0% found this document useful (0 votes)
674 views28 pages

A Tabasco-Partitura - y - Partes - Completo

The document is a musical score containing various instruments playing different parts. It includes woodwind, brass and saxophone instruments notated with symbols. The score has multiple parts playing simultaneously.

Uploaded by

evelyn
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
674 views28 pages

A Tabasco-Partitura - y - Partes - Completo

The document is a musical score containing various instruments playing different parts. It includes woodwind, brass and saxophone instruments notated with symbols. The score has multiple parts playing simultaneously.

Uploaded by

evelyn
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 28

A Tabasco

  
Cumbia Tropical
              
         

              
 = 200

       
         
Flauta piccolo

   

Flute             

                          
                
         
 
     
Bassoon

            
                
                

Clarinete en Mi♭

 
             

  
B♭ Clarinet 1

           
          
      
     
 
   
B♭ Clarinet 2

        
                   
   
      
Clarinete en Si♭

         
       
Alto Saxophone      
      
             
                    
   
Tenor Saxophone

            
 
     
  
Baritone Saxophone
       

        
 
              
Horn in F


      
   
           
B♭ Trumpet 1      
                     
                          
    
                          
B♭ Trumpet 2

 
             

                     
      
Trombone 1

    
           
       
Trombone 2

           
         
Bass Trombone

            
      
Trombón

              
          
          
   
      
Trombón

              
          
     
Bombardino
      
         
       
Sousafón en B♭
             

[email protected]
              
8    
                 
 
2

       
               
Picc.

                      
      
Fl.  

          
        

               
Bsn.

   


                 
  
              
                  
Cl. Mi♭

 
B♭ Cl. 1        

     
                                  
B♭ Cl. 2
   

        
                                 
   
 
Cl. Si♭

                        
A. Sax.              

     
                                  
T. Sax.
   
                 
     
Bar. Sax.
     

       
F Hn. 

      
B♭ Tpt. 1           

    
            
     
B♭ Tpt. 2

            

    
Tbn. 1


            
Tbn. 2

    
B. Tbn.

  
Tbn.          

      
Tbn.           

       
         
Bo.

           
Sax. B♭
            

[email protected]
    
14                           
3

      
         

                  
Picc.


Fine

Fl.       

   
                   
   

Bsn.

                         
         

    
         
Cl. Mi♭

                
B♭ Cl. 1       

                  
            
B♭ Cl. 2
    
              
          
       
  
 
Cl. Si♭

                         
          
A. Sax.

              
        
       
T. Sax.
  

      
  

    
     
         
Bar. Sax.
 
        
F Hn. 

         
           
B♭ Tpt. 1
 
      
                 
 
       
B♭ Tpt. 2


           

        
Tbn. 1

            
Tbn. 2
 
       
B. Tbn.

     
Tbn.       

       
             
Tbn.
 
         
           
Bo.
  

                  
            
Sax. B♭
  

[email protected]
20              
4

          
1. 2.

            
Picc.

 
          
Fl.  

      
               
Bsn.
   
           
          
 
         
Cl. Mi♭

  
B♭ Cl. 1           
        
B♭ Cl. 2              

    
                   
Cl. Si♭
   
           
A. Sax.            

                      
T. Sax.  

  

                
     
Bar. Sax.
       

         
F Hn. 
       
               
B♭ Tpt. 1
 
  
                        

      
B♭ Tpt. 2

        
         

  
Tbn. 1

      


         
 
 
 
Tbn. 2

   
B. Tbn.

            


       
Tbn.

       
               
Tbn.
 
       
               
Bo.
  

                     
Sax. B♭        

[email protected]
27                        To Coda
      
5

          
                           
Picc.

 
D.S. al Coda

Fl.           

      
Bsn. 
                      
           

    
                       
Cl. Mi♭

     
B♭ Cl. 1           

                             
B♭ Cl. 2           

                              
        

Cl. Si♭

                             
        
A. Sax.
 
                              
      
  
T. Sax.


      
      
    
Bar. Sax.
        

      
F Hn. 

B♭ Tpt. 1      

    
B♭ Tpt. 2 

      
Tbn. 1 

      
Tbn. 2
B. Tbn. 

Tbn.      

Tbn.      

     
Bo.


              
Sax. B♭         

[email protected]

     
  
6 
  
            
32

   
 
Picc.


                
Fl.  

  
  
                              
       

     
Bsn.

   
            

     
Cl. Mi♭


  
            
   
  
B♭ Cl. 1

   
            

B♭ Cl. 2

     
               


     
Cl. Si♭

   
            

A. Sax.

     
               
T. Sax.


   
                
    
Bar. Sax.
 
    

         
F Hn. 

        
B♭ Tpt. 1                               

                   
             
        
            
     
B♭ Tpt. 2

    
                  

                   
Tbn. 1

                        
Tbn. 2

                     
B. Tbn.

Tbn.                 

        
Tbn.                               

        
                              
Bo.


                    
         
Sax. B♭


[email protected]
                   
40       
      

7

      
 
              
        
Picc.

    
 
Fl.          

             
                
          
Bsn.

             
                  
 
 
               
Cl. Mi♭

 
    

         
      
        
B♭ Cl. 1

             
            
B♭ Cl. 2
 
        
          
   
     
 
Cl. Si♭     
              
                   
 
 
A. Sax.

        
          
   
     
 
    
    
T. Sax.

             
              
       
Bar. Sax.
    

          
F Hn. 

                        
B♭ Tpt. 1  
   

       
                
      
             
B♭ Tpt. 2

         
     
  
       
   
Tbn. 1

               
    
         
       

Tbn. 2

   
B. Tbn.

              
                   
Tbn.
  
                    
 
     
       
   
Tbn.

           
      
            
Bo.
        

             
                      
Sax. B♭      

[email protected]
48                               
8

                   
  
  
Picc.

                   
                         
  
Fl.

     
 
                    
Bsn.
  
               
                                     
 
  
Cl. Mi♭

                         
           
B♭ Cl. 1   
  
 
 

                                        
        
  
B♭ Cl. 2

          
  
  
         
  
  
                       
   
     
Cl. Si♭

                          
         
A. Sax.
 
          
                                  
T. Sax.
    
                       
          
Bar. Sax.
      

            
F Hn. 
       
                   
B♭ Tpt. 1

       
              
B♭ Tpt. 2     


               
Tbn. 1 

               
Tbn. 2
B. Tbn.  

            
Tbn.   

            
Tbn.
  
       
                   
Bo.
 

               
    
        
      
Sax. B♭ 

[email protected]
            
55                           
9

        
  
                
      
Picc.

               
         

Fl.

 
          
                       
          
Bsn.

                   
                            
 
         
Cl. Mi♭

                          
 
           

            
B♭ Cl. 1

                           
 
          
      
B♭ Cl. 2

              

                       
   
      
Cl. Si♭

                 
                    
 
      
A. Sax.

                       
    
  
    
 

  

T. Sax.

              
            
          
Bar. Sax.
      

           

   
F Hn.

  
                   
B♭ Tpt. 1             
      
  
                            

      
B♭ Tpt. 2

           
             
Tbn. 1   
           
                     
Tbn. 2
B. Tbn.  
               
               
Tbn.
  
            
           
    
   
Tbn.

  
             
      
        
     

Bo.

          
           
                 
Sax. B♭ 

[email protected]
     
63     
10

 
D.S. al Fine

 
        
Picc.


 
Fl.   

      
Bsn.     
        
  
 
  
Cl. Mi♭

      
   
  
B♭ Cl. 1

     
 
B♭ Cl. 2   
     
    
Cl. Si♭   
        
  
A. Sax.
 
     
    
T. Sax.   
   
 
   
Bar. Sax.
  

    
F Hn. 

   
B♭ Tpt. 1      

       
B♭ Tpt. 2  
  
     
Tbn. 1   

   
      
Tbn. 2
B. Tbn. 
      
Tbn.   

   
Tbn.      

       
Bo.
  

     
    
Sax. B♭ 

[email protected]
Flauta piccolo A Tabasco

      
Cumbia Tropical

               
            
 = 200

  

              

     
          
     
8

                  
             
      

13

                
Fine

    
1. 2.

     
18

                 To Coda
             
   
26


  
  
  
                       

 
31

                         
        
D.S. al Coda

 


 
39

   
                  
      
              
47

 
  
                                    
   
53

 
                  Fine

       
  
       
D.S. al


59

[email protected]
Flute A Tabasco

       
Cumbia Tropical

            
   
 = 200

            


              

 
        

    
     
8

    
                  
  
    
13

                   
Fine

 

1. 2.

        
17

                    
           

23

            ToCoda
       
        
  


29


          
    
D.S. al Coda

           
    
33

               
      
  
        
43

                                      
    
49

  

[email protected]
           

     
                
2

     
55

              
    D.S.
 
    
61 al Fine

[email protected]
Bassoon A Tabasco
Cumbia Tropical

                         
               
  = 200

         

     
   

                   
 
8


Fine

         
                        
   
18
1. 2.


   
  
   
           
To Coda 
     
25

 D.S. al Coda

     
   
                           
     
36

 


                  
 
 
 

  
   
          
43

        
                  
     

          
54

          
    
D.S. al Fine


62

[email protected]
Clarinete en Mi♭ A Tabasco
Cumbia Tropical

     
              
           
  = 200

 
 
                   
       
       
8

                                
       
13

                      
Fine

  
   
 
1. 2.

   
19

                 To Coda
           

    

      
27


                 
     
D.S. al Coda

         

33

            
       
        
          

44

             
                            
 
51

                     

      

    

 
57

   
   
D.S. al Fine


64

[email protected]
B♭ Clarinet 1 A Tabasco

          
Cumbia Tropical

          
           
 = 200

  

              

            
       
8

                
              
     
13

                 
Fine

   
1. 2.

     
18

                 ToCoda
 
          
26


         
 
 
              
31 

                       
           
D.S. al Coda

   
39

   
          
   
    
        
     
47

 
                
               
            
53


                  D.S.  
      
         
59 al Fine

[email protected]
B♭ Clarinet 2 A Tabasco
Cumbia Tropical

          
         

              
  = 200

 

                                 
            
8

 
                   
                
14


           
Fine

      
   
1. 2.

      
20

               To Coda
       
         


  
28


                   
    
D.S. al Coda

        


33

         
 
      
             
 

44


       
    

                   
     
50

  
    
                       
          
56

   
         
     
62 D.S. al Fine

[email protected]
Clarinete en Si♭ A Tabasco
Cumbia Tropical

       
     
                    
    
  = 200

  

            
                   
         
8

 
      
                           
      

14

 Fine 

             
                  

20 1. 2.

   

               
               
  

   
To Coda

  
28

  
        
        
D.S. al Coda

             
 
34

               
      
   
    

45

    
        
            
                            
51


                  
             
 
57

        
  
 
63 D.S. al Fine

[email protected]
Alto Saxophone A Tabasco
Cumbia Tropical

     
              
           
  = 200

 
 
                   
       
       
8

                                
       
13

                      
Fine

  
   
 
1. 2.

   
19

                 To Coda
           

    

      
27


                 
     
D.S. al Coda

         

33

          
              

        
   
   
44

                             
         
51

                     

      

    

 
57

   
   
D.S. al Fine


64

[email protected]
Tenor Saxophone A Tabasco
Cumbia Tropical

       
     
                    
    
  = 200

  

            
                   
         
8

 
      
                         
     

14

 Fine 

         
                      
 
20 1. 2.

  

       
                            

   
To Coda

  
28


  
           
D.S. al Coda

        
   
     
      
34

                
              
   
 
    
45

 

       
      

               

52

 

                         D.S.
 
al Fine


      
     
  
58

[email protected]
Baritone Saxophone A Tabasco
Cumbia Tropical

                             
           
 = 200

    

           
             
               
     
11


Fine

                                
                
20 1. 2. To Coda

                    

   
           

    
31


D.S. al Coda

                             
                    
40

                          

       
         
   


49

 al Fine
                    D.S. 
             
58

[email protected]
Horn in F A Tabasco
Cumbia Tropical

    
          
 = 200 
 
 1. 2.
To Coda

Fine
D.S. al Coda

   
       
49 D.S. al Fine

[email protected]
B♭ Trumpet 1 A Tabasco
Cumbia Tropical

                         
 
  
         
  = 200

   

             
                

8

Fine

   1. 
                               
    
18


2.

          
          
        


To Coda


26

D.S. al Coda

                 
             
  
37

           
                
 
       
  
46

 
                        
            
D.S. al Fine

 
56

[email protected]
B♭ Trumpet 2 A Tabasco
Cumbia Tropical

                        
   
                    

 
 = 200

     


 
  
        

                       
8


Fine 

      
   
                     
To Coda


19
1. 2.

                
        

           
31

D.S. al Coda

    
        
         
    

      
38

           
                       
   
46

  
  
  
  
                     
      
56

    
64 D.S. al Fine

[email protected]
Trombone 1 A Tabasco

                      
Cumbia Tropical


 = 200

           


               
 
             

7

         
    
    
         
    
1. 2.
16

Fine

     
   
    

  
23
To Coda 

          
D.S. al Coda

      
  
           
33

                   
       
  
     

39

           
           
          

47

                 D.S.
         
 al Fine
  
 
59

[email protected]
Trombone 2/Bass Trombone A Tabasco

                      
Cumbia Tropical


  
 = 200

         

                 
              

7

    
       
    
           
1. 2.

Fine
16

           
      
 
23
To Coda 

D.S. al Coda

                
              

33

                
                      
   
39

 


                
 

   
    
   
47

            D.S. al Fine
             
    
59

[email protected]
Bombardino (Clave de Sol) A Tabasco
Cumbia Tropical

                         
 
  
         
  = 200

   

             
                

8

Fine

   1. 
                               
    
18


2.

          
          
        


To Coda


26

D.S. al Coda

                    
      
           
       
37

           
                
 
       
  
46

          
                     
            
D.S. al Fine

 
56

[email protected]
Sousafón en B♭ A Tabasco
Cumbia Tropical

                   
                     
 = 200


           
             

                         
 
  
11

Fine

   2.                             
                
To Coda


20 1.

                

         
           
    
31 

D.S. al Coda

                          
    
                     
39

               
             

 
                      
 
48

                       D.S. al Fine



                  
57

[email protected]

You might also like