consumers. To this end, the findings of
this study have implications for both the e-communications strategies adopted by online
retailers and marketers, as well as the development of e-communications theory in terms
of the interaction between the antecedents of purchase intent in the online context as
building consumer trust in a product or retailer. These key findings will be taken up in
more detail in the following concluding paragraphs.
Online E-Communication Channels 175

Together, the findings highlight the contingency of external actors as intermedi-


ary communications channels in the online retail context. First, the study highlights
that online reviews are instrumental in informing purchase intent for international con-
sumers. It appears that perceptions of product quality or value in the online retail con-
text are obtained through secondary or intermediary channels such as peers or experts
whereby influential opinions are formed through social interactions. In this sense, direct
e-marketing campaigns between the retailer and the consumer are not enough to inform
purchase intent given the physical distance between the virtual consumer and the store.
Our findings reveal that consumer perceptions of the product and/or retailer are bridged
through online social networks whereby information in the review process is instrumen-
tal in guiding buyer decisions. While increased purchase intent may be the product of
deliberate market strategies by the retailer in the form of employed influencers, it may
also be the product of unintentional strategies whereby previously satisfied consumers
express their positive opinions of the retailer’s product.
Second, the results of this study show that while CSR is gaining strategic importance
worldwide as well as for marketing communications studies, perceptions of an online
retailer’s CSR work has no direct impact on purchase intent for online consumers as an
international group. Particularly, the study suggests the necessity of external reviewers
in assessing this CSR work as instrumental for informing consumer perceptions of the
online retailer’s CSR work. This implies that the credibility of the retailer as a socially
responsive one in the online context is not taken at face value, as perceptions are built
through intermediary channels. It also implies that CSR perceptions of a retailer cannot
alone be considered as an antecedent of purchase intent for the international group of
consumers in this study. Not only does this highlight limitations in the conventional
buyer-seller dyad for the online retail context, it also signals that organisational attempts
to communicate CSR work online may be deemed as non-credible, subject to perceptions
of window-dressing and greenwashing. It appears that corporate legitimacy for CSR
work in the online retail context is contingent on actors positioned externally to the
retailer to build credibility. Arguably, this goes some way towards verifying Etter’s
(2013) earlier work which suggests that online retailers adopt a reactive approach to
CSR communication only when the CSR issues of the company are addressed by external
parties in the form of social media users.

5.1 Theoretical Contributions


This study contributes to growing research on online marketing as an international phe-
nomenon, as well as more generally to the strategic marketing literature and relationship
marketing theory. Particularly, it suggests in order to explain consumer behaviour in the
online context, there is the need to elaborate on a multitude of new aspects in terms of
the involved actors and multidirectional communications pathways (i.e. through inter-
mediary actors and social media platforms). To this end, purchase intent is not only
the product of one-sided communication from the buyer to the seller; it is the product
of interpersonal social relationships between intermediaries and intermediary commu-
nication platforms. These, in turn, serve to reduce the physical distance between the
consumer and the online retail store where traditional senses such as touch and sight
cannot be used to ascertain product quality or the consumer experience. Consequently,
176 L. Johnstone and C. Lindh

the findings suggest that effective e-communications strategies for international con-
sumers are founded primarily on relationship management, while implying engagement
through creative campaigns that utilise, for example, influencers as intermediary actors
to incite trust in the product or the retailer (see Killian and McManus 2015).
Further, the findings suggest that the fundamentals of relationship marketing based
on trust still exist for the online retail context (see Lamberton and Stephen 2016). How-
ever, as indicated, trust in the online retail context regards multiple relational pathways
beyond the traditional buyer-seller dyad; i.e. building trust and credibility is based on
something more than a physical relationship. Particularly, it regards potential consumers
seeking information through social media exchanges. Trust in the product or retailer, in
this sense, is based on the trust that the consumer feels for the reviewer who provides
his or her opinion about a product or retailer. In addition to previous studies which find
that trust though online social relationships regards the frequency of user interaction
and the intimacy of the exchanges in terms of their personalisation (see e.g. Ros-Diego
and Castelló-Martínez 2012), the findings of this study also emphasise the necessary
involvement of third-party reviewers (e.g. peer or expert reviewers) who serve as infor-
mation conduits which legitimise the organisation as ‘independent’ assessors. The idea
of external input as impacting the buyer-seller relationships is not new, as conventional
WOM channels have existed for many years. But, as the scene moves over to the online
environment, new sources are increasingly available and thus there are new frontiers for
research and practitioners which must be addressed.
Finally, previous studies tend to look at national or cross-national datasets (e.g. Hud-
son et al. 2016), asserting that retailers target marketing communications to consumers in
terms of their cultural orientations (e.g. Becker-Olsen et al. 2011). However, few studies
treat the international consumer as an emerging marketing phenomenon (Anastasiadou
et al 2019). Given that broad-scope marketing strategies can be achieved through treat-
ing consumers as international, future e-communications research could build on this
understanding of the online consumer as inherently international; thus, breaking down
the proposed boundaries of space and time for online retailing which exists in cyberspace
as a 24-h phenomenon.

5.2 Managerial Implications


Although the online shopping environment can create opportunities for retailers seeking
to expand to new markets and increase sales, it also brings with it some challenges
in terms of navigating multiple sources of information which are often beyond the
retailer’s control. The findings of this study emphasise the need to utilise multiple e-
communications strategies through various channels which interact to improve purchase
intent. There is the increasing expectation that online retailers personally communicate
and interact with their consumers (Ang 2011). Therefore, to reduce the physical distance
between the traditional buyer-seller dyad for the online context, intermediary actors
and/or channels should be used. Particularly, given that the Internet offers multiple
communication channels, online retailers should pay attention to the management of
social media platforms, both in terms of CSR communication and perceptions, but also
the general communication about the brand or the product. This involves two strategic
approaches which can be regarded as internally or externally orientated as follows.
Online E-Communication Channels 177

First, rather than adopting reactive responses, retailers can proactively take advan-
tage of the opportunities provided by increasing digitalisation by, for example, setting
up review pages and feedback platforms on their own websites. This would give the
consumer more of a voice in terms of product evaluation. Importantly, these platforms
should involve a discussion between the consumer and the retailer, rather than serv-
ing as one-sided communication pathways into or out from the firm. This means that
specific personnel should be employed to respond to such messages in a transparent
way that allows other (potential) consumers to assess how information was received and
processed by the retailer.
Second, online retailers can set up external social media platforms whereby consumer
opinions can be exchanged freely between each other, in addition to retailer. This may be
also be important for communicating CSR given that e-communications channels such as
social media platforms are currently under-utilised for CSR work (Kent and Taylor 2016;
see also Ros-Diego and Castelló-Martínez 2012). Additionally, other external actors
such as influencers could be employed to review products or the retailer’s CSR work
to reach wider groups of global consumers beyond the retailer’s website and/or social
media platforms. External forums to receive information and exchange opinions are
arguably more credible than traditional one-sided marketing communication strategies
from the retailer to the consumer. As suggested, multiple e-communications pathways
in the online context are necessary for increasing consumer trust and purchase intent
likelihood.

5.3 Future Research


First, more research is needed in the emerging field of international consumer behaviour.
This study not only highlights the need for more studies on the antecedents of purchase
intent and their context, but also to develop the methods needed to conduct such studies.
Larger data sets, involving more countries would increase the relevance of studies. Fur-
thermore, future studies could expand on this research by differentiating between differ-
ent product groupings to further explore international consumerism in terms of product
offerings. This may be achieved by adding in more measurement items that regard the
locality of online purchase intent in terms of different product groupings and/or the
effects of CSR (see also previous work by Ferreira and Ribeiro 2017). Finally, it is
recognised that online reviews by the general population often constitute the extremes
in terms of voicing the opinion of those really happy or unhappy about a product, brand
or retailer (see Hu et al. 2009). Moreover, it remains unclear through our data if product
reviews directly translate into purchase for particular online retailers; that is, consumers
could potentially purchase elsewhere. To this end, qualitative studies could complement
this study in terms of focus group with online consumers could help address the validity
of the online review process for informing purchase intent for certain online retailers.
Second, this paper suggests that the fundamentals of relationship marketing and trust
exist in the online marketing communications process through intermediary actors that
influence purchase intent. Nevertheless, it our research model does not explicitly explore
the role of trust or how the characteristics of the reviewer (e.g. positivity, involvement,
experience, reputation, competence, sociability (see Banerjee et al. 2017)) directly affect
the trustworthiness of the intermediary and indirectly the trustworthiness of the brand or
178 L. Johnstone and C. Lindh

online retailer. To this end, more work is required to build the theoretical premise of trust
between actors in the online retail context. In addition to building more measurement
items into future models, further studies may also benefit from qualitative studies that
further elaborate of the characteristics deemed necessary to build trust in not only the
reviewer, but also the product, brand and retailer.

Acknowledgements. The authors wish to thank students of the International Marketing masters’
programme at Mälardalen University, Sweden (2017) for their assistance in dispersing the survey
for this research to many people in different countries. The detailed comments of two anonymous
reviewers also helped substantially improve earlier versions of this manuscript. This research did
not receive any specific grant from funding agencies in the public, commercial or not-for-profit
sectors.

Appendix A. Countries in the Study

Home country % of respondents


Sweden 30.33%
Bangladesh 17.02%
Germany 7.15%
UK 6.66%
Netherlands 4.69%
Greece 4.44%
Latvia 3.08%
Syria 3.08%
Switzerland 2.22%
Albania, France, Spain, USA 1% < X < 2%
Afghanistan, Australia, Bosnia, Bulgaria, Canada, China, Colombia, <1%
Congo, Cyprus, Denmark, Egypt, Ethiopia, Finland, Georgia, Hungary,
India, Indonesia, Iran, Ireland, Italy, Japan, Jordan, Kazakhstan, Kosovo,
Lithuania, Luxemburg, Mexico, Moldova, Morocco, Nepal, Norway,
Pakistan, Portugal, Romania, Russia, Sri Lanka, Taiwan, Tanzania,
Thailand, Turkey, Uganda, Venezuela, Vietnam

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Social Media in FMCG Marketing:
Understanding How Supermarkets Use
Facebook During the COVID-19 Pandemic

Surej P. John(B) and Richard Walford

School of Business, Eastern Institute of Technology, Napier, New Zealand


{spjohn,rwalford}@eit.ac.nz

Abstract. Social media is regarded as one of the most cost-effective, yet effi-
cient tools for marketing communication and promotion. The current study exam-
ined the usage and applications of social media among supermarket retailers in
New Zealand. This study also examined how grocery stores and supermarkets
in New Zealand had used social media for implementing six strategic marketing
objectives: customer involvement, interaction, intimacy, influence, insights, and
impacts. This study examined and analysed the Facebook pages of all six super-
market chains in New Zealand. Results indicated significant differences across
supermarkets in terms of achieving those objectives. Results also suggested that
retailers could do more in terms of enhancing customer interaction, intimacy, and
impacts. The study provided direction on how retailers can better manage their
social media contents to build profitable customer relationships.

Keywords: Social media marketing · Retail · Digital marketing · Engagement


strategies

1 Introduction

Retailers of food and other fast-moving consumer goods represent the largest segment
of retailers around the world (Filipe et al. 2017). According to the recent report from
Deloitte, grocery supermarkets accounted for the largest number of companies (136) in
the top 250 businesses in the world and have contributed more than 67% of the total
revenue of the top 250 (Deloitte 2020). Despite the Covid-19 pandemic and subsequent
lockdown of various global markets, the global food and grocery retail market is expected
to grow at a Compound Annual Growth Rate (CAGR) of 5.0% from 2020 (Grand View
Research 2020). Further, supermarkets and grocery stores were the only industry in
New Zealand that recorded a substantial increase in sales and profits during the national
lockdown which occurred between 25 March and 8 June 2020. During the June quarter
of 2020, the supermarkets earned NZ$5.6 billion from New Zealand sales, an increase of
12% (NZ $615million) compared to the same time period of the previous year (Statistics
New Zealand 2020). Grocery stores are a highly competitive industry in New Zealand
with two major brands controlling 85% of the market. This study examines how grocery

© The Author(s), under exclusive license to Springer Nature Switzerland AG 2021


F. J. Martínez-López and D. López López (Eds.): DMEC 2021, SPBE, pp. 184–191, 2021.
https://doi.org/10.1007/978-3-030-76520-0_19
Social Media in FMCG Marketing 185

stores and supermarkets have used social media, particularly Facebook for marketing
their goods and services and implementing customer relationship management strategies
during the national lockdown due to Covid-19 pandemic.
Social media is considered as one of the most cost-effective, yet efficient tools for
marketing communication and promotion (Assimakopoulos et al. 2017; John et al. 2018;
Yoon et al. 2018). As social media networks are platforms for online consumers to
interact with and influence one another, these channels have a direct impact on brand
communities, sales and overall firm performance (Wang and Kim 2017). Further, social
media channels enable online users from being mere passive users of the information
to become active users who can create and share brand-related information including
marketers (Wang and Kim 2017). Research indicates that social media applications
enable current and potential customers to interact directly with the producers which
empower them to take an active role in the co-creation of customer value and experience
(Brodie et al. 2013; Prahalad and Ramaswamy 2004). With these facts in mind, retailers
have increasingly used social media for implementing customer relationship manage-
ment strategies. These strategies include customer involvement, interaction, intimacy,
influence, insights, and impacts (John et al. 2018; Stevenson and Hamill 2016; Yoon
et al. 2018). The current study examines how grocery stores and supermarkets in New
Zealand have used social media for implementing those six strategic objectives. Hence,
the current study seeks to establish a baseline for social media activities for New Zealand
supermarkets and identify what strategies are being used for maximising the effects of
their social media-based marketing. Towards, this objective following research questions
were developed.

RQ1: How do retailers use social media for marketing activities?


RQ2: Is there any significant difference in the use of social media across grocery stores
and supermarkets?
RQ3: What are the significant issues faced by grocery stores and supermarkets when
using social media for marketing and promotion?

2 Literature Review
Social media plays a major role in today’s digital marketing landscape. Unlike tradi-
tional marketing channels, social media networks are powerful channels for interactive
marketing (John et al. 2018). Research suggests that a significant proportion of cur-
rent and potential customers search for product information before their purchase over
social media (Torres de Oliveira et al. 2020). Social media channels enable customers to
interact freely with the firm, request product information, provide feedback on products
and services, and even make complaints (Neslin et al. 2006; Torres de Oliveira et al.
2020). Therefore, monitoring and analyzing social media channels help the marketers to
understand customer motivations and preferences before, during and after their purchase
(Hays et al. 2013). According to Chan and Guillet (2011), a social media evaluation cri-
terion should monitor four digital marketing strategic objectives: attracting, engaging,
retaining, and learning (John et al. 2018). Kietzmann et al. (2011) noted seven functional
building blocks of social media: identity, conversations, sharing, presence, relationships,
186 S. P. John and R. Walford

reputation and groups. Hays et al. (2013), suggested three areas of social media anal-
ysis that are useful for the marketers. These include 1) Audience size (e.g. number of
followers), 2) Level of customer interaction (e.g. number of comments and shares), and
3) Customer sentiments (e.g. nature and types of comments posted, number of likes and
dislikes).
Based on the current research, Stevenson and Hamill (2016) proposed a simple, yet
comprehensive model for monitoring and measuring the functional use of social media
in tourism marketing. The model proposed six key performance indicators (the 6Is) for
social media monitoring. These include involvement, interaction, intimacy, influence,
insights and impact. Social media involvement refers to the level of audience’s interest,
emotional attachment or arousal with social media contents (Amaro and Duarte 2015)
and these can be measured by the number of users, fans or followers (Phelan et al.
2013). Interaction refers to the level of user engagement over social media. Social media
interaction indicates the online activities of the users such as reading posts, creating and
sharing useful contents such as pictures, videos and reviews (John et al. 2018). Inti-
macy indicates the level of customer sentiments towards brands (Stevenson and Hamill
2016). Brands build customer intimacy over social media through online interactions
and conversations. Influence refers to the ways social media is being used to influence
customers’ attitudes and purchase decisions. Influence indicates how a brand manages
its social media for advocacy, referrals and recommendations (John et al. 2018). Obtain-
ing valuable consumer insights is another key objective of a brand’s social media usage.
According to Stevenson and Hamill (2016), insights refers to the “level of actionable
insights received from monitoring online conversations”. The sixth dimension, impact
refers to the effects of social media marketing measured against their marketing objec-
tives. Brands provide multiple options on social media for customers for purchasing
products or make product inquiries Options include among other aspects, providing
toll-free numbers, email addresses and links to online shopping sites.

3 Methodology

Based on previous literature, this study employed both quantitative and qualitative
research methods. Several previous studies related to social media marketing (Chan
and Guillet 2011; John et al. 2018; Phelan et al. 2013) have employed qualitative data
analysis. Qualitative data analysis, particularly content analysis is useful for monitor-
ing digital marketing initiatives particularly communication via social media as it helps
researchers to examine a topic in great detail without restricting the data collection to
pre-defined survey questions (Phelan et al. 2013). Content analysis is a widely accepted
technique for investigating social media use as it assists researchers to examine the con-
tents and data trends systematically, and identify an empirical basis for social media
usage (Cheung et al. 2020; Phelan et al. 2013). This study examined and assessed the
social media contents posted by six major grocery supermarket brands in New Zealand.
Currently, the supermarket industry is a duopoly in New Zealand with only two major
players: Foodstuffs New Zealand (owns Countdown, Super Value, and Fresh Choice)
and Woolworths (that owns Pak n Save, New World, and Four Square) (Foxcroft 2020).
This study examined the Facebook data posted by all six supermarket brands in New
Social Media in FMCG Marketing 187

Zealand. Facebook is the only social media platform that is being used by all six brands
in New Zealand. Links to the social media pages were identified from their corporate
websites and the required data from Facebook pages were downloaded using NCapture
tool for the Google Chrome browser. Data were collected during the first six weeks of
the national lockdown period starting from 25 March 2020. Once the data was down-
loaded, a comprehensive review, coding and analysis of the contents were performed
using NVivo version 12. This study examined the social media contents based on the
Social media monitoring framework (SMM) proposed by Stevenson and Hamill (2016).
Twenty-seven items were used in this study to measure six digital marketing dimensions
in social media. The measurement items were either recorded by frequency or count.
Some items have used a dichotomous scale, where criteria were coded as either present
or absent. SPSS version 24 was used for further quantitative analysis of the collected
data.

4 Results

The post level data from six major retailers, referred to as posting strategy, was the first
step in understanding retailers social media landscape. The descriptive statistics of these
posting strategies are shown in Table 1. Key social media posting strategies employed
by retailers as per the SMM framework is provided in Table 2. We have examined the
number of posts, type of posts (e.g. images, videos), post frequency, the purpose of
posts (e.g. announcements, entertainment, engagement, informative), and engagement
statistics such as page likes, page followers, post likes, post comments and post shares
in the first stage. As shown in Table 1, we can see that most supermarket retailers
were consistent in providing timely updates regarding Covid-19 lockdown and related
news, the announcement regarding the product availability, supply and online deliveries,
and high-quality contents to educate, entertain and engage their online customers. An
average of 31 posts was made by six retailers during the 35 days with a minimum of 10
and a maximum of 68 posts. An average of .89 posts was uploaded daily. Two retailers
were outstanding in using social media for marketing communication with an average of
nearly 2 posts per day. Photos and images were found to be popular content types. Photos
and images accounted for a minimum of 71% to a maximum of 179% per post. On the
other hand, videos accounted for only 23% of the post contents on average. Informative
(28.3%), announcements (23%), and engagement (15%) type posts accounted for most
of the content types. All retailers (at varying levels) were found to be providing useful
customer information during lockdown such as safety advices, news, recipes, product
usage information, product care suggestions, contests, quizzes, polls and so on.
As shown in Table 2, retailers were having mixed opinion in terms of using social
media for marketing purposes. For example, only 50% of retailers were actively using
social media for increasing customer involvement and participation. Regarding customer
interaction with posts, only one-third of the retailers were updating their contents daily
and another 50% weekly to daily. All retailers were keen on providing useful information
and thus developing customer intimacy. Examples of work from home tips, safety advice,
recipes, the announcement of special delivery and services were available on all retailer
social media pages. While all social media pages provide links to their corporate websites,
188 S. P. John and R. Walford

Table 1. Descriptive statistics of the posts and engagement strategies

Posts Mean SD R1 R2 R3 R4 R5 R6
Total posts 30.67 21.54 68.00 23.00 22.00 44.00 17.00 10.00
Post frequency 0.89 0.60 1.94 0.66 0.49 1.26 0.49 0.50
(posts/ day)
Average 69.83 19.27 69.00 83.00 99.00 51.00 48.00 69.00
characters per
post
Post types
Photos 32.17 26.42 48.00 18.00 21.00 79.00 17.00 10.00
Videos 10.67 13.79 35.00 9.00 2.00 18.00 0.00 0.00
Announcements 7.00 4.47 12.00 9.00 10.00 8.00 2.00 1.00
Promotions 3.83 3.97 7.00 6.00 0.00 9.00 1.00 0.00
Informative 8.50 8.31 25.00 5.00 5.00 8.00 6.00 2.00
Engagement 4.50 5.54 15.00 0.00 4.00 3.00 0.00 5.00
Thanksgiving 2.50 2.35 7.00 2.00 2.00 2.00 2.00 0.00
Greetings 1.67 0.52 2.00 1.00 1.00 2.00 2.00 2.00
Percentage of 103.97 38.96 70.59 78.26 95.45 179.55 100.00 100.00
photos
Percentage of 23.43 22.99 51.47 39.13 9.09 40.91 0.00% 0.00
videos
Engagement
Page likes 176959.50 167355.85 309967.00 315063.00 39237.00 360992.00 23854.00 12644.00
Page followers 173254.67 162740.39 305367.00 310161.00 39366.00 347523.00 24294.00 12817.00
Total likes 28036.33 33245.69 71671.00 24450.00 3154.00 67042.00 1866.00 35.00
Total comments 10475.67 13109.15 32965.00 6674.00 629.00 19386.00 3200.00 0.00
Total shares 4051.00 5169.62 12246.00 2814.00 381.00 8602.00 256.00 7.00
Total 42563.00 51029.21 116882.00 33938.00 4164.00 95030.00 5322.00 42.00
engagement
Engagement 18.23% 13.64% 38.28% 10.94% 10.58% 27.34% 21.91% 0.33%
(%)
Average 193.49 171.00 484.78 290.17 20.05 88.68 188.24 89.00
comments per
post
Average shares 94.24 84.38 180.09 122.35 33.11 199.86 15.06 15.00
per post
Average likes 526.32 469.39 1053.99 1063.04 166.00 691.15 109.76 74.00
per post
Percent of posts 100.00% 0.00 100.00 100.00 100.00 100.00 100.00 100.00
with likes
Percent of posts 82.40% 18.13 98.53 100.00 70.00 97.00 58.90 70.00
with comments
Percent of posts 94.41% 9.66 100.00 100.00 100.00 100.00 76.47 90.00
with shares

only 17% of the retailers provide links to the firm’s other social media pages. Nearly
180 posts with 193 photos and 64 videos were posted by six retailers during the first six
weeks of the lockdown. Various content types such as announcements, brand and store
promotions, festival greetings, informative, thanksgiving, and user engagement posts
were provided by New Zealand retailers. Regarding the consumer insights, while all
retailers provided some form of customer service channels such as instant messaging
and post replies with a response time of less than a day, none of the retailers was found
to be providing options for customer reviews and testimonials. Also, online users were
unable to rate or rank retailers based on their purchasing or shopping experience. Finally,
the conversion of the active audience to customers is also an important function of social
media today. As shown in Table 2, nearly 83% of the retailers provided hyperlinks to
online shopping/booking in their social media. Also, 67% of the retailers have provided
their nearest address and map. Nearly 33% of the retailers have provided reservation
hotlines, and email addresses for potential customer contacts. It was found that only
one of the six supermarket retailer groups had provided any customer hotline numbers,
links to loyalty cards and mobile applications in their social media pages. This study
Social Media in FMCG Marketing 189

Table 2. Social media monitoring strategies of FMCG retailers in New Zealand

Involvement
No. of fans or followers 0–10000
10001–50000 50.00%
50001–100000
More than 100000 50.00%
Interaction
Dynamic Content Update daily 33.00%
Daily-weekly 50.00%
More than weekly 16.00%
Promotions for individuals/groups 50.00%
Promotions for special holidays or events 66.67%
Provision of contests/games/quizzes 66.67%
Reply to customer queries 83.33%
Intimacy
Brand introduction/success stories 33.33%
Useful customer information (work from 100.00%
home tips, recipe etc.)
Announcement of special services 100.00%
Links to brand’s official websites 100.00%
Links to brands other social media pages 16.67%
Influence
Total number of posts 179
Average posts per day 0.89
Total number of photos/images 193
Total number of videos 64

Insights
Provision of online customer service 100.00%
provision of customer reviews/testimonials 0.00%
Impact
Provision of online booking 83.33%
Provision of reservation hotlines 33.33%
Provision of call Centre hotlines 16.67%
Provision of email addresses 33.33%
Provision of address/map 66.67%
Link to Clubcard/loyalty card 16.67%
Links to mobile app 16.67%
190 S. P. John and R. Walford

contributes to digital marketing and e-commerce literature in many ways. First of all,
it is evident from the literature that social media can be efficiently used for marketing
and customer value creation through its interactive communication platforms. However,
not many studies have examined or monitored the actual usage of social media in retail
marketing. This study attempts to fill this gap. Secondly, the current study has extended
the Social Media Monitoring framework (Stevenson and Hamill 2016) by examining
the social media behaviour of supermarkets and grocery retailers in New Zealand. The
findings also indicate the need for retail brands to involve, interact and to develop intimate
relationships with online customers over social media channels.

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The Role of Social Media to Re-design the Brand
Image of Small Villages

Angela Caridà(B) , Maria Colurcio, and Alberto Pastore

University of Catanzaro Magna Graecia, Catanzaro, Italy


{angela.carida,mariacolurcio}@unicz.it,
[email protected]

Abstract. This paper seeks to contribute to the literature on the design of brand
image for small and little-known destination, on the premise that social media
are a major source for the formation and the promotion of a new brand image.
The analysis focuses on the brand reshaping of a small Italian village and shows
the existence of a strong link between social media and the economic and social
development of the territory.
The results make a contribution to the literature on destination branding and
social media with implications for researchers and policy makers. They open up
new trajectories of research and new applications opportunities for the effective
and successful use of social media in the context of small and unknown des-
tinations: social media enables small destinations to promote new development
patterns and enhance the regeneration of their distinctive resources. Thanks to
social media small destinations become a great generator of economic, cultural
and social value that benefit entire territories

Keywords: Brand image · Destination image · Territorial marketing · Social


media · UGC

1 Introduction
Over the past decade destination branding and tourism competitiveness of small and
unknown destinations have received increasing attention from policy makers, academics
and practitioners. This renewed interest has intensified as the widespread of social media
(e.g., social networks, digital platforms, etc.) has changed the way destinations are pro-
moted and experienced (Iglesias-Sánchez et al. 2020). For example, rural hosts, who
typically do not engage in professional hosting activities, use popular social networks
and online booking websites (e.g., Airbnb) to provide tourists with authentic and unique
leisure experiences based on interactions with the areas and their entire communities
(Airbnb 2017), while tourists use social networks to share their travel and stay experi-
ences by posting photos and receiving feedback via comments and discussions (Munar
and Jacobsen 2014).
Social media has a strong influence on creating the image of a destination as well
as how a destination is experienced and remembered (Iglesias-Sánchez et al. 2020;

© The Author(s), under exclusive license to Springer Nature Switzerland AG 2021


F. J. Martínez-López and D. López López (Eds.): DMEC 2021, SPBE, pp. 192–200, 2021.
https://doi.org/10.1007/978-3-030-76520-0_20
The Role of Social Media to Re-design the Brand Image 193

Palazzo et al. 2021), so using social media to promote a globally small and unknown
city is now a common and successful practice. This is also confirmed by the success
of the social media strategy promoted by Airbnb and the Italian Ministry of Cultural
Heritage and activities in 2018 (e.g., Italian villages project). It strengthened the brand
image and positioning of small Italian villages, allowing such unknown destinations
to become places to explore (Cracolici and Nijkamp, 2009) and to take a leading role
in strengthening the sustainable development of local and regional economies (Caridà
2018). More recently, scholars from different perspectives agree that social media and
word of mouth play a key role in promoting destination branding (Ruiz-Real et al.
2020) and, consequently, in building destination image and perception of sustainability
(Palazzo et al. 2021). These aspects open many interesting opportunities for exploring
the use of digital strategies and tools to shape and promote the brand image of unknown
and small destinations. Notwithstanding, small destinations have received little attention
(Goffi and Cucculelli 2018), as most research has focused on the role of social media
in the formation and promotion of the image of well-known destinations (Munar and
Jacobsen 2014, 2013; Fatanti and Suyadnyab 2015).
For the above reasons, this paper aims to analyze the impact of social media on the
destination branding of small villages and specifically on the formation and promotion
of a new brand image. For this purpose, we consider the case of Civita of Bagnoregio
(e.g., one of the most important tourist attractions of the Lazio region - Italy), which
exploited social media to change its brand image from a “dying town” to a “living town”.
As Goffi and Cucculelli (2018) recently pointed out, “Italy is a typical example of
this emerging pattern, with almost three quarters of total tourism flows going towards
smaller destinations” (p. 2), which have many opportunities to attract tourists (e.g., a
perfect mix of beauty, history, culture and traditions) but are at risk of disappearing.
Therefore, this study enriches the existing literature on destination branding with
implications for scholars and policy makers. It opens up new trajectories of research
and new opportunities for using social media to build and promote the positioning (e.g.,
brand image) of small destinations around the world. It also addresses the recent call
(Ruiz-Real et al. 2020) to investigate the relationships between social media and relevant
elements of destination branding, such as local development or entrepreneurship in new
travel and tourism markets, such as small destinations.
The remainder of the paper/chapter is organized as follows: the Sect. 2 addresses the
literature background to outline the interplay between destination branding and social
media and illustrate its potential impact on small destinations. The Sect. 3 describes the
research context we focused on. The Sect. 4 illustrates the main findings of the study.
Finally, the main findings and implications are discussed.

2 Literature Background
2.1 Branding Destination

Destination branding has emerged in the field of tourism marketing as a powerful tool for
consolidating and promoting tourist destinations (Ruiz-Real et al. 2020). It results from
a complex process that includes both symbolic (e.g., name, symbol, logo, wordmark, or
194 A. Caridà et al.

other graphic: Ritchie and Ritchie 1998) and experiential elements that affect tourists’
decision-making process (Almeyda-Ibanez and George 2017).
Successful destination branding promotes a positive destination image (Ritchie
and Ritchie 1998) to influence and drive consumers’ destination choice (Blain et al.
2005). It mainly aims to enhance destination positioning and uniqueness to provide
consumers/tourists with a unique and memorable travel experience (Cai 2002).
Destination branding and destination image are strongly related concepts: Destina-
tion image influences tourists’ evaluation of the destination and their intentions to revisit
and recommend the places to others (Qu et al. 2011). It is a prerequisite for successful
destination branding (Pike 2009), as a positive destination image attracts visitors and
provides them with positive experiences that reinforce their intention to spread positive
word of mouth (WOM) about their stay experience.
Some scholars (Almeyda-Ibanez and George 2017; Morgan et al. 2011) emphasize
the relevance of exploiting soft factors (e.g., natural landscape, friendliness of locals, art
and cultural traditions, etc.) to build a positive image that influences tourists’ behavior
by emphasizing the uniqueness of destinations. This trend fits well with the specificities
of small destinations and the increasing interest of tourists in authentic and interactive
experiences with locals (Goffi and Cucculelli 2018).

2.2 Social Media as Destination Image Builder

Recently, social media has emerged as an active component of destination image


(Iglesias-Sánchez et al. 2020), as widespread use of User-Generated Content (UGC)
raises destination expectations and thus influences tourists’ decisions (Fatanti and Suyad-
nyab 2015). Tourists use popular social networking platforms (e.g., Instagram, Facebook,
Foursquare, Tripadvisor, etc.) to freely create and share information about their travel
experiences with everyone through photos, stories, likes, comments and hashtags. There-
fore, the tourist plays the role of a proactive performer (Palazzo et al. 2021; Stylianou-
Lambert 2012), able to reinvent the main features of a physical area (Ciuccarelli et al.
2014) and start WOM through social media to promote the image of the destination they
perceive and experience.
As claimed above and according to Hanan and Putit (2014), social media also rep-
resents a powerful tool to promote travel destinations through engaging and impressive
content that is consumed worldwide. To this end, visual content on Instagram is rec-
ognized by scholars (Iglesias-Sánchez et al. 2020; Fatanti and Suyadnya 2015; Palazzo
et al. 2021) as the most effective tool for influencing tourists’ decisions, and travel Insta-
grammers are also recognized as the most influential contributors in shaping a tourism
destination’s brand (Fatanti and Suyadnya 2015; Valderrama-Santomé et al. 2019). In
summary, tourists are attracted by advertised destination images and are able to dissem-
inate their perceived images, which can redefine the pre-existing ones (Palazzo et al.
2021).
The Role of Social Media to Re-design the Brand Image 195

2.3 Small Villages and Social Media: A New Source of Value

In recent years, lesser-known tourist destinations have increasingly gained the attention
of policymakers and private companies (e.g., Airbnb). Through public and private col-
laborations, programs and activities have been developed to prevent the depopulation of
small villages and to support the self-sustainability of such areas. That is, social media
is becoming a powerful tool to help small villages promote cultural tourism (e.g., shows
high propensity to consume and stronger profitability) and revitalize local economies;
indeed, as previously argued, social media could help unknown destinations access the
tourism market (e.g., nationally and internationally) and offer millions of travelers a
unique value proposition combining culture, beauty, and an authentic lifestyle.
Social media can valorize and monetize the intrinsic and still underutilized potential
of small villages (Calomino 2020) by placing such areas at the center of many coun-
tries’ development policies/strategies (Goffi and Cucculelli 2018). Therefore, this issue
deserves special attention due to its economic and social impact.

3 The Research Context: Civita of Bagnoregio in Brief

Civita of Bagnoregio is an ancient Etruscan village in far northern Lazio, Italy. It is


known as the “dying city” because the natural phenomenon of erosion has marked it
over the centuries. Landslides gradually reduced the original built-up area, and in the
1990s the village was abandoned, and with it the social, cultural and economic strength
of the town collapsed.
Today, only ten people live in Civita, but more than one million tourists visited it in
2019, and in less than fifteen years it has become a model of territorial development based
on a system of public and private actors that includes local, national and international
authorities. The popularity of Civita is growing globally as its image spreads worldwide
through social media.
The following results explain this statement by providing some contextual exam-
ples of the role of social media in the image and transformation process of Civita. For
this purpose, the results were treated according to a narrative strategy. Data were col-
lected through various sources of information – in-depth interviews reports, newsletters,
YouTube interviews (Eisenhardt 1989; Yin 2009). The former mayor and the External
Affairs Advisor of the municipality of Bagnoregio were interviewed to gain insights
into the transformation process that enabled the sustainable development of Civita. The
interviews were conducted via Skype; each intervies lasted approximately 45 min. The
data collection was carried out from August 2019 to January 2020.

4 Re-imaging and Promoting the Dying City

Image has played a central role in the emergence of Civita as a global tourist destination.
The slogan/image of the dying village was originally conceived to draw the attention of
authorities to Civita’s fragile natural ecosystem, while more recently it has been used as
a marketing strategy to promote tourism development.
196 A. Caridà et al.

The next quote illustrates the process by which the municipality has transformed the
dying village from an abandoned place into a unique tourist destination that attracts up
to 10,000 visitors a day.
In ten years, we have reinvented ourselves and our image. We created our own identity
by simply becoming aware of our extraordinary beauty, which had always existed but
was unknown. That was the first step: becoming aware of what we had, respecting it,
improving it, and then promoting it. Initially we promoted an overtourism strategy, which
has continued to evolve towards quality tourism. The success of Civita has attracted the
attention of Lazio Region, which has made our territory one of the reference points of
its cultural policy, making it even better known, especially at national and international
level.
(Francesco Bigiotti - Civita of Bagnoregio former mayor).

Today, the 70% of tourist flows are international and come mainly from Asia -China,
Korea and Japan (data from Roberto Pomi, External Affairs Consultant - Municipality
of Bagnoregio 2018).
Civita is known as a mystical, historical and original medieval town; its image has
been reshaped to emphasize the idea of a place beautifully frozen in a mythical past,
promoted worldwide through a variety of different visual sources, practices, languages
and digital tools. In the past, traditional media, including many films and TV series, have
disseminated this image worldwide. Now, however, the media success of Civita is being
driven by social media. The words of Roberto Pomi illustrate the role of social media in
Civita’s development strategy.
While traditional media attracted the attention of a wider tourist audience, Civita’s
image went straight to popular social media. It seems to be made for Instagram (…)
no one comes home without posting at least one click on their own social profile. This
mechanism is constantly feeding on itself, reinforcing the impressive spread of Civitas
Image around the world.
(Roberto Pomi, External Affairs Consultant of the Municipality of Bagnoregio).

The above quote confirms the key role that social media has played in the impressive
spread of the Civita image around the world. The success of this form of communication
is mainly due to the social profiles of the tourists who visit Civita every day. In this
context, it is interesting to note that the social channels managed by the municipality
play a minor role in this valuable strategy, as most of the success comes directly from
the WOM activities of tourists (e.g., the hashtag #civita-dibagnoregio was posted more
than 132k times on Instagram, while the hashtag #lovecivita promoted by the official
accounts of the municipality was posted 500 times). Another interesting aspect related
to Civita’s media success is the collaboration with public institutions, private companies
and influencers who signed a pro-project manifesto to save Civita. To this end, in 2017
Civita was proposed as a UNESCO World Heritage Site and selected by Airbnb as a
pilot village to evaluate the feasibility of the broad project Airbnb Italian Villages.
Airbnb promoted Civita through its social media. This gave us more visibility, also
because many national and international newspapers spread the news about our part-
nership worldwide. It’s amazing that a multinational company is interested in us. This
The Role of Social Media to Re-design the Brand Image 197

creates curiosity and catalyzes the interest of tourists from all over the world toward
Civita and the surrounding villages. In a few years Bagnoregio has become the driv-
ing force of the economy of the entire Teverina; many people have moved from other
municipalities to work in restaurants and tourism activities.
(Roberto Pomi, External Affairs Consultant of the municipality of Bagnoregio).

To combine the need to sustain the economic development of Civita with the need
to preserve its fragile ecosystem of Civita a sustainable approach to tourism has been
promoted (e.g., whoever wants to invest now can do so in Bagnoregio, not in Civita:
the former mayor Francesco Bigiotti). Such approach improved the lives of locals and
produced many positive externalities (e.g., social and economic): two hundred new busi-
ness activities (e.g., B&Bs, self-catering accommodation and restaurants) have opened
around Bagnoregio. The accommodation capacity in the wider area has increased to 23
B&Bs, 26 holiday farms and 38 holiday apartments, whereas, unemployment has fallen
from 10% a decade ago to less than 1%.
Today, Civita is known as “the living village”. The main driving forces of this trans-
formation are: i) the construction of a strong territorial identity capable of changing
the negative image of Civita, ii) the development of public-private partnerships to cre-
ate a territorial development model, and iii) the role of social media in promoting and
sustaining the new image of Civita worldwide.
Before we could tell anything, we had to define an identity capable of communicating the
beauties of Middle Ages and the natural landscapes of the entire Teverina area (…). The
positive effects generated by the photos that visitors constantly post on their Facebook
and Instagram profiles were unimaginable until a few years ago.
Social media has allowed us to promote the image of an unknown village, but also
to create and strengthen our territorial identity, making Civita the driving force of the
economic and cultural development of the whole Teverina area.”
(Francesco Bigiotti - Civita of Bagnoregio former mayor).

5 The Role of Social Media in Reshaping the Image


of the Destination: A Proposal of Framework
The rise of social media has revolutionized the way residents and tourists perceive small
destinations and contributed to the transformation of the tourism landscape. Social media
is becoming an essential component of destination branding as well as a tool to transform
unknown small destinations into a well-known tourist attraction. This study focuses on
the role of active social media users (e.g., tourists) in shaping and promoting the image
of destinations by sharing their travel experiences worldwide. It is a highly debated
topic in the literature on tourist destinations, however, there are no studies to date that
address the impact and implications of social media on the regeneration process of small
villages. Our findings show that the use of social media to communicate the uniqueness
of un-known small destinations deserves more attention from both academics and policy
makers.
Image formation and the whole process of destination branding is based on territorial
identity, which is perceived and valued by both residents and visitors (Kavaratzis and
198 A. Caridà et al.

Ashworth 2006). Especially in the case of small and abandoned villages struggling to
survive, the image of the territory can lead to negative feelings that hinder any possibility
of territorial regeneration. The case we present allowed us to elaborate a framework that
shows the contribution of social media in reshaping the image of a territory and promoting
it (Fig. 1).

Fig. 1: The role of social media in reshaping the image of the destination

The shaping of the new image of Civita starts with urban and cultural regenera-
tion actions through public and private collaborations (e.g., manifesto to Save Civita,
application for inscription on the World Heritage List UNESCO, the Airbnb Italian Vil-
lage project, etc.) and continues with the users’ generated contents that reinforce and/or
reshape the image of the destination (Palazzo et al. 2021). Social media channel highly
engaged communities around Civita’s image by creating a closer connection between
policy makers, private companies, tourists and locals (e.g., locals and/or Civita’s official
account reply to and publish comments from tourists).
This mechanism mitigates the risk of losing control over the image, as the content
generated by tourists matches the characteristics that the municipality wants to highlight.
It also ensures the higher impact of advertising activities and the reduction of their costs
(Iglesias-Sánchez et al. 2020; Fatanti and Suyadnya 2015). To this end, social media offer
small destinations new opportunities to fully exploit their great potential by reducing
the fragmentation of destination marketing activities and the lack of coordination and
resources that challenge them (Goffi and Cucculelli 2018).

6 Conclusion and Implication

More than in other contexts, policy makers need to consider the potential of social media
and the proactive role of tourists (Palazzo et al. 2021; Stylianou-Lambert 2012), who
act as resource connectors (e.g., viral ambassadors). They increase the positive WOM
The Role of Social Media to Re-design the Brand Image 199

of the small destination worldwide and create the conditions that allow other tourists
and visitors to live unique experiences; in this, tourists become co-creators of value.
Our findings are consistent with previous studies that prioritize well-known destinations
(Giannopoulos et al. 2020; Iglesias-Sánchez et al. 2020).
This study enriches current studies on destination branding and social media with
implications for researchers and policy makers. It opens new trajectories of research and
new applications opportunities for the effective and successful use of social media in
the context of small and unknown destinations. The example we illustrate advances the
literature on destination branding by demonstrating the existence of a strong link between
social media and relevant elements of destination branding, such as local development,
new market opportunities, etc. (Ruiz-Real et al. 2020): social media could enable small
destinations to promote new development patterns to enhance and regenerate their unique
resources (e.g., historical, cultural, and natural) that have been largely unknown. In this
vein, small destinations become a great generator of economic, cultural and social value
that benefit entire territories.
However, some negative externalities associated with the activation of WOM mech-
anisms may arise for small villages in terms of sustainability and cultural approach to
tourism. Massive and concentrated flows during certain periods may be unsustainable for
small villages in terms of overcrowding, quality of life and waste disposal. For these rea-
sons, it is extremely important that processes to reshape the image of a small destination
are accompanied by broader interventions that are based on collaboration between insti-
tutions, citizens and businesses and are targeted. Social media can only play a strategic
role in the economic and social development of small villages if cultural and institutional
variables play a role as facilitators of the whole process of promoting and building the
territorial image itself. Indeed, territorial identity depends on the respect that tourists
and citizens have for the characteristic elements of the small village (natural, cultural,
historical…) and on the history of the experience conveyed through social media.

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Influencer Marketing: Current Knowledge
and Research Agenda

Samira Farivar1(B) and Fang Wang2


1 Sprott School of Business, Carleton University, Ottawa, Canada
[email protected]
2 Lazaridis School of Business and Economics, Wilfrid Laurier University, Waterloo, Canada

[email protected]

Abstract. Over the past few years, the increasing popularity of social media
influencers has made influencer marketing a prominent and prevalent strategy for
businesses. Its unique aspects, innovative approaches, and significant commercial
value have attracted an increasing body of research. The literature has collectively
accumulated a sizable and dispersive list of factors that affect followers’ attitude
and intention towards influencers’ recommended products/brands. This paper pro-
vides an integrative and cohesive framework, based on Berlo’s SMCR model of
communication, to consolidate these factors in a structured manner and provide
a comprehensive view on the effect mechanism of influencer marketing. Under
this framework, it reviews key factors studied and the major conclusions drawn.
Additionally, the paper delineates several important yet understudied areas for
future search.

Keywords: Influencer marketing · Social media influencers · Instagram ·


Advertisement

1 Introduction
The popularity of social networking sites has increased significantly in recent years.
Instagram alone had over 1 billion monthly active users in 2020 (Omnicore 2021).
The growth of these platforms has intrigued companies to use these environments for
marketing purposes. Subsequently, influencer marketing via social media influencers has
become a prominent business phenomenon. Social media influencers are users of social
media who have built a significant social network with a noticeable number of people
following their online activities (Khamis et al. 2017). Due to their targeted audience and
established follower relationship, they have turned out to be an effective marketing venue.
The global market size of influencer marketing on Instagram has seen a continuous steep
increase, reaching 2.3 billion US dollars in 2020, a 35% increase from its size of 1.7
billion in 2019 (Statista 2021).
The unique perspective and significant business value of influencer marketing have
led to an intense discussion from business communities and increasing interests from
researchers. A Google Scholar search reveals that the annual publications containing

© The Author(s), under exclusive license to Springer Nature Switzerland AG 2021


F. J. Martínez-López and D. López López (Eds.): DMEC 2021, SPBE, pp. 201–208, 2021.
https://doi.org/10.1007/978-3-030-76520-0_21
202 S. Farivar and F. Wang

“influencer marketing” has increased from just over 100 in 2011 to about 5,780 in 2020.
A key theme in the research publications is to examine the relationship between factors in
influencer marketing and outcome attitude and intention of followers. Through various
angles and methods, researchers have identified a sizable list of factors of a wide variety,
without an integrative framework to link them together. The focus on individual factors
and the lack of a comprehensive view have made it difficult to appreciate and apply the
overall body of knowledge generated and to build on it.
To fill this gap, this paper draws on the view of Berlo’s SMCR (Sender-Message-
Channel-Receiver) model of communication and presents a cohesive framework to inte-
grate prior findings in influencer marketing research and provide a comprehensive view.
Based on this review, it offers several important yet understudied areas for future research.

2 A Framework for Influencer Marketing


Berlo’s SMCR model of communication is a well-known model on the communication
process (Stead 1972). It specifies sender, message, channel, and receiver of commu-
nication as the key elements to study. Based on Berlo’s SMCR model, we provide a
framework of influencer marketing, shown in Fig. 1, to integrate factors studied in prior
research and for future research to build on.

Moderators
Antecedents
- Product/Brand Features
- Influencer - Other Contextual Factors
Characteristics
Consequences
(e.g., Purchase
- Follower Intention, Brand/
Characteristics Product Attitude,
Brand Evaluation,
etc.)
- Post Features

Fig. 1. Conceptual framework

Shown in Fig. 1, the characteristics of sender (i.e., influencer), message (i.e., post),
and receiver (i.e., follower) constitute the antecedents of the communication conse-
quences, which relationship is moderated by product/brand features and other contex-
tual factors. Table 1 summarizes factors on these communication components that are
studied in prior research.
Social media influencers are distinctly different from figures in mass media advertise-
ments such as celebrities. Thus, their features are studied and often compared with those
of mass media figures. Among influencer characteristics, opinion leadership and phys-
ical attractiveness have been widely examined and their effects on followers’ intention
Influencer Marketing 203

Table 1. Current literature and studied factors.

Research focus Studied factors References


Influencer characteristics • Opinion leadership Breves et al. (2019); De
(Source/Sender) • Physical attractiveness Veirman et al. (2017); Casaló
• Social attractiveness et al. (2018); Lou and Yuan
• Credibility (2019); De Veirman and
• Trustworthiness Hudders (2020); Singh et al.
• Popularity (2020); Sokolova and Kefi
• Expertise (2020); Farivar et al. (2021)
• Likeability
Follower characteristics • Parasocial relationship Hu et al. (2020); Jin and Ryu
(Receiver) • Homophily/similarity (2020); Ki et al. (2020);
• Wishful identification Schouten et al. (2020);
• Envy Sokolova and Kefi (2020);
• Self-esteem Hwang and Zhang (2018)
• Loneliness
Post features (Message) • Uniqueness Boerman (2020); Casaló et al.
• Quality (2018); Ki and Kim (2019); De
• Informativeness Veirman and Hudders (2020);
• Visual attractiveness Farivar et al. (2021);
• Ad/sponsorship disclosure Martínez-López et al. (2020);
• Hedonic content Stubb and Colliander (2019)
• Post type
• Commercial orientation
Product/brand features • Product type Lee and Watkins (2016); Hill
• Brand differentiation et al. (2017); De Veirman et al.
• Brand uniqueness (2017); Fink et al. (2020)
• Brand value

have been established (e.g., Casaló et al. 2018; Lou and Yuan 2019). Trustworthiness is
suggested as an advantageous feature of social media influencers in marketing. Findings
show that social media users better relate to social media influencers and influencers’
messages are perceived as more credible than those of celebrity endorsers (De Veir-
man et al. 2017). Other influencer characteristics studied in prior research include social
attractiveness, likeability, popularity, and expertise (e.g., Lou and Yuan 2019; Sokolova
and Kefi 2020).
Studies on follower characteristics draw from psychological processes and theories
to explain their effects. A key factor studied is parasocial relationship, which refers to the
illusionary one-sided friendship followers perceive with influencers (Farivar et al. 2021).
Additionally, wishful identification (i.e., desire to be like the influencer), homophily (i.e.,
similarity with the influencer), envy towards influencers, as well as followers’ self-esteem
and loneliness affect followers’ attitudes and intentions towards influencers’ promotional
posts (e.g., Hwang and Zhang 2018; Jin and Ryu 2020).
204 S. Farivar and F. Wang

Features of influencers’ promotional posts mostly concern various dimensions of


post contents. Content characteristics such as uniqueness (i.e., how different they are
from others), informativeness, quality, visual attractiveness, and use of hedonic elements
are shown to positively impact followers’ attitudes and intention (e.g., Casaló et al. 2018;
Ki and Kim 2019; Lou and Yuan 2019). Posts can be studied and compared by their types
as well, such as storytelling vs. informational posts (Farivar et al. 2021). Influencers are
increasingly required by government agencies and advertising watchdogs to disclose
paid partnership or personal affiliation with the product/brand they endorse (FTC 2019);
however, ad disclosures are not a uniform practice. Findings show that ad disclosure
could negatively impact the followers’ attitudes (Evans et al. 2017; Boerman 2020), but
if the content includes both positive and negative attributes of the advertised product,
ad disclosure would not have negative impacts on followers’ attitudes (De Veirman and
Hudders 2020).
The relationship between characteristics of communication components and out-
comes could be moderated by product/brand features and other contextual factors. Extant
research has found that the product type of experience vs. search goods moderates the
effect of influencer popularity on followers’ intention (Hill et al. 2017). It also indicates
that brand features such as image, value, and uniqueness may affect followers’ intention
(Lee and Watkins 2016; De Veirman et al. 2017). The moderation effects of these factors
on the communication process could be tested. Additional product types and categories
such as luxury goods and sustainable products could also be considered.

3 Future Research Areas

As shown in Table 1, extant research has touched on all aspects of communication


in Berlo’s SMCR model. An integrative framework like one in Fig. 1 can effectively
provide a comprehensive view on what we know and an inclusive ground for new factors.
Nevertheless, the literature survey reveals several important understudied areas for future
research.

3.1 A Performance-Driven Angle

A central question in influencer marketing is its effectiveness. For businesses who wish
to hold their influencer marketing expenditure accountable, this effectiveness means
sales. Extant research largely used followers’ attitudes and intentions to measure the
effect of influencer marketing and has studied outputs such as followers’ brand/product
attitude, word-of-month intention, interaction intention, and purchase intention (e.g.,
Casaló et al. 2018; Ki and Kim 2019; Sokolova and Kefi 2020). The most relevant
measure to business sales is the purchase intention; however, the proxy could suffer
from significant inaccuracy due to the well-known intention-behaviour gap. Followers’
actual purchase has been rarely studied, which provide a significant room for future
research.
A performance-driven angle calls for research frameworks with a focus on perfor-
mance. Extant studies are often perspective driven, i.e., they focus on certain interesting
perspectives of influencer marketing, such as parasocial relationship (e.g., Hwang and
Influencer Marketing 205

Zhang 2018) or influencer attractiveness (e.g., Lou and Yuan 2019), and examine the
factor-attitude/intention relationship to validate the importance of the factors studied.
The framework presented in this paper, which aggregates factors based on key compo-
nents in the communication process, is process driven. While the framework is inclusive,
it may not be efficient or selective from a performance-driven angle. A performance
driven framework, such as one based on the dual process models, may help to select and
structure key factors in effect through a parsimonious instead of an exhaustive way.

3.2 Finding the Right Influencers

According to recent reports, 61% of US marketers stated that they have difficulties in
finding the right influencers (Harrington 2018; Influencer Marketing Hub 2020). It is
critical for businesses to understand the differences among social media influencers in
order to select the right ones. The industry has categorized influencers to several major
types based on their number of followers, including nano influencers – who have 1000
to 10,000 followers; micro influencers – who have 10,000 to 100,000 followers; macro
influencers – who have 100,000 to 1 million followers; and mega influencer – who have
more than 1 million followers on social media (PromoRepublic 2016). Additionally,
virtual influencers, which are computer generated fictional characters, are becoming
common (Robinson 2020). Extant research has focused on micro influencers to study
features and effects of influencer marketing, and rarely addressed influencers of other
types.
In addition, influencers present different information focuses: meformers post mostly
about themselves and their daily lives; and informers post mainly for in-formation
sharing (Lee 2014). These differences could significantly affect influencers’ marketing
endeavours but have not been examined in the existing influencer marketing literature.

3.3 Followers’ Wellbeing

Individuals’ wellbeing is sensitive to social interactions (Hotard et al. 1989), thus can
be significantly affected by participating in social media activities. Extant studies have
reported contradictory roles of social media in users’ wellbeing. Early studies focused
on positive effect of social media, such as strengthening social ties, social capital, and
self-enhancement, which can improve users’ overall well-being (Ellison et al. 2007;
Valenzuela et al. 2009). Recent research stressed mostly on undesirable outcomes of
social media, like anxiety, depression, and addictive behaviours (Labrague 2014; Pantic
2014). In view of both positive and negative effects, it is suggested that the impact of
social media should be explored by activities users engage in (Krasnova et al. 2015;
Matook et al. 2015).
Influencer-following is among the most participated activities of social media users.
According to a recent report (Iqbal 2021), around 63 percent of Instagram users check
the influencer contents on a daily basis. Nonetheless, its impact on the wellbeing of
social media users remains largely unknown. Future research could examine this crucial
aspect of social media influencer phenomenon.
206 S. Farivar and F. Wang

3.4 Platform Differences

Extant research has examined influencers on several platforms, including Insta-gram


(mostly studied), YouTube, and Weibo, in a single platform approach without a cross-
platform comparison. Contextual factors of various platforms could greatly alter the
influencer marketing tactics and effect mechanisms. A comparative study could reveal
novel insights that a single platform approach is incapable of.

4 Conclusion

This paper offers an integrative framework of influencer marketing to consolidate pre-


vious research findings and provide a comprehensive view. The framework depicts the
relationship between important elements in the communication process (namely influ-
encers, followers, and posts) and communication outputs of followers’ attitude and inten-
tion; and converges a wide variety of factors studied in prior research in a structured
way. It posits the moderating role of brand/product type in this relationship and suggests
contextual factors of platforms as potential moderators. It delineates four understudied
areas/themes for future research, including a performance-driven angle, finding the right
influencers, followers’ well-being, and platform differences.

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What Digital Marketers Should Learn
from the Struggles of an Ageing Society
on Social Media

Izzal Asnira Zolkepli1(B) , Pradeep Isawasan2 , Hasrina Mustafa1 ,


and Lalitha Shamugam3
1 School of Communication, Universiti Sains Malaysia, Gelugor, Malaysia
[email protected]
2 Faculty of Computer and Mathematical Sciences, Universiti Teknologi MARA, Shah Alam,
Malaysia
3 Isentia Malaysia, Kuala Lumpur, Malaysia

Abstract. The underlying principle of digital inclusiveness is to enable accessi-


bility for everyone from all walks of life. However, the question arises on how
digital inclusiveness support, maintain or improve the wellbeing of an ageing
society when communication technology slowly taking effect in their life? Also,
are the existing social media platforms adequate to sustain the demand for better
communication and ensure their essential communication needs are met without
marginalising them? This issue is of particular concern to the old age group, which
is growing due to low population growth and an increasingly long-life span of 71.7
years for males and 75 years for females. Considering the context, the social media
usage of the elderly needs further scrutinisation to help digital marketers contin-
uously understand the ageing market segment and discourage the burnout effect
from occurring to them. This is important to ensure the geriatric market experience
a worthy customer journey from the marketing communication targeted to them
on the digital front. Henceforward, this research generates new knowledge on the
social media usage of the elderly and revisits the Stressor-Strain-Outcome (SSO)
model where the aspect of social media fatigue and isolation are addressed.

Keywords: Ageing society · Geriatric · Social media usage · Digital


inclusiveness · Stress-Strain-Outcome model · Good health and wellbeing ·
Digital marketing

1 Introduction

An ageing population is a global phenomenon faced by many developed countries as


the number of older persons is projected to accelerate in the coming decades. Countries
with an increasing share of older persons in the population are categorised as ageing
population nations (United Nations 2015). Many factors contribute to this emerging
trend. Apart from an increase in the aged population, people live longer, as evidenced

© The Author(s), under exclusive license to Springer Nature Switzerland AG 2021


F. J. Martínez-López and D. López López (Eds.): DMEC 2021, SPBE, pp. 209–224, 2021.
https://doi.org/10.1007/978-3-030-76520-0_22
210 I. A. Zolkepli et al.

by the rise in life expectancy (Mafauzy 2000), which are mainly contributed by a signif-
icant improvement in healthcare services and growing socio-economic status of modern
society.
The increase in the number of elderly in society has posed significant challenges in
several aspects. The ageing process together with physical limitations, and demand to be
technologically ready, has become a challenge for the ageing society. This results in them
being bored, lonely, and socially isolated. The influence of social isolation on an ageing
society’s wellbeing is a phenomenon that cannot be ignored (Vangelisti and Perlman
2006) as it has serious health consequences such as poor nutrition, re-hospitalisation,
cognitive decline, and heavy alcohol consumption (Nicholson 2009).
According to Wellman et al. (2001), social networks serve a significant number
of functions in offline life. They provide social and emotional support, information
resources, and make it easy to communicate with other people. Internet and social media
are a great help to an ageing society to benefit them satisfy social needs by participating
on social networks. They use social media to enhance their feeling of connectedness and
social support (Teng and Joo 2017) and maintain old ties and create new ones (Goswami
et al. 2010). Research conducted among an ageing society showed the elderly mainly use
social media to connect with their family and friends (Teng and Joo 2017). Nimrod (2013)
claims that joining an online group helps the elderly reinforce their mental self-view, a
feeling of freedom, and being socially available.
Past studies have documented various social media’s benefits for an ageing society,
for example, reduced loneliness, boredom and social isolation (Cotten et al. 2014; Zhang
and Kaufman 2015; Nowland et al. 2018). These factors directly contribute to psycholog-
ical wellbeing. It should be noted that some studies indicate that computer and Internet
use does not impact the social wellbeing of the elderly, but more on the psychological
aspect (Chen and Persson 2002; Dickinson and Gregor 2006; Slegers et al. 2009; Nimrod
2013). Yet, a study conducted on an ageing society claimed that they had becoming too
engrossed on the social media to the extent they have forgotten about everything around
them in their life (Teng and Joo 2017). This article provides a better understanding of
ageing societies regarding social media effect on them and the indirect impact on digital
marketers. The issues highlighted raise several questions that need answers through an
empirical investigation.

2 Literature Review
2.1 Social Media Landscape
Social media has many definitions, which come from bloggers, pundits and self-
described experts in this field. Kaplan and Haenlein (2010) define social media as “a
collection of Internet-based applications that build on the technological foundations of
Web 2.0 and allow the creation and exchange of user-generated content”. Generally, it
covers blogs, Facebook profiles, social media games, and even wiki’s such as Wikipedia.
Specifically, social media include: (i) blogs, (ii) social networking sites (e.g. Facebook,
Instagram, WhatsApp), (iii) virtual social worlds (e.g. Second Life), (iv) collaborative
contents (e.g. Wikipedia), (v) content communities (e.g. YouTube) and (vi) open online
games (e.g. DotA, Mobile Legends).
What Digital Marketers Should Learn from the Struggles 211

Social media is often associated with a set of theories, including social presence,
media richness, self-presentation and self-disclosure. Social networking sites (SNS), for
example, are considered high on self-presentation/self-disclosure. They are defined as
any ‘type of social interaction that comes with the desire to control others’ impressions
on them’ (Kaplan and Haenlein 2010). If used as a medium for social presence/media
richness, it is defined as ‘the acoustic, visual, and physical contact that can be achieved
-allow to emerge between two communication partners’. Given the increasing number
of SNS users, this article concentrates on the use of SNS, primarily Facebook and
WhatsApp, among the ageing society.
According to Boyd and Ellison (2007), SNS are web-based services that allow indi-
viduals to (i) construct a public or semi-public profile within a bounded system, (ii)
articulate a list of other users with whom they share a connection, and (iii) view and
traverse their list of connections with others within the system. Inlay terms, SNS is
any digital medium that allows people to communicate and interact socially. SNS are
apps, websites or web-based pages that enable social media activities as defined above
to work. Even though social media usage like instant messaging and text messaging is
widespread, it only offers one-to-one or small group-oriented communication.

2.2 Ageing Population and Social Media


Ageing can be defined from many perspectives. From a human development perspective,
ageing is viewed as a lifelong process from conception and birth to maturity and finally,
death (Tengku Abdul Hamid 2015). From a societal view, it is perceived as an aggregated
statistic of the births and deaths of the population in a society that reflected a successful
health outcome of the country’s socio-economic development (Tengku Abdul Hamid
2015). No doubt, life expectancy has improved throughout the world due to medical
advancements and economic development (Alavi et al. 2011). Statistics show that one
in nine people in the world aged is above 60, and it is projected to be one in five by 2050
(UNFPA and International 2012).
According to the United Nations (2015), 9% of the population today is aged 60
years or over in developing countries. Still, that proportion will turn to more than double
by 2050, reaching 19%, and triple by 2100, reaching 27%. For example, Japan has an
unprecedented ageing population with 23% aged 65+ years in 2009, and 26% in 2014.
Rapid acceleration is projected in the United States, Russia, U.K., France, Italy and
Germany in upcoming years (Jacobse et al. 2011). Tengku Abdul Hamid (2015) claimed
the number of older people aged 60 years and above would equal the number of young
people aged under 15 between 2050 and 2055. She further argues ageing populations
will bring economic, health, social, psycho-spiritual, and environmental challenges.
According to Perrin (2015), social media usage among those 65 and older has tripled
since 2010. In 2015, 35% of those 65 and older reported actively using social media,
compared with just 2% in 2005. Meanwhile, CBS (2017) showed that the percentage of
Dutch citizens from 45 to 64 using social networking sites rose from 70% to 83%. Its
use has taken off especially among 65 to 74-year-old in recent years. In 2017, 64% of the
respondents in this age category said they had used social media three months before the
survey, versus 24% five years previously. Social networking sites, such as WhatsApp,
surged in people aged 45 and above due to increased smartphone ownership. A study by
212 I. A. Zolkepli et al.

Rosales and Fernández-Ardèvol (2016) states that WhatsApp is the most used app by
older adults in Spain because it is a cheap communication service.
Notably, older adult users of SNS increased gradually over the past few years. In
February 2012, one third (34%) of internet users ages 65 and older in America used
social networking sites such as Facebook, and only 18% did so on a typical day (Zickuhr
and Madden 2012). This number rose dramatically to 46% in 2014, and older adults
expressed that SNS created a stable social connection with the people they care about.
The survey further reveals that some 81% of older adults who use SNS socialise with
others daily or near-daily (Perrin 2015). A study done by Wong (2011) shows that senior
citizens in Malaysia perceive and use a mobile phone in their daily lives as a social
device, emotional tool, reminder aid and personal guide. The usage of SNS among older
adults has been shown to strengthen their relationships with family and friends and helps
them maintain contact with other users (Goswami et al. 2010). While Joinson (2008)
claim that one of the reasons that motivate SNS users is the social connection (the desire
to connect and communicate with others), other researchers state the primary motivation
is to communicate with the family (Ji et al. 2010).
A study by Teng and Joo (2017) on social media found that Facebook was the most
popular social media platform used by older adults, followed by WeChat. Additionally, it
is also the most used social media to connect with family and friends, gain knowledge and
enjoy leisure. However, the same study also discovered that social media usage among
older adults could distract them from their routine and be detrimental to health and sleep
quality. In this context, the use of specific technological platforms is worrying if the
use is compulsive (Meerkerk et al. 2009) or problematic (Kaplan and Haenlein 2010).
According to Griffiths and Szabo (2014), individuals are not addicted to the technological
medium, but rather to certain online activities, namely social networking, email and chat,
and videos and movies. Research shows that social networking has become the most
popular form of online activity (Kuss and Griffiths 2011). There is growing evidence
that social media addiction is an evolving problem (Van Den Eijnden et al. 2016). In
older people, this could be an isolation factor, and social media addiction could increase
vulnerability. A study by Milyavskaya et al. (2018) found that more frequent experiences
of fear of missing out (FOMO) were associated with adverse outcomes daily and night,
and over the time it could contribute to negative wellbeing like fatigue and stress.

2.3 Importance of Ageing Society Wellbeing

With advancements in technology, social networks are created and maintained by con-
ventional methods but extend in the virtual world. The Internet is a novel vehicle of
communication, and it has become one of the means of overcoming barriers to social
interaction for elderly (Hutchison et al. 1997; Kubeck et al. 1999). White et al. (2002)
affirm that the Internet offers the opportunity to frequently communicate with family and
friends, explore interest and hobbies, meet new people with similar interests, and obtain
consumer information and community resources. In a nutshell, people can reconnect,
strengthen, and broaden their connection to the outside world. As a result, internet usage
improves wellbeing, life satisfaction, and self-esteem (Lawhon et al. 1996; Jones and
Bayen 1998).
What Digital Marketers Should Learn from the Struggles 213

Noting on the importance of social media among the elderly, a club known as Old
People Playing Young Club (OPPY Club) was established in Thailand by a private
organisation that teaches older people to use computers and the Internet (Club 2010).
The reasons older people join this program are to (a) to learn essential computer and
internet functions (e.g., email, presentation, digital images); (b) to electronically com-
municate with young family members (e.g., children, grandchildren); and (c) to search
for information. One of the members said that “being at home on my own does not make
me feel lonely anymore because I have a computer for company” (Club 2010). A study
on elderly Japanese people and their online experience revealed that the Internet helped
them build social connectedness, especially in crisis times. Also, they often progressed
from virtual relationships to face-to-face meetings (from virtual to physical). The study
reports that elderly Japanese people who use the Internet feel socially connected as
it provides meaningful community participation which eventually enhances their lives
(Kanayama 2003).
Another study conducted among older people in China on their usage of OldKids,
an online community maintained by a Shanghai-based organisation, shows that internet
usage offers companionship, information, and emotional support (Xie 2008). The study
examined the relationship between three different modes of computer-mediated commu-
nication (CMC) and the types of social support exchanged within an online community of
elderly Chinese people (age 50 or older). Based on interviews and participant observation
from a sample of 33, it was discovered they used various modes of computer-mediated
communication (CMC) such as voice chat rooms, instant messaging, and online forums
to interact and develop relationships.
Dickinson and Gregor (2006) conducted a meta-analysis on computer and inter-
net usage and older adults’ wellbeing based on empirical studies published in journals,
reports and PhD theses from 1980–2004. They argue that most studies recommended
training and other types of assistance to older adults in using computers and the Internet.
While using the technologies, most participants in the studies can interact and socialise
with the trainers, nurses, volunteers, and other participants when they undergo train-
ing. Thus, it is unclear whether the usage of computer and the Internet alone has an
independent effect on older adults’ wellbeing or it is, in fact, a combination of training,
social contact and computer/internet usage. Therefore, it is difficult to claim that com-
puter/internet usage has an exclusive effect without considering the possible impact of
the training and social interaction that accompanied it.
SNS is a more comfortable and cheaper way for older adults to keep their social
ties active, and this platform creates better access to relevant information, emotional and
appraisal support. A study by Goswami et al. (2010) proposes that active participation in
SNS has positive implications for the overall wellbeing of the elderly. The focus group
interview found that the primary motivation to join SNS is to keep in frequent touch
with grandchildren, family, friends, and acquaintances. When asked what were their
expectations in terms of an online social network, most of them indicated they want
information related to locally organised social and community events, set up meetings
with friends, healthcare and emergency services, and other locally relevant information.
Since this is on-going research, data on the wellbeing of older adults is not included.
However, they propose two primary aspects of social interaction: social connectedness
214 I. A. Zolkepli et al.

and social support from SNS, enhancing older people’s lives. The extent of social iso-
lation amongst older people has emerged as a major concern for health (Cotterell et al.
2018). Social isolation has been linked with cardiovascular disease, strokes, (Valtorta
et al. 2016), depression (Matthews et al. 2016), and premature death (Steptoe et al. 2013)
among older people. Though it has been described that the regular social media improves
social connection and wellbeing in old age, excessive social media has been associated
with a higher level of emotional loneliness (Sum et al. 2008).

3 Conceptual Model Development

3.1 Boredom and Social Media Addiction

Boredom, the unfulfilled desire for satisfying activity, can occur in anyone who has
too much time and too little meaning or purpose in their life. One of the earliest avail-
able descriptions of boredom is based on a psychoanalytic case study (Greenson 1953),
who suggested that the state be cast as either apathetic or agitated. Boredom represents
a negative experience caused by situations deemed deficient in meaning, interest, and
challenge, such as depression (Goldberg et al. 2011), lack of sense of life (Fahlman et al.
2009), and excessive gambling (Mercer and Eastwood 2010). A study by Li et al. (2015)
identified boredom as a common trigger of excessive Internet use. It is significantly asso-
ciated with Internet addiction and Internet-related functional impairment in university
students. Meanwhile, a study by Nichols and Nicki (2004) found that an individual’s
propensity toward boredom was significantly correlated with internet addiction.
Retirement from 60 years old enhances free-time and could lead to retirement bore-
dom (Mukku et al. 2018). Bernstein and Trauth (2007) reported that 40% of retirees, five
years into their retirement claimed they were happier before retiring and experienced
sadness, worry, and boredom after retirement. As they find themselves having more
free time, they tend to face endless daytime television, the possibility of gaining weight
because they have stopped being active (Doughty 2013). Today with the presence of
SNS such as WhatsApp and smartphone ownership, its usage has risen among people
45 and older. In 2016 survey conducted by Nielsen shows that adults 50 years and above
spent 64% more time on social media than the same period in 2015 (Leibowitz 2017).
The downside of social media usage among an ageing society is social media addiction.
They might spend more time using social media as they find it interesting, new and
bored with free time. However, literature that studied the relationship between boredom
and social media addiction is almost non-existent. In view of the above, the following
hypothesis is posited:

Hypothesis 1: Boredom significantly impacts social media addiction in the ageing


society.
What Digital Marketers Should Learn from the Struggles 215

3.2 Fear of Missing Out (FOMO) and Social Media Addiction

FOMO is a pervasive apprehension that others might be having rewarding experiences


from which one is absent (Przybylski et al. 2013; Hunt et al. 2018). In past research,
it was suggested that people who face FOMO are likely to be engrossed in psycholog-
ical demands towards being connected and intimate with others (Beyens et al. 2016).
Researchers also claim people with a low emotional state and life satisfaction are likely
to confront FOMO (Przybylski et al. 2013). Recent studies have linked FOMO with
different adverse psychological and physiological conditions, such as high-level alco-
hol consumption (Riordan et al. 2015), depression, and other emotional and physical
problems (Lin 2015; Baker et al. 2016).
Recently there is a trend in past findings where researchers started to investigate
the negative consequences concerning FOMO experienced by social media users (Dhir
et al. 2018; Fabris et al. 2020; Rozgonjuk et al. 2020). Studies show that social media
users with high FOMO are likely to spend more time on social media and suffer from
depression and negative emotions (Baker et al. 2016), insomnia, compulsive social media
use, eating disorders (Beyens et al. 2016), low life satisfaction, competency and personal
interconnection (Elhai et al. 2016); and deterioration of physical and mental wellbeing
(Alt 2015). Users who have a more significant FOMO are assumed to have a greater
desire to stay continually up-to-date of what others are doing, for example, through
social media. People also need to feel constantly socially engaged, and this behaviour
leads to Internet addiction, namely social media addiction. Previous studies on FOMO
have suggested that a high level of FOMO has negative psychological and physiological
consequences. However, it is not yet clear whether FOMO is significantly related to
social media addiction, which leads to the following proposition.

Hypothesis 2: Fear of missing out (FOMO) significantly impacts social media addiction
in the ageing society.

3.3 Social Media Addiction and Social Media Fatigue

A comprehensive review of literature in M’hiri and Costanza (2015) shows that there
is limited to almost no data on social media’s adverse side. Kuss and Griffiths (2011)
and Ryan et al. (2014) claim the research on social media addiction is relatively lacking,
especially among the elderly compared to other types of Internet addiction such as
gaming addiction.
Addictive behaviour such as smoking and gambling is defined as “a repetitive habit
pattern that increases the risk of disease and/or associated personal and social prob-
lems”, or “the behaviour continues to occur despite volitional attempts to abstain or
moderate use”. Clearly, there is a connection in the literature between the term “addic-
tion” and substance use disorders. Therefore some researchers advocate others terms to
distinguish excessive Internet uses from formal clinical “addiction” conditions (Sun and
Zhang 2021). Hence, social media addiction refers to the excessive use of social media.
Terms such as “compulsive”, “excessive use,” “addiction,” “dependency,” and “prob-
lematic use” have often been used interchangeably to refer to the negative aspects of
216 I. A. Zolkepli et al.

Internet/social media usage (Can and Kaya 2016; Choi and Lim 2016; Van Den Eijnden
et al. 2016; Casale et al. 2018; Klobas et al. 2018; Tarafdar et al. 2020).
Social media fatigue is a prevalent factor which negatively influences users’ mental
and behavioural conditions. Dhir et al. (2018) examined the relationship between social
media fatigue and psychosocial wellbeing by utilising different variables: compulsive
usage, FOMO, anxiety, and depression. However, majority of studies in the literature
were conducted in industrialised Asian countries, such as South Korea, Taiwan, Japan
and China (Lin 2015; Zhang et al. 2016; Luqman et al. 2017). Social media addiction
appears to be present in some people who use social networking sites excessively (Young,
2009). This requires them to handle more social demands, which then they would feel
overburdened or strained, which matches the description of social media fatigue. Social
media fatigue is rooted in the idea that too much information stemming from social
media can lead to feelings of being over-whelmed (Bright et al. 2015). In view of the
above discussion, the following hypothesis is postulated.

Hypothesis 3: Social media addiction significantly impacts social media fatigue in the
ageing society.

3.4 Social Media Fatigue and Perceived Social Isolation

It is evident that social media are considered important channels to seek and maintain
social connections (Grieve et al. 2013). Still, it recently emerges that an increasing
number of social media users are straying from their social media participation as they are
beginning to experience social media fatigue (Owsinski 2017). According to Ayyagari
et al. (2011), this phenomenon might be because of technostress resulting from the
overuse of technological platforms such as mobile devices and social media (Lee et al.
2016) where users are likely to experience an emotional decline, such as psychological
fatigue, mental weaknesses and satisfaction decay (Hsiao 2017).
Frequent exposure to unrealistic portrayals on social media may give people the
impression that others live happier, more connected lives. These depictions may make
them feel more socially isolated in comparison (Primack et al. 2017). Social isolation
occurs typically when an individual lacks a sense of social belonging, engagement with
others, and fulfilling relationships. It is associated with increased morbidity and mortality
(Pantell et al. 2013). The following hypothesis is proposed in relations to the above
discussion. In conclusion, based on the assumption made, Fig. 1 depicts the proposed
conceptual study that needs to be empirically tested.

Hypothesis 4: Social media fatigue significantly impacts perceived social isolation in


the ageing society.
What Digital Marketers Should Learn from the Struggles 217

Fig. 1. Proposed conceptual model

4 Theoretical Underpinning
Freudenberger (1974) described burnout syndrome in their scientific articles in 1974.
Then, Freudenberger, a German-born U.S. psychologist and psychotherapist popularised
the term in several publications (Freudenberger 1975; Freudenberger 1977a, 1977b;
Freudenberger and Richelson 1980). He is, therefore, widely considered as the found-
ing father of the concept. Burnout is a syndrome viewed as chronic exhaustion, cyni-
cism, and a lack of personal accomplishment. Exhaustion is described as an emotionally
and physically drained person. Cynicism is a distant and callous attitude toward one’s
job and especially the people with whom one interacts when working (e.g., students,
clients, patients). Finally, a lack of professional efficacy refers to feelings of incompe-
tence, uselessness, and lost self-confidence. Based on the three dimensions of burnout,
namely exhaustion, cynicism, and inefficacy, (Maslach and Jackson 1981) developed
the Maslach Professional Burnout Inventory (MBI) to assess burnout construct has been
the standard for research on burnout since the 1990s. Today it is one of the most widely
used questionnaires for measuring burnout.
Koeske and Koeske (1993) acknowledge the merit of the MBI for measuring burnout-
related phenomena but propose a re-conceptualisation of the burnout construct by linking
it to extensive empirical research on stress. This re-conceptualisation identifies burnout
exclusively with the MBI’s emotional exhaustion subscale. They claim by reworking on
the conceptual underpinnings of the burnout construct in this way preserve the tradition
of psychometric excellence associated with the MBI and provide more continuity in the
study of burnout. Therefore, Koeske and Koeske (1993) provide a conceptualisation of
burnout that is less global than the tri-component conceptualisation proposed by Maslach
and Jackson (1981) by considering burnout to be reflected only in the “emotional exhaus-
tion” subscale items of the MBI. Also, Koeske and Koeske (1993) specify variables with
a mediating and/or moderating influence that is considered to ground burnout more
firmly in stress behaviour and health outcomes. Koeske and Koeske (1993) propose a
stressor-strain-outcome (SSO) model with three principal components (stress, strain,
and outcome). It links stressors/stress on the one hand with attitudinal, behavioural, and
health outcomes. On the other, it identifies mediating factors that arise from subjective
218 I. A. Zolkepli et al.

stress and result in adverse effects. Strain in this research using the burnout model is
identified as emotional exhaustion (of an ageing society).
This research proposes a new fundamental framework based on the stressor-strain-
outcome (SSO). The main reason behind theorising SSO was that the SSO framework
is aligned to investigate which stressors trigger social media addiction and the adverse
outcomes to the ageing society. Studies show that the SSO model has been utilised for
analysing stress-related situations and their outcomes in the context of technology use
(Ayyagari et al. 2011; Cao et al. 2018; Dhir et al. 2018). However, there is no known
study of the above among the elderly cohort.
The SSO model comprises three principal components, namely, stimulators (stres-
sor), emotionally stressed states (strain) and psychological or physical results (outcome).
Stressors refer to those factors that create stress. Thus, in this research boredom and fear
of missing out (FOMO) are proposed as stressors. According to (Merrifield and Danckert
2014), people can get just as stressed from being bored as they can from being over-
worked. That is because boredom is typically the result of a failed effort to engage with
one’s surroundings. The resulting irritation leads to emotional strain. Frequent experi-
ences of FOMO were associated with adverse outcomes, including increasing negative
affect, fatigue, and stress (Milyavskaya et al. 2018).
On the other hand, strain refers to psychological outcomes of stress in individuals.
It could take various forms, and, in this proposed research, social media addiction and
social network fatigue are insinuated as the strain factors. Irrevocably, perceived social
isolation is the outcome of strain, which refers to a behavioural response to a stressful
situation.

5 Conclusion
In a world where communication technology keeps track of today’s living, ageing with
dignity is the mantra that needs to be achieved for the elders. Ageing should not just be
about the accumulation of damage within cells that leads to a loss of function. Ageing
should be regarded as a success story of humankind. Analysing it from the view of
longevity, ageing means we have made successful improvements and innovations in
public health, medicine, social values, science, and technology that have led to people
living longer.
This research contributes to the growing body of knowledge about social media and
ageing societies, a subject that has been widely studied around the world. In particular,
this study contributes significantly to the body of knowledge in several ways by revisiting
the Burnout Theory and Stressor-Strain-Outcome (SSO) model. The underpinning theory
is expected to strengthen its predictions towards predicting the relationship between
the causal and effect of social media usage in ageing societies. It provides in-depth
explanations which are crucial for understanding the antecedents and consequences of
social media addiction and fatigue.
This issue should be of a significant focus to digital marketers. If digital marketers
do not consider these issues, they might not reach this segment from the digital front
perspective. The psychological aspect of social media on the elderly must be studied in
detail to avoid giving an unpleasant customer journey to this fragile cohort.
What Digital Marketers Should Learn from the Struggles 219

With many countries in the world are experiencing growth in the ageing population,
more concerted research efforts should be made to understand this growing consumer
segment further. Furthermore, the purchasing power of this cohort cannot be denied.
They have high spending power and spend gracefully but are without hesitation to spend
more if needed. However, as noted in the earlier discussion, ageing societies are going
through a certain phase of readiness and adaptation relating to social platforms because
of the significant consequences affecting their wellbeing.
In tapping into this, digital marketers are encouraged to find a mechanism to ensure
the stressor-strain-outcome would turn out positive for this cohort and avoid the effect of
burnout. This study attempts to allow digital marketers to understand the dynamic factors
that de-motivate and discourage a positive online customer journey for the elderly.

Acknowledgement. This work is funded by Universiti Sains Malaysia under the Fundamental
Research Grant Scheme (FRGS) PCOMM/6711747.

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Who Is a Digital Agency? Delving into the Value
Proposition

Federica Ceccotti(B) and Maria Vernuccio

Sapienza University of Rome, Rome, Italy


{federica.ceccotti,maria.vernuccio}@uniroma1.it

Abstract. The marketing communication services market has been transformed


by digitisation, which has led to the evolution of traditional agencies, the emer-
gence of new digital agencies, and the entry of consulting firms into the market.
The literature on agencies has investigated the differences between traditional
and digital agencies in terms of structures, processes, and culture. However, lit-
tle is known about new players’ value propositions. Given the phenomenological
variety of digital agencies found in the management literature, the research aims
to investigate the characteristics of these players’ value proposition. Through a
qualitative exploratory approach based on 22 in-depth interviews with commu-
nication professionals and the subsequent thematic content analysis, the authors
identified three different digital agencies’ typologies: strategic digital consultants,
integrated digital communication agencies, and specialised digital communica-
tion agencies. Given the absence of studies on the topic, the paper contributes to
the literature on agencies by outlining the key characteristics of the value proposi-
tion of the three typologies of digital agencies identified in terms of the offering,
target and strategy. From a managerial perspective, this study may reduce client
disorientation, better define the competitive landscape, and, finally, improve the
communication network’s performance.

Keywords: Marketing communication · Digital agency · Value proposition ·


In-depth interviews · Content analysis

1 Introduction

The digital revolution has profoundly transformed the marketing communication ser-
vices market (Kassaye 1997) and has led to increased communication network com-
plexity (Grant and McLeod 2007; Ceccotti and Vernuccio 2013). Due to digitalisation,
the following has occurred: (1) the evolution of traditional agencies (i.e., creative and
media agencies born before the digital revolution) (Wagler 2013; Lynch 2019; Stuhlfaut
and Windels 2019); (2) the emergence of new agencies specialising in consulting on
digital media (Windels and Stuhlfaut 2018; Hughes and Vafeas 2019); and (3) the mar-
ket entry of large consulting firms (e.g., Accenture Interactive and Deloitte Digital)
that, while supporting clients in their digital transformation process, also provide digital
communication services (Lynch 2019; Ceccotti et al. 2019).

© The Author(s), under exclusive license to Springer Nature Switzerland AG 2021


F. J. Martínez-López and D. López López (Eds.): DMEC 2021, SPBE, pp. 225–235, 2021.
https://doi.org/10.1007/978-3-030-76520-0_23
226 F. Ceccotti and M. Vernuccio

Studies on communication agencies have focused almost exclusively on traditional


agencies’ digital transformation (Ceccotti et al. 2020; Lynch and West 2017; Windels
and Stuhlfaut 2018; Turnbull and Wheeler 2017). Although Rodgers and Chen stressed
the importance of investigating “new agencies” as early as 2002, the literature on this
topic is scant and restricted to the analysis of specific issues, such as the differences
between these new agencies and traditional agencies in terms of structures, processes and
corporate culture (Mallia and Windels 2011; Patwardhan et al. 2019; Rodgers and Chen
2002). These new players are defined generically as agencies specialising in interactive
digital media, such as internet advertising (Rodger and Chen 2002), mobile advertising,
social media marketing, etc. (Mallia and Windels 2011; Vernuccio and Ceccotti 2015).
The literature seems to lack an in-depth examination of their value proposition. Instead,
the latter could be relevant to investigate for different reasons.
First, by analysing the managerial literature (e.g., Guttmann 2020) and the websites
of specialised digital category associations (e.g., Interactive Advertising Bureau – Iab -
Europe and Iab Italy), one can find a tremendous phenomenological variety of digital
agencies. This variety could be at the basis of advertisers’ disorientation in the face of
players that do not have a distinctive value proposition (Ceccotti and Vernuccio 2013)
and the resulting difficulty in assessing the work of the communication partner (Ceccotti
et al. 2019). Second, some authors underline clients’ opportunity to internalise digital
communication activities, especially for low budgets (Hughes and Vafeas 2019). The
managerial literature also stresses this trend for advertisers with high digital communi-
cation budgets (Vizard 2020; Whiteside 2019). Therefore, the need emerges for digital
agencies to market themselves with a value proposition that is distinctive and relevant
for clients.
In the absence of previous research on the subject, this paper aims to contribute to the
advancement of knowledge in marketing communication agency studies by outlining the
key characteristics of digital agencies’ value proposition. From a managerial perspective,
this study will better define the competitive landscape (on the supply side) and reduce
client disorientation (on the demand side of communication services), thus improving
the communication network’s overall performance.
The remainder of this paper is structured as follows: after a description of the dig-
ital agency studies, the research question (Sect. 2) and the method (Sect. 3) will be
introduced, and then the results (Sect. 4) and conclusions of the work (Sect. 5) will be
presented.

2 Theoretical Background and Research Questions


As early as 1997, Kassaye stressed the profound transformation of the competitive
landscape in the advertising industry with the introduction of new players that the author
calls “computer graphic studios and boutiques for web-related accounts” (p. 85). In the
academic literature on communication agencies, there is a remarkable variety of terms to
represent players specialising in digital media: “new-media firms”, “internet boutiques”
and “new-media agencies” (Rodgers and Chen 2002); “interactive agencies” (Mallia
and Windels 2011); “digital agencies” (Vernuccio and Ceccotti 2015); “pure-play digital
agencies” (Stuhlfault and Windels 2019); “new agencies” (Hughes and Vafeas 2019);
and “digitally focused agencies” (Patwardhan et al. 2019).
Who Is a Digital Agency? 227

In this paper, we will use “digital agencies” to refer to born-digital players (Sebastian
et al. 2017) that offer services for marketing communication on interactive media (Mallia
and Windels 2011; Vernuccio and Ceccotti 2015).
In the literature on marketing communication agencies, the analysis of these new
players has not been in-depth, despite the growing relevance of digital communication
(Iab Europe 2020). Previous studies have only investigated digital agencies in a compar-
ative way to identify their differences from traditional agencies. The main differences
that have emerged are related to structures and competencies, processes and corporate
culture (Rodger and Chen 2002; Mallia and Windels 2011; Patwardhan et al. 2019).
Digital agencies are very lean organisations with high functional diversity in terms
of resources, knowledge and specialisations, which allows them to generate innovation
through the continuous contamination of experiences between teams (Kwantes et al.
2005). The traditional creative couple -consisting of an art director and a copywriter- is
replaced by mixed teams, mainly coordinated by a project manager who often takes the
account manager’s place (Mallia and Windels 2011). Technical and marketing analysis
skills are at the heart of the organisational structure of these agencies (Ceccotti 2018;
Patwardhan et al. 2019). Moreover, thanks to continuous updating and internal growth
paths, these players can attract and retain the best talent in the job market (Patwardhan
et al. 2019).
As opposed to traditional agencies, where some routines were consolidated over time,
digital agencies do not follow rigidly codified processes and present high flexibility and
speed in responding to client needs (Patwardhan et al. 2019).
Concerning the culture in digital agencies, there is a more collaborative approach
than in traditional agencies: the project proposed to the client is often the result of
the collaboration between different professionals working in teams and not of a single
professional (e.g., the creative director) who takes pride in idea authorship (Mallia and
Windels 2011). Another cultural trait that characterises digital agencies is the orientation
towards performance and data-driven results (Patwardhan et al. 2019). This latter aspect
characterises the value proposition of such agencies, which offer advertising services
with measurable returns (e.g., conversion rates), enabling clients to develop campaigns
that are more effective and efficient than those of traditional agencies and optimisable
in the short term (Guercini 2008; Patwardhan et al. 2019).
By analysing the management studies (Advertising Age 2020; Guttmann 2020) and
the websites of the leading trade associations specialising in digital marketing and com-
munication (e.g., Iab Europe), we can find a tremendous phenomenological variety of
digital agencies. This variety also seems to be at the basis of the client disorientation that
some studies on agency-client relationships highlighted (Ceccotti et al. 2019). More-
over, the “vagueness” of the value proposition may generate difficulties for the client to
correctly judge the value of the service offered by the communication partner (Ceccotti
2018).
Digital agencies must present themselves with a clear and relevant offer to position
themselves distinctively in the communication services market and to reduce the risk of
clients internalising digital communication activities (Hughes and Vafeas 2019). Some
recent studies have investigated the appropriateness of internalising online advertising
228 F. Ceccotti and M. Vernuccio

activities according to their return in terms of sales/ROI/ROS, highlighting the conve-


nience of using digital agencies only in cases of high budgets dedicated to these activities
(Porto and de Abreu 2019). However, the management literature also states that several
large clients with significant budgets for digital communication have started to conduct
these activities internally, both on the creative side and in terms of media planning and
buying (Vizard 2020; Whiteside 2019).
In marketing communication agency studies, there are no specific contributions to the
topic of digital agencies’ value proposition in contrast to traditional agencies (Childers
et al. 2018; Linch and West 2017; Wagler 2013).
The value proposition is one of the three components of a company’s business model
(Richardson 2008) and describes “what the firm will deliver to its customers, why they
will be willing to pay for it, and the firm’s basic approach to competitive advantage”
(p. 138). In particular, value proposition comprehends the following three aspects: 1)
the activities conducted, and the services provided (offering), 2) the target, and 3) the
business strategy to win customers and gain a competitive advantage. Following this
conceptualisation, this study aims to outline the key characteristics of the value proposi-
tion of digital agencies from the perspective of communication professionals, answering
the following RQ:

RQ – What is the value proposition of a digital agency in terms of the offering, the
target customer and the competitive strategy?

By representing the different aspects of the digital agencies’ value proposition, it


will be possible to define the competitive landscape more clearly and, at the same time,
to better guide the client in choosing the most appropriate agency to meet his digital
communication needs.

3 Methodology
Due to the lack of previous studies on digital agencies’ value proposition, qualitative
exploratory research was conducted based on 22 in-depth personal interviews (Creswell
1998) with marketing communication professionals belonging to Italian organisations
with a strong international presence. In particular, three categories of respondents were
involved:

1) Trade associations specialising in digital communication (n = 2) to have a broad


vision of the offering of digital agencies;
2) Advertisers (n = 8), top spenders in digital communication, to investigate their
perception of the digital agencies’ value proposition as users of the services they
deliver; and
3) Digital agencies (n = 12), to deepen the characteristics of their offering, the target
customer, and the competitive strategy adopted.

Moreover, an in-depth collection and analysis of secondary data (i.e., industry


reports, websites of trade association members, websites of agencies belonging to large
Who Is a Digital Agency? 229

advertising networks) were conducted with the dual aim of identifying digital agencies
to be involved in the research and gathering information to better interpret the results
(Muninger et al. 2019).
Given the subject of the study, the key informant approach was adopted in the selec-
tion of the respondents (Robson and Foster 1989): only professionals with a long expe-
rience in digital communication and a leading role in their organisations were involved
in the theoretical sample (Dexter 1970) (e.g., chief marketing officers, communication
directors, head of digital for trade associations and advertisers; founders, partners, CEOs,
general managers, and vice presidents of sales and marketing for digital agencies). To
define the dataset size, the criterion of theoretical saturation was adopted: the data col-
lection was only closed when the contribution of new interviews did not bring new
knowledge useful for achieving the study goal (Francis et al. 2010; Corbin and Strauss
2014). The interview guide, based on open-ended questions, was the same for the differ-
ent categories of respondents: after the definition of digital agency, the different aspects
of the value proposition (i.e., offering, target customer, and strategy) were explored in
depth.
The interviews were conducted by telephone or Skype and lasted between 45 and
70 min. Each interview was recorded and transcribed in full. The interviews were anal-
ysed using thematic content analysis (King and Horrocks 2010), which allowed high-
lighting the key characteristics of the value proposition (in terms of offering, target and
strategy) for three categories of digital agencies.
The so-called “code-confirming” procedure was used to ensure the reliability of the
results, and the procedure involved two independent coders who were experts on the
topic under investigation. The agreement level among the coders was 89%, above the
minimum required for the exploratory approach (Powell 2007). Finally, the results were
reviewed by four respondents who substantially agreed and validated them (Lincoln and
Guba 1985).

4 Findings

First, the respondents highlighted the indeterminacy of the adjective «digital» , which
does not adequately qualify the agency as it does not identify the specificities of the
value proposition of these players. “Digital is the era in which we live. Everyone inter-
prets the digital being in their own way. In a competitive arena, everyone can be called
a ‘digital agency’, and for this reason, the term is too vague” (CEO, Digital agency).
Simultaneously, the necessary conditions have emerged for an agency to be called digi-
tal: the strong technological connotation, the strategic data-driven and customer-centric
approach, the culture of experimentation and collaboration.
However, there is a certain variety in the value proposition of these players.
Three typologies of digital agencies emerged from the interviews, which present an
increasing level of specialisation: (1) strategic digital consultants, (2) integrated digital
communication agencies, and (3) specialised digital communication agencies.
In the next pages, we will briefly present the key characteristics of the value propo-
sition (in terms of offering, target customer, and competitive strategy) for each type of
agency identified.
230 F. Ceccotti and M. Vernuccio

1) Strategic digital consultants

Strategic digital consultants are real partners in the customer’s digital transformation
process (e.g., Reply, AKQA, and Alkemy). They have strong technological expertise and
support companies in redefining business models enabled by big data, cloud computing,
artificial intelligence, and the Internet of Things. The consultancy offered is at several
levels: (a) technology (e.g., platform and solution), (b) processes (e.g., service design),
and (c) strategy and communication (e.g., creativity and media planning).
“We support our customers in extracting value from technology. We assist them in
designing processes, applications and digital communication. Clients look to us for
business innovation, for solutions that can also significantly impact their organisation
and, above all, their results” (VP Sales and Marketing, Digital agency).
According to some interviewees, these players are not “digital agencies” in a strict
sense: they are strategic business consultants, not merely digital communication consul-
tants. They state that they are digital technology ‘generalists’ in this market, and for this
very reason they are chosen: “A company that only needs a digital communication cam-
paign is unlikely to turn to us, whereas a company that we are supporting in the broader
digital transformation process is very likely to turn to us for its digital campaigns” (VP
Sales and Marketing, Digital agency).
To complete their communication offerings, they often acquire communication
agencies specialising in various digital areas (e.g., social media, influencer marketing,
etc.).
Due to their breadth of consultancy services, these players mainly target large
companies, establishing stable medium- to long-term relationships with them.
On a competitive level, strategic digital consultants compete with large management
consulting firms (e.g., Accenture Interactive and Deloitte Digital), which are acquiring
specialised skills to complete their offering with communication services. Instead, they
do not feel particularly threatened by other types of digital agencies.

2) Integrated digital communication agencies

Integrated digital communication agencies are communication partners that support


clients in defining and implementing their digital communication strategy (e.g., Doing
and Caffeina). In most cases, they result from processes of extension of activities con-
ducted by agencies that have progressively integrated different communication services
to provide clients with a complete offer. They are characterised by a “horizontal vision
and vertical professionalism” (Communication Director, Advertiser).
They combine brand consultancy (which used to be the exclusive domain of tradi-
tional advertising agencies) with a data-driven approach and measurability of commu-
nication results. By proposing an integrated offer, they reduce the coordination efforts
of the network of specialised agencies that would have to be conducted by the client.
“The company that turns to us can find all digital specialisations under one roof,
and this brings significant advantages in terms of coordination, speed and consistency
of campaigns. We start with the customer’s needs and build a strategy around them using
various digital tools and channels” (Founder, Digital agency).
Who Is a Digital Agency? 231

Concerning the customers, integrated digital communication agencies target medium


to large companies with an evolved approach to digital communication with whom they
manage to build stable relationships and increasingly smaller customers who want to
build an online presence.
On the strategy side, integrated digital communication agencies are generalists in dig-
ital communication, and their main competitors are the traditional agencies that also offer
digital services. However, compared to the latter, they are more credible in consultancy
as they have a digital mindset from their start:
“Even if the proposition to the client looks similar ‘on paper’ (a digital commu-
nication campaign), ours is the result of a digital mindset that traditional agencies do
not have. We are digital in our approaches, methodologies, and processes; therefore,
our value proposition is certainly more credible for the client than that of traditional
agencies” (General Manager, Digital agency).
Finally, integrated digital communication agencies also compete with agencies spe-
cialised in specific digital communication areas (i.e., “specialised digital communication
agencies”) when the client requires consultancy for just one of these areas.

3) Specialised digital communication agencies

Specialised digital communication agencies are communication agencies that base their
value proposition on a certain degree of specialisation or hyper-specialisation (e.g.,
We Are Social and Webranking) and can offer more significant expertise in this area
than integrated digital communication agencies. The consultancy focuses on a single
communication project (e.g., social media strategy) or the implementation of a particular
activity (e.g., chatbot development) or a specific channel (e.g., mobile advertising).
The respondents agree on the significant fragmentation of the offer and the wide
variety of players due to the numerous specialisations of digital communication: “There
has been a huge fragmentation of digital activities that makes is impossible to map
agencies and produce a taxonomy” (Marketing Director, Trade Association).
The target customer of these agencies is “liquid” and includes the following: (a) large
enterprises seeking a hyper-specialised service, (b) small-/medium-sized enterprises that
do not have an evolved approach to digital communication and are seeking a single digital
consultancy service, and (c) traditional agencies that have not yet developed digital skills
in-house and complete their offer by resorting to external suppliers. In the latter case,
the supplier’s identity very often remains hidden from the client and is only revealed
when the reputation of the specialised agency can qualify the overall value proposition
of the traditional agency.
Several respondents stressed different strategic alternatives for specialised digital
communication agencies. In particular, they can accomplish the following:

(a) Progressively broaden their expertise to other consultancy areas to offer the client
a more comprehensive service in the digital field and become an integrated digital
communication agency: “Often agencies that are born specialising in a certain
service broaden their offer to increase business opportunities in neighbouring areas
in which they can quickly build up expertise and be credible” (Marketing Director,
Trade association),
232 F. Ceccotti and M. Vernuccio

(b) Covering market niches in order to be the best in a specific field. These are medium-
sized to large agencies that support even large companies in a specific activity:
“When we redesigned all the company websites in all the countries where we
operate, we turned to a specialised agency to get the maximum expertise in this
field” (Communication Director, Advertiser),
(c) Grow to become appealing to, and be acquired by, the large communication net-
works and consultancy firms: “When there is a disruption, the medium/small verti-
cal agencies that drive that change start to grow and become attractive to the large
structures that need those specialised skills, and then the process of acquisition
by the latter begins in order to remain competitive in the market” (CEO, Digital
agency).

Depending on the strategy adopted, the competitive arena varies and may include
integrated digital communication agencies offering consultancy on a specific service
and other agencies specialising in the same digital field.

5 Conclusion
The present work is part of the literature on communication agencies, particularly by
exploring the key characteristics of the value proposition of digital agencies, i.e., born-
digital players specialised in the offering of services on interactive media. By adopting
a broad perspective involving communication professionals from different categories
(namely, Trade associations, Advertisers and Digital agencies), it was possible to outline
the variety of the value propositions of these new players from the professionals’ per-
spective and to identify three types of digital agencies: (1) strategic digital consultants,
(2) integrated digital communication agencies, and (3) specialised digital communica-
tion agencies. For each typology, the offering, the target customer, and the competitive
strategy were presented; the competitors perceived as most relevant were also outlined.
There are three contributions of this study to the literature on communication
agencies.
First, this research focuses on a category of agency, i.e., digital agencies, which have
received scant attention in previous studies. Previous literature deepened the traditional
players and delved into the “new” ones only to outline the differences between the two
types of agencies in terms of processes, structures and culture (Rodger and Chen 2002;
Mallia and Windels 2011; Patwardhan et al. 2019).
Second, focusing on digital agencies, the research investigated one of the dimensions
of the business model, namely, the value proposition, for the first time by adopting
Richardson’s (2008) model and deepening its three components: the offering, the target
and the strategy.
Third, this study made it possible to overcome the vagueness of the value proposition
found in previous contributions (Guercini 2008; Patwardhan et al. 2019). The expression
“digital agency”, which refers to any agency specialised in digital media (Mallia and
Windels 2011; Vernuccio and Ceccotti 2015), is not adequate to indicate these new
players’ specificities and needs to be further qualified to better explicate the positioning
of agencies in the communication services market. Therefore, this study contributes to
Who Is a Digital Agency? 233

the literature by proposing three different types of digital agencies (identifiable with
three different “labels”) according to the specificity of their value proposition.
The results also provide managerial implications for both advertisers and each type
of digital agency. For the former, understanding the value proposition variety of the dig-
ital agencies is useful to orient themselves in a very complex communication scenario
and to be able to better evaluate the projects and the results proposed by their consul-
tants. Additionally, depending on the level of consultancy (business, strategic brand, and
on specific communication projects), they will enter into medium-term partnerships or
short-term supply relationships.
On the agencies’ side, strategic digital consultants should present themselves as real
business partners for clients, and they should also play a relevant training role in their
digital transformation process. They should aim for stable and high-quality relationships
with clients, including high-level corporate counterparts (i.e., C-level executives).
Integrated digital communication agencies are strategic communication partners
for clients. They must differentiate themselves from traditional agencies by providing
strategic brand consulting with a native digital mindset and, at the same time, delivering
measurable and optimisable results in the short term. Compared to specialised digital
communication agencies, they must present themselves as one-stop consultants who can
support their clients in all areas of digital communication.
Specialised digital communication agencies are suppliers of specific communication
projects. They should find their growth path either by maintaining a high level of focus
in their offerings or, on the contrary, by aiming for integration and, thus, transformation
into integrated digital communication agencies.
Moreover, this study can help marketing communication and digital marketing
students orientate themselves according to the value propositions of various digital
agencies.
The research has some limitations related to the methodological approach and the
geographical focus of the set of respondents. The adoption of the qualitative method
does not allow the generalisation of the results obtained. Moreover, the involvement of
respondents belonging to Italian realities, albeit with an international perspective, could
lead to results that cannot be observed in other countries. These limitations give rise to
some future lines of research. First, it might be interesting to widen the geographical
context of the investigation. Second, a case study analysis could be conducted to deepen
the specificities of each type of digital agency proposed in this paper. On a thematic
level, it seems interesting to study another component of the business model proposed
by Richardson (2008) and not investigated so far in the literature: value capture, i.e., the
cost structure and revenue models of the three different types of digital agencies that
emerged in this study.

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Moments of Truth in Social Commerce
Customer Journey: A Literature Review

Letícia Terra1 and Beatriz Casais2(B)


1 IPAM, Porto, Portugal
2 School of Economics and Management, University of Minho, Braga, Portugal

[email protected]

Abstract. Companies should know their customers, and more than simply the
market expectations, managers should track consumers’ experiences, particularly
the interactions they have in the online environment. The understanding of the
user experience allows the design of strategic touchpoints, through digital media
techniques. Considering the growing importance of digital transactions through
social networks, this chapter consists on a review of academic literature about
online customer journey in social commerce platforms, in order to inform readers
about the metrics used to identify the moments of truth and possible obstacles that
compromise the online experience and consequently sales conversion.

Keywords: Social commerce · Customer experience · Online customer journey ·


Digital touchpoints · Moments of truth

1 Introduction
Customers interact with companies through various points of contact on various chan-
nels. In this sense, companies need to understand the consumer’s journey in order to
create the right touchpoints (Lemon and Verhoef 2016). The increasing popularity of
social networks as an effective communication has evolved electronic commerce to social
commerce (Liang and Turban 2011). Social Commerce, based on the assumptions of
engagement that social networks potentiate in consumers, allows companies to create
perceptions of trust, increasing sales and decreasing marketing costs. However, social
commerce brings new challenges and advantages to the customer’s shopping experi-
ence, motivating the analysis of consumer buying behaviour and their online purchase
experience (Yadav et al. 2013).
Lemon and Verhoef (2016, p. 70) found that “what people really want are not prod-
ucts, but satisfying experiences”. This experience is determined by whether or not the
consumer confirms satisfaction with the product/service and its quality. In order to make
this experience satisfactory, it is essential to manage the relationship with the client,
focusing all activities on the needs that the client demonstrates in a cooperative and
collaborative way.
The online consumer journey is recognized as the treatment of the customer expe-
rience, as an interactive and dynamic process, which encompasses the journey that a

© The Author(s), under exclusive license to Springer Nature Switzerland AG 2021


F. J. Martínez-López and D. López López (Eds.): DMEC 2021, SPBE, pp. 236–242, 2021.
https://doi.org/10.1007/978-3-030-76520-0_24
Moments of Truth in Social Commerce Customer Journey 237

customer takes with a company during a purchase cycle where there are several critical
moments known as touch points. It is necessary for companies to identify these moments,
that is, those that exert a great influence on customers, with the aim of understanding
what their public preferences are.
This chapter explores the phenomenon of social commerce through the academic
literature and proposes techniques based on digital analytics to research the customer
experience in social commerce and the moments of truth that require particular online
touchpoints.

2 Social Commerce

Social Commerce relates to the transactions in social networks and online places where
people can find goods or services, share experiences of use and easily buy those prod-
ucts. The popularity of social networks led individuals to easily contact and interact with
the others in online platforms, allowing also the evaluation of products and the share of
information and experiences regarding a certain product or service (Yadav et al. 2013).
Two types of social commerce are also identified: traditional e-commerce sites that incor-
porate social tools to implement interaction and information sharing, in order to fit the
customer expectation about recommend and received advices regarding purchases (Costa
and Casais 2020); and social networking sites that implement commercial resources that
allow transactions and advertisements (Zhang and Benyoucef 2016). While e-commerce
is more about increasing efficiency, using sophisticated research strategies (one-click
shopping, virtual catalogues, recommendations based on consumers’ previous buying
behaviour) and unidirectional interactions between customers and the system, the social
commerce brings the social side to the online shopping process (Chen et al. 2011). Here,
buyers have the possibility to obtain more suggestions to support their purchase deci-
sions when acquiring information through communities, observing the actions of the
other buyers or interacting directly with online sellers (Wang and Zhang 2012).
One of the advantages of social commerce is the interaction and sharing of opinions
that influence future individuals, which consequently makes them co-create value for
the brand (Hajli et al. 2014; Costa and Casais 2020). On the other hand, the lack of
the presence of human and social elements is a problem that hinders the growth of e-
commerce. Therefore, social commerce emerges as a way of trying to solve this problem,
bringing back the social aspect of purchases by increasing the degree of social presence
in the online environment and consequently the trust between the company and the buyer
(Lu et al. 2016).
Trust is a crucial point when talking about economic and social transactions, espe-
cially when it takes place in online environments (Pavlou 2003). Jones and Leonard
(2008) share the same opinion that trust is a critical point in online context and also add
that a good relationship between companies and consumers is essential. However, Feath-
erman and Hajli (2015) state that given the context of social commerce, uncertainty is
usually greater due to the large amount of content created by the community and the lack
of face-to-face interaction. This lack of face-to-face interaction leads to the of increasing
customers’ suspicion, even more when there is little knowledge about the seller which
directly influences online purchases (Kaiser and Muller-Seitz 2008). This led researchers
238 L. Terra and B. Casais

to conduct a survey on the background of trust and the effects it has on purchase inten-
tions on social commerce platforms (Kim and Park 2013). Seven characteristics of social
commerce are revealed, which are identified as the key to trust: reputation, size, quality
of information, safe transaction, communication, economic viability and references.
As a way of creating trust in this context, e-commerce can be supported by social
commerce because, if the opinions shared are mostly positive, the level of consumer
confidence will increase and the perception of risk will decrease (Hajli and Lin 2014).
Kim and Park (2013) defended the same idea, adding that social interactions between
consumers create word-of-mouth that positively affects trust. The most satisfied cus-
tomers are those who share their opinion, and not the most loyal to the company. That
is why it is essential that companies provide a good customer experience, since negative
opinions stand out relatively from positive ones (Barreto 2014). It is also important to
note that companies must establish a good relationship with opinion leaders so that they
transmit positive information about the company (Nwaizugbo and Ifeanyichukwu 2016).

3 Online Touchpoints

Online touchpoints between the company and the customer refers to the interactions
through several points of contact, which occur throughout the purchase. The experience
can begin through direct contact, when the customer initiates the purchase without any
incentive from the company, or indirectly, when the company bets on advertising. The
customer journey is a sequence of events in which the customer goes to look for informa-
tion, buy and interact with a certain product/service. In other words, it regards to the all
interactions between the company and the customer at any point of contact (Norton and
Pine 2013). From the moment the customer enters the website until the purchase, there
are several critical moments known as contact points (Rawson et al. 2013). Lemon and
Verhoef (2016) complement that the customer experience is an interactive and dynamic
process, which encompasses the journey that a customer takes with a company dur-
ing a purchase cycle that requires several points of contact. From the point of view of
companies, analyzing the consumer journey is essential to strengthen a response to the
consumer experience (Homburg et al. 2017). Despite being a complex job, it is essen-
tial that companies identify their critical points of contact, as those that exert a great
influence on customers, understanding what are the customer’s preferences in order to
discover the path that leads to the end of the purchase goal (Lemon and Verhoef 2016;
Verhoef et al. 2016).

4 Analysis of the Customer Journey

The consumer’s journey can be represented through a diagram that demonstrates the
various interactions and points of contact that a customer makes until the purchase.
Traditionally, the consumer’s journey was associated with a funnel with five stages -
Awareness, Consideration, Preference, Action and Loyalty in which the customer can
go through all these stages or jump from stage 1 (Awareness) to stage 4 (Action), when,
for example, you have the influence of someone you trust.
Moments of Truth in Social Commerce Customer Journey 239

However, these stages are connected with the purchase process: Discovery, Research,
Decision, Purchase and Post-Experience. A form of analysis of the consumer journey
is referred by Richardson (2010) as a simple graphic illustration that shows the steps
that the customer takes. This analysis is used as a way to help companies to better
understand all the steps taken by customers that allows the identification of the main
interactions, raising questions such as the customer’s feelings, their motivations and
some considerations for each contact point made. If, on the one hand, the contact points
are an important part of the analysis of the consumer journey, attention should be on the
journey itself (Rawson et al. 2013). The result of this analysis will lead to the discovery
of the motivations that lead the customer to purchase, and the company should highlight
the days that ended successfully so that it is possible to redesign and sustain a better
consumer experience. With the competitive market facing today, anticipating the client’s
movements and desires is essential, instead of just reacting to the journey chosen by the
client. Companies must start defining their clients’ path by anticipating them (Edelman
and Singer 2015).
Verleye (2015) proposes an alternative approach to the measurement of the customer
experience by identifying four phases of analysis of this experience, namely peace of
mind, moments of truth, focus on results and experience with the product.
In the same line of thought, Adamson (2008) proposes a model that encompasses
three phases: Research and Analysis, Design and Measurement. In the first phase, of
research and analysis, the author divides it into three sections, the definition of the
consumer, the mapping of the experience and the moments of truth. The mapping of
the experience is fundamental in order to understand the importance of the different
channels, that is, the multichannel perspective, and their connections in order to generate
a greater profit. It is at this stage that the KPI’s are established. Finally, the moments
of truth, refer to the key points of contact for the conversion of the customer, that is,
points essential throughout the journey of the consumer, that lead the experience to the
final objective of the company (Adamson 2008). The second phase, the design, refers
to the structure and graphic presentation of the company through which it is intended to
create the experience. The consumer experience becomes more effective according to
the coherence in the distribution of the message between the contact points, as these are
the ones that identify the places that consumers will follow (Neumie 2016; Patrício et al.
2008). Finally, monitoring is the analysis of the consumer journey in order to rethink the
way it is structured and check if the contact points are making the consumer experience
the best possible. In this phase, Key Performance Indicators and Return On Investments
are also analyzed (Adamson 2008).
The multichannel perspective was mentioned in the first phase of analysis, perhaps
this being the most developed aspect in the analysis of the customer journey (Lemon
and Verhoef 2016). Considering the channel’s choice behavior offers important insights
to analyze, manage and influence. The retailer with better integration between their
channels is more likely to have higher sales growth (Cao and Li 2015).
The digital analytics metrics are varied, from basic indicators as visitors and page
views (Fagan 2013) to metrics defined by Jansen (2009) organized in four categories:
Commerce, Content, Support and Lead Generation. The first metric, Average Order
Value, falls into the trade category because it refers to the relationship between total
240 L. Terra and B. Casais

order revenue and the number of orders during a given time. It thus provides the cost of
a transaction, which can be used to analyze the success of marketing campaigns. Also
associated with the trade category is the Metric Average Visit Value which considers
the quality of traffic and represents the total number of visits to total revenues. Having
a lot of traffic on the site and little conversion means that the quality of traffic is low,
which can be caused by inappropriate promotional campaigns, such as those that do not
determine a specific target audience, by confusing layouts or even with registration or
completion problems of purchase (Jansen 2009).
The bounce rate analyzes the proportion of visitors who leave the site after visiting
only one page or staying on the site for 5 s or less, which is usually the result of
visitors who were not interested in the content of the site. Conversion rate measures
the percentage of visitors who complete a given action. Many managers analyze the
comparison of users who initiate a particular action with those who complete it (Jansen
2009). Content can also be a metric when it is interesting for the business to assess
how relevant content is to the user, being demonstrated when the user stays longer
on a given page. Visit pepth considers the number of pages visited by a user and the
time spent on the site, although this time can be spent at the same time that the user
is performing other tasks while the company’s website is open (Fagan 2013). It is also
worth noting that through this metric, it is possible to check if users learned about the
site from social networks and are interested throughout their journey. This may indicate
that social networks are valuable.
Despite the long list of existing metrics, the company that intends to analyze the con-
sumer’s journey must choose a few kpi’s, selecting those that fit their objectives defined
for this analysis (Fagan 2013). With the current power of the internet, the importance of
subjective metrics decreases and highlights more objective, standardized and quantita-
tive meatrics that are easier to measure (Seggie et al. 2007). In contrast, the abundance
of metrics complicates the use of digital analytics as it is difficult to decide which met-
rics are most critical to analyze, so it is best to identify key performance indicators and
differentiate them from metrics (Welling and White 2006; Chaffey and Patron 2012).
As a way of measuring data, the main phases are: acquiring data, analyzing and
interpreting data, reporting results, and action (Bourne et al. 2005). The search for
reliable data for metrics systems is a challenge, so an advantage of digital analytics is
that they can be acquired by default and automatically the search for data is not expected
to be an obstacle (Stewart 2009; Russell 2010). However, these data are useless without
proper analysis, so this phase is essential in order to gain insight and improve the current
journey (Chaffey and Patron 2012).

5 Conclusion
Social commerce encompasses all types of activities related to the exchange of infor-
mation that occur and/or influence in online social environments. The lack of human
and social elements in online transactions is a problem that hinders the growth of this
trade. With this, social commerce has two important components, which aim to counter
this situation, being the commercial and social component. It is this social aspect that
helps to build trust with the consumer. With the development of these components, it is
possible to facilitate the purchase to customers.
Moments of Truth in Social Commerce Customer Journey 241

As the community in general increasingly interacts through digital media, it is nec-


essary to track customer’s interactions with the company and evaluate its performance.
As a way to make this possible, companies adopt digital analytics, which is a way to
collect, measure and analyze the acquired data. This online experience can be measured
using metrics, and they will need to be able to answer the questions previously stated.
The selected metrics that answer corporate performance becomes the KPIs that should
be analysed.

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Aspect-Based Recommendation Model
for Fashion Merchandising

Weiqing Li1 and Bugao Xu2(B)


1 School of Computer Science, Xi’an Polytechnic University, Xi’an 710048, China
2 Department of Merchandising and Digital Retailing, University of North Texas,
Denton, TX 76203, USA
[email protected]

Abstract. An aspect-based recommendation model (ARM) was proposed to


detect local and global aspect representations in customer reviews available on
ecommerce websites for fashion merchandising. This model was constructed with
two independent paths to process user/item reviews simultaneously, and each path
had a convolutional neural network (CNN), a long-short time memory network
(LSTM) with attention mechanism to separately capture local aspect features and
global aspect features. To enhance the generalization of the ARM model, the
local and global aspect features from both user and item reviews were merged
through mutual operations prior to the rating prediction. The Clothing, Shoes &
Jewelry dataset from Amazon 5-core was used to train and test ARM. The sig-
nificance of the extracted aspects regarding user preferences and item properties
from the reviews were examined as opposed to several state-of-the-art fashion
recommenders.

Keywords: Aspect-based recommendation · Review documents · Attention


mechanism · Deep learning

1 Introduction

Personalized recommendation is an effective ecommerce marketing tool for business,


such as Amazon and, Yelp. One of its main functions is to predict the overall rating of
a user toward a target item based on existing user reviews. Many studies used semantic
reviews to model latent factors of users to improve the accuracy and interpretability
of recommendations, as they are available on most ecommerce websites and possibly
contain fine-grained information about user preferences. Generally, the reviews made by
one user for all sought/bought items (e.g., fashion products) are regarded as a user review
document, while the reviews associated with one item across all users are referred to as
an item review document. To avoid data sparsity and cold-start problems in traditional
collaborative filtering algorithms, some work used topic modelling techniques, such as
Latent Dirichlet Allocation (Blei et al. 2003), to extract latent semantic information
from reviews and fused it with ratings to make recommendations more interpretable. the
sentiment-consistency and text-consistency of both user and item reviews were used to

© The Author(s), under exclusive license to Springer Nature Switzerland AG 2021


F. J. Martínez-López and D. López López (Eds.): DMEC 2021, SPBE, pp. 243–250, 2021.
https://doi.org/10.1007/978-3-030-76520-0_25
244 W. Li and B. Xu

predict ratings (Song et al. 2017). Although a review-based recommendation can help
to understand/predict ratings, it lacks the ability to capture user preferences and item
properties, which inspired aspect-based recommendations lately.
An aspect-based recommender model intends to extract aspects from textual reviews
using either external natural-language-processing (NLP) tools (Zhang et al. 2014; Wang
et al. 2018) or an internal framework (Guan et al. 2019; Wu and Ester 2015) to represent
different aspects in a user or item review. Chin et al. combined user and item aspect-
level representations with aspect importance, and then estimated an overall rating for
any user-item pair (Chin et al. 2018). Cheng et al. designed an aspect-aware topic model
via a multinomial distribution over the reviews to learn different user and item aspects
in the topic space (Cheng et al. 2018). Aspects reflecting user preferences and product
features in user/item review documents, and the interactions of user and item data were
detected by nonnegative matrix factorization for establishing recommendation models.
However, it may not integrate different polarities of the same word in a sentence (local
aspect representation) and in a whole review (global aspect representation). Currently,
no recommendation model has been widely accepted for fashion merchandising.

2 Aspect-Based Recommendation Model

In this paper, we propose an aspect-based recommendation model (ARM) for fashion


merchandising by extracting local and global aspect representations from user and item
review documents to predict ratings. Figure 1 displays a network structure with two
parallel paths to extract the aspect features from user reviews and item reviews, respec-
tively, and each path contains side-by-side CNN and bi-LSTM modules combined with
attention mechanisms.

Fig. 1. Aspect-based Recommendation Model (ARM)

Latent factors reflecting a user’s fashion preferences and a fashion item’s properties
are abstracted when a review is input through a context embedding module to capture
Aspect-Based Recommendation Model for Fashion Merchandising 245

local-aspect and global-aspect features, and then a mutual operation is applied to these
two aspect features to enhance the robustness of the model.
Context Embedding Module: Assume that a user review text is RU = (r 1 , r 2 , ···, r m ), where
m refers to the number of words in a review, and r i denotes the i-th word in the review.
We first map each word to its embedding representation E U = (e1 , e2 , ···, em ) ∈ Rm×d via
a context embedding layer, in which ei is the embedding vector for the i-th word, and
d is the number of dimensions for the embedding vector of each word. The embedding
layer can be simply regarded as a look-up operation in a shared embedding matrix which
can be initialized using word vectors that have been pre-trained on large corpora, and
the embedding matrix can facilitate a better semantic representation of the user reviews.
The word2vec (Google 2013) was used for the pre-trained word embedding.
Local Aspect Extraction Module: Given an embedded user/item review representation,
the goal of this module is to extract a set of local aspect user/item features. Initially,
we can encode the embedded context from the massive given review texts and ratings
[4], the CNN can learn the importance of each word and its aspect representation, and
its attention mechanism can extract latent local aspect semantic features. Attention is a
powerful mechanism in the deep learning field. As the output of a dense layer, attention
mechanism can flexibly select a reference for context information to facilitate global
learning by using the softmax function (Xu et al. 2015).
Global Aspect Extraction Module: In addition to the local aspect feature extraction
module, a parallel module is used to extract a set of global aspect user/item features.
Inspired by the previous studies (Ma et al. 2019; Zeng et al. 2019), we employed a
bi-LSTM (Schuster and Paliwal 1997) to model the global long-term dependency and
to find global aspect features by utilizing both previous and future contexts and by
processing the sequence in both forward and backward directions. The global long-term
dependency of text sequence information is obtained based on the embedded context,
and the global aspect representations are extracted by an attention mechanism.

ARM

Fig. 2. Mutual learning between user and item reviews for rating prediction
246 W. Li and B. Xu

Mutual Operation Module: Local aspects and global aspects representations can be
concatenated using a summation and an attention mechanism (Lu et al. 2018; Seo et al.
2017)
Rating Prediction by Optimization: Figure 2 shows a mutual learning framework between
user and item reviews for customer rating prediction. The two parallel channels are used
to learn representations of user aspect features and item aspect features, γu,a and γi,a ,


which can be combined to create the overall rating, r , by



 T
r= γu,a γi,a + bu + bi + b0
a

where bu , bi , and b0 are the user, item, and global biases (Chin et al. 2018), respectively.
The above estimation can be considered as a regression problem in which all parameters
are trained jointly through the backpropagation technique, in which the mean squared
error (MSE) is used as a loss function. To learn the parameters of this model, the objective
function, J, can be written as:
  2
J = r − r + λΘ Θ2


where r is the known rating, r is the predicted rating,  denotes the set of all the
parameters and λ 2 is the regularization to prevent the model from overfitting.
The stochastic gradient descent (SGD) algorithm and the backpropagation are used to
optimize the parameters of the model, and the Adaptive Moment Estimation is utilized
over mini-batches (Liu et al. 2019).

3 Experiment

Dataset: Shoes & Jewelry dataset from Amazon 5-core (Amazon 2020) was the dataset
used. The dataset was filtered to ensure that each user or item review has at least one
rating. After the filtering, the dataset has 39,387 users, 23,033 items and 278,677 ratings,
the density is 0.0307%, and the sparsity is 99.9693%.
Performance: The performance of the ARM was compared with those of five state-
of-the-art recommendation models. Table 1 displays the experimental results from the
DeepCoNN (a), D-Attn (b), NARRE (c), ANR (d), DAML (e), and ARM (f) models,
in which the best result is highlighted by bold, and the second-best by underlined. %
denotes a relative difference in MSE or MAE between a baseline method and ARM,
which measures the performance improvement by ARM (f).
The result shows that ARM (f) achieved the best MSE and MAE scores and out-
performed the five baselines. The second-best performer was ANR (d) on D1, from
which ARM improved MSE by 0.43% and MAE by 1.51%, respectively. For D2, the
second-best performer was DAML (e) if MSE was concerned or ANR (d) if MAE
was concerned. But ARM improved MSE and MAE from the second-best performers
by 5.74% and 5.14%, respectively. The experiment demonstrated that the aspect-based
Aspect-Based Recommendation Model for Fashion Merchandising 247

Table 1. MSE and MAE performance

Models MSE MAE


Error (a) 1.1885 0.8409
(b) 1.1644 0.8376
(c) 1.1583 0.8222
(d) 1.1027 0.8139
(e) 1.1488 0.8402
(f) 1.0980 0.8016
% (a) 7.61 4.67
(b) 5.70 4.30
(c) 5.21 2.51
(d) 0.43 1.51
(e) 4.42 4.59

method with attention mechanism between the user and item reviews can offer more
accurate rating predictions than the other five models.
Hidden Layer and Humber of Aspects: The selections of the hidden size, d h , and the
number of aspects, k, have direct impacts on the rating predictions. In our experiment,
the hidden size of ARM was chosen from {1, 3, 5, 7, 9}, and the number of aspects
varied from 1 to 8. Figure 3 illustrates the effects of d h and k on the predicted ratings for
the reviews in the dataset. The graph shows the optimal performances (smallest MSE)
when d h = 5 and k = 5. This is why we set k at 5 in our experiment.

1.0980

1.102
1.101
1.100
1.099
MS E

1.098
1.097
8
1.096
7
9 6
7 5
4
5
3
3 2
1 1

Fig. 3. Influences of Hidden Size and Aspects.

Interpretability: Similar to what was found in [4], [6], the following five fash-
ion aspects were most frequently captured among the reviews in the dataset:
A = {size/fit, color, fabric/texture, price,
 style}. The ‘background’ distribution
 of each
embedding word ei is defined as be = a∈A ψa /|A| where ψa = u∈U ψu,a /|U| +
248 W. Li and B. Xu

 
i∈I ψi,a /|I |. ψa refers to the importance of word ei for aspect a, and ψu,a = i attni,a
i
is the importance of each word ei by attni,a with respects to user u ∈ U and aspect a ∈ A
over vocabulary V. Therefore, we can represent aspect a using its top words on (ψa − be ).
Table 2 lists the top eight words used in the reviews for each aspect. These words in the
five aspects properly reflect the relationships among the users, reviews, and ratings.

Table 2. Top words of each aspect

Size/fit Color Fabric Price Style


Length Colors Material Price Style
Medium Black Shirt Deal Comfort
Usually White Soft Cost Classic
Sizes Design Fabric Value Particular
Normally Blue Cotton Paid Fashion
Shape Red Lace Reasonable Unique
Sizing Brown Sweater Bargain Statement
Fitted Dark Smooth Unbeatable Styling

Attention Layer: We analyzed the impacts of the local attention layer, global attention
layer, and mutual attention layer. Table 3 provides the performance comparisons when
attention layers in ARM changed and other parameter settings remained the same. ARM-
local and ARM-global are ARM without the local or global attention layer. ARM-
Local&global is ARM without local and global attention layers. ARM-mutual and ARM-
All are ARM without the mutual attention layer or all attention layers.

Table 3. Influence of attention layers in ARM on MSE

ARM ARM-Local ARM-Global ARM-Local&Global ARM-Mutual ARM-All


1.0980 1.0994 1.0988 1.0984 1.1010 1.1020

ARM can obtain the best MSE when all the attention layers were included, and
the worst MSE when all the attention layers were removed (ARM-All). In the other
four scenarios (ARM-Local, Global, Local&Global, and Mutual), attention mechanisms
performed. Among them, the removal of the mutual attention mechanism had the greatest
impact on MSE, indicating that the attention layers, especially the mutual attention layer,
can improve the recommendation performance. This is because the mutual attention layer
can combine different polarities of the same word in a sentence and the aspect semantic
meanings of the whole sentence.
Aspect-Based Recommendation Model for Fashion Merchandising 249

4 Summary
This paper presented an aspect-based recommendation model (ARM) to predict review
ratings. This model used two parallel paths to extract latent aspects about users and
items separately and a mutual operation to merge the two outputs for rating predic-
tions. On each path, a convolutional neural network (CNN) and a long short-term mem-
ory (LSTM) network, both having an attention mechanism, captured local aspects and
global aspects respectively, and the mutual operation combined them to enhance ARM’s
generalization. As demonstrated in the experiments, ARM outperformed the five state-
of-the-art recommenders in terms of the accuracy of predicting customer ratings on
fashion products.

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Leveraging Malicious Joy to Influence Consumer
Word-of-Mouth Transmittal in Social Networks

Barney G. Pacheco1(B) and Joseph Paniculangara2


1 The Department of Management Studies, The University of the West Indies, Kingston, Jamaica
[email protected]
2 Durham University, Durham, UK

[email protected]

Abstract. The proliferation of user-generated posts about brands on social media


has inspired interest by both practitioners and scholars in the factors promoting
the diffusion of information within social networks. This has led to efforts by firms
to seed and exert control over consumer-driven word of mouth on social media
platforms (often referred to as buzz marketing) with varying degrees of success.
The question still remains however, as to why information about certain brands
is shared more than others. In the current paper we extend the conceptualization
originating from the “strength of weak ties” theory to encompass tie valence as
a separate dimension alongside tie strength. We then identify consumer schaden-
freude (the feeling of joy over another’s misfortune) as a critical motivator of
information diffusion between network members who share a negatively valenced
tie. Finally, we outline the value to marketers in incentivizing consumers to share
information among their negative network ties since this is expected to lead to
more widespread sharing of information about low equity brands.

Keywords: Word-of-mouth · Social networks · Schadenfreude · Tie valence ·


Buzz marketing

1 Introduction
The explosive growth of social media platforms and the willingness of consumers to share
experiences and product information over these networks has intensified the need for
marketers to understand the dynamics of online word-of-mouth (eWOM). The empow-
erment of consumers to share user generated content online can significantly boost the
profile of less familiar brands but also creates challenges for marketers since it can
facilitate the rapid dissemination of negative product information (Hornik et al. 2019).
In response, marketing managers have attempted to assert their influence over eWOM
through the strategy of buzz marketing, which can be thought of as “firm engineered”
WOM that is initiated by the firm and implemented by consumers (Godes and Mayzlin
2009).
To date, much of the research on buzz marketing has been devoted to identifying the
characteristics of the ideal buzz agent (Awotunde and Jimoh 2019). We suggest however,

© The Author(s), under exclusive license to Springer Nature Switzerland AG 2021


F. J. Martínez-López and D. López López (Eds.): DMEC 2021, SPBE, pp. 251–254, 2021.
https://doi.org/10.1007/978-3-030-76520-0_26
252 B. G. Pacheco and J. Paniculangara

that our understanding of the eWOM diffusion process can be enhanced by focusing
on the valence of the ties that connect consumers in social networks and the motives
that underpin their desire to transmit information within their network. Specifically,
we examine the concept of schadenfreude and argue that this feeling of pleasure in the
misfortune of others (Moisieiev et al. 2020) can motivate buzz agents to share information
that will negatively impact individuals in their network.
Our theorizing thus builds on the strength of weak ties theory advanced by Gra-
novetter (1973) by incorporating the concept of tie valence to explain situations where
information is transmitted between network members who have an adversarial rela-
tionship. Locating our conceptual framework in the context of buzz marketing also calls
attention to the ability of marketers to incentivize buzz agents to share information about
low quality brands among members of their network with whom they have a negative
relationship. This paper thus answers the call for increased research on the management
of social interaction by marketers (Dost et al. 2019).

2 Network Dynamics and Information Transfer

According to Granovetter’s “strength of weak ties theory”, individuals cluster in net-


works wherein each individual is connected to others through strong ties. The strength
of weak ties lies in their nature of acting as “bridges” connecting islands or networks
of strong ties. This theory has been widely used to explain the market-level spread of
WOM (Goldenberg et al. 2007) with the general consensus that weak ties have greater
impact on transmission. We contend however, that this conceptualization of ties as being
either strong or weak is somewhat limited and propose that senders of eWOM also take
the valence of the relationship or tie into account. This is a critical distinction; focusing
on the emotional dimension of the tie rather than the degree of interaction between net-
work members. We thus challenge the notion that these two aspects of network ties are
isomorphic.
Adding the concept of tie valence to our theorizing allows us to make predictions
about the nature of the information transfer that will occur in a consumer’s social net-
work. First, we argue that consumers will be more willing to transmit information about
products which they believe to be of superior value to members of their network with
which they have a positive relationship. Moreover, when consumers view the product
less favourably, they are also likely to share this information with persons who they are
positively tied to in order to prevent them from having a negative experience. The impli-
cation for marketers is that incentives provided to consumers to create “buzz” may not
represent value for money if individuals are inclined to naturally share brand information
only with their positive ties.
However, if the valence of the tie between the network members is negative, we
would expect the likelihood that they would transmit any information to be significantly
lower, irrespective of the strength of the tie between network members. It would appear
therefore, that buzz agents would be biased towards sharing information with a smaller
subset of their entire networks with whom they share positive ties, potentially limiting
the effectiveness of a buzz marketing strategy. We argue however, that the provision
of incentives by marketers to buzz agents can not only mitigate the effect of negative
Leveraging Malicious Joy to Influence Consumer 253

ties but also provide a mechanism for boosting the transmission of information of lower
quality brands over ties with negative valence. The key to implementing such a strategy
lies in the marketer’s ability to elicit feelings of schadenfreude among consumers tasked
with information transmission.

3 Schadenfreude as a Motivator of eWOM Diffusion


The emotion of schadenfreude or pleasure in the misfortunes of another is a common
occurrence for consumers (Kim and Kim 2018). In a marketing context, research on
schadenfreude has typically been used to explain the reactions of a brand’s loyal fanbase
to the misfortunes of a competing brand (Pancer et al. 2017). Consumers who experi-
ence schadenfreude are thus motivated to disseminate more negative and intense WOM
regarding the commercial setbacks of rival brands (Hornick et al. 2019). Anecdotal evi-
dence suggests this emotion may have contributed to the spike in snarky comments being
posted on Twitter by Apple iPhone users following reports about the overheating prob-
lems associated with Samsung’s Galaxy Note 7 smartphone. There is a lack of research
however, into how marketers can strategically harness schadenfreude as an underlying
motivator for the promulgation of information within consumer social networks.
We contend that when a buzz agent is provided with an incentive by the marketer
to transmit WOM information to individuals with whom they have a negative tie, it
increases the psychic cost of transmitting WOM. However, transmitting information
that the sender knows will cause discomfort to the recipient – e.g. sharing information
about a free product sample that the sender knows to be of low quality – may engender
feelings of malicious pleasure. This motivational goal may thus be a powerful driver
of the diffusion of information that is intended to negatively influence the recipient’s
decision about what products to purchase.
Schadenfreude feelings should thus motivate consumers towards social sharing with
their negatively valenced network members or lead to information gerrymandering
(Stewart et al. 2019) in order to punish the recipients by providing distorted information.
Given the high level of arousal associated with schadenfreude (Kramer et al. 2011), we
expect that the amount of distorted information being transmitted by buzz agents to neg-
atively valenced ties may actually exceed the level of transmittal to persons with which
the individual shares an affable relationship. Information disseminators may thus regard
the feeling derived from sharing information that can potentially harm their enemies as
more rewarding than the emotion derived from helping a friend make a better purchase
decision. Such reasoning may account for the pervasive sharing of information about
low quality or otherwise poorly reviewed products on the internet.

4 Conclusion
Given the importance of WOM shared in social networks in shaping consumer purchase
decisions (Ha and Janda 2014), it is important to understand the factors that motivate
consumers to share information online. Drawing on an expanded conceptualization of
the “strength of weak ties” theory, we identify feelings of schadenfreude as a key factor
responsible for the exchange of information between consumers who share a negatively
254 B. G. Pacheco and J. Paniculangara

valenced tie. From a practical standpoint, we argue that managers who understand the
impact of this emotion can strategically leverage such feelings to incentivize consumers
to share information about lower quality products. It is therefore imperative that mar-
keters pay close attention to the structure of the networks that potential buzz agents
belong to in order to better manage the diffusion of information about their brands.

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Selling Global Luxury Brands in China: The Use
of Social Media Advertising

Federica Codignola(B)

DEMS, Department of Economics, Management and Statistics, University of Milano – Bicocca,


Milan, Italy
[email protected]

Abstract. This study shows that in order to develop their social media advertising
strategies and obtain optimal results, global luxury brands that wish to enter the
Chinese market, must consider a number of Chinese cultural peculiarities. Several
studies have already used the cross-cultural theoretical framework for the purpose
of identifying some effective luxury brands’ marketing and communication strate-
gies. This research recognizes specific features that can be used to create targeted
and successful social media advertising approaches. As the majority of Chinese
luxury consumers are Millennials and Gen Z, brands are even more challenged. In
fact, these segments show preference for digital communication tools, media, and
channels, with social media advertising representing the most valuable strategy.
Global luxury brands that seek to profitably use social media adverting, besides
taking into account specific Chinese cultural-related features and contexts, must
also identify, understand, and learn how to employ any useful stratagem emerging
from innovation in digital communication. This would allow brands to compete
in the global marketplace while increasing their growth rate thanks to updated and
effective social media advertising strategies.

Keywords: Global luxury brands · Social media advertising · Cross-cultural


theory · Cultural differences · Chinese culture · Chinese luxury market

1 Introduction

In China the luxury market continues to contribute to the wealth of the global economy.
In 2020 the pandemic-related reduction in international travel has produced an exponen-
tial increase in e-commerce spending (Bain & Company 2020). Its rising growth rate will
continue to challenge global luxury brands active in the Chinese market while develop-
ing new business opportunities. The Bain report of 2020 identifies various factors behind
the Chinese growth rate. The emergence of the Millennial and Gen Z consumers and
the correlated digitalization of the marketplace along with its communication increasing
paths and strategies are among these factors. While luxury brands are in fact augmenting
their online penetration, the omnichannel paradigm increases as well. This entails mixed
brands’ physical and virtual marketing models, cross-channel strategies, and so on. Lux-
ury brands must then develop sharp, pertinent, and functional up-to-date communication

© The Author(s), under exclusive license to Springer Nature Switzerland AG 2021


F. J. Martínez-López and D. López López (Eds.): DMEC 2021, SPBE, pp. 255–262, 2021.
https://doi.org/10.1007/978-3-030-76520-0_27
256 F. Codignola

tactics. Literature can be found according to which digital presence and digital commu-
nication may negatively affect the classical features of luxury brands (e.g. sense of rarity,
personalization, exclusiveness, uniqueness, etc.) (among others, Kapferer and Bastien
2009; Okonkwo 2009; Ortved 2011). Other studies, however, show that digital commu-
nication strategies and digital communication channels and tools are becoming essential
even in this industry. This is especially true with reference to social media (among others,
Gallaugher and Ransbotham 2010; Harfoushi et al. 2013; Rialti et al. 2017; Park et al.
2021). Jin (2012), in particular, has shown the positive role of social media advertising
in relation to the Asian luxury market. In order to entice consumers toward their final
purchase, communication aims to enhance brand perception while providing a specific
target audience with information about the products and the brands. Moreover, adver-
tising stimulates purchases by convincing the consumer that a certain product meets his
needs (Roderick 1999). However, the usefulness of this persuasion process is correlated
to the degree through which consumers identify themselves with the good. Social, psy-
chological, and economic factors are elements that can affect such path by determining
consumers’ needs. These can range from prestige and status to personal satisfaction, etc.
and are linked to the culture of the society in which the consumers are based (Rani 2014).
Therefore, as far as social media advertising is concerned, it is essential for luxury brands
to identify market segments which are united by similar values and cultures. This will
help develop more effective strategies tailored to the target audience (Acar et al. 2011).
As China represents the most profitable audience for luxury brands that are seeking to
expand their customer base (McKinsey & Company 2019), global luxury brands should
take into account Chinese cultural peculiarities. As culture has a preeminent impact on
consumers beliefs and behaviors (Maheswaran and Shavitt 2000; Kacen and Lee 2002),
luxury brands must manage their advertising strategies through global and local social
media platforms by heeding to these implications. This study aims then at identifying
some culture-oriented features that may be useful to luxury brands seeking to conquer
the Chinese market through social media advertising strategies. Today, tailoring such
strategies to local Chinese culture is then a highly relevant marketing and managerial
issue to be investigated. In order to do so, this study partially relies on cross-cultural
theory.

2 Cultural Features and Advertising in China

In order to develop effective advertising strategies, luxury brands should regard how
culture affects the buying behavior of consumers (Chevalier et al. 2013). Several studies
have recognized a number of cultural peculiarities that can be employed in the develop-
ment of social media advertising strategies for the selling of luxury brands in China. As
an example, the culture-related hierarchical Chinese structure in business associations
highlights the importance of creating a system of connections among individuals based
on reciprocal obligations and the sharing of benefits. This phenomenon, called Guanxi,
includes a component, called Mianzi, which refers to the concepts of honor, prestige, and
trust in relationships (Hwang 1997; Buckley et al. 2010). Concurrently, following Hof-
stede’s cultural dimensions model (2001) China appears to be mainly collectivist, that is,
individuals rely on the other members of a group or community. Creating relationships is
Selling Global Luxury Brands in China 257

then mandatory in order to gain success. Chinese collectivism can be also understood as
an in-group orientation (House et al. 2004). Chinese individuals conform to the group to
which they belong, or are significantly affected by the opinions and judgments of their
family members. From a perspective of advertising, these above-mentioned cultural
traits have precise implications for brands. For instance, they enhance the relevance of
communication channels that employ and allow consumers’ sharing processes of expe-
riences and opinions, such as rating systems or word-of-mouth (WOM) which, on social
media platforms represents a powerful information basis (Jalilvand and Samiei 2012;
Yang 2017). Consumers that use social media want opinions and information from oth-
ers in order to increase their knowledge of brands. Also, they take pleasure in sharing
their individual experiences of luxury brands with their peers (Bian and Forsythe 2012).
Moreover, if a brand is recommended by other satisfied consumers, this strategy may
additionally increase brand loyalty.
Another Hofstede’s relevant cultural dimension is uncertainty avoidance, in which
China scores low (2001). This means that Chinese individuals are not forward planners.
They are instead more prone to be concerned only when problems arise. This attitude
shows that Chinese consumers are open toward innovation and modernization in adver-
tising. Luxury brands perception may be then improved by the introduction of innovative
advertising elements, while respecting tradition. In relation to time perspective, China is
a country with a long-term orientation (Hofstede Insights 2020). Luxury brands should
then emphasize long-term benefits for consumers through advertising. However, Chi-
nese culture is also past-oriented (Yau 1988; Hwang 1997). Therefore such an attitude
can increase brand loyalty by pushing consumers to repeat a purchase of the same brand
if they have been satisfied by the first one. China also has a masculinity-oriented cul-
ture (Hofstede Insights 2020). Luxury brands must then communicate different values
according to gender. If the role of men in China is linked to the breadwinner’s figure, the
role of women is more often linked to home caring and child rearing activities. Luxury
brands must then be careful not to communicate goods through advertising campaigns
based on identical gender roles (Yau 1988). As for Hofstede’s power distance dimen-
sion, China features a societal hierarchical structure where people in high positions have
power over their subordinates and where decision processes are made at the highest
levels (Hofstede Insights 2020). This attitude reverberates onto the Chinese consumers’
need of achieving success and increasing their power. Therefore, luxury brands adver-
tising should focus on the ability of the product or the brand to provide consumers with
prestige and prominence.
Hal’s model, on the other hand, helps recognize that some communities commu-
nicate in different fashions whether their culture is high-context or low-context (Hall
1976). This model is useful to luxury brands selecting the advertising features (e.g.
channels, methods, tools, contents, strategies, etc.) appropriate to the Chinese market-
place. The model shows that Chinese individuals who are part of a high-context culture
prefer indirect and symbolic communication. It allows luxury brands, as a result, to
translate such peculiarities into effective advertising expedients. Chinese luxury con-
sumers are deemed to be more attracted by advertisements structured according to these
communicative patterns than by advertisements conveying explicit and direct messages.
258 F. Codignola

3 The Chinese Luxury Consumer


According to recent data (Statista 2020), the amount of HNWI in China has increased in
recent years, reaching more than 1.5 million in 2019. Compared with Western HNWI,
Asian HNWI prioritize luxury products in their spending habits (Chevalier et al. 2013).
It has been ascertained that the Chinese elite also mainly lives in capital cities such as
Beijing and Shanghai, is younger and younger (the average is 25 years old), and has
an average income 10 times higher than the national average income. Luxury brands
should then target a new, increasingly young audience that represents a high potential
of consumers motivated to purchase luxury by similar drivers (Chevalier et al. 2013;
Bain & Company 2020). Other than HNWI, Millennials and non-Millennials in general
tend to possess the same drivers toward luxury consumption. A report from Statista
(2017) indicated that in China in 2017 the main reasons for owning luxury products
were equally shared and were linked to features such as a higher product quality (82%),
products providing a better reflection of personality and tastes (40%), and products
responding to the need of status and prestige (30%). The study of Chevalier et al. (2013)
identifies other peculiarities of Chinese luxury consumers. For instance the authors
subdivide them into the category of luxury followers and luxury laggards (more price-
oriented) and the category of luxury lovers and luxury intellectuals (more analytical,
as they process information in a systematic and rational way without evaluating price).
The latter category is the more collectivist of the two. They buy luxury goods with
the aim of conforming to the group whose values they share, whereas luxury followers
and laggards show a more individualistic behavior. This study also proves that such
differences depend on the city examined: in Beijing, a traditional city, luxury intellectuals
constitute almost 50% of the whole luxury consumer audience. Conversely, in Chengdu,
more influenced by the Western world, luxury goods consumers have a behavior similar
to luxury laggards.

4 Advertising Strategies for Chinese Luxury Consumers

All in all, in China different communication characteristics coexist despite the fact that
they frequently contradict each other. Implicitness is a common feature in Chinese com-
munication and symbolism is often used. Yet, in order to understand how Chinese con-
sumers react to advertisements’ messages, context must be examined. For instance, given
the social and cultural changes among Chinese consumers, Gehrke and Claes (2014)
show that in recent years brands approaching the Chinese market use more explicit
and self-expressive elements in advertising. Similarly, if words and images relating to
the body and sex were originally banned from advertising, just as they were avoided
in public, in the more Western-oriented Chinese capitals these restrictions and taboos
have become outdated. This phenomenon was in part due to the effects of mass media
globalization (Fang and Faure 2011). As a result, since in China attitudes toward com-
munication may vary across regions and cities, brands that want to enter the Chinese
market should take into account the opportunity to locally adapt advertising strategies to
micro cultural differences. If standardized advertising can be effective where culture is
not bound to tradition, in most cases communication, in order to be convincing, should
Selling Global Luxury Brands in China 259

be adapted to the different contexts. However, luxury brands may maintain the global
advertising strategy’s elements which help position themselves in the upper levels as
they indicate prestige and power (Chevalier et al. 2013). For instance, features such as
logos, brand image, and seasonal advertising campaigns can be conceived on a global
basis without any adaptation to cultural differences. On the other hand, retail stores,
PR activities, and other communication’s tools should be tailored to the Chinese cul-
ture in order to enhance brand positioning among competitors and its perception in the
Chinese audience (Liu et al. 2016). A study investigating glocalization strategies aimed
at the Chinese luxury marketplace indicates that Chinese consumers identify Western
brands as more luxurious compared to Asian ones (Kim et al. 2019). This study also
confirms that global luxury brands should keep their original name while for instance
taking advantage, of a Chinese celebrity endorser for the purpose of advertising their
items and, concomitantly, approaching the local community (Kim et al. 2019; Yu and
Hu 2020).

5 Luxury Brands and Social Media Advertising in China

With the advance and the penetration of the Internet access, information technologies,
search engines, and communication platforms, digital advertising has become a trendy
format. The Internet is then seen as the main tool of advertisement (Taylor 2009). In
China, digital advertising now represents a profitable model for social media (Wang
2008) and is gradually replacing the traditional offline advertising tools. A correlated
Chinese trend is the rapid development of mobile apps, with digital advertising switching
from desktop to mobile (Statista 2019). The 2019 Statista model identifies four segments
of digital advertising: banner, video, search, and social media advertising. This last
segment includes advertisement revenues deriving from social networks. Today, being
the fastest-developing segment means to be the strongest advertising platform where
users and consumers interrelate with each other and connect to brands (Chu et al. 2013).
As a consequence, luxury brands must improve their advertising strategies through social
media. They bring brand awareness, enhance and multiply WOM, and increase sales (Lee
and Hong 2016). In fact, through social media advertising, social media help brands gain
dramatic commercial benefits, especially when brands are able to employ users’ social
relationship data (Capatina et al. 2020). However, China applies rigid restrictions to
global social media platforms and applications. Western luxury brands that want to
compete in this country must then consider that besides a global presence on global
social media channels, they must also be present in the Chinese ones.
Furthermore, Western luxury brands must take into account their targets’ cultural
differences when they develop their informative and visual advertising content. Lin
et al. (2017) show, for instance, that in China the advertising strategies of luxury brands
in regard to social media would be more effective if they used less direct messages, on
account of China’s high-context culture. Another study confirms the relevance for luxury
brands to use, in their social media advertising strategies directed to China, references
to values such as symbolic associations, high social status, interdependence, emotions,
and popularity (Tsai and Men 2012). The same study also shows that, when using social
media, Chinese consumers are more inclined to follow brands depending on specific
260 F. Codignola

stimuli such as personal identification, entertainment, social integration, or information.


These authors argue that the most useful elements in social media advertising aimed at
China go from celebrities to emotional features, aesthetics, metaphors, etc., elements
that are often disconnected from the products. In fact, through social media advertising
campaigns global luxury brands may reach Chinese luxury consumers while providing
them with exclusive content and personalized programs which help create a solid brand-
customer relationship. Together with similar engagement tactics, they can adopt celebrity
endorsement strategies just as WeChat does. This platform sends personal messages
of influencers to target users, allowing them to feel like they have a real relationship
with them. In doing so, luxury brands take advantage of the celebrity’s fan base or
the influencer’s followers base, increasing their Internet traffic, their awareness, and -
consequently - sales (Fu 2020).
According to Kapferer and Bastien’s theory (2009), luxury brands should be cau-
tious with respect to their presence on the Internet, since this may weaken the perception
of luxury. However, to some extent this theory today appears weak. Empirical evidence
shows in fact that already in 2018 all the leading forty global luxury brands in China used
WeChat (Bain & Company 2018). This proves that today luxury social media advertising
may be able to entertain and attract Chinese consumers while giving them unique expe-
riences which enhance their perception of luxury. Concomitantly, but from a different
perspective, the presence of luxury brands on such platforms allows in itself Chinese
luxury consumers to share products information, opinions, etc., which are additional
elements coherent with their cultural values.

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The Intention to Repurchase Apparel Online:
A Case of South African Millennial Men

Chris D. Pentz(B) and Lieze Ryke

Department of Business Management, Stellenbosch University, Stellenbosch, South Africa


[email protected]

Abstract. Online shopping, especially apparel shopping, is expected to grow


rapidly in South Africa, one of the largest economies on the African continent. A
market segment that shows lucrative growth opportunities is the male millennial
online apparel shopper, but published research on the online buying behaviour of
this group of consumers is scant. To address the academic and practical knowledge
gaps on male millennial consumer behaviour in terms of online apparel shopping,
this study set out to investigate a number of factors that can influence these con-
sumers to repurchase apparel in an online environment. The study focused on
South African millennial male consumers who had previously purchased apparel
from a large and well-established South African online fashion retailer and semi-
replicated a study conducted by Kim et al. (2012). Data were collected by means
of an electronic self-administered non-interactive questionnaire. A total of 349
useable questionnaires were retrieved for statistical analyses. It was found that
utilitarian shopping values do not directly influence the intention of millennial
South African men to repurchase apparel from the investigated online fashion
retailer. On the other hand, the results revealed that hedonic shopping values do
influence the online apparel repurchase intention of this consumer cohort. The
results of this study provide valuable insights in understanding the apparel repur-
chase intention of the South African millennial male consumer in the 21st century.
The insights can be used by online retailers to develop more effective marketing
strategies to capitalise on this lucrative market segment.

Keywords: Online shopping · Apparel · Repurchase intention · Male millennial


consumers · South Africa

1 Introduction
Online shopping (a form of e-commerce) refers to the purchase of products and services
from the Internet (Javadi et al. 2012). Although online shopping is regarded to be in its
infancy in South Africa, accounting for approximately 1.4% of total retail sales (Mathe
2020), it is a growing phenomenon. The outbreak of the COVID-19 pandemic in early
2020 and the resulting measurements taken to protect human lives (such as lockdowns
imposed in various countries, including South Africa) have also played a role to escalate
the growth of online shopping in South Africa (Githahu and Charles 2020). A study
by Mastercard, for example, revealed that 68% of South African consumers increased

© The Author(s), under exclusive license to Springer Nature Switzerland AG 2021


F. J. Martínez-López and D. López López (Eds.): DMEC 2021, SPBE, pp. 263–276, 2021.
https://doi.org/10.1007/978-3-030-76520-0_28
264 C. D. Pentz and L. Ryke

their online shopping since the start of the COVID-19 pandemic (Businesstech 2020).
It can be expected that the growth in online shopping will continue, as many behaviours
adopted by South African consumers during the COVID-19 period are likely to become
permanent (Githahu and Charles 2020).
A product category that shows a large increase in the share of products bought
online is fashion products. It is expected that by 2021, the global online sales of fash-
ion products (apparel, bags, accessories and footwear) will be in excess of US$1 003
billion (Statista(a), n.d.). The global trend of increased online fashion shopping is also
mirrored in South Africa where apparel, specifically, is the fastest growing product cat-
egory in online retail (Rawlins 2018). It is estimated that the total revenue in the South
African online apparel segment will amount to US$785 million in 2021, while projec-
tions indicate that this figure could increase with a compound annual growth rate of
10.3% from 2021 to 2025 to reach an estimated market volume of US$1 161 million by
2025 (Statista(b), n.d.).
A segment of the fashion industry that experiences noteworthy growth is the market
for male apparel. In South Africa, male apparel is a marginally smaller product category
than female apparel, but the male apparel segment is lucrative and has grown since 2010.
The South African market for male apparel is expected to reach ZAR41 billion in value
in 2021, driven by a growing interest among South African men in their appearance and
personal grooming (Hartzenberg 2018). An interesting fact in this regard is that Swedish-
based fashion retailer H&M, reports that approximately 25% of their South African
consumers are men, whereas the global average is between 15% and 16% (Brown 2017).
According to Maggioni (director of retail and buying at trend forecast group WGSN)
a definite opportunity exists for South African fashion retailers to appeal to younger
consumers, especially millennials, as they spend large amounts of time and money on
their personal style and image (Tshandu 2018). A study by GrowthFromKnowledge
(2017) on South African millennials (aged between 20 and 34) found that this cohort is
strategic, determined, ambitious and sure of what they want.
In South Africa, male apparel is not only purchased at physical ‘brick-and-mortar’
stores, but also online. As noted previously, the fastest growing product category in a
South African online retail context is apparel. However, there is a dearth of published
research on male consumer behaviour in terms of online shopping of apparel in a South
African context. It can, therefore, be argued that more research insights are needed to
assist online apparel retailers in the development of effective marketing strategies to
better engage with South African millennial male consumers. As this study wants to
make theoretical as well as practical contributions, the decision was made to not only
focus on a literature review, but to also consult with a large and well-established online
fashion retailer operating in South Africa before the problem to be investigated was
finalised. As a result, the decision was made to specifically investigate the following
general aspect: What motivates South African male millennial consumers to revisit and
repurchase apparel (in this case clothing and/or shoes) from an online retailer? To answer
this research question, the study aims to investigate a number of online shopping factors
that could lead to customer satisfaction and ultimately could encourage South African
millennial men to repurchase apparel items from an online fashion retailer.
The Intention to Repurchase Apparel Online 265

2 Theoretical Perspective and Hypothesis Development


This study is a semi-replication of a study conducted in Korea by Kim et al. (2012) in
which factors that can influence online shopping behaviour were identified and inves-
tigated. Before these online shopping factors and their outcomes are discussed, it is,
however, important to elaborate on the concept of value. According to Overby and Lee
(2006) there seems to be a drive from scholars who argue that e-commerce research
should study the desired value that consumers attach to the Internet as a purchasing
medium, since superior value provided by an online retailer may encourage repurchase
intention The concept of Internet shopping value is, therefore, addressed in this study.
Internet shopping value can be classified into two broad dimensions, namely utilitar-
ian shopping value and hedonic shopping value which are key factors in determining
consumer online shopping behaviour (Chiu et al. 2014; Gupta and Kim 2010).
Utilitarian shopping value refers to an overall assessment of functional benefits and
sacrifices (Overby and Lee 2006). It represents behaviour where consumers aim to ratio-
nally and effectively seek solutions to problems, realise a specific purpose and finally
acquire the optimal value of the online shopping process (Bakirtas et al. 2015). Hedonic
shopping value is more personal and subjective than utilitarian shopping value (Bridges
and Florsheim 2008) and refers to the fun and excitement aspects related to a shopping
experience (Kim et al. 2012). In the past, utilitarian features such as price and availability
were considered the most important factors in the motivation of a purchase, but more
recently, there has been an increased interest in consumers’ hedonic shopping value as
utilitarian motivations are no longer exclusively a driving force of purchase behaviour
(Parker and Wang 2016; Bridges and Florsheim 2008). There are researchers that argue
that as humans are pleasure seeking in nature, they classically desire to experience the
feeling of fun during a shopping encounter (Chiu et al. 2014). Apparel, a product cate-
gory that continuously changes according to trends and is rich with symbolic meaning
(Parker and Wang 2016), can be classified as a category with high hedonic proper-
ties (Blázquez 2014). The question can be asked: will the perception of utilitarian and
hedonic shopping values influence the apparel repurchase intention of South African
millennial men who have bought apparel from an online fashion retailer before? There-
fore, in the following sections, online shopping factors that might influence consumers’
online shopping behaviour will be elaborated on and a number of hypotheses (all related
to South African millennial men who have made apparel purchases from a large and
well-established South African online fashion retailer before) will be put forward. The
first factor to be addressed is system quality.

2.1 System Quality


System quality refers to a customer’s perception of the technical and functional aspects
of an online shopping website (Yu et al. 2014). Various factors, including the reliability,
online response time, ease of use, availability and adaptability of an online shopping
website can contribute to system quality (Kim et al. 2012; DeLone and McLean 2004).
The focal point of this study is on two significant aspects of system quality, namely
system security and system accessibility. System security refers to the ability of an
online shopping website to protect consumers’ personal information from unauthorised
266 C. D. Pentz and L. Ryke

use (Ludin and Cheng 2014), whereas system accessibility refers to the provision of a
reliable website that is easy to access, easy to use and responsive (Kim et al. 2012).
Creating a secure and easily accessible website increases satisfaction and intention
to repurchase among online consumers (Cao et al. 2005). Bilgihan et al. (2016) argue
that online shopping websites can increase their success rates by focusing on being
trustworthy and reliable.
According to Kim et al. (2012), the accessibility to online shopping sites and secu-
rity of personal information can have a significant influence on the hedonic (fun) and
utilitarian (functional) shopping values of online consumers. To investigate the possible
relationships between system security and system accessibility and both utilitarian and
hedonic shopping value, the following hypotheses are proposed:

H1: There is a relationship between system security and utilitarian shopping value.
H2: There is a relationship between system security and hedonic shopping value.
H3: There is a relationship between system accessibility and utilitarian shopping value.
H4: There is a relationship between system accessibility and hedonic shopping value.

2.2 Information Quality


Information quality refers to the content created and provided by an online retailer to
meet consumer needs (Yu et al. 2014) and is a key feature that influences customer
satisfaction and intention to interact with an online retailer’s website (Ludin and Cheng
2014). To increase customer satisfaction, the website content of online retailers must
adhere to basic quality characteristics such as accuracy, relevancy, completeness, cur-
rency and ease of understanding the information for current and prospective customers
(DeLone and McLean 2004). High levels of information quality may lead to increased
customer satisfaction and repurchase intention and may also increase the excitement of
the shopping process and enrich customers’ experience (Yu et al. 2014). Kim et al. (2012)
argue that consumers who shop online cannot be satisfied in utilitarian and hedonic ways
unless the specific website provides resourceful and updated information. Therefore, the
suggestion was made to investigate information variety and currency as notable features
for consumers to achieve both utilitarian and hedonic value during their purchase. Infor-
mation currency refers to the relevance of the information and accuracy of an online
retailer’s content (Nelson et al. 2005) and has been identified as a key element of con-
textual information quality (Cappiello et al. 2003). Customers’ demand for currency
fluctuates, and what one individual considers as current or relevant information the
other might find outdated (Nelson et al. 2005). Nicolaou and McKnight (2006) main-
tain that one of the most critical aspects of information quality is providing up-to-date
information. Current information assists consumers in their product and service search
and purchasing process and adds to the excitement of the entire online shopping process
(Ahn et al. 2007). Information currency may also lead to greater satisfaction among
online consumers and increase hedonic and utilitarian shopping value (Kim et al. 2012).
Information variety refers to the amount of information made available by online
retailers for different types of consumers (Kim et al. 2012). Consumers who do online
shopping do not only shop for practical purposes but can also use online platforms to
conduct research on products and services (Meyer and Schwager 2007). It can, therefore,
The Intention to Repurchase Apparel Online 267

be argued that online retailers can enhance the hedonic and utilitarian shopping value
by providing consumers with a large variety of relevant information. The following
hypotheses are, therefore, posed:

H5: There is a relationship between information variety and utilitarian shopping value.
H6: There is a relationship between information variety and hedonic shopping value.
H7: There is a relationship between information currency and utilitarian shopping value.
H8: There is a relationship between information currency and hedonic shopping value.

2.3 Service Quality


According to Parasuraman et al. (1985: 42), service quality is “a measure of how well
the service level delivered matches customer expectations.” In an online retailing envi-
ronment, service quality refers to the overall customer evaluations and judgements of
the quality of the online service delivery (Hsu et al. 2012). Ahn et al. (2007) argue that
service quality is a significant construct as it refers to all the support services related
to the purchasing process (finding, ordering, and delivering the products) as well as
the post-purchase process (addressing customer complaints). It can be argued that the
quality of service that an online retailer provides can have an impact on the utilitarian
and hedonic shopping value needs of the customer. For example, the prompt and effi-
cient delivery of an order or the manner in which a customer query is addressed might
influence the customer’s perception of both hedonic and utilitarian shopping values. The
present research study also explores service quality based on service quickness (speed
of delivery of online service) and service receptiveness (handling of customer queries,
for example return of online purchases) and the following hypotheses are put forward:

H9: There is a relationship between service quickness and utilitarian shopping value.
H10: There is a relationship between service quickness and hedonic shopping value.
H11: There is a relationship between service receptiveness and utilitarian shopping value.
H12: There is a relationship between service receptiveness and hedonic shopping value.

2.4 Internet Shopping Value, Customer Satisfaction and Repurchase Intention


Researchers have argued that the success of online retailers necessitates the provision
of both utilitarian and hedonic shopping value since these two dimensions have been
found to be related to customer satisfaction and repurchase intention (Kim et al. 2012;
To et al. 2007).
According to Pizam and Ellis (1999), customer satisfaction is a psychological con-
cept that has been investigated extensively and involves a consumer’s feeling of well-
being and pleasure after obtaining what was hoped for and expected from an acquired
product and/or service. Researchers have divided customer satisfaction into two dimen-
sions, namely ‘service encounter satisfaction’ and ‘overall customer satisfaction’ (Chang
and Chen 2008). ‘Service encounter satisfaction’ is transaction-specific and observes
customer satisfaction from a post-choice evaluative judgement of a specific purchase
encounter (Chang and Chen 2008). ‘Overall customer satisfaction’ is relationship-
specific, as it represents the cumulative effect of a set of service encounters with a retailer
268 C. D. Pentz and L. Ryke

over a period of time (Chang and Chen 2008). The present study considers the ‘overall
customer satisfaction’ dimension as the study centres on male consumers who have used
the online shopping process before. The following hypotheses were investigated:

H13: There is a relationship between hedonic shopping value and customer satisfaction.
H14: There is a relationship between hedonic shopping value and customer repurchase
intention.
H15: There is a relationship between utilitarian shopping value and customer satisfac-
tion.
H16: There is a relationship between utilitarian shopping value and customer repurchase
intention.

Enhancing the shopping experience should also result in customer loyalty and higher
repurchase intention (Bilgihan et al. 2016). Previous studies support the notion that there
is a direct positive relationship between customer satisfaction and repurchase inten-
tion among consumers in terms of products and services (Hellier et al. 2003). In other
words, customers are likely to repurchase from an online retailer who previously satisfied
their needs or expectations (Safa and Von Solms 2016). The study, therefore, proposes
that customer satisfaction is vital to consumers’ repurchase intention and the following
hypothesis is presented:

H17: There is a relationship between customer satisfaction and customer repurchase


intention.

In conclusion, the proposed conceptual model depicting the relationships investi-


gated in this study is presented in Fig. 1.

Fig. 1. Proposed conceptual model


The Intention to Repurchase Apparel Online 269

3 Research Methodology
3.1 Measurement Instrument

The survey method was used to collect data by means of a structured self-administered,
non-interactive online questionnaire. The questionnaire items used were based on those
used by Kim et al. (2012). (The original items were adapted to all contain the name of
the South African online fashion retailer that was investigated in this study).

3.2 Data Collection

The target population was defined as male South African citizens, between the ages of
18 and 38 (millennial cohort) who had previously purchased apparel from a large South
African online fashion retailer. The retailer agreed to assist in data collection and offered
to send the electronic link of the questionnaire via email to all the individuals on their
database who complied with the inclusion criteria of the study. Once ethical clearance
was obtained, the data collection process commenced. Participation was voluntary and
anonymous, but an incentive to win one of five shopping vouchers was offered.

4 Results

A total of 475 questionnaires were received. These questionnaires were thoroughly


screened, resulting in the elimination of 126 questionnaires. Therefore, a total of 349
questionnaires could be employed in the empirical analysis. To analyse the data, a two-
phased approach was followed, namely the analysis of the measurement model, followed
by the examination of the structural relationships among the latent variables (Anderson
and Gerbing 1988) by means of the Partial Least Squares Structural Equation Modelling
(PLS-SEM) technique.

4.1 Measurement Model Assessment

The internal consistency and reliability of the measurement items were investigated
with two measures, namely Cronbach’s alpha, and composite reliability (CR) (Hair
et al. 2019). In addition, the convergent validity of each variable was also investigated
by measuring the average variance extracted (AVE) for all items in each variable (Hair
et al. 2019). The model was initially fitted on all items, but the results indicated some low
average AVE values and non-significant item loadings. As a result items that indicated
“low” loadings, were removed. Table 1 depicts the final reliability indices of each variable
that was included in the measurement model.
All the Cronbach’s alpha values are above the general rule of thumb of 0.70 (Wu
et al. 2016). Furthermore, all CR values are greater than the rule of thumb of 0.6 (Wu
et al. 2016), while AVE values of all the variables are higher than the recommended
value of 0.50 (Hair et al. 2019). The conclusion can therefore, be made that the variables
displayed satisfactory reliability and convergent validity. Next, the discriminant validity
was investigated. The Heterotrait-Monotrait (HTMT) ratio of correlations proposed by
270 C. D. Pentz and L. Ryke

Table 1. Reliability indices for the variables included in the measurement model

Variable Average variance extracted Composite reliability Cronbach’s alpha


System security 0.573 0.843 0.750
System accessibility 0.551 0.860 0.800
Information variety 0.535 0.851 0.790
Information currency 0.594 0.854 0.770
Service quickness 0.830 0.951 0.930
Service receptiveness 0.560 0.863 0.800
Utilitarian value 0.838 0.912 0.810
Hedonic value 0.524 0.803 0.710
Customer satisfaction 0.724 0.929 0.900
Repurchase intention 0.703 0.921 0.890

Hair et al. (2011) was used instead of the “more traditional” Fornell-Larcker criterion.
The results of the HTMT ratio assessment indicate that discriminant validity was con-
firmed for all the constructs except for the following correlations: Information Variety
→ Information Currency (1.091), Repurchase Intent → Customer Satisfaction (1.013);
System Security → System Accessibility (1.108) and System Accessibility → Infor-
mation Currency (1.054). These path correlations were, however, not removed from the
measurement scale as the literature regarding these variables provided sufficient evi-
dence that they were indeed individual entities and different from one another. Since the
present study was a semi-replication, these variables had previously been differentiated
from one another as individual variables and the HTMT values were not regarded as
excessively high. In conclusion, it can be argued that the reliability and validity tests
used on the variables confirmed that most of the items used were valid and reliable
and, therefore, further analyses could commence by focusing on the assessment of the
structural model.

4.2 Structural Model Assessment

The PLS technique was furthermore used to evaluate the proposed model and investigate
the relationships between the different variables. The first step was to assess the structural
model for possible collinearity; secondly, the coefficient of determination (R2 ) was
evaluated to ascertain the predictive power of the model and finally, the significance and
relevance of the structural model relationships were assessed.

4.3 Assessment of Collinearity and the Coefficient of Determination (R2 )

The results of the test for collinearity indicated that all the VIF scores were below
5, indicating that collinearity was not a problem for the dataset (Hair et al. 2019). The
coefficient of determination (R2 ) was evaluated next. Six exogenous variables accounted
The Intention to Repurchase Apparel Online 271

for 55.6% of the variance in hedonic value and 51.3% of the variance in utilitarian value,
which in turn explained 72.7% of the variance in customer satisfaction. Hedonic value,
utilitarian value and customer satisfaction together explained 81.8% of the variance in
the repurchase intention, which can be regarded as substantial (Hair et al. 2019). Though
the coefficient of determination (R2 ) was valuable in determining the quality of a PLS
model, other assessments were also needed. The assessment of the path coefficients is,
therefore, addressed next.

4.4 Assessment of Path Coefficients and Hypotheses Testing


To assess the paths between the different variables in the conceptual framework, the
standardised regression weights were examined. Table 2 provides a summary of the path
coefficient statistics, p-values and outcomes of the proposed hypotheses. From Table 2 it
is clear that in terms of the relationships between system, information and service quality
and utilitarian shopping value, hypotheses H3, H7 and H11 were supported by the empir-
ical results, while hypotheses H1, H5 and H9 were not supported. Secondly, in terms of
the relationships between system, information and service quality and hedonic shopping
value, H2, H8 and H12 were supported, while hypotheses H4, H6 and H10 were not
supported. As far as the relationships between utilitarian and hedonic shopping value and
customer satisfaction and repurchase intention are concerned, Hypotheses H13, H14 and
H15 were supported, while hypotheses H16 was not supported. Finally the relationship
between customer satisfaction and repurchase intention (H17) was supported.

Table 2. Path coefficient statistics

Path
From To Path coefficient p-value Significant Result
System Utilitarian −0.131 0.15 No Do not support
security value H1
System Hedonic −0.214 0.04* Yes Support H2
security value
System Utilitarian 0.270 0.01* Yes Support H3
accessibility value
System Hedonic 0.141 0.15 No Do not support
accessibility value H4
Information Utilitarian −0.124 0.11 No Do not support
variety value H5
Information Hedonic 0.120 0.14 No Do not support
variety value H6
Information Utilitarian 0.322 0.00* Yes Support H7
currency value
(continued)
272 C. D. Pentz and L. Ryke

Table 2. (continued)

Path
From To Path coefficient p-value Significant Result
Information Hedonic 0.383 0.00* Yes Support H8
currency value
Service Utilitarian −0.052 0.35 No Do not support
quickness value H9
Service Hedonic −0.021 0.73 No Do not support
quickness value H10
Service Utilitarian 0.452 0.00* Yes Support H11
receptiveness value
Service Hedonic 0.374 0.00* Yes Support H12
receptiveness value
Hedonic value Customer 0.774 0.00* Yes Support H13
satisfaction
Hedonic value Repurchase 0.199 0.01* Yes Support H14
intention
Utilitarian Customer 0.116 0.02* Yes Support H15
value satisfaction
Utilitarian Repurchase 0.063 0.15 No Do not support
value intention H16
Customer Repurchase 0.688 0.00* Yes Support H17
satisfaction intention
* Note: Significant at the p < 0.05 level

5 Discussion and Managerial Implications


Not only are the number of online shopping websites rapidly increasing around the
globe, but the number of consumers doing online shopping, also in South Africa, are
increasing. This is also the case for online fashion retailers. A major problem, however, is
for online retailers to better understand consumers’ online shopping behaviour, especially
repurchase intention as it could be an important survival tool in a highly competitive
market environment (Kim et al. 2012).
The findings of this study provide a number of significant implications that can be
considered by online fashion retailers wishing to focus on male millennial South African
consumers. This study found that utilitarian and hedonic shopping values lead to cus-
tomer satisfaction that ultimately influences the intention of South African male millen-
nial consumers to repurchase apparel from a specific online fashion retailer. The results
further indicate that system accessibility, information currency and service receptive-
ness are important factors that could influence millennial male consumers’ experience
of utilitarian shopping value, while system security, information currency and service
receptiveness seem to play an important role in hedonic shopping value. The findings,
The Intention to Repurchase Apparel Online 273

however, also indicate that, for the realised sample, utilitarian shopping values do not
necessarily lead directly to the intention to repurchase apparel online from the online
fashion retailer investigated in this study. On the other hand, it seems that hedonic shop-
ping value affects the intention of South African millennial men to repurchase apparel
from the specific online fashion retailer. The argument can, therefore, be made that South
African millennial men that have bought apparel from the online fashion retailer before,
will probably buy apparel from the firm again based on their experience of fun and
excitement (hedonic) rather than on their experience of being rational and goal orien-
tated (utilitarian). The results, therefore, imply that, should the specific online retailer
wish to increase sales from South African millennial men that have bought apparel from
their website before, they should particularly focus on the ‘fun and entertainment’ aspect
of the online repurchasing process, rather on the utility aspect and therefore the focus
will now turn to the hedonic shopping value that male South African millennials might
perceive when shopping for apparel online.
In terms of hedonic shopping value, an interesting finding was that there was a
significant negative relationship between system security and hedonic shopping value.
Thus, the more security related aspects respondents seemed to perceive, the less plea-
sure they acquired out of the online purchasing process which could ultimately result in
decreased purchase intention. Cao et al. (2005) found that creating a secure and easily
accessible online website increased customer satisfaction and repurchase intention. It
should be a common fact that most consumers want secure websites and the protec-
tion of their personal information. The findings imply that excessive online security
measures could decrease the pleasurable element for male millennial South African
consumers when shopping for apparel online. Consumers who repeatedly have to pro-
vide their banking, delivery or contact information with every transaction might become
dissatisfied with the additional time and effort every purchase entails, contributing to
consumers not returning to the specific website. The online fashion retailer can alleviate
this response by encouraging consumers to use third-party payment methods such as
SnapScan and instant electronic fund transfers with PayU. These payment methods are
quick and safe to use and protect the online consumer’s personal information. The study
reflected a significant relationship between information currency and hedonic shopping
value. Information that is relevant and accurately represents the online retailer’s content
may lead to increased hedonic shopping value, which may lead to increased satisfaction
and repurchase intention among the realised sample (Kim et al. 2012). Online retailers
should, therefore, provide their millennial male online consumers with content that yield
characteristics such as relevancy and accuracy to the online apparel. The online fashion
retailer could also invest in style guides or online style assistants to assist male millennial
consumers with their apparel purchases.
A significant relationship was also found between service receptiveness and hedonic
shopping value. Service receptiveness refers to how well consumers receive the online
retailer’s website and how well it communicates information to its consumers. The online
clothing retailer should ensure that all details regarding the process and guidelines for
product returns and exchange processes are thoroughly explained on the website. In
addition, contact details should be up-to-date and the flexibility of returns assured. The
online clothing retailer could assist male consumers by simplifying the return process
274 C. D. Pentz and L. Ryke

and by creating flexible drop-off or pickup areas of parcels being returned. Since it
was found that the realised sample predominantly use their phones to make a purchase,
the online clothing retailer could create an application for mobile phones that allows
consumers to locate the closest drop-off point or courier to them (similar to the method
used by Uber). Consumers could request a courier service online, making the return
of products quick and easy and increasing the hedonic shopping values of the online
shopping process. Hedonic shopping value reflected significant relationships with both
customer satisfaction and repurchase intention. The online clothing retailer should focus
on creating a holistic (enjoyable) online shopping experience for their male consumers
that could increase satisfaction and lead to repurchase intention. The final statistically
significant relationship of the study was between customer satisfaction and repurchase
intention. By providing excellent customer service, online retailers can expect higher
retention rates and positive word-of-mouth from their consumers (Van Niekerk et al.
2016) resulting in increased levels of repurchase intention, customer lifetime value and
business success (Bilgihan et al. 2016).

6 Conclusion, Research Limitations and Future Research


This study broadens the scope of research on the subject of online apparel repurchase,
thus contributing to the general body of knowledge, whilst also making practical con-
tributions. It is, however, important to note a few limitations, inherent in the research
design, when dealing with the results of this study. The use of a specific sample (South
African male millennials), a specific industry category (online apparel) as well as a
specific online fashion retailer means that results cannot be generalised to the entire
population or the entire online retail market. Although the sample size was large enough
to produce reliable results, a larger sample size could have led to increases in validity
and higher levels of generalisability. The study and its findings are focused on male mil-
lennial consumers who shop online for apparel; therefore, contributing to this specific
body of research. The motivational factors of repurchase intention for the present study
may, therefore, not be applicable to the strategic design of offline (brick-and-mortar)
retailers.
The limitations of the study provides opportunities for future research projects. Mil-
lennials represent a young technology-savvy generation. These consumers have grown
up with the Internet, and they are, therefore, familiar with online shopping. Future
research could investigate the possible digital divide between millennials and other
(older) generational cohorts (such as Generation X and Baby Boomers). The present
study excluded respondents who have never used the online fashion retailer’s website
as the study focused on the repurchase intention of the realised sample. Future research,
therefore, could focus on factors that would influence the online purchase intention of
novice consumers who have never bought apparel from an online platform before.

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Understanding the Digital Communication
Preference of Business-to-Business Purchasers
and Sellers

Bert Paesbrugghe1(B) , Teidorlang Lyngdoh2 , Arun Sharma3 , and Deva Rangarajan4


1 IESEG School of Management, Lille, France
[email protected]
2 Kent Business School, University of Kent, Canterbury, UK
[email protected]
3 Miami Herbert Business School, University of Miami, Miami, USA
[email protected]
4 Miller College of Business, Ball State University, Muncie, USA

[email protected]

Abstract. In this paper, we explore the shift in digital communications by selling


firms to enhance the value of their offerings. Based on in-depth interviews with
professional purchasers, this paper’s findings suggest that business-to-business
relationships’ future success will depend on a differentiated value approach by
salespeople. Using the Kraljic matrix, we explore the offerings and digital commu-
nications focused around four types of business-to-business purchases—strategic,
leverage, bottleneck, and non-critical products.

Keywords: Buyer-Seller · Sales conversation · Digital communications ·


COVID pandemic

1 Introduction

The Covid-pandemic has influenced the way buyers and sellers do business. Based on
86 in-depth interviews with professional purchasers, we find that purchasers perceive
three major shifts in the buying process. First, the role of the purchasing function is
expected to become more strategic. Second, they plan to take a differentiated approach
towards dealing with their suppliers based on the criticality of the product for the pur-
chasing firm. Third, they expect an increased focus on digital interactions with specific
suppliers, including self-service options, including eCommerce. The Covid pandemic
has also forced purchasers to evaluate a sales organization’s digital communication and
commercial platforms and rely on digital channels themselves to interact with the sales
organization. This paper focuses on how supplier sales organizations can communicate
effectively and efficiently with the purchasing function.

© The Author(s), under exclusive license to Springer Nature Switzerland AG 2021


F. J. Martínez-López and D. López López (Eds.): DMEC 2021, SPBE, pp. 277–279, 2021.
https://doi.org/10.1007/978-3-030-76520-0_29
278 B. Paesbrugghe et al.

2 Effective and Efficient Communication with Purchasers


As purchasers increase their use of digital platforms, sales managers need to understand
the most effective and efficient way of harnessing digital technology to enhance the
relationship with their customers. To do this, they have to understand how the purchas-
ing function views their offerings. The most commonly used framework to categorize
products/services by the purchasing function is the Kraljic purchasing portfolio matrix
(Kraljic 1983; Formentini et al. 2019). The two-by-two matrix is based on the relative
profit impact for the purchasing firm on the one dimension and the supply risk (number
of suppliers available and the consequence of not having the product or service for the
purchasing firm) on the other dimension. This results in four product groups listed later
in this article.
Paesbrugghe et al. (2017) suggest that sales organizations need to adapt their sales
strategies to how purchasers classify their offerings. Furthermore, Rangarajan et al.
(2020) and Sharmaet al. (2020) find that the COVID pandemic has made buyers and
sellers adapt their communication strategies and move to digital channels to ensure
business continuity. Consequently, we suggest that sales managers have to adapt their
sales strategies according to purchasers’ categorization of their offerings and design the
most effective way of harnessing digital technologies to ensure business continuity.

3 The Importance of Digital Communications to Improve


the Buyer-Seller Relationships
This section discusses the preferred digital communications and platforms based on the
purchasing function’s preference and classification of the different offer categories, and
we provide the framework in Fig. 1.

Low Supply Risk High Supply Risk


LEVERAGE PRODUCTS STRATEGIC PRODUCTS
High Profit Buyer: Digital Marketing Chan- Buyer: Personal/ Social ties
Impact nels Seller: Personal/ Social ties
Seller: Personal/Social ties
Key Account/Contractual Rela-
Contractual Relationship tionship
NON-CRITICAL BOTTLENECK PRODUCTS
Low Profit PRODUCTS Buyer: Personal/Social ties
Impact Buyer: Digital Communications Seller: Digital Ties
Seller: Digital Communications

E-Commerce Key Account/EDI

Fig. 1. Communication preference by buyers based on their purchasing classification.

Strategic Products. The offering is important for both purchasers and sellers for strategic
products. Purchasing will be driven by the purchaser and salesperson in-person interac-
tions. However, with the increased acceptance of virtual meetings by both parties, the
Understanding the Digital Communication 279

number of face-to-face meetings can be reduced. Furthermore, the use of advanced sales
enablement platforms can also help salespeople effectively communicate with multi-
ple stakeholders in the customers’ organization. And finally, when customers engage in
straight rebuy of offerings, the use of EDI (electronic data interchange) platforms might
be more effective.
Leverage Products. Purchasers can use their purchasing position to obtain a good price.
It is extremely important for the purchaser to have a quick buying process leading to
a contractual relationship. This implies that there must be an easy access to informa-
tion, and purchasers seek explicit information and have a strong preference for digital
communication for the entire buying journey. For instance, the use of digital brochures
or intranet portals where information about the offerings can be made available by the
supplier would be preferred by purchasers. To drive down prices, customers can also
deploy electronic bids or even reverse auctions to foster competition between suppliers.
Bottleneck Products. For bottleneck products, the focus on the purchasing function is
to ensure a consistent supply. Since it is important for purchasers, they will seek per-
sonal/social ties with suppliers, sometimes with an EDI. However, the preference may
be a digital communications platform for the selling firm as they do not need to sell
their products aggressively. A suggestion for selling firms could be to use an inside sales
force.
Non-critical Products. Purchasers strongly prefer to have all information they need to go
through the buying process as conveniently as possible. In such instances, selling orga-
nizations should establish a self-service option for the customer, such asan e-commerce
portal. Working with electronic marketplaces might be an option for both parties.

4 Conclusion
The study highlights that history has shown that there is a transformation within society
during crises and pandemics. This research highlights how the buyer-seller relationships
have been disrupted and the need for the selling firm to adopt digitization. Taking insights
from the purchasing firms, we offer suggestions to help understand this relationship to
inform future sellers and selling firms.

References
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(2017)
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post covid era: developing an adaptive salesforce. Bus. Horiz. In press (2021)
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salesforce. Ind. Mark. Manage. 88, 238–246 (2020)
eCommerce Within the Tourism Industry
in the Global South: The Case of the Sharing
Economy in South Africa

Unathi Sonwabile Henama(B)

Faculty of Management Sciences, Tshwane University of Technology, Pretoria, South Africa


[email protected]

Abstract. The emergence of the sharing economy is a reflection of the power


of the internet to change the way of life and how the world of business has been
changed. eCommerce has increased in intensity as peer-to-peer transactions and
the sharing economy have increased by the sheer number of transactions ignited by
the internet, smartphone penetration and the availability of wifi. The tourism indus-
try has been a partner to the sharing economy and supported lifestyle entrepreneur-
ship which is associated with the sharing economy. The paucity of public transport
led to Uber emerging as a substitute and this this led to mode switching. Mode
switching attracted competitors, and intense competition led to the entry of Bolt
in South Africa. Sharing economy companies have evolved to deliver food ser-
vices, responding to changing consumer needs in South Africa. Airbnb is well
entrenched in South Africa, and the need to involve the previously disadvantaged
groups as entrepreneurs led to the establishment of Airbnb Africa Academy that
trains entrepreneurs to become successful business people. The future of mobility
which would drive ecommerce will be defined by urban mobility in the sky, and
poses challenges for regulators.

Keywords: Uber · Airbnb · Sharing economy · Bolt · Covid19

1 Introduction
The growth of platform businesses has been fueled by the internet and mobile technolo-
gies and rapid advances in analytics, artificial intelligence (AI) and Big Data together
with changing customer preferences according to Witz et al. (2019: 452). The emergence
of the internet has been the biggest impact on the emergence of the sharing economy.
The growth of smartphone penetration and the increased availability of wifi-hotspots
has accelerated sharing economy consumption. The sharing economy, called the 2.0
is removing single asset ownership and allowing for collaborative consumption. “The
sharing economy has radically changed the world and even the world of work. Techno-
logical changes usually create revolutionary changes in the world of business” Henama
(2019: 1).
Kute (2017) noted that the Web 2.0 evolution of the Internet has given rise of the
Internet has given rise to online platforms that promote user-generated, peer-produced

© The Author(s), under exclusive license to Springer Nature Switzerland AG 2021


F. J. Martínez-López and D. López López (Eds.): DMEC 2021, SPBE, pp. 280–290, 2021.
https://doi.org/10.1007/978-3-030-76520-0_30
eCommerce Within the Tourism Industry in the Global South 281

content, which is subsequent shared between one or more users. The sharing econ-
omy has been able to bypass regulatory barriers, much to the disgust of regulators in
many localities. A great example of how Uber lost its license to operate in London for
safety challenges that were flagged by the transport regulators. Companies in the sharing
economy have been able to develop entrepreneurs in a country that has struggled since
1994, when apartheid ended to develop a culture of entrepreneurship. “The low levels
of entrepreneurship in South Africa are further stifled by the high failure rate of small
businesses within five years of operating” Henama (2019: 31). The sharing economy
has presented itself as a viable partner for job creation and entrepreneurship in South
Africa, by lowering the barriers of entry using technology platforms.

2 Sharing Economy
“The sharing economy or collaborative consumption, is a peer-to-peer (P2P) marketplace
for gaining, giving and sharing goods/services through the internet and it has grown at an
extraordinary rate” Malaziz et al. (2018: 1). “Most sharing economy organizations are
operating as two-sided platforms bringing together and matchmaking providers (suppli-
ers; sellers) of goods and services with consumers (buyers)” Grinevi et al. (2019: 862).
Companies in the sharing economy, promote collaborative consumption and pride them-
selves for providing unique experiences for each guest. The intimacy, uniqueness and
intimacy of the host-user interaction is highly valued in collaborative consumption. This
unique feature of collaborative consumption is a reflection of postmodern consumption
patterns. “User perceive sharing to be time and money saving, not accompanied by own-
ership duties and providing autonomy” Lalicic and Weismayer (2017: 782). The sharing
economy has reduced the cost of doing business and promoted disruptive entrepreneur-
ship. Henama (2019) noted that relationship between the sharing economy and tourism
has led to the pooling of resources to provide services in the tourism industry. “The
leisure and tourism industry have always attracted a large number of small business and
non-growth oriented ownership-entrepreneurship” Marcketti et al. (2006: 397).

3 Theoretical Framework: Lifestyle Entrepreneurship


A theoretical framework grounds the research on a particular body of knowledge, which
would be the basic for analyzing the objectives, and aims of the research to be conducted.
According to Grant and Osanloo (2014) the theoretical framework provides a grounding
base, or an anchor, for the literature review and most importantly, the methods and analy-
sis. Lifestyle entrepreneurship is chosen as the theoretical framework as it created oppor-
tunities for economic benefit for millions of people. Entrepreneurship is a topic of interest
in many countries as entrepreneurs create jobs, invest in the local economy, and diversify
the range of services and products available to consumers. A lifestyle entrepreneur is
passionate about the business that have started and builds his/her life around the busi-
ness, and the business exists to support the individual’s lifestyle. Marcketti et al. (2006)
defined lifestyle entrepreneurship as individuals who owned and operated businesses
closely aligned with their personal values, beliefs, interests and passions. Instead of
seeking fast and rapid growth, the entrepreneur seeks to acquire financial benefits from
282 U. S. Henama

running the business, and seeking a balance between family (non-financial reasons) and
the business (financial reasons). The lifestyle and family domains of running the busi-
ness therefore dominate the relationship between the owner(s), with the business. At
times, it can be noted that lifestyle entrepreneurship can be anti-developmental, seeking
to maintain the lifestyle instead of growing the business. The lifestyle entrepreneur do
not follow economic motives. Lifestyle, non-economic motivate have been recognized
as significant stimuli for tourism entrepreneurship according to Ateljevic and Doorne
(2000). Masurel and Snellenberg (2017) noted that self-employed persons without any
personnel seem to be good examples of entrepreneurs who have no growth ambitions
and/or whose firms have no actual firm growth, because such firms do not show any
growth (in terms of employment) at all, as they do not hire any employees. Peters et al.
(2009) noted that lifestyle entrepreneurs usually stop entrepreneurial activities at the
time they recognize they have reached the maximum level of personal quality of life.
The sharing economy had provided entrepreneurship opportunities for a plethora of peo-
ple and an additional income stream for others, the so-called “side hustle”. Marcketti
et al. (2006) noted that the characteristics of lifestyle entrepreneurs includes:

• Motivated by quality of life rather than growth.


• Main priority is lifestyle rather than customer service.
• Very limited growth orientation.
• Underutilization of resources and capital investment.
• Low involvement within industry growth and industry structures.

The tourism industry is dominated by small-and medium-sized enterprises, and the


tourism industry is a perfect fit for lifestyle entrepreneurship. Lifestyle entrepreneurship
has been closely associated with tourism entrepreneurship. As noted by Henama (14)
policy makers views entrepreneurship as a panacea for inclusive growth in South Africa.

4 Accommodation Providers in the Sharing Economy

Airbnb is possibly the most prominent sharing economy company providing accom-
modation services and is the largest commercial accommodation provider in the world,
without owning any properties, unlike hotels. Malazizi et al. (2018) noted that Airbnb
is a prominent platform for tourism to locate and book various types of accommodation
in various countries across the world. Lin et al. (2019) note that Airbnb aims to make
guests feel at home and bond with the local environment. As noted by Alrawadieh and
Alrawadieh (2018) unlike traditional lodging businesses, the relationship between the
hosts and guests is characterized by a higher degree of interaction and lower levels of
formality or professionalism. Airbnb sought to differentiate itself from the monotonous
experiences and physical outfitting that typify the normal hotel experience. The focus
of Airbnb is on ensuring the stay and the intangible interaction between the guest and
host was fulfilling, authentic and undertaken by a passionate local, with institutionalized
memory about the locality. “Such are the digital opportunities for digital and technology
in Africa that Airbnb last year, for example, announced it will invest $1m through 2020 to
promote and support community-led tourism projects on the continent” Bizcommunity
eCommerce Within the Tourism Industry in the Global South 283

(2018: 1). The key resource of networked business-like Airbnb is that it provides places
to stay, events to attend and recommendations on what do at the location. Cape Towns’
South Africa, located at the Southern Tip of the Africa has the highest number of Airbnb
listings. This is not surprising considering that Cape Town is the leading city for tourism
consumption in South Africa. Airbnb has grown significantly in South Africa, even get-
ting backlash from the hotels and other tradition accommodation providers as it led to
mode switching towards Airbnb. Zietsman (2018) noted that in 2017, Airbnb welcomed
830 inbound guests, and the average income for a South African host is R24 633 for an
average of 17 nights. “Since the entry of Airbnb into the South African market, many
South Africans have taken the opportunity to turn the primary residence into a side hus-
tle or have invested in a second property for some extra, passing income opportunities”
Eveleigh (2020: 1).

4.1 Airbnb Africa Academy

The tourism trade in South Africa is dominated by established tourism business enter-
prises, which are vertically and horizontally integrated and they benefit from the bulk
of the tourism expenditure in South Africa. The initial entry of Airbnb in South Africa
reflected ownership patterns that further entrenched the tourism expenditure patterns that
are in high end, and established tourism zones, excluding areas located in previously dis-
advantaged communities. Because Airbnb seeks to create authentic experiences that are
located in communities, the absence of Airbnb hosts in previously disadvantaged com-
munities (PDCs), where the vast majority of Black South Africa reside, did not give an
appropriate and comprehensive picture of the South Africa. The Airbnb Africa Academy
(AAA) was established and piloted in South Africa, combining skills development and
training for would be hosts, and then giving them 6 months of technology-induced sup-
port and back of the house support from Airbnb until they are fully competent to perform
on as hosts on the Airbnb platform. This pro-poor tourism initiative sought to open up
non-traditional tourism areas to the Airbnb platform, by promoting entrepreneurship
linked through the AAA, and ensure business support leads to business success for the
hosts. According to Henama and Apleni (2020) the AAA is a small business development
success story that was developed to disproportionally benefit the poor.

4.2 Social Impact Experiences

Airbnb’s Social Impact Experiences are organized by nonprofits on the Airbnb platform
that have a compelling cause that would be tailor made as an Experience that directly
benefits the nonprofit financially directly. Airbnb waives their 20% service fee for social
impact experiences, so that the 100% fee paid goes directly to the nonprofits. Citizen
(2018) noted that taking a class with “Boxing Grannies” will give you a glimpse into the
sport and as another social impact experience, it benefits the A-Team Foundation which
helps promotes fitness and bodybuilding in underservices areas. This non-governmental
organization (NGO) is able to sustain itself through the unique experiences that are
available on the Airbnb Experiences platform.
284 U. S. Henama

5 Food Services in the Sharing Economy


The changes in lifestyles in South Africa and increased urbanization had led to a rise in
take away food consumption and this led to an increase in fast food outlets in both urban
centres and residential districts. To respond from a business perspective to this trend, Mr
D Food and Uber Eats have been matching supply and demand. Toyana (2019) noted that
South Africa’s online food delivery industry was worth R10.49 billion ($713 million) in
2019. Almost all fast food outlets have a delivery scooter services in addition to the ser-
vices provided by Mr D Food and Uber Eats. Bold, established in Estonia, will launch
its own food delivery platform, and this will increase competition and reach in food
delivery in South Africa. The sharing economy platforms had increased work opportu-
nities for partner drivers who deliver food, and increased the financial sustainability of
restaurants. The demand for motorcycles has also increased due to the increased demand
for deliveries. Dahir (2016) noted that motorcycle taxis, locally known as boda bodas
in Kenya and Tanzania or okada in Nigeria, are set to become a significant mode of
transportation in Africa in the next five years, a new report shows. Businesswire (2019)
noted that South Africa does not have a large number of people who commute by bike,
and sales are predominantly commercial (delivery) and leisure at the high end, however,
sales of small motorcycles under 500cc grew by 12.5% in 2018 in line with the growth
of the fast food delivery sector which uses small bikes for deliveries, and this growth is
set to increase.
McKane (2020) noted that the two food delivery platforms in South Africa are Uber
Eats and Mr D Food, each of them offering a large selection of restaurants. Mr Delivery,
which has been renamed Mr D Food, is a South African company that had pioneered food
delivery in South Africa. Modise (2011) noted that in 2011, Mr Delivery as the company
was initially conceptualized, changed the name to Mr D Food after being established in
1992. TechFinancials (2019) noted that Mr Delivery since 1992 had facilitated orders
via the phone from printed menus on fridges. Gilbert (2017: 1)” originally known as
Mr Delivery, the South African food delivery business was founded in Cape Town in
1992 and was fully acquired by Takealot.com in 2014. Since 2015, the company has
undergone a complete digital makeover and rebranded as Mr D Food”. Takealot is the
largest ecommerce retailor in South Africa. The Takealot takeover of Mr D sought to
transform the business to be more efficient. Gilbert (2017) noted that the business was
80% phone calls in June 2016 and by June 2017 it had become 95% app-based, so the
business has gone from 20% online to 95% online in just 12 months. TechFinancials
(2019) noted that the new Mr D Food cut delivery time by more than half, to an average
time of 34 min. First National Bank (FNB), which is one the largest South African banks,
has a rewards programme called eBucks.
Marce (2020) noted that FNB clients can now earn eBucks when they procure food
from Mr D Food. This decision was intended to cement the Mr D, which is South African
company in the sharing economy. The advent of the COVID19 pandemic on the world,
changed the world of work immediately, and changes the operation of society to a ‘new
normal’. In the case of Mr D Food, the lockdown restrictions that restricted movement,
seeking to reduce the spread of the COVID19 pandemic. Walker (2020) noted that Mr
D Food delivered medication for customers stuck at home due to lockdown regulations
from MediRite pharmacies. MediRite pharmacies are a subsidiary of the Shoprite Group,
eCommerce Within the Tourism Industry in the Global South 285

the largest food retailer in Africa. IOL (2019) noted that research conducted indicates
that a customer could be paying 32% more for your meal when you order your meal
through Mr D and UberEats, excluding the R10 delivery charge. Richardson (2020)
noted that some restaurateurs have considered bringing their delivery in-house because
of the high commission rates charged by delivery services such as Mr Delivery and
Uber Eats. Uber has tapped into local cuisine establishments and in turn introduced
those establishments to a large market on the Uber Eats platform. Toyana (2020) noted
that Uber Eats has added local dishes to its 480,000 menu items, adding dishes such as
stewed tripe, cterpillars, cow heels and sheep’s head to mostly middle-class customers
who crave a taste of home, whilst improving sales by up to 50% for such establishments.

6 Transport Providers in the Sharing Economy

Uber has been operating in South Africa since September 2013 and has over 4000 Uber
drivers according to Henama and Sifolo (2017). The institutionalization of Uber within
the South African community had been proliferated by the absence of a reliable and safe
public transport system, the emergence of Uber in South Africa led to modes witching
primarily from the metered taxi industry and in the year 2020. This led to animosity
and violence which destroyed lives and property from the Uber partner drivers and Uber
passengers. Uber which is a pioneer in the sharing economy in South Africa has been
able to adapt to local conditions and sought to remain relevant by establishing new
product offerings. Uber in various other destinations had long established Uber Delivery
and in the case of South Africa, it took several years for this dream to be fulfilled. The
emergence of COVID19 as a pandemic, was the opportunity to for Uber to launch the
home delivery service as millions of thousands were under lockdown, and there was
available capacity in terms of the UberEat scooters to make deliveries. Stuff (2020)
noted that in August 2020, Uber launched its delivery service called Uber Connect in
the major cities such as Cape Town, Durban, Johannesburg and Port Elizabeth. “Uber
will deliver packages over short distances in four cities in South Africa where its Uber
Eats service is already available” Business Insider (2020: 1). During the eased lockdown
period in South Africa, Uber largest competitor, Bolt launched Bolt Go, making it the
cheapest ride-hailing service. “In addition of the low-cost category, according to Bolt,
aims to significantly lower the barriers into the South African ride-sharing industry by
empowering owners and drivers of hatchbacks vehicles to access the Bolt platform and
earn an income for the first time, while offering rides a more affordable option” Malinga
(2020: 2).
Uber has already pioneered and piloted a cheaper version of Uber, called Uber Go in
the secondary city of Port Elizabeth. Uber retaliated to Bolt Go, by launching UberNam.
UberBlog (2020) noted trips on UberNam begin at R19 and is only available in Johan-
nesburg, Cape Town and Durban. Uber within the South African context has always been
innovative, firstly allowing cash payments and not recently launching a pre-paid option.
Mavundza (2020) launched Uber Cash, which would allow customers to lad money for
upcoming trips. The entry of Uber in South Africa has not been without challenges, as
violence against Uber drivers has been a major feature of the Uber experience. Kute
(2017) noted that Uber had to contend with various incidents of violence towards Uber
286 U. S. Henama

driver-partners and Uber users. The primary suspects for the violence against Uber are
metered taxi drivers, whose business transactions have ceased due to the operation of
sharing companies such as Uber. Competition between Uber and Bolt in South Africa
is increasing but can never match the classical competition between Uber and Grab in
Southeast Asia, which led to Uber selling its Southeast Asia business to Grab and exiting
that market. Uber will continue to focus on underserviced continents in terms of public
transport alternatives. Africa is firmly on the plans of Uber, and as Uber expands, so will
the competitors such as Bolt.

7 The Future of Urban Mobility

The desire to continually innovation is ingrained in the culture and philosophy of Uber,
which has been pioneering changes in urban mobility. The race to dominate urban mobil-
ity has seen many established car manufacturers, seeking to be at the forefront of inno-
vations, the race is intensifying. Uber initiated Uber Elevate as a means of alleviating
the high traffic congestion that had become a daily feature in almost all metropolitan
areas, further challenged by increasing urbanization. The emergence of on-demand shar-
ing economy cab services by Uber had reduced the demand for car ownership in many
localities, and the development of on demand aviation would alleviate transport conges-
tion. “On-demand aviation, has the potential to radically improve urban mobility, giving
people back time lost in their daily commutes…A network of small, electric aircraft that
take off and land vertically (called VTOL aircraft) will enable rapid, reliable transporta-
tion between the suburbs and cities, and ultimately within cities. The development of
infrastructure to support urban VTOL network will likely have significant cost advan-
tages over heavy infrastructure approaches such as roads, rail, bridges and tunnels” Uber
(2016: 2). “The market for flying cars, now known as electric air taxis, should continue
to mature during this decade, soaring to $1.5 trillion globally by 2040, according to
a Morgan Stanley Research study” Hornyak (2020: 1). The Uber Elevate project was
abandoned when it became a major cash-burning subsidiary and it was sold off. Uber
Elevate had been bought by Jody Aviation, an electric passenger aircraft developer as
noted by Bellon (2020). Hornyak (2020) noted that Toyota had invested $394 million
into Silicon Valley based Joby Aviation, which is developing EVTOLs. Uber did not
cease its plays to exist in the EVTOL future, as it decided to enter in an agreement with
South Korean car maker Hyundai to develop electric flying taxis. Benevolo et al. (2016)
lists a number of challenges regarding urban mobility.

• Reducing pollution
• Reducing traffic congestion
• Increasing people safety
• Reducing noise pollution
• Improving transfer speed
• Reducing transfer costs

Uber (2020) noted that at the Consumer Electronics Show (CES) in Las Vegas, Uber and
Hyundai announced a partnership, were the mass production capacity of Hyundai would
eCommerce Within the Tourism Industry in the Global South 287

be relied on to produce Uber electric flying taxis. The self-driving vehicles project initi-
ated by Uber was sold, as it was another cash burning business. According to Rossolillo
(2018) self-driving vehicles have long been touted as a panacea for the problem of pay-
ing driver, and seeking to keep cost down and profits high. Litman (2017) emphasized
that the objective is to increase the accessibility in urban areas. He defines accessibility
as “the ease of reaching goods, services, activities and destinations, which together are
called opportunities. Offering new services and business models are also integral parts,
as consumer behaviors are in a transitionary phase.

8 Conclusion and Policy Proposals

Companies within the sharing economy, must work with regulators in developing poli-
cies that would be friendly to the operation in the companies in the sharing economy.
The speed of technological change is happening at a breathtaking space, and this leads
to a disconnect between technological change and legislation that is lagging behind.
This means that companies in the sharing economy must play a leading role in lobby-
ing for friendly-legislation and help legislators to draft such legislation, drawing from
international experience in various localities. Data remains relatively expensive in South
Africa, when compared to other African countries, and low data prices are a necessary
precondition to reduce the cost of doing business for both companies within the sharing
economy and consumers of the sharing economy. The tourism industry must continue to
embrace the sharing economy, as sharing will achieve new peaks as technology evolves.
Companies in the sharing economy will continue to drive innovation, finding new ways to
improve urban mobility, seeking convergence between road transportation and aviation.
The intermodal transportation that Uber seeks to pioneer, would seek the active
participation of the state authorities and regulators in adopting legislation that would
be favorable to the continued operation and innovation of Uber. Localities that pioneer
an enabling legislative environment would attract the investment and innovation from
Uber, allowing it to change the reality of urban mobility forever. In the case of Uber,
it is clearly a company that seeks to only operate from urban areas, and it neglects
secondary towns and cities which have a sizeable population. Regulators are not keeping
up abreast with the breathtaking speed of technological change and Uber would have
a play a leading role in guiding regulators on how to regulate urban mobility which
would include electronic vertical takeoff and landing aircraft. From a sustainability
perspective, the sharing economy companies involved in transportation employ foreign
labor, which does not match the principles of sustainable tourism. Employing local staff
would improve their Quality of Life and also improve their standard of living, whilst
retaining the economic benefits from employment firstly within the local community
and secondly within the host country.

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Influencers on Instagram: The Influence
of Disclosure, Followers and Authority Heuristic
on Source Credibility

Debbie Human-Van Eck, Chris Pentz(B) , and Tobias Beyers

Department of Business Management, Stellenbosch University, Stellenbosch, South Africa


{dhuman,cdpentz}@sun.ac.za

Abstract. Social media has become an important instrument for marketers to


include in their marketing arsenal. A social network site that is of specific impor-
tance to many global marketers, especially those targeting the millennial gener-
ation, is Instagram. A popular marketing strategy used on Instagram is that of
influential marketing where brands use influencers to promote their products and
brands. Despite the popularity of influential marketing, little research is avail-
able on the use of influential marketing in an Instagram context. This study was
therefore conceptualised and executed to investigate the influence of selected
system-generated cues and user-generated content on the perceived credibility of
an influencer as brand endorser and thus source to consumers on Instagram. Both
qualitative and quantitative research were conducted. In the qualitative phase, two
focus group discussions confirmed the variables that were measured in quantitative
research which consisted of a 2 × 2 × 2 between-subjects factorial experiment. A
non-probability convenience sampling technique realised a sample of 311 millen-
nial female respondents (18–25) across 8 experimental groups. The results indi-
cated that advertising disclosure significantly influenced overall perceived source
(influencer) credibility, trustworthiness and homophily, while non-disclosure was
perceived more positively by respondents than advertising disclosure. The findings
of the study make a valuable contribution to a field in marketing that is growing
in popularity and it is believed that insights gained can be used rewardingly by
academic scholars and strategic marketers who have an interest in using Instagram
as a marketing tool.

Keywords: Instagram · Influencer · Source credibility · User-generated content ·


System-generated content

1 Introduction

Celebrity endorsement of products and or brands has been popular for more than a
century (Cavill 2018). Now, in the age of the Internet, social media platforms have
become channels for anyone to express their support or dismay with a product/brand.
No longer are celebrity opinions the only that matter – rather, consumers seem to be
interested in the views of others irrespective of their fame and often particularly because

© The Author(s), under exclusive license to Springer Nature Switzerland AG 2021


F. J. Martínez-López and D. López López (Eds.): DMEC 2021, SPBE, pp. 291–304, 2021.
https://doi.org/10.1007/978-3-030-76520-0_31
292 D. Human-Van Eck et al.

of their lack of fame. This notion has excelled the influencer trend as influencers and
their views are seemingly perceived as more authentic and credible than traditional
celebrities. It has been said that system-generated cues (SGC) and user-generated content
(UGC) can influence the perceived credibility of an influencer. This research study
attempted to identify the most influential SGC and UGC and explored the influence of
these variables on the perceived credibility of an influencer as brand endorser and thus
consumer information source. The study was conducted within the Instagram context
due to the current popularity and growth of this platform and its prominence within the
influencer realm.

2 Literature Review
Social media can be defined as the usage of web-based and mobile technologies to
consume, create and share information without geographical, social, political or demo-
graphic boundaries (Kaplan and Haenlein 2010). Globally, social media is a growing
phenomenon and users have surpassed the 3.5 billion mark, or approximately 48% of
the global population in 2020 (McCarthy 2020). Social media has also become a popular
marketing tool with global social media marketing expenditure exceeding US$90 billion
in 2020 (McCarthy 2020). This figure is expected to increase in the coming years.
One of the fastest-growing social network sites is Instagram (Beaulac 2020). Since
its launch in 2010, Instagram has steadily grown and in 2020 it had more than 1 billion
active users (Systrom 2020). Instagram is one of the most popular social network sites
that marketers use to build brand equity (De Veirman and Hudders 2020). A popular
advertising method used on Instagram is influential marketing (Wallsbeck and Johansson
2014) and many brands use influencers on Instagram to promote their products and build
brand equity. An influencer is an individual who enjoys public recognition and who uses
this recognition to promote goods to a consumer by appearing with it in an advertisement
(Bergkvist and Zhou 2016). It can furthermore be argued that influencers are individuals
who are perceived by their followers as their future selves and who act as consumer role
models (Ge and Gretzel 2018). Therefore, consumers tend to re-enact and follow the
behaviour, habits and norms of the influencer (Fleck et al. 2012). Individuals follow an
influencer’s behaviour as anchors to their own identity, believing that if they replicate
the behaviour of an influencer, their identity may coincide with that of the influencer’s
(Bergkvist et al. 2016).
Influencer marketing grew by 48% in 2019 (Hutchinson 2019), and in in 2020
there were over 500 000 active influencer accounts on Instagram alone (Systrom 2020).
Because of the popularity of using individuals to promote products and brands, the num-
ber of influential advertising posts on Instagram increased by 48.9% from 2018 to 2019
and it is expected that influential advertising will continue to grow exponentially in the
near future (Asano 2019; Hutchinson 2019).
It is important to reiterate that two main components can affect an influencer’s status
or credibility as a source of important informational cues on Instagram, namely, user-
generated content (UGC) and system-generated cues (SGC). UGC is content published
online that is “created outside of professional routines and practices” and is a manner
through which individuals express themselves and communicate with other users (Roma
Influencers on Instagram 293

and Aloini 2019). For UGC, the influencer can decide on the type of personal information
to use to communicate with followers. Popular types of UGC include: a biography,
images/videos, image captions, a profile image, and general comments (Casaló et al.
2017). Another important aspect to mention here is that, on Instagram, influencers can
decide whether to disclose or not disclose whether content has been sponsored by a brand.
As the literature on advertisement disclosure on Instagram and its effects on Instagram
users are limited and contradictory the decision was made to focus specifically on the
UGC of disclosure in this study.
SGC are quantitative indicators that can influence an individual’s identity, popu-
larity and credibility (Lin et al. 2016). A variety of SGCs in Instagram can affect an
influencer’s source credibility. An influencer’s profile can, for example, show system-
generated information such as the number of posts and followers, likes, comments and
the so-called blue tick to confirm authenticity of the account.
For this study, the number of followers and authority heuristics were selected as
two SGC factors that may influence consumer responses in influential advertising. The
marketing literature about the number of followers on source credibility is contradicting.
Some authors have concluded that a higher number of followers increases the public’s
perception of source credibility (Jin and Phua 2014; Martensen et al. 2018; De Veirman
et al. 2017), while others have concluded that the number of followers does not influence
source credibility (Lee and Sundar 2013; Loureiro and Sarmento 2019; Westerman et al.
2012). The contradictory conclusions across the literature suggests that there is a need for
more investigations about the relationship between source credibility and the number of
followers in an Instagram context, hence the inclusion in this study. In terms of authority
heuristics, Lee and Sundar (2013) argued that social media users employ heuristics as
a “mental generalizations of knowledge based on experiences that provide shortcuts
in processing information.” Past literature has reported different effects of authority
heuristics in social media. Vaidya et al. (2019) assert that the blue verified badge on
Twitter informs people that an account of public interest is authentic. The verification
badge on Twitter is similar to the badge used on Instagram, i.e. a white or black tick
marked in a blue circle (Instagram 2019). By investigating the possible influence of
authority heuristics on perceived source credibility in an Instagram context this study
addresses a major gap in the literature.
The most popular generation to use Instagram is millennials (Statista 2020), an
age cohort that comprises 63.1% of Instagram’s total active users. Millennials are aged
between 18 and 35 years and is a cohort that many global companies and marketers are
eager to tap into. Millennials were raised in a technological era where the boundaries
between religion, workplace and communities became less clear because of the increased
exposure to external cultures and practices through social media (Ng and Johnson 2015).
Consequently, millennials have used Instagram to assist in developing their identity by
following influencers.
To conclude this section, it can be restated that influencers use SGC and UGC to
develop their credibility in social media. Consumers use SGC and UGC in social media to
judge the quality of the influencers’ content, their trustworthiness and the believability
of their opinion (Filieri 2015; Shan 2016; Wang et al. 2018). The credibility of the
influencer as source on social media is therefore a vital concept concerning the influence
294 D. Human-Van Eck et al.

and persuasiveness of a message, as credibility perceptions affect a receiver’s intention


to alter his or her attitude towards the information presented (Shan 2016). Therefore, the
following section will discuss source credibility (SC) in more detail.

2.1 Source Credibility


According to Shan (2016), source credibility refers to the extent to which a reviewer
is perceived as a credible source of product information and can be trusted to give
an objective opinion on a product. O’Keefe (1990) argue that SC can be regarded as a
receiver-based construct where the audience bestows their perceived degree of credibility
on the message source, while Xiao et al. (2018) are of the opinion that SC affects
information credibility. Individuals are therefore more likely to believe the content of a
message if the information is provided by a credible source over a less credible source.
A model regularly used alongside SC to determine how individuals make decisions
and process information is the elaboration likelihood model (ELM) (Teng and Khong
2015). The ELM states that individual attitude change is based on two distinct routes
to persuasion, namely a central route and a peripheral route (Tseng and Wang 2016).
According to the ELM, individuals who are not motivated to process information employ
heuristic or peripheral information cues to help them comprehend the perceived infor-
mation (Xiao et al. 2018). In other words, information cues, such as the number of
reviews, number of followers or the appearance of a spokesperson, influence a person’s
judgement of the information. The central route is activated when individuals carefully
and thoughtfully consider all available information about a product, before a purchase
decision is made (Tseng and Wang 2016). Although SC has been associated with the
central route there are many studies linking SC to the peripheral route of persuasion as
well (Tseng and Wang 2016; Xiao et al. 2018).
The peripheral route occurs “as a result of some simple cues” rather than critically
analysing issue-relevant information (Tseng and Wang 2016: 2292) and can have a major
effect on information adoption for people with low elaboration motivation (Bhattacherjee
and Sanford 2006). Therefore, within some product categories, rather than analysing
argument quality and accuracy of information (Xiao et al. 2018), consumers consider
alternative cues to determine whether the information about the product is credible or
not (Tseng and Wang 2016; Wang et al. 2018). As mentioned before, these ‘alternative’
cues are referred to as SGC and UGC (Aladhadh et al. 2019; Colicev et al. 2018).
On Instagram, consumers can only judge an individual’s credibility based on their
SGC and UGC as they most likely do not personally know the individual. Therefore,
for this study, SC had to be defined in an Instagram context. By referring to the work of
Ohanian (1990) and Shan (2016), SC was consequently defined as: the extent to which
an influencer is perceived as a credible and trustworthy source of product information
based on their SGC and UGC cues provided by their Instagram profile.

2.2 Dimensions of Source Credibility


SC is a term commonly used to imply a communicator’s positive characteristics that affect
the receiver’s acceptance of a message (Ohanian 1990). Some authors have measured
SC as a unidimensional construct (Cheung et al. 2018; Tseng and Wang 2016), while
Influencers on Instagram 295

others have proposed between two and four dimensions to measure SC. Two dimensions
that are often incorporated into SC scales are expertise and trustworthiness (Ohanian
1990). Another popular dimension added by authors to the SC scale is the perceived
attractiveness of the source (Cheung et al. 2018; Filieri 2015; Xiao et al. 2018). This
study incorporated Ohanian’s (1990) dimensions of SC (expertise, trustworthiness and
attractiveness), based on the prominence of these dimensions in literature to capture the
SC construct (Lou and Yuan 2019; Sokolova and Kefi 2019; Spry et al. 2011). Drawing
from the work of Shan (2016), the decision was made to add another dimension to
investigate SC, namely homophily, which can be defined as “the degree to which pairs
of individuals who interact are similar with respect to certain attributes, such as beliefs,
demographics and social status” (Shan 2016: 635). Homophily was included in the SC
scale to capture the perceived similarities between the influencer and consumer (Wallace
et al. 2017). Hereafter, each dimension of SC will be discussed independently, starting
with expertise, trustworthiness, attractiveness and homophily.

2.2.1 Source Expertise


Expertise can be defined as the degree of perceived understanding, skills and knowledge
of an individual (Wang and Scheinbaum 2018) or as an individual’s competence or quali-
fication to make certain claims relating to a certain subject or topic (Lou and Yuan 2019).
In terms of endorsements, an individual’s degree of expertise (i.e. source expertise) can
be defined as the extent to which the source (endorser) is seen as being capable of provid-
ing correct information to his/her audience. The information shared by an expert source
stems from previous knowledge and experiences and are not merely based on product or
brand perception (Ismagilova et al. 2019). Therefore, information from expert sources
on social media should be valuable to followers. One of the most influential effects of
source expertise is its effect on consumer purchase intention. When consumers receive
brand-related information from a source that is perceived to have a high level of expertise,
they are more willing to accept the information and purchase the product (Ismagilova
et al. 2019; Wang and Scheinbaum 2018; Xiao et al. 2018). Ismagilova et al. (2019)
conducted a study to determine which characteristics of source credibility influence a
consumer’s behaviour. Out of expertise, trustworthiness and homophily, expertise was
reported to be the most influential in predicting a consumer’s intention to buy. The posi-
tive relationship between expertise and the intention to purchase is supported throughout
the marketing literature (Shan 2016).
Studies have proposed and supported the relationship between SGC, UGC and SC.
Ismagilova et al. (2019), for example, reported that consumers analyse UGC and SGC to
determine a source’s perceived level of credibility on review sites. On a product review
site, consumers would assess three factors to determine the credibility of the information
provided by the source, namely the source’s number of reviews posted (SGC), the content
of the review (UGC) and the duration the source has been on the platform (SGC) (Ismag-
ilova et al. 2019). Shan (2016) conducted a study to investigate the interaction effects
of SGC and UGC on perceived expertise of an online review. The study manipulated
reviewer profiles to test the effect of argument quality and reviewer badge (authority
heuristic) on the perceived credibility of a source. Shan (2016) concluded that reviewers
with a “top reviewer badge” present higher levels of expertise and trustworthiness than
296 D. Human-Van Eck et al.

reviewer profiles with no badge. Strong arguments (UGC) have a more positive influence
on the perceived expertise of a reviewer than weak arguments. Studies by Ismagilova
et al. (2019) and Shan (2016) support the notion that SGC and UGC can influence an
individual’s perceived expertise and in turn, their credibility on social media.

2.2.2 Trustworthiness
Ismagilova et al. (2019) define trustworthiness as the willingness or intention to rely
on someone’s opinion about a subject, while Xiao et al. (2018) define trustworthiness
as the apparent integrity of the source and the perceivers’ confidence in the source
to communicate valid and honest assertions. It can therefore be argued that it is not
sufficient for the source of information to be perceived as knowledgeable or an expert,
but users also need to acknowledge the source as reliable and trustworthy. Though the
literature on trustworthiness is copious, few authors depict how individuals develop their
perceived trust in a social media context. Shan (2016) attributes an individual’s motive
to produce content as an element that influences their perceived trustworthiness. For
example, disclosing paid content on social media informs other users about the motive for
content production. Therefore, a user’s perceived level of trust towards an individual may
vary depending on the disclosure of promotional content. In support of Shan (2016), Lou
and Yuan (2019) report that trustworthiness negatively influences brand awareness and
purchase intention. This relationship may be explained as follows. Although influencer
UGC has value and generally influences followers’ trust in their branded posts, followers
may hold sceptical beliefs about the influencer’s motive to produce the content. Thus,
forming sponsored brand-related UGC may discredit influencers. Xiao et al. (2018)
believe the interaction among YouTube influencers and their audience in the comment
section applies to the influencer’s perceived level of trust. This view could be attributed
to the idea that relationships are built on the interaction between two individuals, in other
words, when the influencer invests time in developing a relationship with their followers.
Although the topic of trustworthiness has been thoroughly researched, the literature on
how influencers could develop trust within their audience in the social media realm
remains unclear. This study contributes to how influencers can build trust among their
followers in the social media environment.

2.2.3 Attractiveness
Wang and Scheinbaum (2018) define attractiveness as an individual’s outward physical
appearance, while Lou and Yuan (2019) refer to attractiveness as a source’s likeability
or physical attraction. Ohanian (1990) proposed that attractiveness is a dimension of SC
and is perceived as the classiness, beauty, elegance and sexiness of a source. Moreover,
Ohanian (1990) perceives attractiveness as a function of a source’s likeability, similar-
ity and familiarity. It can therefore be concluded that an attractive source is someone
likeable, shares similarities with the message receiver and portrays a degree of phys-
ical attractiveness. It can also be argued that an attractive source increases a message
receiver’s acceptance of shared information and can positively influence a consumer’s
brand attitude and purchase intention (Wang and Scheinbaum 2018; Xiao et al. 2018).
Influencers on Instagram 297

Wang et al. (2018) report that adding images on an individual’s social media profile
increases the perception of attraction and trustworthiness.

2.2.4 Homophily
The final dimension of SC investigated in this study denotes the similarity between the
information source and the message receiver (Xiao et al. 2018). Social relationships
can influence the credibility of a source, which can be measured through homophily.
Homophily can be derived from the shared demographic characteristics (age, gender,
education) or perceived attributes (values, preference, beliefs) of a source (Ismagilova
et al. 2019). In online reviews, individuals tend to look for more than a source’s trustwor-
thiness, attractiveness and expertise. Individuals also look for characteristics, which they
share with the source of information. According to the elaboration likelihood model,
individual decision-making depends on the characteristics of the information source.
Thus, if an individual discovers that an influencer has shared similarities with him/her,
the message might become more persuasive to the reader (Tseng and Wang 2016).
According to Pan and Chiou (2011), a relationship between the message source and the
message receiver can influence the credibility of online content, which can be measured
by homophily. In social media, a relationship between the source and individual does
not always exist. Users employ SGC and UGC provided by the online platform to make
inferences and heuristics about the shared similarities (Ismagilova et al. 2019). The SGC
and UGC can lead to better comprehending the source’s personality, values, preferences
and experience, which in turn, leads to an increased desire for social interaction.
Ismagilova et al. (2019) conducted a study on the effect of characteristics of source
credibility on consumer behaviour and concluded a significant relationship between
homophily, purchase intention and credibility of the source exists. Xiao et al. (2018)
support the findings of Ismagilova et al. (2019) and conclude that a positive relationship
between source credibility and the receiver can be attributed to shared characteristics.
Xiao et al. (2018) believe similar attitudes between the source and receiver have a
stronger influence than similarities such as gender and appearance do. Therefore, it may
occur that individuals perceive homophily as more influential than source attractiveness
within the source credibility dimension.
To conclude: A literature study on SC has suggested that, in social media, SGC and
UGC positively influence SC and its sub-dimensions, namely expertise, trustworthiness,
attractiveness and homophily. The argument is, however, made that, to date, no literature
study in the public domain seems to have investigated the influence of SGC and UGC
on SC in an Instagram context. This study will therefore be a pioneering endeavour
with the purpose to assess the influence of SGC, in the form of followers and authority
heuristic, and UGC, in the form of disclosure, on perceived influencer SC (expertise,
trustworthiness, attractiveness and homophily).
298 D. Human-Van Eck et al.

3 Objectives of the Study


Based on the purpose of the study, the following objectives were formulated:

1. Assess the influence of the SGC “followers” on perceived source credibility


(expertise, trustworthiness, attractiveness and homophily).
2. Assess the influence of the SGC “authority heuristic” on perceived source credibility
(expertise, trustworthiness, attractiveness and homophily).
3. Assess the influences of the UGC “disclosure” on perceived source credibility
(expertise, trustworthiness, attractiveness and homophily).
4. Assess the influence of the interaction between followers, authority heuristic and
disclosure on perceived source credibility (expertise, trustworthiness, attractiveness
and homophily).

A mixed-method research approach was adopted to assess the stated objectives.

4 Methodology
For this study both qualitative and quantitative research was conducted. Two focus groups
served as a platform for (1) discovering more about influencers and Instagram, (2) con-
firming the most relevant Instagram-related cues that influence consumers (3) identi-
fying a suitable product category, brand and influencer for inclusion in the research,
(4) developing the experimental stimuli for the quantitative experiment that followed,
and (5) initially pre-testing the questionnaire that was later used to assess respondents’
perceived source credibility. Fitness was identified as a suitable product category due
to its popularity among the population and as am Instagram influencer field of inter-
est. The Trinity fitness-related apparel brand was confirmed to be relevant to this cat-
egory and to consumers and the brand’s owners agreed to its inclusion in the study.
A female model that could successfully represent an Instagram influencer in this cat-
egory was identified. The UGC of disclosure and the SGC of followers and author-
ity heuristic were identified as the most relevant cues that influence Instagram users.
These factors became the three main effects of the study and resulted in a 2 × 2 × 2
between-subjects factorial experiment. In total, 311 female respondents between 18 and
25 years of age were successfully recruited by means of non-probability convenience
sampling with the assistance of a research agency. In accordance with recommenda-
tions in previous research, only female respondents were included in the research to
enhance similarity and ensure congruence with the female influencer (De Bérail et al.
2019). The respondents were randomly assigned to eight experimental groups and each
group was exposed to a unique set of stimuli in the form of a fictitious Instagram profile
and fitness-related influencer. The stimuli were developed after an extensive analysis of
influencers, brands and profiles on Instagram. As mentioned before, an individual that
could successfully portray the role of influencer was identified, 42 images portraying
this individual were scrutinised and ultimately 15 images were selected to constitute the
influencer’s Instagram profile. After the development of a fictitious profile, screenshots
were taken for inclusion in the final questionnaire. Eight versions of the questionnaire
Influencers on Instagram 299

were created, each reflecting a unique combination of the experimental main effects,
namely (1) disclosure or non-disclosure, (2) a high or a low number of followers, and
(3) the presence or absence of an authority heuristic. In the questionnaire respondents’
attitude towards the Trinity brand was confirmed to be positive prior to exposure to
the stimuli by means of a reliable (α = 0.92) five-item seven-point semantic differen-
tial scale. After exposure to the stimuli, source credibility was assessed by means of
a combined seven-point semantic differential scale. Source credibility was assessed as
a multidimensional construct with four sub-dimensions, namely: attractiveness, trust-
worthiness, expertise and homophily. Attractiveness, trustworthiness and expertise were
each measured with a five-item scale originally emanating from Ohanian (1990), whilst
homophily was measured by means of four items that was added to the Ohanian (1990)
source credibility scale by Xiao et al. (2018). The combined source credibility scale
(α = 0.94) was deemed reliable both for the overall data set and for the experimental
groups respectively. This was also the case pertaining to the reliability of the source
credibility sub-dimensions of attractiveness, trustworthiness, expertise and homophily
(α equal to or > 0.7). Manipulation checks were conducted to confirm that the main
effects were correctly perceived by respondents.
Prior to final data collection, the questionnaire was piloted among respondents rep-
resentative of the eight experimental groups. No changes to the questionnaire were
necessary. After the final data collection, the assumptions of ANOVA were considered.
The normality of the data was assessed by means of a Kolmogorov–Smirnov normality
test (Field et al. 2012). Given the sample size in this study the normality of the data
was deemed acceptable (Pallant 2010). The homogeneity of the data was assessed by
means of Levene’s test. The significance level associated with source credibility was
0.442 (p > 0.05) and thus homogeneity could be assumed, and the inferential analyses
could continue by means of Univariate ANOVA (Field et al. 2012).

5 Results
The results from the Univariate ANOVA indicated that SGC (both number of followers
and authority heuristic) had no significant influence on overall perceived source credi-
bility. However, overall perceived source credibility was significantly influenced (90%
confidence interval) by the UGC of disclosure (p = 0.07) – non-disclosure (μ = 5.73)
resulted in a more positive perceived source credibility than disclosure (μ = 5.53). There
were no two-way or three-way interactions that exerted a significant influence on overall
perceived source credibility.
Further inquiry into the sub-dimensions of perceived source credibility revealed that
disclosure significantly influenced (90% confidence level) both trustworthiness (p =
0.06) and homophily (p = 0.053) with non-disclosure leading to more positive responses
than disclosure in both instances (see Table 1). Number of followers significantly influ-
enced (90% confidence level) homophily (p = 0.053) with a high number of followers
leading to more positive responses than a low number of followers (see Table 1). Author-
ity heuristics exerted no significant influence on any of the sub-dimensions of perceived
source credibility, whilst source expertise and source attractiveness were also not sig-
nificantly influenced by followers or disclosure. In terms of two-way interactions, both
300 D. Human-Van Eck et al.

trustworthiness (p = 0.03) and attractiveness (p = 0.03) were significantly influenced


by the interaction between number of followers and disclosure, with non-disclosure and
a low number of followers resulting in a more positive response in both cases – a mean
of 6.28 in the case of trustworthiness and a mean of 6.21 in the case of attractiveness
were reported. Noteworthy is that the lowest mean scores in terms of both trustworthi-
ness and attractiveness resulted from the interaction between a low number of followers
and disclosure, indicating that disclosure plays a driving role in the interaction between
followers and disclosure. None of the sub-dimensions of perceived source credibility
was significantly influenced by the three-way interaction between followers, authority
heuristic and disclosure. The significant influences are summarised in Table 1 along with
the mean values of the highest and lowest associated scores.

Table 1. Summary: significant influences and means

Dependent variable Significantly p-value Highest mean Lowest mean


influenced by
Source credibility Disclosure 0.07 Non-disclosure Disclosure (5.53)
(5.73)
Trustworthiness Disclosure 0.06 Non-disclosure Disclosure (5.85)
(6.10)
Number of 0.03 Low number of Low number of
followers × followers and followers and
Disclosure Non-disclosure Disclosure (5.76)
(6.28)
Homophily Disclosure 0.053 Non-disclosure Disclosure (4.17)
(4.54)
Number of 0.053 High number of Low number of
followers followers (4.54) followers (4.17)
Attractiveness Number of 0.034 Low number of Low number of
followers × followers and followers and
Disclosure Non-disclosure Disclosure (5.78)
(6.21)

A discussion of the results follows along with reference to the limitations of the
study and recommendations to influencers, brands and researchers.

6 Discussion and Managerial Implications


The purpose of this study was to assess the influence of followers (SGC), authority
heuristic (SGC) and disclosure (UGC) on perceived influencer source credibility and the
sub-dimensions of the construct, namely expertise, trustworthiness, attractiveness and
homophily.
It was found that disclosure significantly influenced overall source credibility, trust-
worthiness and homophily with non-disclosure being more positively perceived by
Influencers on Instagram 301

respondents than disclosure. These findings suggest that consumers view influencers
as more credible and trustworthy when there is no disclosure, in other words, when it
appears that influencers have pure endorsement motives and their brand endorsements
are by their own choice and not due to remuneration from the brand. Similarly, con-
sumers view themselves as more similar to the influencer when there is no disclosure, in
other words, when they are unaware that the influencer might be rewarded for endors-
ing specific brands. Homophily was significantly influenced by the influencer’s number
of followers with a high number of followers leading to a higher homophily score. It
means that respondents viewed themselves as more similar to the influencer when the
influencer had a high number of followers. This result could be informed by the image
transfer effect (Smith 2004) and similarity attractiveness theory (Neimeyer and Mitchell
1988). The image transfer effect states that associations attributed to one entity can be
transferred to a linked entity (Gwinner 1997). Similarity attractiveness theory states that
people tend to be attracted to others who are viewed as similar to themselves in certain
aspects (Neimeyer and Mitchell 1988). In this study if infers that a high number of fol-
lowers can signal an image of influencer popularity. This image is then adopted by the
follower due to the perceived similarity between the influencer and the follower. Thus,
“if you are popular and we are alike then I am popular”. Noteworthy is that the effect
of number of followers is altered by its interaction with disclosure, with non-disclosure
and a low number of followers resulting in more positive attractiveness and trustwor-
thiness scores. It could be that non-disclosure and a low number of followers enhance
follower perceptions of influencer authenticity and honesty – it signals to followers that
the influencer has not yet reached the levels of fame and popularity often expected by
brands prior to forming a paid endorsement relationship with the influencer. Therefore,
influencers’ opinions on their Instagram profiles are viewed as untainted by brand influ-
ence. However, although illegal and/or unethical in some countries, in reality, it might
be that a paid endorsement has merely not be disclosed rather than not existing.
For influencers the results of this study mean that authority heuristics, in contrast to
previous research, cannot be depended on as a significant indicator on Instagram among
Millennials consumers, but that their number of followers and how they disclose their
brand involvements should be carefully considered. A modus operandi policy in which
the influencer clearly states to followers their views on endorsement and the disclosure
thereof could be valuable. Such a policy could enhance influencer attractiveness, trust-
worthiness and ultimately perceived motives and authenticity by clearly stating that the
influencer only endorses brands that they believe in rather than merely those who pay
them.
For brands the results of this study mean that influencers with a lower number
of followers could be as effective (whilst often begin more affordable) as those with
a high number of followers, depending on the purpose of the campaign. Particularly
when perceptions of authenticity and honesty is desired, brands could benefit from long-
term relationships with micro-influencers or nano influencers who are truly interested
in the brands that they showcase on their profiles. A micro-influencer typically has
between 1 000 and 100 000 followers and they focus on niche areas of interest (Ismail
2018). Micro-influencers are generally viewed as opinion leaders within a particular
product category or industry with quite a uniform follower base. This is also the case
302 D. Human-Van Eck et al.

with nano influencers (less than 1000 followers). The uniformity of the follower base
holds positive potential for successful segmentation, targeting and consumer/follower
alignment (Ismail 2018).

7 Conclusion and Suggestions for Future Research


The continued growth of social media network sites as marketing platforms necessi-
tates marketing practitioners to innovate and consider a diversity of creative approaches
to connect with consumers. Influential marketing represents such an approach. This
study emphasised the continued popularity of Instagram as a social media platform, in
particular among millennial consumers, and recommends the consideration of credible
influencers (even micro and nano influencers) as important sources of brand cues to
consumers.
This study focused on a selected number of SGC and UGC, perceived source credi-
bility and a millennial cohort of 18- to 25-year-old females. It is recommended that the
research be expanded to consider additional SGC and UGC and a broader sample of
respondents. It is further suggested that the influence of SGC and UGC on consumer
attitude and intentions are investigated to gain an understanding of the potential influ-
ence of these variables on a brand’s sales and bottom-line. Perceived influencer honesty
would also be a relevant construct to investigate in the influencer endorsement context.
An exploration of psychological constructs such as parasocial relationships and how
such relationships are affected by SGC and UGC can also be valuable.

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The Effect of Covid-19 Pandemic on Client’s
Equity: The Case of a Senegalese
Telecommunication Company

Nora Sharkasi1(B) and Thioro Ndiaye2


1 Institute for International Strategy, Tokyo International University, Tokyo, Japan
[email protected]
2 International MBA, Nagoya University of Commerce and Business, Nagoya, Japan

Abstract. In the telecommunication industry, at the very top of the revenue gener-
ation hierarchy is the classification of the B2C and B2B cash flow sources broken
down into various service packages available for each segment. The work-from-
home during the pandemic has helped generate more revenues for telecom ven-
dors coming from B2C pool. However, the revenues from the B2B side suffered
as clients’ cash flows are challenged during the pandemic. This study attempts to
compute the clients’ equity CE of the only local Senegalese telecommunication
company. The net value of the average Customer Lifetime Value (CLTV) of all
cohorts makes up the CE, whereas, the “net present value of all current and future
profits generated from a customer over the life of his or her business with the firm”
defines CLTV. The results suggest that Waw telecom will realize a surplus in CE
at the end of the client’s expected average lifespan.

Keywords: Customer Lifetime Value CLTV · Contractual CLTV · Customer


equity CE

1 Introduction
The telecommunication industry’s service models were transformed from the early 1990s
to 2010 and 2010 onwards (International Telecommunication Union 2019, p .6). In
Senegal, like other African countries, most of the telecom industry adopts a hybrid
model where they provide prepaid and contractual customers in the B2C pool. In prepaid
business models, churn rates are expected to be lower than the contractual context, and
customers may often have split loyalty. Customers’ churn rate is vital in the computations
of the Customer Life Time Value (CLTV). The aggregate of CLTV of all acquired cohorts
or segments forms the essence of understanding customer equity. For modelling CLTV,
several assumptions need to be specified; such as the growth or constant rate of the
behaviour of the following factors over time: revenue, variable costs, retention rate -
which is dependent on churn rate - (Kumar et al. 2004), and the cost of capital or also
referred to as the discount rate for the present value of money (Singh and Jain 2013).
The context and its underlying assumptions are essential in setting up the model for
CLTV computation. The literature portrays multiple approaches for modelling CLTV

© The Author(s), under exclusive license to Springer Nature Switzerland AG 2021


F. J. Martínez-López and D. López López (Eds.): DMEC 2021, SPBE, pp. 305–312, 2021.
https://doi.org/10.1007/978-3-030-76520-0_32
306 N. Sharkasi and T. Ndiaye

depending on the context (Singh and Jain 2013), such as (1) lost-for-good and always-a-
share, (2) membership or non-membership, and (3) contractual and non-contractual, this
is the most popular categorization of contexts, it describes a contractual context as one
where the expected revenues can be forecasted accurately (Fader et al. 2005; Venkatesan
and Kumar 2004; Reinartz and Kumar 2003). An example of contractual context is the
case of contractual bindings in the telecommunication industry.
The customer/client base’s valuation is of paramount importance, especially in
start-up companies’ early stages (Akkaya 2020). The measurement of customer equity
depends on the determination of CLTV, which is defined as “the (net) present value of all
current and future profits generated from a customer over the life of his or her business
with the firm” (Gupta and Lehmann 2005, p. 15).
This paper aims at computing the customer equity of all acquired B2B cohorts for a
start-up Senegalese telecom company since inception in 2017 up-to-date, to examine the
effect of Covid-19 pandemic hit in 2020. For CLTV computation, we adopt the model
proposed by Kumar et al. (2004) with adjustments to suit the case’s context. The general
formula for computing the average CLTV for any cohort acquired after the first cohort
is specified as
∞ ∞   
1  nk  GC − M
CLT Vk = ∞ r t−k
−A
k=0 nk k=0
(1 + d )k t=k
(1 + d )t−k

We use Eq. 2 in the subsequent section to compute the average CLTV of cohort k =
0 in the first period, i = 0 where the period is defined in years.
Furthermore, the average lifespan is found to be a maximum of 4 years in the Sene-
galese market, the period denoted here by t. The underlying assumptions of the model is
as follows: a varying gross customer contribution (GC), varying acquisition costs (A) and
varying retention rate (r), varying marketing costs (M), and varying number of acquired
customers in cohort k per period nk . We adjusted the retention rate from r t−k , to r t due
to period dependency of the retention rate in our case. It is worth mentioning that, we
assume no churn rate for the first acquired cohort, k = 0, and that, the fees are paid at the
end of each month. The client is expected to defect at the end of the renewable contract,
expiring yearly.
Waw telecom (“Waw” or “Waaw” meaning “Yes” in Wolof, the main national lan-
guage in Senegal) started operations in late 2017, the first client was acquired in March
2018. The data in hand is for the years 2018–2020. Given that the lifespan is found to be
four years for contractual B2B, we estimate the future unknown values of elements neces-
sary for computing the gross contribution of clients, such as revenue streams and variable
cost objects, for the years beyond 2020 by the moving average technique containing the
past three periods.
This paper is organized as follows; Sect. 2 depicts a brief literature on CLTV. Section 3
outlays the model and the underlying assumptions related to different factors affecting
CLTV calculations for B2B clients. The paper is concluded in the last section.
The Effect of Covid-19 Pandemic on Client’s Equity 307

2 Customer Lifetime Value CLTV and Customer Equity


To evaluate strategies in marketing and ecommerce, firms need to measure their perfor-
mance in terms of profitability. One key difference that set aside marketing from sales
activities is its holistic view in such a way that leverages historical data for predicting
future anticipated customer profitability and not rely solely on one-time transaction to
judge if a customer is profitable. This is where Customer Life Time Value (CLTV) enters
the picture as a metric used to evaluate strategies of the firm (Borle et al. 2008; Gupta
and Zeithaml 2006; Kumar et al. 2004).
The definition of CLTV varies in the literature. CLTV is defined as the sum of
accumulated cash flows (discounted using the weighted average cost of capital) of a
customer over her entire lifetime with the firm. In this case, the basic model for CLTV
is structured as follows (Dipak and Singh 2002):
n (Ri − Ci )
CLTV = , (1)
i=1 (1 + d )i−0.5
where i is the period of cash flow from the customer; Ri is the revenue from the customer
in period i; the total cost of generating the revenue in period i is denoted by Ci , and n is
the total number of periods of projected life of the customer, and d is the discount rate.
Dwyer (1997) defined CTLV as the present value of the expected benefits, that is gross
margin less the direct costs of servicing and communicating with customers. Berger
and Naser (1998) quote Kotler and Armstrong (1996) to define a profitable customer as
“a person, household, or company whose revenues over time exceed, by an acceptable
amount, the company costs of attracting, selling and servicing that customer.” Kumar
et al. (2004) and Berger and Nasr (1998) considered costs, including the acquisition cost.
The average CLTV of a customer belonging to the very first cohort, cohort 0 is expressed
as (Kumar et al. 2004):
∞  (GC − M ) 
CLTV = r t − A, (2)
t=0 (1 + d )t
where (A) is the average acquisition cost per customer, the average gross contribution
(GC), and marketing costs (M) per customer. The retention rate is (r), the cost of capital
for the firm is (d). In this paper, we consider the technical definition of Kumar et al.
(2004) with adjustments made to the assumptions of the model to suit the case study in
hand. Regarding the conceptual definition, we adopt the conceptual definition of CLTV
by Bejou et al. (2013), we quote it as follows, “Customer lifetime value takes into account
the total financial contribution i.e., revenues minus costs – of a customer over his or her
entire lifetime with the company and therefore reflects the future profitability of the
customer.” It is worth noting that, Kumar et al. (2004) had adopted the computational
logic suggested by Gupta et al. (2004). For the authors, the CLTV is the only metric that
incorporates into one entity all the elements of revenue, expense, and customer behaviour
that drive profitability. Figure 1 illustrates the conceptual approach to measure CLTV.
Factors affecting CLTV modelling could be classified into two groups, factors nec-
essary to set up the assumptions for calculations, such as: interpurchase time, returns,
marketing activities of the firm, network effects (e.g. WoM), and discount rate. The
308 N. Sharkasi and T. Ndiaye

Fig. 1. Conceptual approach to measuring CLTV (Bejou et al. 2013, p. 10)

second group of factors established themselves as standards in the calculation of CLTV,


and they are: cost of customer acquisition, cost of customer, retention, cost of returns,
cost of marketing activities. The context determines the data necessary to estimate a
CLTV model and is bounded by the data availability. Despite the importance of context
for CLTV, there has been little systematic study of the contexts. Singh and Jain 2013
classified the context into categories that conveniently suited the purpose of the studies
in the literature. Three main common context classifications are: (1) lost-for-good and
always-a-share, in the “lost-for-good” category, customers stay with the firm until they
defect, and after that, they never return, basically, they are lost for good (e.g., telecom-
munication system transactions where buyers typically select one service provider). In
the “always-a-share” case, customers might do business with multiple vendors (Rust
et al. 2004; Pfeifer and Carraway 2000; Venkatesan and Kumar 2004). (2) membership
and non-membership, in membership category, customers have to join a firm as a mem-
ber before purchasing from the firm or making use of its services. Examples are club
memberships such as purchase clubs or health clubs (Borle et al. 2008; Bhattacharya
1998). (3) contractual and non-contractual, this is the most popular categorization of
contexts, it describes a contractual context as one where the expected revenues can be
forecast fairly accurately and increasing cumulative profits over the customer’s lifetime
would be expected. Non-contractual contexts are those where the firm must ensure that
relationship stays alive because customers typically have a split loyalty and split their
expenses among several firms, e.g. department store purchases or mail-order purchases
through a catalogue and direct marketing (Fader et al. 2005; Venkatesan and Kumar
2004; Reinartz and Kumar 2003).

3 CLTV Modelling and Results


From an accounting perspective, the classic measure of the profitability of goods and
services sold is gross margin. It is calculated as revenues minus the Cost-of-Goods-Sold
(COGS). However, for a CLTV calculation purpose, we are interested in contribution
margin or Gross Contribution (GC) as in Eq. 2, this is because the goal here is to under-
stand how a specific acquired cohort of clients contributes to Waw’s profit. Contribution
margin shows the aggregate amount of revenue available after variable costs in order to
cover fixed expenses and provide profit to the firm (Contribution margin = revenue −
The Effect of Covid-19 Pandemic on Client’s Equity 309

variable costs). We use Eq. 2 to compute the CLTV of cohort 0 in the first period, t = 0.
For the remaining periods (years), we use the following equation in Kumar et al. (2004):
∞ ∞   
1  nk  GC − M
CLTVk = ∞ r t−k − A (3)
k=0 nk (1 + d )k
k=0
(1 + d )t−k
t=k

Where nk is the number of customers in the kth cohort, and with the following
assumptions:

• varying gross contribution (GC) per client, for period (t), (GC) is computed by (Vari-
able cost objects subtracted from generated revenue per client). Revenue is projected
by two methods, first, the moving average method, and second, through mathematical
modeling of the rule of diminishing effect of the revenue growth rate.
• varying acquisition costs (A), depending on acquisition campaigns budget and the total
number of acquired clients, all projected by the moving average for periods beyond
2020.
• varying retention rate (r), we adjusted the retention rate from r t−k , to r t in the equation,
and we show later how the retention rate is estimated in the industry.
• varying marketing costs (M), however, marketing cost is set to be constant from 2021
and beyond. There was a reduction of marketing cost by 73% and 78%, for the years
2019 and 2020, respectively. Beyond a certain threshold, the firm expects not to further
reduce the marketing costs.
• varying number of acquired customers in cohort k per period nk , with the use of the
moving average method of the past three periods to project the values beyond 2020.

We adjusted the retention rate from r t−k , to r t due to period dependency of the
retention rate in our case. The data in hand is for the years 2018–2020. Based on the
market research, the expected client lifespan is estimated to be four years. Thus, the net
value of CLTV of all cohorts for four years makes up the clients’ equity CE.
Revenue and Variable Costs. Waw Telecom mainly generats revenues from its monthly
subscriptions. However, it also generates revenues from content (Facebook TV, Netflix,
etc.) and services like voice, mobile phone, and SMS. Variable costs vary with the output
produced or services rendered. What is fixed to one is variable for another, it is decision
and time horizon dependent. From the financial Profit & Losses (P&L) statement of Waw,
with the help of Waw’s chief financial officer, we identified the variable cost objects and
their proportions to the B2B pool under the COGS and the Expenses category of the P&L
statement. The B2B pool of clients generated the highest portion of revenue, accounting
to about 80% and 65.3% for 2018 and 2019, respectively.

Clients and Acquisition Cost. Knowing that 70, 39, and 27 acquired clients in the
years 2018, 2019 and 2020, respectively, the given marketing budget for acquisitions
campaigns, the acquisition cost per client is computed per year.

Churn Rate and Client’s Lifespan. In 2019, Waw spent XOF700,000 for market
research. The findings revealed that B2B clients will stay with the company as long
as they are satisfied with the service, it is very unlikely to suspend the service unless
310 N. Sharkasi and T. Ndiaye

the business is closed or competitors provide a better offer. Churn rates over 2018–2020
and projected values beyond this period is shown in Fig. 2 for most Telecom service
providers in Senegal. For years beyond 2023, the average churn rate is projected by the
simple moving average of the past three periods.

Annual Churn by Operator 2018 2019 2020 2021 2022 2023


Min Churn Rate 1% 2% 3% 3% 3% 3%
Max Churn Rate 12% 10% 10% 9% 9% 9%
Average Churn Rate 6.8% 6.3% 5.8% 5.7% 5.6% 5.5%
Retention Rate 93.2% 93.8% 94.2% 94.3% 94.4% 94.5%
Orange Senegal 11% 10% 10% 9% 9% 9%
Expresso 12% 10% 9% 9% 9% 9%
Tigo 7% 6% 4% 4% 4% 4%
ARC INFORMATIQUE 3% 3% 3% 3% 3% 3%
AFRICA ACCESS 1% 2% 3% 3% 3% 3%

Fig. 2. Churn rate in the Telecom Industry in Senegal for B2B (2018–2023)

The average churn rate per vendor per year is computed as:


Churn rateoperator × Internet Accountsoperator
Estimated Churn rateyear = (7)
Total number of households(rural & Urban)
Table 1 shows the CLTV and CE calculations under two conditions. First condition is
by projecting revenue under the current situation modeling the negative effect of Covid-
19 pandemic on the growth rate of revenue by two methods; by projecting revenue using
simple moving average for the client cohorts acquired in the period (2018–2021), and
the secondly is by using Eq. 5.

Table 1. Customer equity and CLTV for all cohorts (2018–2021)

Cohort k Year t CLTV CE


0 2018–2021 0–3 −8,954,540
1 2019–2022 1–4 −707,547 −6,475,707
2 2020–2023 2–5 2,527,796 −4,134,291
3 2021–2024 3–6 4,612,013 477,722

The results show that, Waw telecom will realize a surplus in CE at the fourth year
of inception.

4 Conclusion
In evaluating the CE over a four-year lifespan of clients, the naïve projection using the
simple moving average projected a surplus in CE by the end of the lifespan of clients
at the end of the year. From a marketing perspective, clients start being profitable in the
future as in an aggregate effect.
The Effect of Covid-19 Pandemic on Client’s Equity 311

As per the limitation, this research was carried out in the telecommunication context
in a developing economy, which limits the generalization of the results to other areas.
The computations are case specific, which makes it difficult to control assumptions and
thus generalize the results on similar firms. For future work, a prediction model with
calibrated parameters to predict revenue with and without the Covid-19 pandemic to
uncover the damaging effect in terms of delaying the realization of a surplus CE.

Acknowledgment. The authors thank Waw Telecommunications for their cooperation, in particu-
lar; Aïcha Mbow, Sales Director – Corporate, Daoud Gueye - Chief Technical Director, Fatoumata
Sougou - Finance Manager, Louma SARR Sales – Director, and Abdou Kane – CEO.

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Yes, You Make Me Confused and Skeptic:
Exploring Green Confusion and Green
Advertisements Skepticism on Social Media

Kashif Farhat1 , Wajeeha Aslam2 , and Iviane Ramos de Luna3(B)


1 Department of Business Management, Mohammad Ali Jinnah University, Karachi, Pakistan
2 Department of Business Administration, IQRA University, Karachi, Pakistan
3 Department of Economics and Business Studies, Open University of Catalonia, Barcelona,
Spain
[email protected]

Abstract. Businesses are increasingly marketing their products on social media


platforms in order to better communicate with their customers. Considering
stimulus-organism- response (SOR) theory, this study uncovers the impacts of
social media (SM) greenwashing on SM green advertising skepticism and on its
consequences including green purchase intention. The findings reveal that SM
greenwashing affects SM green advertising skepticism. Further, SM green adver-
tising negatively affect SM information utility and positively affect SM negative
word-of-mouth. The study also highlights that SM information utility positively
affects green purchase intention and negative word-of-mouth negatively affect
green purchase intention. The study also reveals that SM green confusion moder-
ates the relation between SM greenwashing and SM green advertising skepticism.
The study offers several theoretical and practical contributions.

Keywords: Green advertisements · Social media · SOR · Greenwashing ·


Skepticism · Purchase intention

1 Introduction
Green products generally refer to products that are produced with lower resources and
pose less environmental threats and hazards to human beings (Schuitema and de Groot
2015). Low use of the resources such as water and energy, using fewer toxic materials,
and producing recyclable products manifest green products (Sun et al. 2018). As the
rising pollution raised concerns for climate change to the global level, the interest in
countering these environmental issues through green products has significantly grown
in the last decade (Zhang et al. 2018). Consequently, this rapidly growing concern brings
opportunities to enterprises to gain competitive advantages through green products that
are ecologically friendly to stand apart from their competitors in the market (Epstein
et al. 2017; Tan 2011).
An important element of pursuing the green products strategy that businesses are
adopting is green advertising to promote green products and drawing its positive impact

© The Author(s), under exclusive license to Springer Nature Switzerland AG 2021


F. J. Martínez-López and D. López López (Eds.): DMEC 2021, SPBE, pp. 313–329, 2021.
https://doi.org/10.1007/978-3-030-76520-0_33
314 K. Farhat et al.

on customer purchases (Ankit and Mayur 2013; Schmuck et al. 2018). Earlier several
studies have explored this phenomenon from the perspective of green image built through
green advertising i.e., making environmental claims to win customers (Brettel et al. 2015;
Segev et al. 2016).
However, green advertising itself possess several challenges to execute it effectively,
for example advertisements are often loaded with jargons, ambiguous facts, and mes-
sages. Green products advertisements also often lack the objective details on how the
attributes of green products serve the environmental concerns and sometimes green
products advertisements claim more than what these products can deliver (Do Paço and
Reis 2012; Matthes and Wonneberger 2014). Especially, since the advent of internet and
social media channels, that allow brands an easy access to customers, several accounts
have been reported in which customers outrightly denounced the image of firms project
on social media (e.g., #McDStories on Twitter) (Lyon and Montgomery 2013). With an
increase in corporate green claims on social media, customers have increasingly become
skeptical of the authenticity of such claims, for 98% of products that claimed green
ingredients or made environmental claims, were later found to have misled customers
by committing one of seven sins of greenwashing (TerraChoice 2009).
Accordingly, green advertising skepticism is widely prevalent and is defined as the
cynicism an individual has for green advertising that mislead, or at least exaggerate
in their advertisement messages (Atkinson and Kim 2015; Matthes and Wonneberger
2014; Vermeir and Verbeke 2006). While past research studies explored the antecedents
of green advertisement skepticism, the role of green confusion has been overlooked.
Similarly, earlier studies paid limited attention to the outcomes of green advertising
skepticism (Luo et al. 2020).
Thus, this study aims to fill these gaps by investigating the role of social media
(SM) greenwashing in developing SM green advertisement skepticism. Additionally,
this study also aims to assess how the SM green advertisement skepticism driven by SM
greenwashing affect SM information utility and SM negative word-of-mouth (WOM),
and if this culminates into purchase intention. Moreover, this study explores the moder-
ating effect of SM green confusion on the relationship between SM greenwashing and
SM green advertisement skepticism.
The green advertisements on social media are explored in the study since advertise-
ments on social media are less regulated and have easier global reach than traditional
media. Social media environment is complicated for its social attributes (Brettel et al.
2015; Sin et al. 2012) and increases the propensity for misleading green advertisements
(Luo et al. 2020) and therefore, exploring green advertisements on social media merits
its high significance.
The next sections of this document are divided as follows: In Sect. 2 the theoret-
ical background and formulation of hypotheses are discussed. Section 3 exposes the
methodology adopted for this study, which includes information about data collection,
sample characteristics, and pilot testing. Section 4 presents the results of the measure-
ment and structural proposed model. Finally, Sect. 5 discusses the results that lead to the
conclusions, theoretical and practical implications, and suggestions for future studies.
Yes, You Make Me Confused and Skeptic 315

2 Theoretical Background and Hypotheses


2.1 SOR Theory
The conceptual model of the study is grounded in Stimulus-Organism-Response (S-
O-R) theory (Mehrabian and Russell 1974) to explain the mechanism that lies behind
customer’s attitude and behaviors related to purchase of green products. The study deter-
mines how the external stimuli i.e. (SM greenwashing) effect on organism (SM green
advertisement skepticism and SM information utility and if these affect on customers
responses (SM negative WOM and green purchase intention). This study extends the-
oretical and empirical comprehension of green products and their purchase intention
from the perspective of SOR. Theoretically, the study demonstrates that S-O-R is a valid
theory to investigate and explain the customer behavior in the context of green products
purchase.
The S-O-R theory was developed in the domain of environmental psychology and
later it proved its usefulness in other contexts, including consumer behavior and con-
sumer decision making (Islam and Rahman 2017; Rose et al. 2012; Sohaib and Kang
2015). The theory postulates that environmental stimuli influence the cognitive and affec-
tive responses (organism) of individuals and that eventually result in behavioral responses
(Donovan and Rossiter 1982). Specifically stating, stimuli are explained those influences
that stimulate internal and affective states of individuals. Regarding customer behavior,
both marketing mix elements and complementary environmental elements and inputs
are the stimuli. The organism aspect of S-O-R reflects the internal state of individuals
that resides between the response and behavior elements. The final element of S-O-R
is behavioral aspect which is the result of cognitive and affective states of individuals.
Such behavioral responses include positive or negative actions directed towards a spe-
cific setting such as intention to purchase and purchasing behavior or no intention to
purchase.

2.2 SM Greenwashing and SM Green Advertisement Skepticism


Greenwashing is the act of misguiding consumers that a product or service is environ-
ment friendly, but it is not (TerraChoice 2009; Torelli et al. 2020) whereas skepticism
refers to as an individual’s lack of belief and uncertainty (Nguyen et al. 2019). Skepti-
cism also relates to an idea of doubtfulness, mistrust & suspicion (Boush et al. 1994;
Forehand and Grier 2003; Nguyen et al. 2019). Studies have identified that green wash-
ing activates skepticism in consumer’s mind (Nguyen et al. 2019). When companies
make vague claims for products contributing to the environment quality and communi-
cate it to customers, this may result in customers developing skepticism towards such
communication. Based on the above, it can be proposed the following hypothesis:
H1 : SM greenwashing and SM green advertising skepticism are positively related.

2.3 SM Green Advertising Skepticism and SM Information Utility


Information utility is defined as the extent of consumers’ perception of information in
advertisements is helpful for customers in making right purchase decisions (Matthes
316 K. Farhat et al.

and Wonneberger 2014). Green advertising comprises the knowledge of product fea-
tures that allow consumer to take better purchase decisions (Luo et al. 2018; Luo et al.
2020). Information utility level is likely to be lower when consumers are suspicious or
doubtful of green advertising due to the misrepresented, deceptive, or potentially false
facts in advertisements (Wei et al. 2017) whereas information utility level is high when
the information provided in advertisements is clear and trustworthy (Wei et al. 2017).
Following the same line of assumptions, we assume that social media green advertising
skepticism is inversely connected with information utility and hypothesize that:
H2 : SM green advertising skepticism and SM information utility are negatively related.

2.4 SM Green Advertising Skepticism and SM Negative WOM


Costumers generally express their product assessments to share their products experi-
ences and knowledge of products features and uses (Leonidou 2017). Negative WOM
refers to the personal communication of customers about a green product to express their
disapproval of the product and the disappointment associated with the product (Lacz-
niak et al. 2001). Mostly, consumers share their experiences with the product and make
subjective remarks on the performance and usefulness of the product if it was good,
bad, or average so that other people can make decisions on these bases (De Matos and
Rossi 2008). Likewise, when customers are unhappy with the product, they share neg-
ative information regarding the product, showing their unfavorable attitude towards the
product (Herr et al. 1991). It is observed that happy consumers are not engaged in WOM
communication, but consumers whose judgments are unfavorable for the product are
engaged in WOM communications (Anderson 1998). Compared to positive products
information, negative information is more helpful for the consumers, as the negative
information helps consumers build right expectations of the product quality and are able
to differentiate between good or bad product (Herr et al. 1991). Therefore, a bad expe-
rience with a green product contrary to the claim, purchasers are likely to share their
doubts and caution others of green products, expressing their negative perception of the
product to friends or family members (Ferguson et al. 2011). Thus, we hypothesize that:
H3 : SM green advertising skepticism and SM negative WOM are positively related.

2.5 SM Information Utility and Purchase Intention


The advertisement literature concurs that customers are driven by the cognitive response
to advertisements and make purchase decisions accordingly (Batra and Ray 1986). Thus,
high information utility of green products is an important factor that develops purchase
intention (Luo et al. 2020). In some cases, information asymmetry between customers
and manufacturers cause lack of information about green products (Matthes and Won-
neberger 2014) and customers may stretch themselves to acquire green products informa-
tion to participate in the consumption of green products. Further, green advertisements
are often composed of information on the primary sources of products on which cus-
tomers make their final purchase decisions. When customers find the information in
the green advertisements useful, they are likely to pay more attention to green products
and eventually become interested in purchasing them. Therefore, exposure to a higher
Yes, You Make Me Confused and Skeptic 317

degree of information on green products may lead customers to purchase green products.
In comparison, when customers have a less degree of information utility for green prod-
ucts, they have less tendency to consume green products (Wei et al. 2017). Therefore,
we hypothesize that:
H4 : SM information utility and purchase intention are positively related.

2.6 SM Negative WOM and Purchase Intention


Word-of-mouth or more commonly known as WOM refers to verbal expressions related
to a brand or firm amongst customers and other stakeholders of the brand. The signifi-
cance of WOM is established from the fact that customers tend to alter their consump-
tion preferences in the light of WOM related to a brand or firm (Huete-Alcocer 2017).
Since WOM information helps customers understand real-life experiences of products
and services before purchasing them, it significantly forms their expectations related
to products (Bansal and Voyer 2000). In this sense, negative WOM related to green
products may result in developing unfavorable purchase intention of green products,
especially because consumer decision-making is a direct result of WOM (Wang et al.
2018). Similarly, since positive WOM indicates high reliability of information towards
customer purchase decisions, there exist a high possibility for customers to develop
negative attitude towards green products purchase when they receive negative WOM.
As WOM helps in reducing risks and uncertainty involving products purchase decisions
(Hajli 2015), consumers’ exposure to green products information such as online reviews
significantly affects their purchase intention (Cheung et al. 2014; Tseng and Hung 2013).
Therefore, we hypothesize that:
H5 : SM Negative WOM and purchase intention of green products are negatively related.

2.7 Moderating Effect of Green Confusion


When consumers perceive greenwash due to exaggerated claims of green products com-
munication it creates confusion for customers regarding green product offerings. This
essentially refers a relation between green wash and green confusion (Hoedeman 2002).
Importantly, when customers are exposed to exaggerated green products communication
on social media, they develop a bad perception of green products. This study explores
if and how social media (SM) green confusion moderates between SM greenwash and
SM green advertisement skepticism.
The current literature establishes that the effects of customer confusion are usually
negative on the perception. For instance, consumers are dejected and annoyed by the
products when they enter the state of confusion due to too much online information to
process of products (Lee and Lee 2004). On the same lines, product-related unclarity such
as product-specific terms, which essentially refers to customer confusion, can leave cus-
tomers perplexed and skeptical of the performance of the product (Matzler et al. 2011).
The literature on green customer confusion also explains that when customers perceive
confusion related to green products, they may withdraw from the purchasing process
and may not place their trust in the product producer again (Chen and Chang 2013).
Thus, confused customer carries distrust (Walsh and Mitchell 2010), dissatisfaction
318 K. Farhat et al.

(Foxman et al. 1990), and cognitive dissonance (Mitchell and Papavassiliou 1999); all
clear indicators to cause skepticism in the mind of green customers. Thus, we hypothesize
that:
H6 : SM green confusion moderates the relationship between SM greenwash and SM
green advertisements skepticism.

3 Methodology

3.1 Target Audience and Data Collection Instrument

The exponential growth in the usage of social media platforms have forced companies to
promote their brands on social media platforms and this also heightened green advertising
on social media platforms (Luo et al. 2020). Hence, the study caters social media users
of Karachi, Pakistan who are above 18 years old as a target population of the study.
The data was gathered through survey questionnaire that comprised of three sections.
In first section, the definition of green product is stated to provide better understanding
to respondents. The second part of the questionnaire comprised of demographic details
such as age, gender qualification and income. The third part of the questionnaire contains
items of the constructs that were extracted from past studies and measured on 5-point
Likert scale representing 1 = strongly disagree and 5 = strongly agree. The items were
adapted to make them align with the context of social media advertising.
The items of SM greenwashing were adapted from the study of Chen and Chang
(2013). The items reflect social media in each statement such as “social media ad deceives
with words in its environment features”. The items of SM green advertising skepticism
were adapted from the study of Mohr et al. (1998) by adding social media for example
“Most green advertisements on social media are exaggerated or false”. The items of
SM information utility were adapted Matthes and Wonneberger (2014) by adding social
media in the statements. Such as “Green advertisements on social media help me make
green purchase decisions”. The items of SM green confusion were adapted from the
studies of Chen and Chang (2013) and Aji and Sutikno (2015). The sample item is, “the
environmental features are harder to identify in the social media ad”. The items of SM
negative WOM were adapted from the study of Leonidou and Skarmeas (2015), and
Weitzl et al. (2018). The sample statement is, “I would spread negative WOM on social
media about this product”. The items of green purchase intention were adapted from
Ajzen and Fishbein (1980) and Sun et al. (2018). The sample item is “I would like to
buy green products from now on.”

3.2 Sample Size, Sampling and Statistical Technique

A priori-sample size calculator Daniel Soper was used in order to estimate the minimum
sample size requirement for the study. The calculator suggested 161 minimum samples
therefore the data was collected from 378 respondents that reduced to 363 after data
screening. The sample of 296 achieves the minimum sample requirement of 10 times
the number of arrows pointing to the latent construct (Hair et al. 2013). Non-probability
purposive sampling technique is used for collecting the responses. This is the most widely
Yes, You Make Me Confused and Skeptic 319

used sampling technique to gather the responses from specific type of people (Sekaran
and Bougie 2016). The data was gathered between July 2020 and December 2020 through
online Google doc form and few of the responses were gathered in hardcopies. The
respondents were reached by posting the link of the questionnaire on different social
media platforms such as Facebook, LinkedIn, Instagram etc. and, some of the responses
were collected by sending questionnaire link to friends, family and colleagues through
WhatsApp.
The statistical technique used in this study is partial least square (PLS) – structural
equation modeling (SEM). By using PLS-SEM path modeling; measurement model and
structural path coefficients, both can be measured at a same time, and in order to validate
the model minimum assumptions are required in terms of a sample size (Chin et al.
2003).

3.3 Pilot Testing and Data Screening

To test the reliability of the questionnaire, first the data was gathered from the 50 respon-
dents. The reliability of the constructs was tested by using SPSS 22. In order to achieve
sufficient reliability, the value of Cronbach alpha should be above 0.7 (Hair Jr et al.
2016). The results showed that Cronbach’s alpha values of green purchase intention,
SM greenwashing, SM green confusion, SM negative WOM, SM green advertising
skepticism, and SM information utility are 0.906, 0.859, 0.810, 0.922, 0.824, and 0.859,
respectively.
After achieving desired Cronbach alpha values of the constructs, the questionnaire
was further sent to the respondents and in total, 378 responses were collected. Before
moving to test hypotheses, the data was screened for missing values and outliers. Missing
values in the data was replaced by mean values whereas univariate outliers were detected
by the method of z-score and deleted from the collected sample. Next, multivariate
outliers were detected by using Mahalanobis distance method and removed. After this,
the data reduced to 363 responses.
On the sample of 363, common method bias (CMB) also called common method
variance (CMV) was tested by using SPSS 22. The results revealed that all the constructs
of the study explain variance below 50% reflecting absence of CMB.

4 Results

4.1 Profile of the Respondents

In a sample of 363, 213 (59%) were males and 150 (41%) were females. Majority of the
respondents fall in the age bracket of 18–25 i.e., 158 (44%) followed by 26–39 i.e., 114
(31%). Based on qualification, most of the respondents were graduate i.e., 213 (59%)
followed by undergraduate i.e., 94 (26%). 40% (144) of the respondents have income
level between 30000–60000 PKR, followed by above 60000 i.e., 120 (33%). Table 1
entails the information of the respondent’s profile.
320 K. Farhat et al.

Table 1. Profile of the respondents

Frequency %
Age
18–25 158 44%
26–39 114 31%
Above 40 91 25%
Gender
Female 150 41%
Male 213 59%
Qualification
Undergraduate 94 26%
Graduate 213 59%
Postgraduate 56 15%
Income (PKR)
Less than 99 27%
30,000
30,000–60,000 144 40%
Above 60,000 120 33%

4.2 Measurement Model

4.2.1 Reliability and Convergent Validity


To assess measurement model, PLS-algorithm was performed by using Smart-PLS. The
first step of the measurement model is to assess the internal consistency of the constructs
(Hair Jr. et al. 2016). The internal consistency is measured through Cronbach alpha value
that should be above 0.7. However, Hair Jr. et al. (2016) argued that composite reliability
(CR) explains better reliability of the constructs. The value of CR above 0.7 explains
sufficient consistency among items of the variables. The results of the CR provided
evidence that all constructs have achieved the threshold value of 0.7 (See Table 2).
Convergent validity refers to what extent the items of the constructs are positively
correlated (Hair Jr. et al. 2016). Convergent validity is assessed by outer loadings and
average variance extracted (AVE) values. The value of outer loadings above 0.708 and the
value of AVE above 0.5 explain the convergence of the constructs (Hair Jr. et al. 2016).
However, outer loading below 0.7 and above 0.4 can be considered if it contributes to
the value of CR and AVE. Considering this, outer loadings above 0.65 have retained in
the analysis. Table 2 entails the values of outer loadings and AVE and ensured that all
the constructs have met the recommended minimum threshold criteria.
Yes, You Make Me Confused and Skeptic 321

Table 2. Cross-loadings

SMGAS SMGC GPI SMGW SMIU SMNWOM CR AVE


SMGAS1 0.757 0.338 −0.016 0.32 0.326 0.377 0.819 0.601
SMGAS2 0.78 0.342 −0.046 0.414 0.278 0.501
SMGAS3 0.787 0.466 −0.125 0.454 0.249 0.526
SMGC1 0.455 0.886 −0.143 0.46 0.105 0.54 0.865 0.762
SMGC2 0.413 0.859 −0.08 0.41 0.02 0.494
GPI1 0.009 −0.086 0.673 −0.058 0.048 −0.188 0.759 0.513
GPI2 −0.083 −0.114 0.766 −0.032 0.109 −0.227
GPI3 −0.103 −0.074 0.707 −0.056 0.091 −0.174
SMGW1 0.386 0.34 0.01 0.738 0.05 0.4 0.859 0.605
SMGW2 0.402 0.41 −0.056 0.811 0.034 0.517
SMGW3 0.423 0.422 −0.114 0.795 0.076 0.567
SMGW4 0.397 0.378 −0.037 0.765 0.027 0.502
SMIU1 0.31 0.051 0.101 0.044 0.831 0.138 0.768 0.624
SMIU2 0.259 0.068 0.085 0.053 0.747 0.109
SMNWOM1 0.542 0.518 −0.312 0.543 0.152 0.867 0.933 0.735
SMNWOM2 0.53 0.538 −0.217 0.575 0.124 0.844
SMNWOM3 0.53 0.482 −0.246 0.54 0.126 0.873
SMNWOM4 0.519 0.534 −0.205 0.539 0.172 0.844
SMNWOM5 0.495 0.47 −0.194 0.552 0.097 0.858
Note: Bold values are outer loadings of the constructs

4.2.2 Discriminant Validity


Discriminant validity assures that the constructs are different and unique from each other
(Hair Jr. et al. 2016). In order to assess discriminant validity all of the three methods
have used i.e., Fornell and Larcker, hetrotrait-monotrait (HTMT) and cross-loadings.
According to Fornell and Larcker criteria, relationship of the constructs is compared
with the square root of AVE and it is recommended that square root of AVE must exceed
the correlational values (Fornell and Larcker 1981). The results of Fornell and Larcker
are in Table 3, the diagonal values are the value of the square root of AVE and the off-
diagonal values represent the values of relationship among the constructs. Henseler et al.
(2015) proposed new criteria to assess discriminant validity and according to that all the
HTMT values should be less than 0.90. The results of HTMT are reported in Table 3
and revealed that all the values of HTMT are below 0.9, meeting the suggested criteria.
322 K. Farhat et al.

In last, cross-loading method is used to further assess the discriminant validity. This
criterion suggests that cross-loadings of a constructs must be greater in row than all the
off-loadings in the other constructs (Hair Jr. et al. 2016). The results of cross-loadings
are reported in Table 3 and have confirmed that all the loadings are high in its own
construct. Hence confirm discriminant validity.

Table 3. Fornell and Larcker and HTMT

Fornell and Larcker HTMT


SMGAS SMGC GPI SMGW SMIU SMNWOM SMGAS SMGC GPI SMGW SMIU SMNWOM

SMGAS 0.775
SMGC 0.498 0.873 0.724
GPI −0.086 −0.129 0.716 0.163 0.207
SMGW 0.517 0.5 −0.066 0.778 0.705 0.679 0.118
SMIU 0.362 0.074 0.118 0.06 0.79 0.702 0.138 0.248 0.121
SMNWOM 0.622 0.594 −0.276 0.641 0.157 0.857 0.771 0.749 0.39 0.758 0.257

Note: In Fornell and Larcker results, bold values are the square root of AVE and off-diagonal
values are correlational values

4.3 Structural Model

After assessing measurement model, structural model was performed by performing


bootstrapping method. In running this process, 5000 bootstrapping samples were con-
sidered as suggested by Hair Jr. et al. (2016). The results (Fig. 1) reveal that SM green-
washing has a significant impact on SM green advertising skepticism (β = 0.419, p-value
< 0.05). The results further reveal that SM green advertising skepticism significantly
affect SM information utility (β = −0.362, p-value < 0.05) and SM negative WOM (β
= 0.611, p-value < 0.05). Moreover, SM information utility positively affect green pur-
chase intention (β = 0.166, p-value < 0.05) whereas SM negative WOM negatively affect
green purchase intention (β = −0.303, p-value < 0.05). The findings further reveal that
SM green confusion positively moderates the relationship between SM greenwashing
and SM green advertising skepticism (β = 0.367, p-value < 0.05).
The value of R-square is assessed also known as co-efficient of determination (Garson
2016). The R-square value of green social media advertising skepticism is found 0.368
and the R-square value of information utility and negative WOM is found 0.131 and
0.373, respectively. Lastly, the value of R-square for green purchase intention is found
0.103.
The predictive relevance (Q2 ) is also determined by performing blindfolding. The
acceptable Q2 value is greater than 0 (Hair Jr. et al. 2016) and all the model’s values are
found greater than 0 which confirms the substantial relevancy of the model.
Yes, You Make Me Confused and Skeptic 323

Fig. 1. PLS-SEM results

5 Conclusion and Discussion

The use of social media has resulted in the emergence of nuanced, multifaceted, and
amplified interactions between businesses and their customers over the last decade (Li
et al. 2021). Businesses are increasingly using social media platforms to better engage and
reach their customers (Aslam et al. 2019a; Aslam et al. 2019b). This increase usage is also
evident by green brands as social media also offers opportunities to sustainable brands
to better communicate to their audience (Mukherjee and Onel 2013; Reilly and Hynan
2014; Shahbaznezhad et al. 2021). However, studies that connect social media and green
advertising are rare (Mukherjee and Onel 2013; Luo et al. 2020). Social media platforms
are effective as customers can pick their sustainable development lifestyle groups and
engage with other users (Minton et al. 2012). However, social media advertising is less
regulated than traditional media (Luo et al. 2020) as it creates complicated environment
in which consumers assess green advertising (Brettel et al. 2015; Luo et al. 2020). Com-
panies often pretending to claim green but in real they don’t practice pro-environmental
process refers as “greenwashing” (Nguyen et al. 2019; Guo et al. 2017; Smith and Font
2014; Siano et al. 2017) that nurtures green advertising skepticism (Nguyen et al. 2019;
Matthes and Wonneberger 2014). This study tested the relationship of SM greenwashing
on SM green advertising skepticism and reveals that SM greenwashing positively affect
SM green advertising skepticism. This finding is consistent with the past findings of
Nguyen et al. (2019) and Aji and Sutikno (2015) as they determined positive impact of
greenwashing on green skepticism. This finding reveals that the misleading claim of the
advertising on social media platforms develops high SM green skepticism.
The study further examines the impact of SM green advertising skepticism’s impact
on SM information utility and SM negative WOM. The findings reveal that SM green
advertising skepticism negatively affects SM information utility. This finding is consis-
tent with past literature argued the existence of negative impact between green advertis-
ing skepticism and information utility (Luo et al. 2020; DeLorme et al. 2009; Wei et al.
324 K. Farhat et al.

2017). Customers perceive information useful if they are less skeptical. The findings fur-
ther disclose that SM green advertising skepticism positively affect SM negative WOM.
This finding is consistent with the past literature that claimed that unfavorable judg-
ments related to the brand elicits customers to spread negative WOM (Herr et al. 1991;
Leonidou and Skarmeas 2017). By expressing their concerns to friends and cowork-
ers, customers vent anger and frustration (Chan and Wan 2008). Therefore, SM green
advertising skeptic customers more likely to ask questions, express concerns and share
their reservations (Ferguson et al. 2011), depict negative feelings to their friends and
coworkers (Leonidou and Skarmeas 2017). The results further declare that SM green
advertising skepticism largely affects SM negative WOM followed by SM information
utility.
The study further declares that SM information utility positively affect green pur-
chase intention whereas SM negative WOM negatively affects green purchase intention.
The results of SM information utility and green purchase intention are alike with the past
findings of Luo et al. (2020). Hence, it reveals that useful and helpful information on
social media motivates customers to take purchase decision. When customers found use-
ful and helpful information, their interest develops in purchasing green brands (Matthes
and Wonneberger 2014; Wei et al. 2017).
However, SM negative WOM reduces customer purchase intention of the green
products. Keller and Fay (2012) claimed that customers buy particular product if they
heard positive reviews. Customers are highly affected by other people’s perception and
opinion about a particular product and make decision accordingly to avoid any ambiguity
in their decision making (Zhao and Xie 2011; Zhang et al. 2018; Chen et al. 2014).
Lastly, SM green confusion positively moderates the relation between SM green-
washing and SM green advertising skepticism. The findings explain that SM green
confusion intensify the effect of SM greenwashing on SM advertising skepticism. In
other words, green confusion and greenwashing develops a multiplier effect and make
customer more skeptics. The doubtfulness in the marketing communications develops
confusion (Mitchell et al. 2005).

5.1 Managerial Implications


The study provides several implications to the managers. The results of the study high-
lighted that SM greenwashing affects SM green advertising skepticism. Hence, in order to
avoid skepticism, marketers should provide relevant and clear communication regarding
green products to their customers in their social media advertising. Green advertise-
ments promote green and eco-friendly products; hence, the information showed in the
advertisements must be clear and truthful in order to avoid advertising skepticism. The
findings further highlight that SM green advertising skepticism is one of the causes of
SM negative WOM. Based on this finding, it is suggested to reduce skepticism as the
skeptic customers are more likely to spread SM negative WOM. Brand managers should
develop a proper communication strategy that clearly describes product features by not
exaggerating the product attributes. If customers receive proper social media advertising
communication, they surely avoid spreading negative feelings related to the green prod-
uct. Useful information develops green purchase intention; hence it is recommended to
provide valuable information. Moreover, SM negative WOM reduces green purchase
Yes, You Make Me Confused and Skeptic 325

intention. Hence, in order to develop green purchase intention, manager should develop
appropriate strategies that reduces SM negative WOM and develops green purchase
intention.
The study makes notable contributions to the marketing literature and specifically to
the advertising literature. The extant literature reflects an increasing emphasis on lever-
aging green products knowledge to stimulate green purchase and how green advertising
plays its positive role in this (Ankit and Mayur 2013; Zhu 2012). While a growing num-
ber of research studies have been published concerning green advertisement skepticism
and its antecedents, the underlying mechanism of how SM green wash contributes to SM
green advertisement skepticism and its following impact on SM information utility and
SM negative WOM has received little attention in the literature. To this end, supported by
the literature, the study conceptualizes that the moderating role of SM green confusion
enhances green skepticism which is followed by SM information utility, SM negative
WOM and purchase intention. The hypothesized relationships enhance the knowledge
on SOR theory in the literature. Importantly, the study provides a much-needed account
of the role of SM green confusion in developing SM green advertisement skepticism.

5.2 Area for Future Research

While the study has several contributions, it also has some limitations that need to
be addressed in the future. The study focuses the sample of Karachi, Pakistan. This
reduces the generalizability of the study. Hence, it is recommended to consider other
cities and countries. The study only considers SM greenwashing in addressing SM green
advertising skepticism. However, in future, researchers can consider other antecedents
of SM green advertising skepticism. The study considers cross-sectional data; hence
longitudinal study can be done to get the better insights. The study only assessed the direct
relation between the constructs. However, there is a chance that SM information utility
and SM negative WOM act as mediator. It is suggested to future researchers to check the
mediating relationships. It is also suggested to perform multi-group analysis to check the
significant differences among male and female etc. In future, other moderating variables
can be considering that reduces the SM green advertising skepticism and improve green
purchase intention.

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In: Proceedings of World Business and Economics Research Conference, October 2012
Package-Free Returns: A Trend in Green
Ecommerce

Yangchun Li1(B) , Changyuan Feng2 , and Huaming Liu2


1 School of Management, Zhejiang University of Technology, Hangzhou, China
[email protected]
2 Business School, University of Granada, Granada, Spain

[email protected]

Abstract. Ecommerce packaging is a threat to ecological environment. Package-


free return modes could be an implementable measure to reduce ecommerce
packaging and create green value for the planet. Basically, online consumers can
directly return online purchases in store without packaging them. This article
introduces a package-free return mode and illustrates the value of offering the
return service. By reviewing and comparing with relevant literature, this article
reveals that package-free returns are an interesting research topic and merits further
research.

Keywords: Ecommerce · Ecommerce returns · Package-free returns ·


Ecological environment · Green return mode

1 Introduction
The more items people purchase online, the more packages ecommerce will generate.
Ecommerce packaging is useful for ensuring the delivery security, but it is troublesome
to see such massive package waste (Chueamuangphan et al. 2020; Escursell et al. 2020).
Conventional ecommerce packaging could use cardboard, envelopes, cartons, plastic
bags, woven bags, tape, and fillers (Chueamuangphan et al. 2020). The estimated total
value of the global retail ecommerce packaging market will reach $68,388.1 million
by 2030, rising from $19,022.7 million in 2019, increasing at a 12.1% CAGR during
2020–2030 (Research and Markets 2021). The enormous packages are damaging eco-
logical environment, generating more greenhouse emissions and consuming resources
on the planet. Hence, it is imperative to take measures to avoid the negative influence of
ecommerce packaging.
Using eco-friendly packages is commonplace in greening ecommerce packaging,
but it is difficult to use them in current ecommerce practice. For example, Alibaba
offered reusable corrugated cardboard boxes that do not need to be sealed with plastic
tape, but such boxes cost twice as much as regular boxes (Bloomberg 2020). In fact,
an effective way to reducing ecommerce packaging waste is not using packages. As for
online shoppers, the speed of forward logistics is key to create a satisfactory shopping
experience. Packages can protect shipped items in the forward logistics, and are beneficial

© The Author(s), under exclusive license to Springer Nature Switzerland AG 2021


F. J. Martínez-López and D. López López (Eds.): DMEC 2021, SPBE, pp. 330–334, 2021.
https://doi.org/10.1007/978-3-030-76520-0_34
Package-Free Returns: A Trend in Green Ecommerce 331

for businesses to retain consumers and reduce return rates (Research and Markets 2021).
But the situation is different from reverse logistics, if consumers are refunded in time after
returning purchases, they do not care much about the speed of shipping items back. This
characteristic of reverse logistics makes package-free returns a possible option. Basically,
package-free return modes allow consumers to return online purchases in stores without
packaging them. This paper will discuss several issues related to package-free returns.

2 Package-Free Return: Concept and Value


Package-free return modes aim to reduce ecommerce packaging in the reverse logistics.
Its usual process is: (1) a consumer brings items to a return point located in physical
stores (e.g., department stores, brand stores, retail markets); (2) associates at the return
point will examine and accept/reject returned items; (3) the ecommerce company makes
the refund for the consumer; (4) returns are shipped in bulk to a return warehouse,
or integrated into nearby store inventory.1 It is noteworthy mentioning that different
package-free return modes may have different processes. In practice, return management
sectors even use reusable boxes to transship these returns in order to further reduce
package waste in the reverse logistics. The characteristic of package-free return mode
is salient in contrast to conventional mail return modes. Basically, a package-free return
mode can process returns (e.g., remake returned items, restock items in nearby inventory,
sell items off the shelf) in a timely manner by leveraging a massive return network, and
transship processed returns to given places if needed. However, returned items have to be
packaged in the mail return mode and directly shipped to ecommerce firms’ inventory.
Enterprises are deploying the package-free-returns network. Amazon offers over 5,800
locations for package-free returns of online purchases (Walk-Morris 2019). The return
management service incorporation Happy Returns opens more than 2,000 return points
for package-free returns and use reusable boxes to transship returns.
The green value of package-free returns is predictable. Ecommerce returns have been
a burning issue for e-retail companies (Hjort et al. 2019). The total value of e-retail returns
has been estimated at $40 billion in the United States (Appriss Retail 2019). The return
ratio is 8% for physical retail, whilst this ratio jumps to 25%–40% for e-retail (Paazl
2017). In the mail return mode, packages are needed for ensuring the delivery security;
research even reveals that 40% of consumers bought new packages for ecommerce
returns.2 The mail return mode is a threat to our ecological environment (greenhouse
gas emissions, forest resource depletion, package waste, etc.), while the package-free
return mode can effectively reduce these negative effects. If one million ecommerce
returns were switched to package-free returns, it can reduce 120,000 lb of greenhouse
gas emissions (Mui 2018), avoid around 6600 trees being cut down (the estimation
method can be seen at Packsize 2015), and save massive plastic bags, fillers, and tape.
Apart from the green value, package-free returns can create other value. Consumers can
get the refund sooner (Narvar 2017; Nagl 2018) because, once returned products being
accepted at the return point, sellers can process returns and make the reimbursement
1 Regarding the package-free return process of the company Happy Returns, please see: https://
retailers.happyreturns.com/resource/reduce-your-cardboard-footprint.
2 The relevant studies and references will be presented in the conference.
332 Y. Li et al.

immediately. In contrast, in the mail return mode consumers usually wait for around
6 weeks (Bimschleger et al. 2019). On the firm’s side, as the return management sector
can transport returns in bulk in the package-free return mode, it can largely increase the
efficiency of reverse logistics (Happy Returns 2020). Research reveals that ecommerce
firms receive package-free returns can reduce return-related costs by around one-fifth
(Happy Returns 2020). In a word, package-free returns cannot only reduce packages
in the reverse logistics in ecommerce activities, but also create value for firms and
consumers.

3 Key Issues Related to Package-Free Returns

Online consumers’ adoption of package-free returns is slow. Research shows that only
10 percent of consumers return products in store (Ryan 2019; Wassel 2019). This statistic
is not convincing at all given the fact that many brands (e.g., Old Navy, Zara, H&M)
and ecommerce platforms (e.g., Amazon) have rolled out BORIS (Buy Online, Return
In Store) service. The package-free return mode requires ecommerce firms to establish a
massive return network, which involves considerable investments and strategic planning,
so firms need to be prudent in making the decision. Therefore, it is necessary for firms to
study why consumers are willing to use package-free return service. Firms can optimize
their strategy in promoting package-free returns.
There are studies related to BORIS though, researching package-free returns does
create value for ecommerce research. First, as package-free returns need to be made in
store, BORIS is highly relevant to package-free returns, but they are different concepts:
package-free returns stress the green value (packages reduction) of making ecommerce
returns in store; some retail stores in the BORIS mode are merely drop-off stations
for collecting and shipping returned items back to sellers, neither having a liability to
examine returns in store nor accepting unpackaged items. To the best of our knowledge,
we did not see research delved into the green value of in-store returns. Meanwhile,
ecommerce experts and scholars are concerned about ecommerce packaging issues (see
Chueamuangphan et al. 2020; Escursell et al. 2020). Second, based on reviewing cur-
rent research, we found that prior researchers have attempted to resolve initial issues
related to in-store returns. Existing research mostly focused on explaining why firms
need to offer in-store return service for ecommerce returns (see footnote 2). Research
profoundly illustrating how firms can extract maximum value from package-free returns
was still scarce. Third, existing studies related to the how issue have discussed accessi-
bility of return points (Bernon et al. 2016), ease of return and financial burdens (Bernon
et al. 2016), the number of stores and store size (Gao et al. 2018), pricing policies
(Radhi and Zhang 2018), return costs and cross-channel return behaviors (Wollenburg
et al. 2018; Nageswaran et al. 2020), the optimal ordering amount (Radhi and Zhang
2019), and product transshipment policy in reverse logistics (Dijkstra et al. 2019). These
publications mainly offer a solution from an operation management perspective. Most
of them are published in operation-related journals. Package-free-returns researchers
should not only focus on increasing operation efficiency and outcomes, but also recog-
nize the “selling point” of the green return service and promote the service for more
people to use it. If the latter cannot be properly solved, when firms find that basically
Package-Free Returns: A Trend in Green Ecommerce 333

no consumers would use the service after investing resources and deploying return net-
works, the investment and the efforts could be in vain. Last, Wollenburg et al. (2018) and
Nageswaran et al. (2020) primarily discussed consumers’ cross-channel return behavior
and asserted that firms can impose return costs (e.g., shipping fees, restocking fees) on
mail returns in order to push consumers to return online purchases in store. However,
consumer behavior is not only affected by economic factors (e.g., return costs), but also
affected by experiential or ecological-related factors (Hartmann and Apaolaza-Ibáñez
2012).
To summarize, current research overlooked the green value of package-free returns.
Apart from the why issue, the how issue is to be further researched. In particular, how
experiential or ecological-related factors affect online consumers’ green return behavior
and how ecommerce firms extract maximum value from package-free returns are two
major research questions to be solved.

4 Conclusion

This article highlights the value of package-free returns. Package-free returns allow
online consumers to directly return online purchases in store without packaging them.
It is a key measure to green ecommerce activities and reduce ecommerce packaging
waste. By reviewing relevant studies, we found that future researchers should focus
on recognizing experiential or ecological-related factors driving consumers to use the
service and how ecommerce firms can extract maximum value from offering the service.

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Author Index

A Henama, Unathi Sonwabile, 280


Aslam, Wajeeha, 313 Hernández, Eva Maria González, 129
Hu, Lala, 112
B Human-Van Eck, Debbie, 291
Beyers, Tobias, 291
Brengman, Malaika, 95 I
Isawasan, Pradeep, 209
C
Caridà, Angela, 192 J
Casais, Beatriz, 236 John, Surej P., 184
Ceccotti, Federica, 225 Johnstone, Leanne, 161
Codignola, Federica, 255
Colurcio, Maria, 192 K
Kráľ, Štefan, 83
D
D’Arco, Mario, 104 L
de Luna, Iviane Ramos, 313 Li, Weiqing, 243
Dias, Ricardo, 121 Li, Yangchun, 330
du Plessis, C., 16 Lindh, Cecilia, 161
Liu, Huaming, 330
F Lyngdoh, Teidorlang, 277
Farhat, Kashif, 313
Farivar, Samira, 201 M
Fedorko, Richard, 74, 83 Marino, Vittoria, 104
Feng, Changyuan, 330 Martinez, Luis F., 121
Fondevila-Gascón, Joan-Francesc, 43 Martinez, Luisa M., 121
Meyer, Jan-Hinrich, 129
G Mir-Bernal, Pedro, 43
Grncarov, Mile, 1 Mustafa, Hasrina, 209

H N
Harrigan, Paul, 153 Nastišin, L’udovít, 74
Hellemans, Johan, 95 Ndiaye, Thioro, 305
Hemachandra, Sankhani, 50 Nguyen, Diep Ngoc, 62

© The Editor(s) (if applicable) and The Author(s), under exclusive license
to Springer Nature Switzerland AG 2021
F. J. Martínez-López and D. López López (Eds.): DMEC 2021, SPBE, pp. 335–336, 2021.
https://doi.org/10.1007/978-3-030-76520-0
336 Author Index

O Sharma, Arun, 277


Olivieri, Mirko, 112 Smaldone, Francesco, 104

T
P
Terra, Letícia, 236
Pacheco, Barney G., 251
Trujillo, Andrea, 129
Paesbrugghe, Bert, 277
Paniculangara, Joseph, 251 V
Pastore, Alberto, 24, 192 Vernuccio, Maria, 24, 225
Patrizi, Michela, 24
Pentz, Chris, 291 W
Pentz, Chris D., 263 Walford, Richard, 184
Perelló-Sobrepere, Marc, 43 Wang, Fang, 201
Peter, Marc K., 137, 144 Weismueller, Jason, 153
Polo-López, Marc, 43 Willems, Kim, 95

R X
Rach, Markus, 35, 137 Xu, Bugao, 243
Rangarajan, Deva, 277
Y
Ryke, Lieze, 263
Yfantidou, Ioanna, 1

S Z
Shamugam, Lalitha, 209 Zachlod, Cécile, 144
Sharkasi, Nora, 50, 62, 305 Zolkepli, Izzal Asnira, 209

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