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Q4 - LE - Music and Arts 8 - Lesson 1 - Weeks 1-2

This document is a lesson exemplar for Music and Arts for Grade 8, focusing on selected Asian music and arts and their cultural influences. It outlines curriculum content, performance standards, learning competencies, and various Asian festivals and their significance. The material is intended for teachers involved in the pilot implementation of the MATATAG K to 10 Curriculum during the 2024-2025 school year.

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0% found this document useful (0 votes)
652 views13 pages

Q4 - LE - Music and Arts 8 - Lesson 1 - Weeks 1-2

This document is a lesson exemplar for Music and Arts for Grade 8, focusing on selected Asian music and arts and their cultural influences. It outlines curriculum content, performance standards, learning competencies, and various Asian festivals and their significance. The material is intended for teachers involved in the pilot implementation of the MATATAG K to 10 Curriculum during the 2024-2025 school year.

Uploaded by

cadizjessamie
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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8

Quarter 4
Lesson 1 1
Lesson Exemplar Lesson

for Music and Arts 1

PILOT IMPLEMENTATION OF THE MATATAG K TO 10 CURRICULUM


Lesson Exemplar for Music and Arts 8
Quarter 4: Lesson 1 (Weeks 1-2)
SY 2024-2025

This material is intended exclusively for the use of teachers participating in the pilot implementation of the MATATAG K to 10 Curriculum during the
School Year 2024-2025. It aims to assist in delivering the curriculum content, standards, and lesson competencies. Any unauthorized reproduction, distribution,
modification, or utilization of this material beyond the designated scope is strictly prohibited and may result in appropriate legal actions and disciplinary measures.

Borrowed content included in this material are owned by their respective copyright holders. Every effort has been made to locate and obtain permission
to use these materials from their respective copyright owners. The publisher and development team do not represent nor claim ownership over them.

Development Team

Writer:
• Althea Mae B. Bongcawil (Iligan City National High School)

Validator:
• Mary Grace J. Badiola (Western Bicutan National High School)

Management Team
Philippine Normal University
Research Institute for Teacher Quality
SiMERR National Research Centre

Every care has been taken to ensure the accuracy of the information provided in this material. For inquiries or feedback, please write or call the Office
of the Director of the Bureau of Learning Resources via telephone numbers (02) 8634-1072 and 8631-6922 or by email at [email protected].
MUSIC AND ARTS / QUARTER 4 / GRADE 8 (WEEKS 1-2)

I. CURRICULUM CONTENT, STANDARDS, AND LESSON COMPETENCIES

A. Content The learners demonstrate understanding of selected Asian Music and Arts and their cultural influences in producing
Standards one’s integrative creative work.

B. Performance The learners produce integrative creative works based on selected Asian music and arts using relevant, conventional,
Standards and emerging concepts, techniques, processes, and/or practices in Music and Arts.

C. Learning Learning Competency


Competencies 1. The learners examine representative integrative creative works using relevant conventional and emerging concepts,
and Objectives techniques, processes, and/or practices in selected Asian performing and visual arts festivals/productions;

Objectives:
1. identify integrative creative works in selected Asian performing and visual arts festivals/ productions;
2. determine the techniques, processes, and/or practices in selected Asian performing and visual arts
festivals/productions;
3. discover the techniques, processes, and/or practices in selected Asian performing and visual arts
festivals/productions

C. Content Integrative Creative Works of Selected Asian Music and Arts


Asian Performing and Visual Arts
Festivals/Productions
• Shadow Plays
• Drama
• Puppetry
• Musical Plays
• Dance
• Films
D. Integration

1
II. LEARNING RESOURCES

DDanDDanDDan. (2023). The Art of Korean Mask Making: Techniques, Traditions, and Cultural Significance - A Glimpse into Korea's Mask
Heritage. https://worldmindhub.tistory.com/447
https://daily.bandcamp.com/lists/gagaku-in-modern-music-guide
Jordan Holidays (n.d.). Attend Jerash Festival. https://www.jordan-holidays.com/what_to_do/part/18/en/attend-jerash-festival
Memphis Tours (n.d.). Jerash Festival of Culture and Arts. https://www.memphistours.com/Jordan/Jordan-Travel-Guide/Jerash-
Attractions/wiki/Jerash-Festival
National Geographic Kids. (n.d.) Holi: Festival of Colors. https://kids.nationalgeographic.com/pages/article/holi
Shreibak, S. N. (2019). Modern Gagaku: Six Experimental LPs Inspired By Japanese Classical Music.
UNESCO. (n.d.). Peking Opera. https://ich.unesco.org/en/RL/peking-opera-00418

III. TEACHING AND LEARNING PROCEDURE NOTES TO TEACHERS

A. Activating Prior Day 1


Knowledge 1. Short Review
Which of the following Asian court performances are you familiar with? Key Answer:
Identify the country in which they are being performed. 1. Japan
2. Japan
COURT PERFORMANCE COUNTRY 3. China
1. KABUKI 4. Korea
5. Indonesia
2. NOH
3. PEKING OPERA
4. HYANGAK
5. GAMELAN

B. Establishing 1. Lesson Purpose


Lesson Purpose
INTRODUCTION
Asia is home to diverse cultures and religions, each with unique festivals and
rituals. Festivals showcase different cultures and communities' unique traditions,
customs, and beliefs. People can learn to appreciate and respect the culture around
them by participating in the festivities.

2
A festival can be considered a combination of material and non-material culture.
On the material side, festivals often involve physical elements such as decorations,
costumes, props, structures, and artistic creations. These tangible components
contribute to the visual aesthetics and atmosphere of the festival. For example,
during cultural or religious festivals, people may decorate their homes, streets, or
public spaces with specific colors, symbols, or traditional ornaments. Parades,
processions, and performances may involve elaborate costumes, masks, musical
instruments, floats, and other physical representations that add to the festive
experience.

However, festivals are primarily rooted in non-material culture. They manifest


intangible aspects such as traditions, rituals, customs, beliefs, and values.
Festivals often commemorate important historical, religious, or cultural events and
hold symbolic meanings within a particular community. They reflect shared
experiences, cultural identities, and social cohesion.

Festivals provide opportunities for people to unite, share food, music, and dance,
and strengthen community social bonds. Through these festivals, creative
enterprises and runways for business development are formed, and opportunities
for growth and employment are possible. These festivals provide safe spaces for
diverse creative expression, introducing talent from all backgrounds to the creative
economy.

Priming Activity Key Answer.


Watch the following videos showing Asian festivals/productions.
1.Awa Odori Festival
1. Awa Odori Dance Festival https://en.wikipedia.org/wiki/
https://en.wikipedia.org/wiki/Awa_Dance_Festival Awa_Dance_Festival

2. Jerash Festival 2. Jerash Festival


https://www.youtube.com/watch?v=yuAvOGoQWkA https://www.youtube.com/wat
ch?v=yuAvOGoQWkA
3. Talchum
https://artsandculture.google.com/story/talchum-a-unique-mask-dance-drama- 3. Talchum
of-korea-ichcap/RwUxCjYG_BurDA?hl=en https://artsandculture.google.c
om/story/talchum-a-unique-
4. Dragon Dance mask-dance-drama-of-korea-

3
https://www.youtube.com/watch?v=Ep6FJmh3jJ4 ichcap/RwUxCjYG_BurDA?hl=e
n
5. Whirling Devish Festival
https://www.youtube.com/watch?v=UPInWL45enw 4. Dragon Dance
https://www.youtube.com/wat
ACTIVITY 1: Festive Check! ch?v=Ep6FJmh3jJ4
A. Identify each festival/production.
You may use the videos as a
reference for discussion.

1. __________________ 2. _______________

3._______________________ 4. ___________________________

B. Here is a checklist for you. Put a checkmark on the items in the festival based
on the video you watch.

FESTIVAL With MUSIC With Dances With Props With Drama


and and
Costumes Theatrical
Performance
Awa Odori
Talchum
Jerash
Festival

4
Yuan Xiao

1. Why do you think it’s important to integrate different art forms in a festival?
2. How do music and dances contribute to the success of a festival?
3. If festivals were created without props and costumes from the performers, do you
think they would still be celebrated?

Integrative Creative Works of Selected Asian Music and Arts

A. Lantern Festivals
a. Chinese Lantern Festival
The Chinese Lantern Festival, or yuanxiao, falls on the 15th day of the first lunar
month. It comes two weeks after Chinese New Year’s Day, the first of the 15-day
Spring Festival celebration period. On the night of the Chinese Lantern Festival,
streets are decorated with colorful lanterns, often with riddles written on them.
People eat sweet rice balls, watch dragon and lion dances, and set off fireworks.

The celebration also features music ensembles playing traditional Chinese


instruments and peppering their performance with descriptions of the instruments
and songs. Traditional Chinese instruments like the guzheng, erhu, and dizi are
often played during the festival. Traditional Chinese songs associated with the
Lantern Festival, such as “Xiao Yuan Zi” and “Da Dun Hua,” are performed by
singers or played on traditional instruments to add to the festive atmosphere.

b. Seoul Lantern Festival


Seoul Lantern Festival is an annual festival held every November in Seoul, South
Korea. Hundreds of lanterns are used to decorate the public recreation space of
Cheonggyecheon. This festival was created for two reasons. The first reason is to
welcome the winter season. The second reason is to celebrate and honor Seoul’s
history. There are lanterns such as the UNESCO Culture Heritage icons, Korean
cultural symbols, and domestic and international lantern artisanry.

B. Dance Festivals
a. Awa Odori Festivals
The Awa Dance (Awa Odori) festival is a major traditional dance festival held
annually in Tokushima City, Tokushima Prefecture, Japan. Some key details about
the Awa Dance festivals:

5
1. The main Awa Dance festival occurs from August 12-15 each year in
Tokushima City during the Obon holiday season.
2. Thousands of dancers, organized into groups called “rens,” perform the
lively, energetic Awa Dance in the streets of Tokushima.
3. The dance features a cheerful, boisterous rhythm known as “zomeki”
and is accompanied by traditional Japanese instruments like shamisen,
taiko drums, and flutes.
4. Dancers wear colorful yukata (summer kimono) and happi coats, often
competing for the most unique and elaborate costumes and dance
routines.

b. Whirling Dervish Dance Festival


The whirling dervish festival is an annual celebration in Konya, Turkey, that
commemorates the life and teachings of Jalaluddin Rumi, the 13th-century Islamic
scholar, poet, and mystic. The key highlights of Whirling Dervish Dance Festivals;
1. The festival takes place over ten days in December, usually around the
anniversary of Rumi’s death on December 17th.
2. It is held in Konya, the spiritual home of the Mevlevi order founded by
Rumi’s followers, which practices the sema ceremony of whirling
dervishes.
3. The sema ceremony involves Sufi Muslim dancers, known as semazen,
who whirl in rhythmic patterns while trance-like to achieve spiritual
unity with the divine.
4. The dancers wear long white robes and tall hats, symbolizing the
shedding of one’s ego. Their whirling movements and rising skirts are
meant to represent the journey of the soul towards God.

C. Music Plays
a. Talchum
Talchum is a traditional Korean mask dance drama encompassing dance, music,
and theatre. Key points about Talchum;
1. Talchum involves masked performers who humorously explore social
issues through dramatic combinations of songs, dances, movements,
and dialogue.
2. The practice uses caricatures of everyday characters to convey an
underlying appeal to universal equality and criticism of social hierarchy.
3. Talchum performances do not require a formal stage – any space can

6
become a venue, and the audience plays an essential role by
contributing cheers and jeers as the drama unfolds.
4. Talchum has historically served as a means for the common people to
express their frustrations and criticize the elite ruling class through
satire, parody, and free speech.

https://www.youtube.com/watch?v=Ubfu6FMm6m4

b. Jerash Festival
The Jerash Festival of Culture and Arts is an annual cultural festival held in the
ancient city of Jerash, Jordan. Some key points about the festival:
1. It is one of the most prominent cultural festivals in the region, attracting
visitors from around the world.
2. The festival takes place in the historic setting of Jerash, renowned for
its well-preserved Roman ruins. This adds a unique and captivating
atmosphere to the performances.
3. The festival features diverse artistic performances, including music,
dance, theater, and visual arts, showcasing Jordanian/Arab heritage
and international artistic expressions.

DAY 2

Activity #2: Color Me Asia!


Direction: Identify the country from which each festival is celebrated. Be guided
by the indicated color of each Asian festival/production.

A. Talchum - Blue
B. Yuan Xiao - Red
C. Jerash - Yellow
D. Whirling Dervish - Brown
E. Awa Odori - Green

7
D. Developing and 1. Explicitation The teacher may choose any
Deepening A festival can be considered a combination of material and non-material culture. suggested countries according
Understanding to the extent of foreign
Material Culture: influences and/or the presence
Material culture refers to the physical objects, resources, and spaces people use to of foreign (Asian) nationals
define the culture. The physical lanterns, decorations, and festival foods like dominant in one’s
tangyuan (glutinous rice balls) are all examples of the material culture associated locality/region.
with the Yuan Xiao festival. The costumes, props, and stages used in the lion and
dragon dances are also material aspects of the festival celebrations. The fireworks
and firecrackers set off during the festival are physical, tangible elements of the
celebrations.

Non-Material Culture:
The traditions, rituals, customs, beliefs, and intangible aspects underlying the
festival are non-material. For example, the symbolic meanings behind the round
tangyuan representing family reunion and the lion/dragon dances bringing good
luck are non-material cultural elements. The celebration's shared sense of
community, cultural memories, and social interactions during the festival are also
non-material aspects.

8
Festivals combine the physical, tangible elements (material culture) and the
intangible, symbolic aspects (non-material culture) that give the celebration rich
cultural significance.

DAY 3
2. Worked Example
Activity #3: InDepth Fest!

Choose one festival/production to describe. Use the diagram below. You may add
other features if necessary. Follow the link for additional
reference:
https://www.sunstar.com.ph/c
ebu/lifestyle/illuminating-
tradition-and-technology-
tainans-lantern-festival-2024

Follow the link for additional examples of festivals/productions;


https://www.youtube.com/watch?v=4Yvm5dbz_YI

3. Lesson Activity
Activity #4: Paper Lanterns
The history of Chinese paper lanterns is mysterious. Originally used to protect the
flame from the wind, lanterns soon became culturally and religiously significant.
Before paper was ever used to make books, messages, and stylized symbols were
painted on paper lanterns to express Buddhist ideals and sentiments and
symbolically transmit these to the world.
9
There are different types of paper lanterns:
● Hanging Lanterns- most common and practical style
● Flying Lanterns- made of light paper and lifted by the hot air.
● Floating Lanterns are used during festivals near lakes, rivers, or ponds.
If you were to make a paper lantern, how would you make it? Here are some
materials commonly used in making a lantern. Select only those that are needed.

1. Paper MATERIALS SELECTED


2. scissors
3. markers,
4. tape,
5. staple,
6. straw,
7. plastic cups,
8. pebbles,
9. foam,
10. wire

A. Making DAY 4
Generalizations 1. Learners’ Takeaways
The interplay between material and non-material elements defines the unique
cultural experience of festivals.
2. Reflection on Learning
What are the benefits of having festivals in a community?
What are common practices applied in these festivals?

IV. EVALUATING LEARNING: FORMATIVE ASSESSMENT AND TEACHER’S REFLECTION NOTES TO TEACHERS

A. Evaluating 1. Formative Assessment


Learning
Which of the following statements best explains the art in Asian festivals?

A. Most Asian festivals are a fusion of different art forms.


B. Most Asian festivals are dull and uninviting.
10
C. Most Asian festivals are not celebrated by their people.

Explain your answer and cite a festival that you find very interesting.

B. Teacher’s Note observations on


Remarks any of the following Effective Practices Problems Encountered
areas:

strategies explored

materials used

learner engagement/
interaction

others

C. Teacher’s Reflection guide or prompt can be on:


Reflection ▪ principles behind the teaching
What principles and beliefs informed my lesson?
Why did I teach the lesson the way I did?

▪ students
What roles did my students play in my lesson?
What did my students learn? How did they learn?

▪ ways forward
What could I have done differently?
What can I explore in the next lesson?

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