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Bellini Oboe Concerto

This document is a musical score for a concerto for oboe arranged for soprano saxophone and piano composed by Vincenzo Bellini. The score contains musical notation and directions for playing three movements - an opening Risoluto Allegro, a lyrical Larghetto Cantabile, and a concluding Allegro.

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mannybakyl
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© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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0% found this document useful (0 votes)
59 views12 pages

Bellini Oboe Concerto

This document is a musical score for a concerto for oboe arranged for soprano saxophone and piano composed by Vincenzo Bellini. The score contains musical notation and directions for playing three movements - an opening Risoluto Allegro, a lyrical Larghetto Cantabile, and a concluding Allegro.

Uploaded by

mannybakyl
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Concerto for Oboe in Eb


Arranged for Soprano Saxophone and Piano Vincenzo Bellini

 
                            
by John Lauricella.

  
1801 - 1835

      
   
Risoluto Allegro


 
            
             

      
 

        
  
10
 
Larghetto Cantabile

  
6

      

           
            
 dolce

       
 
                      

         

           
    
     
12


                
         
               
                     
         

 
                 
             
17

   
                    
3 3


         
      
   

(C): John Lauricella, 2020


 

      
   
   
21

      
                     
    
3 3


 



         
  


  

   
                       
      
26


            
3 3 3


3 3 3

   
            
  

    
                            
     
 
31


          

     
         

 
                    
            
33

    
    

     
       

2 (C): John Lauricella, 2020


          
    
35

 
                                 

     
        

       
             
37


                        

     
        

                    
                               
39

         







         
6 6

   
       
                 
  
     


                        
41

 
    
a piacere


   
   

(C): John Lauricella, 2020 3



 
         

42

             
                               
         
 adagio a piacere

       
cresc.


         
           
     
cresc. 

   

              
    
44
  
44


                          
               
                   
  

         


            
 
   
49


                        
   

     
       
                  
 

   

      
      
  
54

                                
       


            
              
      



 

4 (C): John Lauricella, 2020


 
 
59


           

 
   

       
                 
 
60


                                    
cresc.

            
      
 
68

  
              
        
Allegro Polonese

       

     
65

      
                
    

    

           
   




             
    

     
                 
         

69

       
  
                   
      
                  
            
                       
   
         
(C): John Lauricella, 2020 5
           
  

           
74

          
     

         
  
          
     
 
            
      

  
 

     
       
79

          
      
              



   
             
               

       

        

84
   
84


                            
     
        
 
                         
   

                    
         

        
 
91

          
 
                  
    
     
 

   
 

 

 

6 (C): John Lauricella, 2020


          
                    
       
94

        
                         
     
       
            
 

 
           
        

  
97

           

           
     
  
   

                                
         

    
   

   
101

       
             

     
             
   

  
         
       

105

              


        
              


           
                    
             
 




  

(C): John Lauricella, 2020 7


    
             
      

110


        





  
       
 



             
      
                 

 

  
      
     
116

              
   
Poco piu Adagio
114

 

                           
   
con espressione

                        

  
       
            


     


        
    
      
   
119

        
                       
 

      

            
          


   

   

 
                    
             
125

                
      

      
     
     
    

 
cresc.

       
       
 
 cresc.

 

8 (C): John Lauricella, 2020


     
       
         
Allegro



 
130


                
   
                        


     
    
                      

                

     
                 
       

135


                     
       
         

            
       
       
      

                
 
    

          
  
    
140

        
      
          
 
    
           
    
               
    

  

       
   
            
          
 
144

 
              


(C): John Lauricella, 2020 9


  
 
      
     
147

 
         
                 
   
       
  
     

                   
    
151

 
               
3

  
3

     
      
           
     

                   
              
  
157

           
                 


    
              
 


    

          
                      
   
160

                
                 
 


      
               



     

10 (C): John Lauricella, 2020


        
 
            
    
163

        




                      
   
          
      
  

          
 
   
   
    
166

             
               
           
  
   
     

      

                
 
 
   
   

     
170

                  

                   
 
  
        
   

   
      
   
                       
            


174

      
 
     
cresc.

  
                

   
cresc.

(C): John Lauricella, 2020 11


  
               
                              
  
   
177

     
               
             
 
     
              
               
 


      
 
   
  
   
181

                
                    
        
 
        
     

  
           
           
             
 
                
   
185

   
        
   
           
cresc.

   
    
  
        
    
189

   
  
         
 


           

12 (C): John Lauricella, 2020

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