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IDAHUN RE-Score and Parts

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Ademola Adedeji
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0% found this document useful (0 votes)
18 views50 pages

IDAHUN RE-Score and Parts

Uploaded by

Ademola Adedeji
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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IDAHUN RE Arranged by Michael Uzomah

YORUBA FOLK
      
 
Lento

      
                 
  = 30

   
  = 80
Piccolo


                    
                          
 

  
     
   
Flute

           
                     
 


Oboe

               

                                         
 

B♭ Clarinet
 
        

                              
 


Soprano Saxophone

                        
                       
 

    

Alto Saxophone

   
                 

  

Tenor Saxophone
  
           
                  
 


B♭ Trumpet

                   
  

Trombone 

             
  


 

Tuba

           

                                                

       
       
             

            
Piano 

      
   
         
            
       
 
Bass Guitar

                            
  
 

                             
       
Violins  

                             
  
 


Violas

         
                
     
 



Violoncellos

   
                    
       
 

Contrabasses

             
 

                          
Metal gong (Agogo)

             
Talking Drum (gangan)

             
Maracas (shekere)

Bass Drum (Iya Ilu)              

2
     
      
 
13


     
Picc.

    
  

 
 
Fl.

     
   


Ob.

     
    



B♭ Cl.

            
 

S. Sax.

                 
   

A. Sax.

        
      

T. Sax.

               
         


B♭ Tpt.

               
    

Tbn.

            



Tba.

      


                
              
Pno.


     
                
      
B. Guit.     

                          
  
      

                          
  
      
Vlns.  


             
          
 

Vlas.
 
                      
  
 

Vcs.
 
                
              
 

Cbs.

                                   
 

                                   


M. G.

                                   
T.D.

      
        2            2            2            2            2            2            2    
Mrcs.

B.D.               

3
      
             
20


      
Picc.

        
         
 
a.2


Fl.

                 
  


 
 
Ob.

                   
 

B♭ Cl.

       
              

S. Sax.
 
    
                           

A. Sax.

        
                


T. Sax.

        
            


                 
B♭ Tpt.

   
  
Tbn. 

     
       


   

Tba.

      


               
       
Pno.

               
B. Guit.        

      
            

  
   
               
Vlns. 

  

      
                 

Vlas.

            
     

   

Vcs.   
               
       

Cbs.

                                   


                                   


M. G.

                                   
T.D.

      
        2            2            2            2            2            2            2    
Mrcs.

B.D.               

4
          
       
  
27

         
Picc.

                
           

Fl.
 
               
    
      
   
 
Ob.

                         
B♭ Cl.       

        
S. Sax.  

    
                       
 
 
A. Sax.

              
             
  
T. Sax.

     
B♭ Tpt. 

     
Tbn. 

     


Tba.

     

     

Pno.

     

 
   
B. Guit.

    
          
       
  
                 
    
Vlns.

                
       
         
Vlas.

  

           

Vcs.

     
       
Cbs.

                                  
                                 
M. G.


                         
T.D.

    
                                      
Mrcs.
2 2 2 2 2

B.D.           

5
     
               
 
32

        
Picc.

                    
 
          

Fl.

      


             
   
Ob.

 
                       
                

B♭ Cl.

      
                

S. Sax.

       
                     

A. Sax.

            
                      

T. Sax.

           
B♭ Tpt.  


           
Tbn.

        


   
Tba.

        

        

Pno.

              

    
B. Guit.

       
         


         
                 
Vlns. 


       
                   

 
    
Vlas.

                  
     

 
Vcs.

                     
  

Cbs.

                                                         

                                                         
M. G.

                                    
T.D.

      
        2            2            2            2            2            2             2    
Mrcs.

B.D.                

6
               

1.


39

                        
Picc.

  
 
   
Fl.

           
Ob. 
        
                                 
  

B♭ Cl.

                
 
  
S. Sax.

               
                                   

A. Sax.

         
                          
 
T. Sax.

        
                    
    
   
B♭ Tpt.

                             
   
Tbn.
   
         


                          
Tba.

        

        

Pno.

     
B. Guit.       

           
      

           
      
Vlns.

              
 
  
Vlas.

    

Vcs.  

   
Cbs.       


                                                         
                                                         
M. G.

                                    
T.D.

      
        2            2            2            2            2            2            2     
Mrcs.

B.D.                

7
             

2.

   
46

                 
Picc.


     

Fl.  
       
         


  
Ob.

                
            

    
B♭ Cl.

                
  

  
S. Sax.

              
            

    
A. Sax.

                
   

T. Sax.
    
       
     

    
           
         

  
    
              
B♭ Tpt.

          

      

Tbn.
  
      
    


     
  
Tba.

      


       

Pno.

    
       
   

B. Guit.

                



     
          
Vlns. 


 
              


    
Vlas.

          
  

 
Vcs.

  

           


Cbs.

                                   


                                   


M. G.

                                   
T.D.

      
        2            2            2            2            2            2            2    
Mrcs.

B.D.               

8
          
       
   
53

                 
Picc.

       
   

Fl.

                     
           

 
Ob.

                      
             


B♭ Cl.

                        
        

   
S. Sax.

       
          
  

A. Sax.

        
    



     
T. Sax.

          
     
   

  
           
B♭ Tpt.

    
    
Tbn.  

        
 


Tba.
      

       

       
Pno.

  
          
B. Guit.    
             
    

                
Vlns. 


               
   


Vlas.

      
      

Vcs.
   
  
          

Cbs.
  
                                   

                                   


M. G.

                                   
T.D.

      
        2            2            2            2            2            2            2    
Mrcs.

B.D.               

9
               
             
60

 
      
Picc.

        
Fl. 
               
Ob.    
  
         
         
       
   
B♭ Cl.            

                
S. Sax.   
  
          

          
A. Sax.                  

               
T. Sax.             

       
B♭ Tpt. 

       
Tbn. 

       


Tba.

       

       

Pno.

        
     
B. Guit.   
               
 
  
         
                 
          
Vlns.

 
           
       
     

Vlas.

             
  

Vcs.

        
Cbs.       

                                   


                                   
M. G.

                                   
T.D.

      
                                                                                2    
Mrcs.
2 2 2 2 2 2

B.D.               

10
           
67
Picc.

          
Fl.    

           
Ob.

     
B♭ Cl.       

        
S. Sax.    

     
A. Sax.          

           
T. Sax.   

       
B♭ Tpt. 

       
Tbn. 

       



Tba.

          


         

  
              
        
      


                
 
Pno.

                    

                    
B. Guit.
       
      
                               

             
     
                                   

  
Vlns.

      
         
 

     
 
    
 

     
  
     
  

    

Vlas.

                   

                    

       

Vcs.

            
    
  
                       

Cbs.
    
                                   

                                   


M. G.

                                   
T.D.

      
                                                                                2    
Mrcs.
2 2 2 2 2 2

B.D.               

11
       
74
Picc.

Fl.        

Ob.        

       
B♭ Cl. 
       
S. Sax. 
       
A. Sax.  
       
T. Sax. 
          
B♭ Tpt. 

       

Tbn.

       



Tba.

    
                                      
  
      

       
   
              

 
Pno.



                      
B. Guit.
  
 
                        

   
                   
Vlns.

   
   
             
Vlas.
 

                     
Vcs.
  
            
Cbs.              

                                    


                                    
M. G.

                                   
T.D.

      
                                                                                2    
Mrcs.
2 2 2 2 2 2

B.D.               

12
            
            
   
81


Picc.

                                
  

    
Fl.      
                                
            

Ob.

           
           
                
   

B♭ Cl.
    
           
                 

S. Sax.

                  
                        

A. Sax.
  
      
                      

T. Sax.

                          
         

                

B♭ Tpt.

         
                     
Tbn.      


               


        
   
Tba.

       

       

Pno.

       

         
B. Guit.

             
     

             
                 
Vlns.

      
                      

Vlas.

         
                   

Vcs.

           
                 
 

Cbs.

                                   


 

                                   


M. G.

                                   
T.D.

      
        2            2            2            2            2            2            2    
Mrcs.

B.D.               

13
         
         
   
88

         
Picc.

                           
 
a.2

      

Fl.
  

          

 
       

 

     
 
 

  
     
   
Ob.


        

 
        

 

         

B♭ Cl.

 
             

S. Sax.

  
                                
 

  
A. Sax.

                  
               

   
T. Sax.


                        
  
       

 
                          
B♭ Tpt.

       
          

Tbn.

          
                       


  

Tba.

       

          
      
Pno.


          
       


B. Guit.

               
  
      

  
    
 
                
Vlns. 

 
   
                 
   

 
  
Vlas.

          
             



Vcs.

    
       

 


Cbs.

                                       

                                      


M. G.

                                   
T.D.

      
        2            2            2            2            2            2            2    
Mrcs.

B.D.               

14
    
              
    
95

      
Picc.

                     
 
          

Fl.

     


                

   
Ob.

      
                           

 
B♭ Cl.

       
S. Sax.                
   
A. Sax.                         

         
                    

T. Sax.

          
             

          
B♭ Tpt.

      
           
Tbn.  

       
             


Tba.
  

          

    
          
        
Pno.


   
                
   


    
B. Guit.

        
      

          
              
Vlns. 

                    
 

  
    
Vlas.

                
   


 
Vcs.

                 
  

Cbs.
 
                                                         

                                                         
M. G.

                                    
T.D.

      
        2            2            2            2            2            2             2    
Mrcs.

B.D.                

15
Adagio  
   
                  

        
102 1. 2. 3.

 
            
Picc.

       
       
           

   
   
Fl.

         
                       


     
Ob.

                    
              

   
    
B♭ Cl.

                    
          

S. Sax.
   
                         
          

A. Sax.

 

                            

 
T. Sax.

                    
              

B♭ Tpt.

                
               
 

Tbn. 

                  
    


   

     

Tba.

               
 
                           
         

        
    
                          

         
Pno.

         
 
       
                  
    

    
     
B. Guit.

         
              

 
         
                         
Vlns. 

      
                       

   
Vlas.

       
                   
  

Vcs.
    
                         
    

Cbs.
    
                                                  

                                                  
M. G.

                                   
T.D.

    
        2            2            2             2             2            
Mrcs.

B.D.                     

16


113

 
Picc.

 
Fl. 

Ob.   
  
B♭ Cl. 
 
S. Sax. 
 
A. Sax.    

T. Sax.  

  
 
 
B♭ Tpt.

 
Tbn. 


 


Tba.


    


 
Pno.



 

B. Guit.

 

  
Vlns.


Vlas. 


Vcs.  


Cbs.  
 
 
M. G.

 
T.D.

 
Mrcs.

B.D.  

17
Piccolo IDAHUN RE

       
YORUBA FOLK


Arranged by Michael Uzomah

           
                
  = 30
Lento


 

                               
  = 80

       
11

 
              
             

    
26

                      
  


1. 2.

 
35

                  
       
     
47

                       
            

     
 
58


                    

          
67

                   
      

  
87


               1.  

          
     
95 2.

      
  
Adagio

        
106
3.


Flute IDAHUN RE


                                   
YORUBA FOLK Arranged by Michael Uzomah

                   
Lento
  = 30

 
                         
 

 
  
  = 80
9


          
          a.2                         

    
   
23


         
    
 
          
                  

             
32


                                 
   
1. 2.

  
 
42

             
                       

 
53


            
                    
          

       
64

 
 
 
            
                     
  
                 


a.2

  
85

   
                    
   

           
       
           
93

  
  
     
   1.                 
Adagio


     
     
103 2. 3.

    
Oboe IDAHUN RE
YORUBA FOLK

         
Arranged by Michael Uzomah

           
                    
  = 30
Lento

                                          
 

 
  = 80


11

       
 

                                    
27

                 
                          
36 1. 2.

              
                  
    
   
49

              
                   
 


     
 
60

      
                                             
 
69

                              
 

  
         
89

 

      
                                     
98
1. 2. 3. Adagio

  

   
109
B♭ Clarinet IDAHUN RE
YORUBA FOLK

                
Arranged by Michael Uzomah

 Lento
             
                                   
  = 30

 

 
                                     

  

 
  = 80


10


     
                                     
 

       
26

    
                                           

33

 
 
                                         
                      
1. 2.

   
41

  
                                    

      
  
50

 

                                  

         
60

                                     
                                
69

     
                                      
 

       
89

   
                                        
  
96

  
     2.    3.                   
         
104
Adagio
1.

    

2
Soprano Saxophone IDAHUN RE
YORUBA FOLK

    
Arranged by Michael Uzomah

 Lento
                          
           
  = 30

                
 


                      
  = 80

  
11

            
                      
26

                                          
   
1. 2.


38

                               
     
50

                          
                 
60

     
                            
    

69

 

 

                
   
              
90

   1.     2.    3.                    
        
Adagio

  
102


Alto Saxophone IDAHUN RE
YORUBA FOLK
   = 80
Arranged by Michael Uzomah

                                        
                  
  = 30
Lento



                                      
 

            
16

                                      

         
26

  
  


       
                                      
34


 
                                        
                         
42 1. 2.

  
            

                             
      
52

         
              

                      
63

                  


                                           
84

  

                     

                      

92

            2.    3.       Adagio


                      
100
1.


    
 
112

2
Tenor Saxophone IDAHUN RE
YORUBA FOLK

 
Arranged by Michael Uzomah

                       
         
  = 80

 
  = 30
Lento

                                            
  

 
17

 

                        

            
     
28

  
 
       
                                     
36
1.

 

        2.               
              
  
45

 

                              

         
57

         

                                   
67

                   

                     

88

    

  1.  2.

      
   
   
                        
 
96

 3.    Adagio
            
106


B♭ Trumpet IDAHUN RE
YORUBA FOLK

              
Arranged by Michael Uzomah

                    
       
  = 80

  
Lento


  = 30

 

         


                                    

21

      1.         2.                           
                           
43

 

                           
        
 
      
  
52

 

                                  
    
                               
82

                        
       
       
 
90

Adagio 
    
1. 

2.

3.
       
                               
99

     
   
111
Trombone IDAHUN RE


YORUBA FOLK

            
                        
Arranged by Michael Uzomah

         
Lento   = 80
  = 30

 

                       

            
 
21


                     
        
     
                
2. 1.

 
   
40

 

                                  
     
49

 

                              
             
   
82

                        
    
    

90

   
                                         
    
97 1. 2. 3.

Adagio
            

108


Tuba IDAHUN RE
YORUBA FOLK

  
Arranged by Michael Uzomah

                           
      
Lento   = 80
  = 30

 


             
 
22

   

     
41
1. 2.

                    


          
       
       
49

 

    
                    
       
83

    

         
              

      
91

    

                                 
  
Adagio

    
100
1. 2. 3.

 
 


 
112
Piano IDAHUN RE


YORUBA FOLK Arranged by Michael Uzomah

 
           

           
                  
  = 30
Lento

  
   
    
                


  

            

         
  = 80
7



              
 
  

                  



         

18


                                      
 


       
    
        
          
38 1. 2.

    
              
          


      
            
  
                             
     
72


 
       
               


      
                
77

  

                      
  
    
 


             
92

        
                  
          


      2.       3.                  
                   
102 Adagio
1.

    
 
 

   
                            

            


            

110

   
  
  

2
Bass Guitar IDAHUN RE
YORUBA FOLK

  
Arranged by Michael Uzomah

                      
           
  = 30
Lento




      

        
 
       
       
  = 80


11


                            

20

 
 

   
   2. 
    
  
         
40
1.

   

                          
     
53


                         
           
     
66

  


     

                                  
73


  

       
     

                      
  
90

      
                         
Adagio

 
102
1. 2. 3.


Violins IDAHUN RE
YORUBA FOLK

             
Arranged by Michael Uzomah

            
         

  = 30
Lento

                               

      
 

 


                      
        
  = 80

     
11



        
                    
    
 
 

 
 

                         
    
21

          
               
  

 

    
       
  
30

   
                      

         
    
                            
36 1. 2.

                            
    
             

                                      
  
48

 
                                 
 

                 
 

      
               
  
60

                    
 
  
                 

     
                                  
   
69

      
           
                             

      

            

           
           
75


  
      
             
         

                    
   
   
   
83

                       
        
  



    
   
 

       
     
91

  
    
                       

2
    
          
          
         
98 1. 2.

              
                 
  

     
    
   
Adagio


 
106
3.

       
          

3
Violas IDAHUN RE
YORUBA FOLK

                              
Arranged by Michael Uzomah

   
  = 30
Lento


 

                         
 
  = 80


           
11

                                            
 


22

 

              
      

                      

32

       1.   2.   
           

      
        
42

                    
  

            
 
54


            
                                              

 
65

     
                               

    
74

       
                   

        

85

 

       


                    
             
 
94
1.



Adagio
      
            
105
2. 3.

  

2
Violoncellos IDAHUN RE
YORUBA FOLK

  
Arranged by Michael Uzomah

                      
           
  = 30
Lento




 

                                     
  = 80

    
11

               
      
        
 
 


22

                            

    
 
31

            
    

       
1. 2.

    
43

 
              
        

       
  
56

              
                 

           
    
69

                             

         
  
75

 
                  
 

               
85

                 

    
              
94
1.


           
      
Adagio

   
105
2. 3.

2
Contrabasses IDAHUN RE
YORUBA FOLK

  
Arranged by Michael Uzomah

                      
           
  = 30
Lento




 

                  
   
        
  = 80

 
11

    
       
        
 


        
21

 
                               

     

32

   2.                      

       
     
44
1.


   
                

        

57

         
                 


               
69

   


                            

  
       
75

 
 
                        
 


      
 
85

       
       

  
                  

 
95
1. 2.


       
        
Adagio

  
106
3.

2
Cowbell IDAHUN RE
YORUBA FOLK

                                  
Arranged by Michael Uzomah

Lento   = 80
  = 30

                                     


18

                                     


24

                                     


30

                                         
36

                                         
41
1.

                                     


46
2.

                                     


52

                                     


58

                                     


64

                                     


70

                                     


76

                                     


82
                                 
88

                                 


94

                               


100
1.

                     
105
2. 3. Adagio

2
Congas IDAHUN RE
YORUBA FOLK

  
Arranged by Michael Uzomah

                                   
Lento   = 80
  = 30

                                          
16

                                          
22

                                          
28

                                         
34

                                          
39
1.

                                         
45
2.

                                          
50

                                          
56

                                          
62

                                          
68

                                          
74

                                          
80
                                      
86

                                      
92

                                         
98

                                
103
1. 2. 3. Adagio

2
Maracas IDAHUN RE
YORUBA FOLK

   
Arranged by Michael Uzomah

              
Lento   = 80

  
  = 30

                                   2    
2 2

                    
16

   
                                            2    
2 2 2

                    
20

   
                                            2    
2 2 2

                    
24

   
                                            2    
2 2 2

                    
28

   
                                            2    
2 2 2

                    
32

   
                                            2    
2 2 2

                     
36

   
                    2    
2
                    2    
2
                    
40

   
                                            2    
2 2 2

                     
44
1. 2.

   
                                             2    
2 2 2

                    
48

   
                                            2    
2 2 2

                    
52

   
                                            2    
2 2 2

                    
56

   
                                            2    
2 2 2

                    
60

   
                                            2    
2 2 2

                    
64

   
                                            2    
2 2 2

                    
68

   
                                            2    
2 2 2

2
                    
72

   
                                            2    
2 2 2

                    
76

   
                                            2    
2 2 2

                    
80

   
                                            2    
2 2 2

                    
84

   
                                            2    
2 2 2

                    
88

   
                                            2    
2 2 2

                    
92

   
                                            2    
2 2 2

                    
96

   
                                            2    
2 2 2

                     
100

   
        2                                     2    
2 2

3
                     
104
1. 2. 3. Adagio

   
                                  2       
2 2

4
Bass Drum IDAHUN RE
YORUBA FOLK

 
Arranged by Michael Uzomah

               
Lento   = 80
  = 30

                                   
27

                                   
44
1. 2.

                 
61

                 
78


                              
Adagio
95
1. 2. 3.

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