2022 COMP 4010 Lecture 7: Introduction to VR
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The document covers key design considerations for augmented reality (AR) and virtual reality (VR), emphasizing the need for user-centered design catering to different user groups and various sensory experiences. It discusses aspects of interface design, sensory stimulation, and the importance of immersion and presence in virtual environments. Additionally, it highlights technologies and components essential for creating effective AR and VR experiences.
2022 COMP 4010 Lecture 7: Introduction to VR
- 1. INTRODUCTION TO VR COMP 4010 Lecture Seven Mark Billinghurst September 8th 2022 [email protected]
- 3. Design in Interaction Design Key Prototyping Steps
- 4. AR. Design Considerations • 1. Design for Humans • Use Human Information Processing model • 2. Design for Different User Groups • Different users may have unique needs • 3. Design for the Whole User • Social, cultural, emotional, physical cognitive • 4. Use UI Best Practices • Adapt known UI guidelines to AR/VR • 5. Use of Interface Metaphors/Affordances • Decide best metaphor for AR/VR application
- 5. 1. Design for Human Information Processing • High level staged model from Wickens and Carswell (1997) • Relates perception, cognition, and physical ergonomics Perception Cognition Ergonomics
- 6. Design for Perception • Need to understand perception to design AR • Visual perception • Many types of visual cues (stereo, oculomotor, etc.) • Auditory system • Binaural cues, vestibular cues • Somatosensory • Haptic, tactile, kinesthetic, proprioceptive cues • Chemical Sensing System • Taste and smell
- 8. Design for Cognition • Design for Working and Long-term memory • Working memory • Short term storage, Limited storage (~5-9 items) • Long term memory • Memory recall trigger by associative cues • Situational Awareness • Model of current state of user’s environment • Used for wayfinding, object interaction, spatial awareness, etc.. • Provide cognitive cues to help with situational awareness • Landmarks, procedural cues, map knowledge • Support both ego-centric and exo-centric views
- 9. Design for Physical Ergonomics • Design for the human motion range • Consider human comfort and natural posture • Design for hand input • Coarse and fine scale motions, gripping and grasping • Avoid “Gorilla arm syndrome” from holding arm pose
- 10. Gorilla Arm in AR • Design interface to reduce mid-air gestures
- 11. 2. Designing for Different User Groups • Design for Difference Ages • Children require different interface design than adults • Older uses have different needs than younger • Prior Experience with AR systems • Familiar with HMDs, AR input devices • People with Different Physical Characteristics • Height and arm reach, handedness • Perceptual, Cognitive and Motor Abilities • Colour perception varies between people • Spatial ability, cognitive or motor disabilities
- 12. 3. Design for the Whole User
- 13. 4. Use UI Best Practices • General UI design principles can be applied to AR • E.g. Shneiderman’s UI guidelines from 1998 • Providing interface feedback • Mixture of reactive, instrumental and operational feedback • Maintain spatial and temporal correspondence • Use constraints • Specify relations between variables that must be satisfied • E.g. physical constraints reduce freedom of movement • Support Two-Handed control • Use Guiard’s framework of bimanual manipulation • Dominant vs. non-dominant hands
- 14. •Interface Components • Physical components • Display elements • Visual/audio • Interaction metaphors Physical Elements Display Elements Interaction Metaphor Input Output 5. Use Interface Metaphors
- 15. AR Design Space Reality Virtual Reality Augmented Reality Physical Design Virtual Design
- 16. •AR design is mixture of physical affordance and virtual affordance •Physical •Tangible controllers and objects •Virtual •Virtual graphics and audio
- 17. Affordances in AR • Design AR interface objects to show how they are used • Use visual and physical cues to show possible affordances • Perceived affordances should match actual affordances • Physical and virtual affordances should match Merge Cube Tangible Molecules
- 18. AR Chemistry Input Devices
- 19. Summary •When designing AR interfaces, think of: • Physical Components • Physical affordances • Virtual Components • Virtual affordances • Interface Metaphors • Tangible AR or similar
- 21. From Reality to Virtual Reality Internet of Things Augmented Reality Virtual Reality Real World Virtual World
- 22. Virtual Reality (VR) • Users immersed in Computer Generated environment • HMD, gloves, 3D graphics, body tracking
- 23. Goal of Virtual Reality “.. to make it feel like you’re actually in a place that you are not.” Palmer Luckey Co-founder, Oculus
- 24. Virtual Reality Definition •Defining Characteristics • Immersion • User feels immersed in computer generated scene • Interaction • The virtual content can be interacted with • Independence • User can have independent view and react to environment
- 25. From Immersion to Presence • Immersion: describes the extent to which technology is capable of delivering a vivid illusion of reality to the senses of a human participant. • Presence: a state of consciousness, the (psychological) sense of being in the virtual environment. • So Immersion, defined in technical terms, is capable of producing a sensation of Presence • Goal of VR: Create a high degree of Presence • Make people believe they are really in Virtual Environment Slater, M., & Wilbur, S. (1997). A framework for immersive virtual environments (FIVE): Speculations on the role of presence in virtual environments. Presence: Teleoperators and virtual environments, 6(6), 603-616.
- 26. Presence .. “The subjective experience of being in one place or environment even when physically situated in another” Witmer, B. G., & Singer, M. J. (1998). Measuring presence in virtual environments: A presence questionnaire. Presence: Teleoperators and virtual environments, 7(3), 225-240.
- 27. Why do people behave like this? • Presence can be decomposed into two dimensions (Slater 2009): • “Place Illusion” (PI): being in the place depicted in the VR environment • perception in VR matches natural sensorimotor input • Plausibility Illusion (Psi): the events in the VR environment are actually occurring • VR environment responds to user actions • When both PI and Psi are high, people respond realistically to events in the VR Slater, M. (2009). Place illusion and plausibility can lead to realistic behaviour in immersive virtual environments. Philosophical Transactions of the Royal Society B: Biological Sciences, 364(1535), 3549-3557. Presence = PI + Psi + ??
- 28. Slater, M., Banakou, D., Beacco, A., Gallego, J., Macia-Varela, F., & Oliva, R. (2022). A Separate Reality: An Update on Place Illusion and Plausibility in Virtual Reality. Frontiers in Virtual Reality, 81. Four Illusions of Presence (Slater 2022) • Place Illusion: being in the place • Plausibility Illusion: events are real • Body Ownership: seeing your body in VR • Copresence/Social Presence: other people are in VR
- 29. Reality vs. Virtual Reality • In a VR system there are input and output devices between human perception and action
- 30. Using Technology to Stimulate Senses • Simulate output • E.g. simulate real scene • Map output to devices • Graphics to HMD • Use devices to stimulate the senses • HMD stimulates eyes Visual Simulation 3D Graphics HMD Vision System Brain Example: Visual Simulation Human-Machine Interface
- 31. Key Technologies for VR Systems • Display (Immersion) • Stimulate senses • visual, auditory, tactile sense, etc.. • Tracking (Independence) • Changing viewpoint • independent movement • Input Devices (Interaction) • Supporting user interaction • User input
- 34. Creating an Immersive Experience •Head Mounted Display • Immerse the eyes •Projection/Large Screen • Immerse the head/body •Future Technologies • Neural implants • Contact lens displays, etc
- 35. VR Head Mounted Displays • Wide range of HMDs available
- 36. Key Properties of HMDs • Lens • Focal length, Field of View • Occularity, Interpupillary distance • Eye relief, Eye box • Display • Resolution, contrast • Power, brightness • Refresh rate • Ergonomics • Size, weight • Wearability
- 38. HMD Basic Principles • Use display with optics to create illusion of virtual screen
- 39. Simple Magnifier HMD Design p q Eyepiece (one or more lenses) Display (Image Source) Eye f Virtual Image 1/p + 1/q = 1/f where p = object distance (distance from image source to eyepiece) q = image distance (distance of image from the lens) f = focal length of the lens
- 40. Distortion in Lens Optics A rectangle Maps to this
- 41. HTC Vive Optics
- 42. To Correct for Distortion • Must pre-distort image • This is a pixel-based distortion • Use shader programming
- 44. Interpupillary Distance (IPD) nHorizontal distance between a user's eyes nDistance between the two optical axes in a HMD nTypical IPD ~ 63mm
- 45. Field of View Monocular FOV is the angular subtense of the displayed image as measured from the pupil of one eye. Total FOV is the total angular size of the displayed image visible to both eyes. Binocular(or stereoscopic) FOV refers to the part of the displayed image visible to both eyes. FOV may be measured horizontally, vertically or diagonally.
- 46. Typical VR HMD FOV
- 47. Vive HMD (Released 2016) • Field of View • 110 degrees horizontal, 110 degrees horizontal • Resolution • 1080×1200 per eye • Refresh rate • 90 Hz • Other features • Adjustable lens separation • Over the ear headphones • Integrated tracking • Tethered to PC
- 49. Foveated Displays • Combine high resolution center with low resolution periphery
- 50. Varjo Display Varjo resolution Non-Varjo resolution Focus area (27° x 27°) 70 PPD, 1920 x 1920px 115° FOV 30 PPD 2880 x 2720px • 1 LCD (wide FOV) • 1 uOLED panel (centre)
- 51. Varjo XR-3 Demo – Threading a Needle https://www.youtube.com/watch?v=5iEwlOEUQjI
- 52. Computer Based vs. Mobile VR Displays
- 53. Google Cardboard • Released 2014 (Google 20% project) • >10 million shipped/given away • Easy to use developer tools + =
- 54. Multiple Mobile VR Viewers Available
- 55. VR Head Mounted Displays (HMDs) • HTC Vive Pro - $1100 USD • 110 degree FOV, 2 handed input • Tethered VR, room scale tracking • Oculus Quest - $400 USD • 110 degree FOV, 2 handed input • Self contained VR, inside out tracking • Google Cardboard - $10 USD • 90 degree FOV, button input • Mobile VR, 3 DOF tracking
- 56. HMD Design Trade-offs • Resolution vs. field of view • As FOV increases, resolution decreases for fixed pixels • Eye box vs. field of view • Larger eye box limits field of view • Size, Weight and Power vs. everything else vs.
- 57. Projection/Large Display Technologies • Room Scale Projection • CAVE, multi-wall environment • Dome projection • Hemisphere/spherical display • Head/body inside • Vehicle Simulator • Simulated visual display in windows
- 58. Stereo Projection • Active Stereo • Active shutter glasses • Time synced signal • Brighter images • More expensive • Passive Stereo • Polarized images • Two projectors (one/eye) • Cheap glasses (powerless) • Lower resolution/dimmer • Less expensive
- 59. CAVE • Developed in 1992, EVL University of Illinois Chicago • Multi-walled stereo projection environment • Head tracked active stereo Cruz-Neira, C., Sandin, D. J., DeFanti, T. A., Kenyon, R. V., & Hart, J. C. (1992). The CAVE: audio visual experience automatic virtual environment. Communications of the ACM, 35(6), 64-73.
- 60. Typical CAVE Setup • 4 sides, rear projected stereo images
- 61. Demo Video – Wisconsin CAVE • https://www.youtube.com/watch?v=mBs-OGDoPDY
- 62. CAVE Variations
- 64. Multi-User CAVEs • Limitation of CAVEs • Stereo projection from only one user’s viewpoint • Solution • Higher frequency projectors and time slicing Kulik, A., Kunert, A., Beck, S., Reichel, R., Blach, R., Zink, A., & Froehlich, B. (2011). C1x6: a stereoscopic six-user display for co-located collaboration in shared virtual environments. ACM Transactions on Graphics (TOG), 30(6), 188.
- 66. Allosphere • Univ. California Santa Barbara • One of a kind facility • Immersive Spherical display • 10 m diameter • Inside 3 story anechoic cube • Passive stereoscopic projection • 26 projectors, 146 speakers • Visual tracking system for input • See http://www.allosphere.ucsb.edu/ Kuchera-Morin, J., Wright, M., Wakefield, G., Roberts, C., Adderton, D., Sajadi, B., ... & Majumder, A. (2014). Immersive full-surround multi-user system design. Computers & Graphics, 40, 10-21.
- 68. Allosphere Research • Multi-disciplinary research • Science, art, engineering • Typical research projects • Brain imaging • fMRI imaging data • Atomic bonding • Bond simulation models • Nano medicine • Simulate chemotherapy • Graph browser • Mathematical visualization • Etc Brain Imaging Hydrogen bond Nano Medicine
- 69. Vehicle Simulators • Combine VR displays with vehicle • Visual displays on windows • Motion base for haptic feedback • Audio feedback • Physical vehicle controls • Steering wheel, flight stick, etc • Full vehicle simulation • Emergencies, normal operation, etc • Weapon operation • Training scenarios
- 70. Demo: Boeing 787 Simulator • https://www.youtube.com/watch?v=3iah-blsw_U
- 72. AUDIO DISPLAYS
- 73. Audio Displays Definition: Computer interfaces that provide synthetic sound feedback to users interacting with the virtual world. The sound can be monoaural (both ears hear the same sound), or binaural (each ear hears a different sound) Burdea, Coiffet (2003)
- 74. Motivation • Most of the focus in Virtual Reality is on the visuals • GPUs continue to drive the field • Users want more • More realism, More complexity, More speed • However, sound can significantly enhance realism • Example: Mood music in horror games • Sound can provide valuable user interface feedback • Example: Alert in training simulation
- 75. 360 Video + Spatial Audio (wear headphones) • https://www.youtube.com/watch?v=G8pABGosD38
- 76. Types of Audio Recordings • Monaural: Recording with one microphone – no positioning • Stereo Sound: Recording with two microphones placed several feet apart. Perceived sound position as recorded by microphones. • Binaural: Recording microphones embedded in a dummy head. Audio filtered by head shape. • 3D Sound: Using tiny microphones in the ears of a real person. Generate HRTF based on ear shape and audio response.
- 77. Capturing 3D Audio for Playback • Binaural recording • 3D Sound recording, from microphones in simulated ears • Hear some examples (use headphones) • http://binauralenthusiast.com/examples/
- 78. Example (Use Headphones) • https://www.youtube.com/watch?v=tNEUObTs1kg
- 79. Synthetic Sounds • Complex sounds can be built from simple waveforms (e.g., sawtooth, sine) and combined using operators • Waveform parameters (frequency, amplitude) could be taken from motion data, such as object velocity • Can combine wave forms in various ways • This is what classic synthesizers do • Works well for many non-speech sounds
- 80. Audio Display Properties Presentation Properties • Number of channels • Sound stage • Localization • Masking • Amplification Logistical Properties • Noise pollution • User mobility • Interface with tracking • Integration • Portability • Throughput • Safety • Cost
- 81. Audio Displays: Head-worn Ear Buds On Ear Open Back Closed Bone Conduction
- 82. Spatialization vs. Localization • Spatialization is the processing of sound signals to make them emanate from a point in space • This is a technical topic • Localization is the ability of people to identify the source position of a sound • This is a human topic, some people are better at it than others.
- 83. Stereo Sound • Seems to come from inside user’s head • Follows head motion as user moves head
- 84. 3D Spatial Sound • Seems to be external to the head • Fixed in space when user moves head • Has reflected sound properties
- 85. Example: Sound Spatialisation • Note: Use stereo speakers/headphones for best effect
- 86. Spatialized Audio Effects • Naïve approach • Simple left/right shift for lateral position • Amplitude adjustment for distance • Easy to produce using consumer hardware/software • Does not give us "true" realism in sound • No up/down or front/back cues • We can use multiple speakers for this • Surround the user with speakers • Send different sound signals to each one
- 87. Example: The BoomRoom • Use surround speakers to create spatial audio effects • Gesture based interaction • https://www.youtube.com/watch?time_continue=54&v=6RQMOyQ3lyg
- 88. Audio Localization • Main cues used by humans to localize sound: 1. Interaural time differences: Time difference for sound wave to travel between ears 2. Interaural level differences: For high frequency sounds (> 1.5 kHz), volume difference between ears used to determine source direction 3. Spectral filtering done by outer ears: Ear shape changes frequency heard
- 89. Interaural Time Difference • Takes fixed time to travel between ears • Can use time difference to determine sound location
- 90. Spectral Filtering Ear shape filters sound depending on direction it is coming from. This change in frequency determines sound source elevation.
- 91. Head-Related Transfer Functions (HRTFs) • A set of functions that model how sound from a source at a known location reaches the eardrum
- 92. More About HRTFs • Functions take into account, • Individual ear shape • Slope of shoulders • Head shape • So, each person has his/her own HRTF! • Need to have a parameterizable HRTFs • Some sound cards/APIs allow specifying an HRTF
- 93. • adsfa
- 94. Measuring HRTFs • Putting microphones in Manikin or human ears • Playing sound from fixed positions • Record response
- 95. Environmental Effects • Sound is also changed by objects in the environment • Can reverberate off of reflective objects • Can be absorbed by objects • Can be occluded by objects • Doppler shift • Moving sound sources • Need to simulate environmental audio properties • Takes significant processing power
- 96. Sound Reverberation • Need to consider first and second order reflections • Need to model material properties, objects in room, etc
- 98. The Tough Part • All of this takes a lot of processing • Need to keep track of • Multiple (possibly moving) sound sources • Path of sounds through a dynamic environment • Position and orientation of listener(s) • Most sound cards only support a limited number of spatialized sound channels • Increasingly complex geometry increases load on audio system as well as visuals • That's why we fake it ;-) • GPUs might change this too!
- 99. GPU Based Audio Acceleration • Using GPU for audio physics calculations • AMD TrueAudio Next - https://gpuopen.com/true-audio-next/ https://www.youtube.com/watch?v=Z6nwYLHG8PU
- 100. Audio Software SDKs • Modern CPUs are fast enough spatial audio can be generated without dedicated hardware • Several 3D audio SDKs exist • OpenAL • www.openal.org • Open source, cross platform • Renders multichannel three-dimensional positional audio • Google VR SDK • Android, iOS, Unity • https://developers.google.com/vr/concepts/spatial-audio • Unity • Unity Audio Spatializer SDK • Microsoft DirectX, MRTK, etc
- 101. Google VR Spatial Audio Demo • https://www.youtube.com/watch?v=I9zf4hCjRg0&feature=youtu.be
- 102. Demo: Spatial Audio In VR • AltspaceVR spatial audio for speaker discrimination • https://www.youtube.com/watch?v=dV3Qog44z6E
- 103. Designing Spatial Audio • There are several tools available for designing 3D audio • E.g. Facebook Spatial Workstation • Audio tools for cinematic VR and360 video • https://facebook360.fb.com/spatial-workstation/ • Spatial Audio Designer • Mixing of surround sound and 3D audio • http://www.newaudiotechnology.com/en/products/spatial-audio-designer/
- 105. Haptic Feedback • Greatly improves realism • Hands and wrist are most important • High density of touch receptors • Two kinds of feedback: • Touch Feedback • information on texture, temperature, etc. • Does not resist user contact • Force Feedback • information on weight, and inertia. • Actively resists contact motion
- 106. Active Haptics • Actively resists motion • Key properties • Force resistance • Frequency Response • Degrees of Freedom • Latency
- 107. Force Feedback Joysticks • WingMan Force 3D • Inexpensive ($60) • Actuators that can move the joystick given system commands • Max 3.3 N of force • Force feedback driving wheel
- 108. Example: Phantom Omni • Combined stylus input/haptic output • 6 DOF haptic feedback
- 109. Phantom Omni Demo • https://www.youtube.com/watch?v=REA97hRX0WQ
- 110. Haptic Glove • Many examples of haptic gloves • Typically use mechanical device to provide haptic feedback
- 111. HaptX Gloves • Tactile + Haptic feedback • Tactile actuators • 130 feedback points/hand • Force feedback exo-skeleton • 8lbs force/finger • Magnetic finger tracking • 2 mm tracking accuracy • https://haptx.com/
- 113. Homebrew Glove • LucidVR Budget Haptic Glove • Simple hand tracking, force feedback, • $22 in parts.. • https://hackaday.io/project/178243- lucidvr-budget-haptic-glove
- 114. Passive Haptics • Not controlled by system • Use real props (Styrofoam for walls) • Pros • Cheap • Large scale • Accurate • Cons • Not dynamic • Limited use
- 115. UNC Being There Project
- 116. Passive Haptic Paddle • Using physical props to provide haptic feedback • http://www.cs.wpi.edu/~gogo/hive/
- 117. Tactile Feedback Interfaces • Goal: Stimulate skin tactile receptors • Using different technologies • Air bellows • Jets • Actuators (commercial) • Micropin arrays • Electrical (research) • Neuromuscular stimulations (research)
- 118. Vibrotactile Cueing Devices • Vibrotactile feedback has been incorporated into many devices • Can we use this technology to provide scalable, wearable touch cues?
- 119. Vibrotactile Feedback Projects Navy TSAS Project TactaBoard and TactaVest
- 120. Teslasuit • Full body haptic feedback - https://teslasuit.io/ • Electrical muscle stimulation
- 122. TRACKING TECHNOLOGY
- 123. Immersion and Tracking • Motivation: For immersion, when the user changes position in reality the VR view also needs to change • Requires tracking of the user’s pose (position/orientation) in the real world and mapping to the Virtual World
- 124. Tracking in VR • Need for Tracking • User turns their head and the VR graphics scene changes • User wants to walking through a virtual scene • User reaches out and grab a virtual object • The user wants to use a real prop in VR • All of these require technology to track the user or object • Continuously provide information about position and orientation Head Tracking Hand Tracking
- 125. Tracking and Rendering in VR Tracking fits into the graphics pipeline for VR
- 126. • Degree of Freedom = independent movement about an axis • 3 DoF Orientation = roll, pitch, yaw (rotation about x, y, or z axis) • 3 DoF Translation = movement along x,y,z axis • Different requirements • User turns their head in VR -> needs 3 DoF orientation tracker • Moving in VR -> needs a 6 DoF tracker (r,p,y) and (x, y, z) Degrees of Freedom
- 127. Tracking Technologies § Active (device sends out signal) • Mechanical, Magnetic, Ultrasonic • GPS, Wifi, cell location § Passive (device senses world) • Inertial sensors (compass, accelerometer, gyro) • Computer Vision • Marker based, Natural feature tracking § Hybrid Tracking • Combined sensors (e.g. Vision + Inertial)
- 128. Key Tracking Performance Criteria • Static Accuracy • Dynamic Accuracy • Latency • Update Rate • Tracking Jitter • Signal to Noise Ratio • Tracking Drift
- 129. Static vs. Dynamic Accuracy • Static Accuracy • Ability of tracker to determine coordinates of a position in space • Depends on sensor sensitivity, errors (algorithm, operator), environment • Dynamic Accuracy • System accuracy as sensor moves • Depends on static accuracy • Resolution • Minimum change sensor can detect • Repeatability • Same input giving same output
- 130. Tracker Latency, Update Rate • Latency: Time between change in object pose and time sensor detects the change • Large latency (> 10 ms) can cause simulator sickness • Larger latency (> 50 ms) can reduce VR immersion • Update Rate: Number of measurements per second • Typically > 30 Hz
- 131. Tracker Jitter, Signal to Noise Ratio • Jitter: Change in tracker output when tracked object is stationary • Range of change is sensor noise • Tracker with no jitter reports constant value if tracked object stationary • Makes tracker data changing randomly about average value • Signal to Noise Ratio: Signal in data relative to noise • Found from calculating mean of samples in known positions
- 132. Tracker Drift • Drift: Steady increase in tracker error over time • Accumulative (additive) error over time • Relative to Dynamic sensitivity over time • Controlled by periodically recalibration (zeroing)
- 133. MechanicalTracker (Active) •Idea: mechanical arms with joint sensors •++: high accuracy, haptic feedback •-- : cumbersome, expensive Microscribe Sutherland
- 134. Example: Fake Space Boom • BOOM (Binocular Omni-Orientation Monitor) • Counterbalanced arm with 100 o FOV HMD mounted on it • 6 DOF, 4mm position accuracy, 300Hz sampling, < 5 ms latency
- 135. Demo: Fake Space Tele Presence • Using Boom with HMD to control robot view • https://www.youtube.com/watch?v=QpTQTu7A6SI
- 136. MagneticTracker (Active) • Idea: difference between a magnetic transmitter and a receiver • ++: 6DOF, robust • -- : wired, sensible to metal, noisy, expensive • -- : error increases with distance Flock of Birds (Ascension)
- 137. Example: Razer Hydra • Developed by Sixense • Magnetic source + 2 wired controllers • Short range (< 1 m), Precision of 1mm and 1o • 62Hz sampling rate, < 50 ms latency • $600 USD
- 138. Razor Hydra Demo • https://www.youtube.com/watch?v=jnqFdSa5p7w
- 140. InertialTracker (Passive) • Idea: measuring linear and angular orientation rates (accelerometer/gyroscope) • ++: no transmitter, cheap, small, high frequency, wireless • -- : drift, hysteris only 3DOF IS300 (Intersense) Wii Remote
- 141. Types of Inertial Trackers • Gyroscopes • The rate of change in object orientation or angular velocity is measured. • Accelerometers • Measure acceleration. • Can be used to determine object position, if the starting point is known. • Inclinometer • Measures inclination, ”level” position. • Like carpenter’s level, but giving electrical signal.
- 142. Example: MEMS Sensor • Uses spring-supported load • Reacts to gravity and inertia • Changes its electrical parameters • < 5 ms latency, 0.01o accuracy • up to 1000Hz sampling • Problems • Rapidly accumulating errors. • Error in position increases with the square of time. • Cheap units can get position drift of 4 cm in 2 seconds. • Expensive units have same error in 200 seconds. • Not good for measuring location • Need to periodically reset the output
- 143. Demo: MEMS Sensor Working • https://www.youtube.com/watch?v=9eSnxebfuxg
- 144. MEMS Gyro Bias Drift • Zero reading of MEMS Gyro drifts over time due to noise
- 145. Acoustic - UltrasonicsTracker • Idea:Time of Flight or Phase-Coherence SoundWaves • ++: Small, Cheap • -- : 3DOF, Line of Sight, Low resolution, Affected by Environment (pressure, temperature), Low sampling rate Ultrasonic Logitech IS600
- 146. OpticalTracker (Passive) • Idea: Image Processing and ComputerVision • Specialized • Infrared, Retro-Reflective, Stereoscopic • Monocular BasedVision Tracking ART Hi-Ball
- 148. Example: Vive Lighthouse Tracking • Outside-in tracking system • 2 base stations • Each with 2 laser scanners, LED array • Headworn/handheld sensors • 37 photo-sensors in HMD, 17 in hand • Additional IMU sensors (500 Hz) • Performance • Tracking server fuses sensor samples • Sampling rate 250 Hz, 4 ms latency • See http://doc-ok.org/?p=1478
- 149. Lighthouse Components Base station - IR LED array - 2 x scanned lasers Head Mounted Display - 37 photo sensors - 9 axis IMU
- 150. Lighthouse Setup
- 151. How Lighthouse Tracking Works • Position tracking using IMU • 500 Hz sampling • But drifts over time • Drift correction using optical tracking • IR synchronization pulse (60 Hz) • Laser sweep between pulses • Photo-sensors recognize sync pulse, measure time to laser • Know when sensor hit and which sensor hit • Calculate position of sensor relative to base station • Use 2 base stations to calculate pose • Use IMU sensor data between pulses (500Hz) • See http://xinreality.com/wiki/Lighthouse
- 152. Lighthouse Tracking Base station scanning https://www.youtube.com/watch?v=avBt_P0wg_Y https://www.youtube.com/watch?v=oqPaaMR4kY4 Room tracking
- 153. Example: Oculus Quest • Inside out tracking • Four cameras on corner of display • Searching for visual features • On setup creates map of room
- 154. Oculus Quest Tracking • https://www.youtube.com/watch?v=2jY3B_F3GZk
- 155. Occipital Bridge Engine/Structure Core • Inside out tracking • Uses structured light • Better than room scale tracking • Integrated into bridge HMD • https://structure.io/
- 157. Tracking Coordinate Frames • There can be several coordinate frames to consider • Head pose with respect to real world • Coordinate fame of tracking system wrt HMD • Position of hand in coordinate frame of hand tracker
- 158. Example: Finding your hand in VR • Using Lighthouse and LeapMotion • Multiple Coordinate Frames • LeapMotion tracks hand in LeapMotion coordinate frame (HLM) • LeapMotion is fixed in HMD coordinate frame (LMHMD) • HMD is tracked in VR coordinate frame (HMDVR) (using Lighthouse) • Where is your hand in VR coordinate frame? • Combine transformations in each coordinate frame • HVR = HLM x LMHMD x HMDVR
- 159. INPUT TECHNOLOGY
- 160. VR Input Devices • Physical devices that convey information into the application and support interaction in the Virtual Environment
- 161. Mapping Between Input and Output Input Output
- 162. Motivation • Mouse and keyboard are good for desktop UI tasks • Text entry, selection, drag and drop, scrolling, rubber banding, … • 2D mouse for 2D windows • What devices are best for 3D input in VR? • Use multiple 2D input devices? • Use new types of devices? vs.
- 163. Input Device Characteristics • Size and shape, encumbrance • Degrees of Freedom • Integrated (mouse) vs. separable (Etch-a-sketch) • Direct vs. indirect manipulation • Relative vs. Absolute input • Relative: measure difference between current and last input (mouse) • Absolute: measure input relative to a constant point of reference (tablet) • Rate control vs. position control • Isometric vs. Isotonic • Isometric: measure pressure or force with no actual movement • Isotonic: measure deflection from a center point (e.g. mouse)
- 164. Hand Input Devices • Devices that integrate hand input into VR • World-Grounded input devices • Devices fixed in real world (e.g. joystick) • Non-Tracked handheld controllers • Devices held in hand, but not tracked in 3D (e.g. xbox controller) • Tracked handheld controllers • Physical device with 6 DOF tracking inside (e.g. Vive controllers) • Hand-Worn Devices • Gloves, EMG bands, rings, or devices worn on hand/arm • Bare Hand Input • Using technology to recognize natural hand input
- 165. World Grounded Devices • Devices constrained or fixed in real world • Not ideal for VR • Constrains user motion • Good for VR vehicle metaphor • Used in location based entertainment (e.g. Disney Aladdin ride) Disney Aladdin Magic Carpet VR Ride
- 166. Non-Tracked Handheld Controllers • Devices held in hand • Buttons, joysticks, game controllers, etc. • Traditional video game controllers • Xbox controller
- 167. Tracked Handheld Controllers • Handheld controller with 6 DOF tracking • Combines button/joystick input plus tracking • One of the best options for VR applications • Physical prop enhancing VR presence • Providing proprioceptive, passive haptic touch cues • Direct mapping to real hand motion HTC Vive Controllers Oculus Touch Controllers
- 168. Example: WMR Handheld Controllers • Windows Mixed Reality Controllers • Left and right hand • Combine computer vision + IMU tracking • Track both in and out of view • Button input, Vibration feedback
- 170. Hand Worn Devices • Devices worn on hands/arms • Glove, EMG sensors, rings, etc. • Advantages • Natural input with potentially rich gesture interaction • Hands can be held in comfortable positions – no line of sight issues • Hands and fingers can fully interact with real objects
- 171. Facebook EMG Band • https://www.youtube.com/watch?v=WmxLiXAo9ko
- 172. Data Gloves • Bend sensing gloves • Passive input device • Detecting hand posture and gestures • Continuous raw data from bend sensors • Fibre optic, resistive ink, strain-gauge • Large DOF output, natural hand output • Pinch gloves • Conductive material at fingertips • Determine if fingertips touching • Used for discrete input • Object selection, mode switching, etc.
- 173. StretchSense Gloves • Wearable motion capture sensors • Capacitive sensors • Measure stretch, pressure, bend, shear • Many applications • Garments, gloves, etc. • http://stretchsense.com/
- 174. StretchSense Glove Demo • https://www.youtube.com/watch?v=ZDq7fQguFPI
- 175. Bare Hands • Using computer vision to track bare hand input • Creates compelling sense of Presence, natural interaction • Challenges need to be solved • Not having sense of touch • Line of sight required to sensor • Fatigue from holding hands in front of sensor
- 176. Oculus Quest 2 – Hand Tracking • https://www.youtube.com/watch?v=uztFcEA6Rf0
- 177. Non-Hand Input Devices • Capturing input from other parts of the body • Head Tracking • Use head motion for input • Eye Tracking • Largely unexplored for VR • Microphones • Audio input, speech • Full-Body tracking • Motion capture, body movement
- 178. Eye Tracking • Technology • Shine IR light into eye and look for reflections • Advantages • Provides natural hands-free input • Gaze provides cues as to user attention • Can be combined with other input technologies
- 179. HTC Vive Pro Eye • HTC Vive Pro with integrated eye-tracking • Tobii systems eye-tracker • Easy calibration and set-up • Auto-calibration software compensates for HMD motion
- 181. Full Body Tracking • Adding full-body input into VR • Creates illusion of self-embodiment • Significantly enhances sense of Presence • Technologies • Motion capture suit, camera based systems • Can track large number of significant feature points
- 182. Camera Based Motion Capture • Use multiple cameras • Reflective markers on body • Eg – Opitrack (www.optitrack.com) • 120 – 360 fps, < 10ms latency, < 1mm accuracy
- 184. Wearable Motion Capture: PrioVR • Wearable motion capture system • 8 – 17 inertial sensors + wireless data transmission • 30 – 40m range, 7.5 ms latency, 0.09o precision • Supports full range of motion, no occlusion • https://yostlabs.com/priovr/
- 186. Pedestrian Devices • Pedestrian input in VR • Walking/running in VR • Virtuix Omni • Special shoes • http://www.virtuix.com • Cyberith Virtualizer • Socks + slippery surface • http://cyberith.com
- 187. Virtuix Omni Demo • https://www.youtube.com/watch?v=aOYHg8qdxTE
- 188. Omnidirectional Treadmills • Infinadeck • 2 axis treadmill, flexible material • Tracks user to keep them in centre • Limitless walking input in VR • www.infinadeck.com
- 190. Comparison Between Devices From Jerald (2015)
- 191. Interaction Trends
- 192. COMPLETE VR SYSTEMS
- 193. Creating a Good VR Experience • Creating a good experience requires good system design • Integrating multiple hardware, software, interaction, content elements
- 194. Example: Shard VR Slide • Ride down the Shard at 100 mph - Multi-sensory VR https://www.youtube.com/watch?v=HNXYoEdBtoU
- 195. Key Components to Consider • Five key components: • Inputs • Outputs • Computation/Simulation • Content/World database • User interaction From: Sherman, W. R., & Craig, A. B. (2018). Understanding virtual reality: Interface, application, and design. Morgan Kaufmann.
- 196. Typical VR System • Combining multiple technology elements for good user experience • Input devices, output modality, content databases, networking, etc.
- 197. From Content to User Modelling Program Content • 3d model • Textures Translation • CAD data Application programming Dynamics Generator Input Devices • Gloves, Mic • Trackers Renderers • 3D, sound Output Devices • HMD, audio • Haptic User Actions • Speak • Grab Software Content User I/O
- 198. Types of VR Graphics Content • Panoramas • 360 images/video • Captured 3D content • Scanned objects/spaces • Modelled Content • Hand created 3D models • Existing 3D assets
- 199. Capturing Panoramas • Stitching individual photos together • Image Composite Editor (Microsoft) • AutoPano (Kolor) • Using 360 camera • Ricoh Theta-S • Fly360
- 200. Consumer 360 Capture Devices Kodac 360 Fly 360 Gear 360 Theta S Nikon LG 360 Pointgrey Ladybug Panono 360 Bublcam
- 201. Example: Cardboard Camera • Capture 360 panoramas • Stitch together images on phone • View in VR on Google Cardboard Viewer
- 203. • Use camera pairs to capture stereo 360 video • Samsung 360 round • 17 lenses, 4K 3D images, live video streaming, $10K USD • Vuze+ VR camera • 8 lenses, 4K Stereoscopic 3D 360⁰ video and photo, $999 USD Stereo Video Capture Vuze Samsung
- 204. Samsung 360 Round • https://www.youtube.com/watch?v=X_ytJJOmVF0
- 205. 3D Scanning • A range of products support 3D scanning • Create point cloud or mesh model • Typically combine RGB cameras with depth sensing • Captures texture plus geometry • Multi-scale • Object Scanners • Handheld, Desktop • Body Scanners • Rotating platform, multi-camera • Room scale • Mobile, tripod mounted
- 206. Example: Matterport • Matterport Pro2 3D scanner • Room scale scanner, panorama and 3D model • 360° (left-right) x 300° (vertical) field of view • Structured light (infared) 3D sensor • 15 ft (4.5 m) maximum range • 4K HDR images
- 207. Matterport Pro2 Lite • https://www.youtube.com/watch?v=SjHk0Th-j1I
- 208. Handheld/Desktop Scanners • Capture people/objects • Sense 3D scanner • accuracy of 0.90 mm, colour resolution of 1920×1080 pixels • Occipital Structure sensor • Add-on to iPad, mesh scanning, IR light projection, 60 Hz
- 210. 3D Modelling • A variety of 3D modelling tools can be used • Export in VR compatible file format (.obj, .fbx, etc) • Especially useful for animation - difficult to create from scans • Popular tools • Blender (free), 3DS max, Maya, etc. • Easy to Use • Tinkercad, Sketchup Free, Meshmixer, Fusion 360, etc.
- 211. Modelling in VR • Several tools for modelling in VR • Natural interaction, low polygon count, 3D object viewins • Low end • Google Blocks • High end • Quill, Tilt brush – 3D painting • Gravity Sketch – 3D CAD
- 212. Example: Google Blocks • https://www.youtube.com/watch?v=1TX81cRqfUU
- 213. Example: Gravity Sketch • https://www.youtube.com/watch?v=VK2DDnT_3l0
- 214. Download Existing VR Content • Many locations for 3D objects, textures, etc. • Sketchfab, Sketchup, Free3D (www.free3d.com), etc. • Asset stores - Unity, Unreal • Provide 3D models, materials, code, etc..
- 215. VR Graphics Architecture • Application Layer • User interface libraries • Simulation/behaviour code • User interaction specification • Graphics Layer (CPU acceleration) • Scene graph specification • Object physics engine • Specifying graphics objects • Rendering Layer (GPU acceleration) • Low level graphics code • Rendering pixels/polygons • Interface with graphics card/frame buffer
- 216. • Low level code for loading models and showing on screen • Using shaders and low level GPU programming to improve graphics Traditional 3D Graphics Pipeline
- 217. Graphics Challenges with VR • Higher data throughput (> 7x desktop requirement) • Lower latency requirements (from 150ms/frame to 20ms) • HMD Lens distortion
- 218. • HMD may have cheap lens • Creates chromatic aberration and distorted image • Warp graphics images to create undistorted view • Use low level shader programming Lens Distortion
- 219. VR System Pipeline • Using time warping and lens distortion
- 220. Perception Based Graphics • Eye Physiology • Rods in eye centre = colour vision, cones in periphery = motion, B+W • Foveated Rendering • Use eye tracking to draw highest resolution where user looking • Reduces graphics throughput
- 222. Typical VR Simulation Loop • User moves head, scene updates, displayed graphics change
- 223. • Need to synchronize system to reduce delays System Delays
- 224. Typical Delay from Tracking to Rendering System Delay
- 225. Typical System Delays • Total Delay = 50 + 2 + 33 + 17 = 102 ms • 1 ms delay = 1/3 mm error for object drawn at arms length • So total of 33mm error from when user begins moving to when object drawn Tracking Calculate Viewpoint Simulation Render Scene Draw to Display x,y,z r,p,y Application Loop 20 Hz = 50ms 500 Hz = 2ms 30 Hz = 33ms 60 Hz = 17ms
- 226. Living with High Latency (1/3 sec – 3 sec) • https://www.youtube.com/watch?v=_fNp37zFn9Q
- 227. Effects of System Latency • Degraded Visual Acuity • Scene still moving when head stops = motion blur • Degraded Performance • As latency increases it’s difficult to select objects etc. • If latency > 120 ms, training doesn’t improve performance • Breaks-in-Presence • If system delay high user doesn’t believe they are in VR • Negative Training Effects • User train to operative in world with delay • Simulator Sickness • Latency is greatest cause of simulator sickness
- 228. Simulator Sickness • Visual input conflicting with vestibular system
- 229. What Happens When Senses Don’t Match? • 20-30% VR users experience motion sickness • Sensory Conflict Theory • Visual cues don’t match vestibular cues • Eyes – “I’m moving!”, Vestibular – “No, you’re not!”
- 230. Avoiding Motion Sickness • Better VR experience design • More natural movements • Improved VR system performance • Less tracking latency, better graphics frame rate • Provide a fixed frame of reference • Ground plane, vehicle window • Add a virtual nose • Provide peripheral cue • Eat ginger • Reduces upset stomach
- 231. Many Causes of Simulator Sickness • 25-40% of VR users get Simulator Sickness, due to: • Latency • Major cause of simulator sickness • Tracking accuracy/precision • Seeing world from incorrect position, viewpoint drift • Field of View • Wide field of view creates more periphery vection = sickness • Refresh Rate/Flicker • Flicker/low refresh rate creates eye fatigue • Vergence/Accommodation Conflict • Creates eye strain over time • Eye separation • If IPD not matching to inter-image distance then discomfort
- 233. System Design Guidelines - I • Hardware • Choose HMDs with fast pixel response time, no flicker • Choose trackers with high update rates, accurate, no drift • Choose HMDs that are lightweight, comfortable to wear • Use hand controllers with no line-of-sight requirements • System Calibration • Have virtual FOV match actual FOV of HMD • Measure and set users IPD • Latency Reduction • Minimize overall end to end system delay • Use displays with fast response time and low persistence • Use latency compensation to reduce perceived latency Jason Jerald, The VR Book, 2016
- 234. System Design Guidelines - II • General Design • Design for short user experiences • Minimize visual stimuli closer to eye (vergence/accommodation) • For binocular displays, do not use 2D overlays/HUDs • Design for sitting, or provide physical barriers • Show virtual warning when user reaches end of tracking area • Motion Design • Move virtual viewpoint with actual motion of the user • If latency high, no tasks requiring fast head motion • Interface Design • Design input/interaction for user’s hands at their sides • Design interactions to be non-repetitive to reduce strain injuries Jason Jerald, The VR Book, 2016
- 235. CONCLUSIONS