Physiology of Hearing
and Balance
Dr. Krishna Koirala
Parts of Hearing Apparatus
• Conductive apparatus: external and middle ear
–Conducts mechanical sound impulse to inner
ear
• Perceptive apparatus: cochlea
–Converts mechanical sound impulse into
electrical impulse and transmits to higher
centers
Role of external ear
• Collection of sound waves by pinna and
conduction to tympanic membrane
• Increases sound intensity by 15-20 dB
• Cupping of hand behind pinna also increases
sound intensity by 15 dB especially at 1.5 kHz
2. physiology of hearing and balance
Role of middle ear
• Impedance matching mechanism (Middle ear
transformer or amplifier function)
• Preferential sound pressure application to oval
window (phase difference by ossicular coupling)
• Equalization of pressure on either sides of tympanic
membrane (via Eustachian tube)
Impedance matching mechanism
• When sound travels from air in middle ear to fluid in
inner ear, its amplitude is decreased by fluid
impedance
• Only 0.1 % sound energy goes inside inner ear
• Middle ear amplifies sound intensity to compensate
for this loss by converting sound of low pressure, high
amplitude to high pressure, low amplitude vibration
suitable for driving cochlear fluids
Hermann von Helmholtz
Described impedance matching in 1868
• Ossicular Lever ratio:
– Length of handle of malleus > long process of incus
– Magnifies 1.3 times
• Effective surface area ratio of TM to stapes footplate:
– T.M. = 55 mm2 ; Stapes foot plate = 3.2 mm2
– Magnifies 17 times
• T.M. Catenary lever (curved membrane effect):
– Sound waves focused on malleus. Magnifies 2 times
• Total Mechanical advantage: 1.3x17x2 = 45 times 
30 – 35 dB
2. physiology of hearing and balance
2. physiology of hearing and balance
• Property to allow certain sound frequencies to pass
more readily
– External auditory canal : 2500 – 3000 Hz
– Tympanic membrane : 800 - 1600 Hz
– Ossicular chain : 500 – 2000 Hz
– Range : 500 – 3000 Hz (speech frequency)
Natural Resonance
2. physiology of hearing and balance
Preferential sound pressure application
(Phase difference)
• Sound pressure preferentially applied to oval window by
ossicular coupling while round window is protected by
tympanic membrane
• Sound pressure travels to scala vestibuli to helicotrema 
scala tympani  round window membrane yields  scala
media moves up and down  movement of hair cells in scala
media
• Yielding of round window membrane (push-
pull effect) is necessary as inner ear fluids are
incompressible
• Large tympanic membrane perforation leads
to loss of push-pull effect with no movement
of inner ear fluids
2. physiology of hearing and balance
Ossicular break + intact T.M. : 55-60 dB loss
Ossicular break + T.M. perforation : 45-50 dB loss
2. physiology of hearing and balance
2. physiology of hearing and balance
– Movement of basilar membrane
– Shear force between tectorial membrane & hair cells
– Cochlear microphonics
– Nerve impulses
Transduction of mechanical energy to
electrical impulses
Organ of Corti
2. physiology of hearing and balance
2. physiology of hearing and balance
2. physiology of hearing and balance
Auditory pathway
• Eighth (Auditory) nerve
• Cochlear nucleus
• Olivary nucleus (superior)
• Lateral lemniscus
• Inferior colliculus
• Medial geniculate body
• Auditory cortex
2. physiology of hearing and balance
2. physiology of hearing and balance
Theories of Hearing
1. Place / Resonance Theory (Helmholtz, 1857)
– Perception of pitch depends on selective vibration
of specific place on basilar membrane
2. Telephonic Theory (Rutherford, 1886)
– Entire basilar membrane vibrates but pitch is related
to rate of firing of individual nerve fibers
3. Volley Theory (Wever, 1949)
– > 5000 Hz: Place theory
– <400 Hz: Telephone theory
– 400 – 5000 Hz: Volley theory
– Groups of fibres fire asynchronously (Volley
mechanism)
– Required frequency signal is presented to C.N.S. by
sequential firing in groups of 2 - 5 fibres
4. Bekesy’s travelling wave theory
• Sound stimulus produces a wave-like vibration of
basilar membrane starting from basal turn towards
apex of cochlea
• It increases in amplitude as it moves until it reaches a
maximum and dies off
• Sound frequency is determined by point of maximum
amplitude
• High frequency sounds cause wave with maximum amplitude
near to basal turn of cochlea
• Low frequency sound waves have their maximum amplitude
near cochlear apex
George von Bekesy Won Nobel prize for his traveling
wave theory in 1961
2. physiology of hearing and balance
Theories of bone conduction
• Compression theory
– Skull vibration from sound stimulus  vibration of
bony labyrinth and inner ear fluids
• Inertia theory
– Sound stimulus  skull vibration but ear ossicles
lag behind due to inertia
– Out of phase movement of skull and ear ossicles 
movement of stapes footplate  vibration of inner
ear fluids contd.
• Osseo-tympanic theory:
– Sound stimulus  skull vibration but mandible condyle lags
behind due to inertia
– Out of phase movement of skull & mandible  vibration of
air in external auditory canal  vibration of tympanic
membrane
• Tonndorf’s theory:
– Sound stimulus  skull vibration  rotational vibration of
ear ossicles  movement of stapes footplate
2. physiology of hearing and balance
Physiology of equilibrium
• Balance of body during static or dynamic
position is maintained by 4 organs
–Vestibular apparatus (inner ear)
–Eye
–Posterior column of spinal cord
–Cerebellum
Vestibular apparatus
• Semicircular canals
– Angular acceleration and deceleration
• Utricle
– Horizontal linear acceleration and deceleration
• Saccule
– Vertical linear acceleration and deceleration
2. physiology of hearing and balance
Physiology of head movement
Head Movement Semicircular canal
stimulated
Yaw Lateral
Pitch Posterior + Superior
Roll Superior + Posterior
Nystagmus (fast component)
Semicircular canal
stimulated
Nystagmus Direction
Right Lateral Right horizontal
Left Lateral Left horizontal
Right Superior Down beating, counter-clockwise
Left Superior Down beating, clockwise
Right Posterior Up beating, counter-clockwise
Left Posterior Up beating, clockwise
2. physiology of hearing and balance
2. physiology of hearing and balance
2. physiology of hearing and balance
2. physiology of hearing and balance
2. physiology of hearing and balance
2. physiology of hearing and balance
2. physiology of hearing and balance
2. physiology of hearing and balance
2. physiology of hearing and balance
2. physiology of hearing and balance
2. physiology of hearing and balance
Vestibulo -ocular reflex (VOR)
• Movement of head to left  left horizontal
canal stimulated and right horizontal canal
inhibited
• To keep eyes fixed on a stationary point, both
eyes move to right side by stimulating right
lateral rectus and left medial rectus muscles
2. physiology of hearing and balance
2. physiology of hearing and balance

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2. physiology of hearing and balance

  • 1. Physiology of Hearing and Balance Dr. Krishna Koirala
  • 2. Parts of Hearing Apparatus • Conductive apparatus: external and middle ear –Conducts mechanical sound impulse to inner ear • Perceptive apparatus: cochlea –Converts mechanical sound impulse into electrical impulse and transmits to higher centers
  • 3. Role of external ear • Collection of sound waves by pinna and conduction to tympanic membrane • Increases sound intensity by 15-20 dB • Cupping of hand behind pinna also increases sound intensity by 15 dB especially at 1.5 kHz
  • 5. Role of middle ear • Impedance matching mechanism (Middle ear transformer or amplifier function) • Preferential sound pressure application to oval window (phase difference by ossicular coupling) • Equalization of pressure on either sides of tympanic membrane (via Eustachian tube)
  • 6. Impedance matching mechanism • When sound travels from air in middle ear to fluid in inner ear, its amplitude is decreased by fluid impedance • Only 0.1 % sound energy goes inside inner ear • Middle ear amplifies sound intensity to compensate for this loss by converting sound of low pressure, high amplitude to high pressure, low amplitude vibration suitable for driving cochlear fluids
  • 7. Hermann von Helmholtz Described impedance matching in 1868
  • 8. • Ossicular Lever ratio: – Length of handle of malleus > long process of incus – Magnifies 1.3 times • Effective surface area ratio of TM to stapes footplate: – T.M. = 55 mm2 ; Stapes foot plate = 3.2 mm2 – Magnifies 17 times • T.M. Catenary lever (curved membrane effect): – Sound waves focused on malleus. Magnifies 2 times • Total Mechanical advantage: 1.3x17x2 = 45 times  30 – 35 dB
  • 11. • Property to allow certain sound frequencies to pass more readily – External auditory canal : 2500 – 3000 Hz – Tympanic membrane : 800 - 1600 Hz – Ossicular chain : 500 – 2000 Hz – Range : 500 – 3000 Hz (speech frequency) Natural Resonance
  • 13. Preferential sound pressure application (Phase difference) • Sound pressure preferentially applied to oval window by ossicular coupling while round window is protected by tympanic membrane • Sound pressure travels to scala vestibuli to helicotrema  scala tympani  round window membrane yields  scala media moves up and down  movement of hair cells in scala media
  • 14. • Yielding of round window membrane (push- pull effect) is necessary as inner ear fluids are incompressible • Large tympanic membrane perforation leads to loss of push-pull effect with no movement of inner ear fluids
  • 16. Ossicular break + intact T.M. : 55-60 dB loss Ossicular break + T.M. perforation : 45-50 dB loss
  • 19. – Movement of basilar membrane – Shear force between tectorial membrane & hair cells – Cochlear microphonics – Nerve impulses Transduction of mechanical energy to electrical impulses
  • 24. Auditory pathway • Eighth (Auditory) nerve • Cochlear nucleus • Olivary nucleus (superior) • Lateral lemniscus • Inferior colliculus • Medial geniculate body • Auditory cortex
  • 27. Theories of Hearing 1. Place / Resonance Theory (Helmholtz, 1857) – Perception of pitch depends on selective vibration of specific place on basilar membrane 2. Telephonic Theory (Rutherford, 1886) – Entire basilar membrane vibrates but pitch is related to rate of firing of individual nerve fibers
  • 28. 3. Volley Theory (Wever, 1949) – > 5000 Hz: Place theory – <400 Hz: Telephone theory – 400 – 5000 Hz: Volley theory – Groups of fibres fire asynchronously (Volley mechanism) – Required frequency signal is presented to C.N.S. by sequential firing in groups of 2 - 5 fibres
  • 29. 4. Bekesy’s travelling wave theory • Sound stimulus produces a wave-like vibration of basilar membrane starting from basal turn towards apex of cochlea • It increases in amplitude as it moves until it reaches a maximum and dies off • Sound frequency is determined by point of maximum amplitude
  • 30. • High frequency sounds cause wave with maximum amplitude near to basal turn of cochlea • Low frequency sound waves have their maximum amplitude near cochlear apex
  • 31. George von Bekesy Won Nobel prize for his traveling wave theory in 1961
  • 33. Theories of bone conduction • Compression theory – Skull vibration from sound stimulus  vibration of bony labyrinth and inner ear fluids • Inertia theory – Sound stimulus  skull vibration but ear ossicles lag behind due to inertia – Out of phase movement of skull and ear ossicles  movement of stapes footplate  vibration of inner ear fluids contd.
  • 34. • Osseo-tympanic theory: – Sound stimulus  skull vibration but mandible condyle lags behind due to inertia – Out of phase movement of skull & mandible  vibration of air in external auditory canal  vibration of tympanic membrane • Tonndorf’s theory: – Sound stimulus  skull vibration  rotational vibration of ear ossicles  movement of stapes footplate
  • 36. Physiology of equilibrium • Balance of body during static or dynamic position is maintained by 4 organs –Vestibular apparatus (inner ear) –Eye –Posterior column of spinal cord –Cerebellum
  • 37. Vestibular apparatus • Semicircular canals – Angular acceleration and deceleration • Utricle – Horizontal linear acceleration and deceleration • Saccule – Vertical linear acceleration and deceleration
  • 39. Physiology of head movement Head Movement Semicircular canal stimulated Yaw Lateral Pitch Posterior + Superior Roll Superior + Posterior
  • 41. Semicircular canal stimulated Nystagmus Direction Right Lateral Right horizontal Left Lateral Left horizontal Right Superior Down beating, counter-clockwise Left Superior Down beating, clockwise Right Posterior Up beating, counter-clockwise Left Posterior Up beating, clockwise
  • 53. Vestibulo -ocular reflex (VOR) • Movement of head to left  left horizontal canal stimulated and right horizontal canal inhibited • To keep eyes fixed on a stationary point, both eyes move to right side by stimulating right lateral rectus and left medial rectus muscles