2 quarter art for gr 7-printmaking 2nd qtr (6 plans)
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This document provides guidance for a 7th grade art lesson on printmaking techniques in the Philippines. The lesson introduces students to the history of printmaking in the Philippines from pre-Hispanic times to the present. Students are divided into groups to research different periods and present their findings creatively. The lesson also demonstrates basic printmaking techniques like rubbings and leaf prints for students to try. The goal is for students to understand printmaking as an art form and appreciate the variety of textures, lines and designs used in Philippine prints.
2 quarter art for gr 7-printmaking 2nd qtr (6 plans)
- 1. 1 1K-12 Art Curriculum for Grade 7, Teacher Guide - AAP K to 12 ART for GRADE 7 SECOND QUARTER: PRINTMAKING MODULE 5 - PRINTMAKING TECHNIQUES: An Introduction LESSON 1: PRINTMAKING IN THE PHILIPPINES Time Allotment: (2 sessions - 2 hours) Lesson Summary ART HISTORY ART PRODUCTION ART APPRECIATION ART CRITICISM Printmaking in the Philippines was done long before the Spaniards came but it was from them that block printing began. Now we have many artists who use printmaking as their medium. There are many methods of printmaking but the most common are nature or found object prints or rubbings, rubber prints, wood cuts, and stencil prints. Prints exhibit a variety of texture and lines as these are etched or carved or etched from the master plate. In stencils, shapes and colors are emphasized. Though prints make it possible to have several editions of a work, each print is an original, particularly if the printing is done by hand. Good prints have clearly etched lines, variety of textures and colors. OBJECTIVES The student will: 1. Research on the history of printmaking in the Philippines during pre-hispanic times, the Spanish occupation and up to the present. 2. Make a creative presentation with a group on the history of printmaking in the Philippines, including samples of the different prints from the different historical periods or a presentation on the different kinds of printmaking techniques. 3. Appreciate and compare the unique characteristics of prints made in the Philippines and the contemporary prints using different techniques. ART VOCABULARY 1. Laguna copper plate 2. wood block printmaking 3. relief prints: object and nature prints, lino or rubber prints, wood block prints 4. stencil prints, silkscreen 5. collagraphs
- 2. 2 2K-12 Art Curriculum for Grade 7, Teacher Guide - AAP K to 12 ART for GRADE 7 SECOND QUARTER: PRINTMAKING MODULE 5 - PRINTMAKING TECHNIQUES: An Introduction LESSON 1: PRINTMAKING IN THE PHILIPPINES ART ELEMENTS, PRINCIPLES 1. texture, lines, color, shape 2. variety, repetition, contrast, radial , alternating MATERIALS and RESOURCES 1. pictures of prints for discussion 2. materials for presentation 3. internet websites on printmaking in the Philippines LESSON PROCEDURE MOTIVATION 1. Show samples of prints to students and ask them how these were made. 2. Look at the different illustrations of prints in the Learning Guide and read the history of printmaking in the Philippines. Let students form a team of seven and discuss what they have read in the Learning Guide. ART ACTIVITY (See Activity 5 in the Learning Guide) 1. Cluster the students by groups and assign them to research on the following topics on printmaking in the Philippines (2 sessions – 2hours). Read Learning Guide a. printmaking in pre-historic times b. printmaking during the Spanish period c. printmaking after the Spanish period (American period) d. printmaking during contemporary times (20th century) e. famous printmakers in the Philippines. 2. RESEARCH Give time for students to go to the library; access the internet; visit art galleries or interview artists and printmakers in the community. The group should discuss how they will present their researches and interviews, using a creative format: power point presentation; visual poster presentations; TV-interview format; bring a guest artist-printmaker to class; install a print exhibit; have a game- contest, etc… 3. PRESENTATION Students give their creative group presentation before the class. Presentations will be judged on the following points:
- 3. 3 3K-12 Art Curriculum for Grade 7, Teacher Guide - AAP K to 12 ART for GRADE 7 SECOND QUARTER: PRINTMAKING MODULE 5 - PRINTMAKING TECHNIQUES: An Introduction LESSON 1: PRINTMAKING IN THE PHILIPPINES a. comprehensiveness – did the report cover all the data, historical texts available? Were the points well explained? b. clarity of presentation - was the language of the text relevant and understandable to their classmates? c. visuals - were the visuals used supporting the text of the report? were there enough visuals to clarify the text and show the different types of printmaking? d. creativity of format – was the style/mode of presentation unique and interesting? e. teamwork – did all the members of the team have a part to play in the presentation f. preparedness – did the group answer the questions from the class adequately? 4. ASSESSMENT and EVALUATION (CRITIQUING) a. Before the presentation, tell the students how they will be evaluated by their classmates on the six points listed above. b. Explain that the students should give descriptive (text) evaluations and numerical evaluation for each of the six points listed above for each group presentation. 5 - excellent 4 - very good 3 - good 2 - fair 1 - poor c. Do the Reflection page in the Learning Guide. **************
- 4. 4 4K-12 Art Curriculum for Grade 7, Teacher Guide - AAP K to 12 ART for GRADE 7 SECOND QUARTER: PRINTMAKING MODULE 5 - PRINTMAKING PROCESS IN THE PHILIPPINES LESSON 2. PRINTMAKING TECHNIQUES AND PROCESSES ACTIVITY 1 : SIMPLE PRINTS: RUBBINGS FROM FOUND OBJECTS ______________________________________________________________________ Time Allotment: 1 session - 1 hour Lesson Summary ART HISTORY ART PRODUCTION ART APPRECIATION ART CRITICISM Printmaking was done by people from different parts of the world to create designs on paper, textile or on walls. Create a print or rubbing from found materials, objects and compose these prints using different designs: radial, repeated motifs, alternating motifs contrasting motifs. Product: book cover, textile design, wall design, wall hanging Prints exhibit a variety of texture and lines, as seen in rubbings of coins, found objects,with textured surfaces and other objects. Clarity and design in a print is achieved by doing a clear rubbing and by arranging the motif following a design that is radial, border design, repeated, alternating or contrasting. OBJECTIVES The student will: 1. Analyze the various designs and motifs created by other artists for various products: wall hanging, textile design, for borders of walls, plates, mugs, and book covers. 2. Name the kinds of designs seen in the display or pictures, using art vocabulary. 3. Create a rubbing using various objects found in the room and the Environment following a particular pattern. ART VOCABULARY 1. rubbing and patterns 2. impression 3. stamping. rolling, pressing 4. product design 5. different designs: radial, repeated motifs, alternating, contrasting motifs 6. hand made prints vs. machine prints
- 5. 5 5K-12 Art Curriculum for Grade 7, Teacher Guide - AAP K to 12 ART for GRADE 7 SECOND QUARTER: PRINTMAKING MODULE 5 - PRINTMAKING PROCESS IN THE PHILIPPINES LESSON 2. PRINTMAKING TECHNIQUES AND PROCESSES ACTIVITY 1 : SIMPLE PRINTS: RUBBINGS FROM FOUND OBJECTS ______________________________________________________________________ ART ELEMENTS & PRINCIPLES 1. texture – is created by rubbing an object whose surface has embossed or etched or indented parts (it can be smooth, corrugated, rough, ridged, stippled) 2. lines - various lines are created depending on the instrument used for carving Or etching (thick, thin, jagged, smooth, curved, straight) 3. shapes- embossed shapes can be geometric or natural shapes. 4. design motifs can be rectangular, oval, square, circular, triangular . MATERIALS, RESOURCES Various objects that have a flat surface but has varied textures (coins, pendants, keys, alphabet blocks, corrugated paper, etc. Crayons or charcoal Absorbent paper or cloth PROCEDURE MOTIVATION Ask students what different prints they have seen and what was the source of the print. Show samples of rubbings and demonstrate how it is done. PROCESS 1. Layout several coins or textured objects on cloth or thick newspaper so it will not move or slide. 2. place thin paper on top of the textured objects. 3. rub the side of a dark crayon on the paper which is over the objects, and keep on rubbing until the shape and texture of the object is transferred to the paper. 4. arrange the rubbings in an orderly design. It can be in a series or the rubbings can overlap. Experiment and try different arrangement. 5. Make several rubbings of different objects. Display your prints. APPRECIATION and ASSESSMENT Ask students to look at their work and comment on the clarity of the rubbing; the pattern created by the arrangement of the rubbings. Choose which rubbings are well designed and are clear.
- 6. 6 6K-12 Art Curriculum for Grade 7, Teacher Guide - AAP K to 12 ART for GRADE 7 SECOND QUARTER: PRINTMAKING MODULE 5 – PRINTMAKING TECHNIQUES AND PROCESSES LESSON 1, ACTIVITY 2 : LEAF PRINTS ______________________________________________________________________ Time Allotment: 1 session or 1 hour Lesson Summary ART HISTORY ART PRODUCTION ART APPRECIATION ART CRITICISM Printmaking was done by people from different parts of the world to create designs on paper, textile or on walls. The objects printed Often times came from natural objects. Create a print from different leaves and compose these leaf prints using different designs: radial, repeated motifs, alternating motifs contrasting motifs. Product: book cover, textile design, wall design, wall hanging Leaf Prints exhibit a variety of texture and lines because the Leaves have different shapes, contours and the back of the leaf has veins that create a design. . Clarity and design in a print is achieved by doing a clear print and by arranging the leaf print following a design that is radial, border design, repeated, alternating or contrasting. OBJECTIVES The student will: 1. realize that nature is a rich source of design as can be seen from different shapes of leaves. 2. create several motifs for a design using prints of different leaves, and apply it for a book cover or textile design. 3. appreciate the variety of leaf designs and the uniqueness of each print created by other students and be able to select unusual designs. ART VOCABULARY 1. patterns 2 clear impression or print 3. stamping. rolling, pressing 4 product design 5. different designs: radial, repeated motifs, alternating, contrasting motifs 6. hand made prints vs. machine prints
- 7. 7 7K-12 Art Curriculum for Grade 7, Teacher Guide - AAP K to 12 ART for GRADE 7 SECOND QUARTER: PRINTMAKING MODULE 5 – PRINTMAKING TECHNIQUES AND PROCESSES LESSON 1, ACTIVITY 2 : LEAF PRINTS _____________________________________________________________________________________ ART ELEMENTS & PRINCIPLES 1. texture – is created by inking an object whose surface has embossed or indented parts (it can be smooth, corrugated, rough, ridged, stippled) like the surface or the back of leaves. 2. lines - various lines are found in the surface of leaves: (thick, thin, jagged, smooth, curved, straight) 3. shapes- shapes of leaves can be circular, oval, pointed oval, jagged edges 4. design motifs - can be rectangular, oval, square, circular, triangular . MATERIALS, RESOURCES 1. different kinds of leaves with veins that are clear, or whose shapes are unnusual 2. paint which can be dripped on a wet sponge, or stamp pad with ink, 3. a brush or cloth to apply the ink or dye on the leaf. 4. old newspapers, rags, water PROCEDURE MOTIVATION: demonstrate the steps in doing a leaf print 1. assign students the day before this lesson to bring leaves with defined veins and those with unusual shapes(like guava , San Francisco, papaya, etc) 2 show samples of leaf prints 3. have materials and equipment ready: leaves, dyes or stamp pad, thick paint on wet sponge, old newspapers, rags. PROCESS .1. using a brush or balled cloth or sponge, get a modest amount of ink 2... dab the ink on the veined part of the leaf. Dye or ink should not be too watery or too dry. Ink the raised part of the veins of the leaf and ink the whole leaf.
- 8. 8 8K-12 Art Curriculum for Grade 7, Teacher Guide - AAP K to 12 ART for GRADE 7 SECOND QUARTER: PRINTMAKING MODULE 5 – PRINTMAKING TECHNIQUES AND PROCESSES LESSON 1, ACTIVITY 2 : LEAF PRINTS 3. press the inked part of the leaf on an absorbent piece of paper or textile. 4. place a newspaper sheet on top of the leaf and rub well over the leaf so the inked side will be imprinted onto the paper. 5. lift newspaper and inked leaf carefully to see the imprint of the leaf. 6. check if the print is clear, and distinct. If not keep on practicing inking, pressing the leaf until you get a good print. 7. plan the design of the leaf prints so they follow a pattern or shape (radial, rectangular, square, oval, etc..) PRINTING Let students do their own prints. Allow them to make several attempts and trials until they are able to create a clean and distinct print. Remind them that printing of the leaf should not at random, but they should decide the shape of the print design . . APPRECIATION and ASSESSMENT Once the design is completed, hang the paper to dry. If there is time, another leaf and design pattern can be printed. Combining different leaf shapes would make an interesting shape. Judge the leaf print on the same criteria used in appreciating and judging the rubbings. a. is the print clear? b. does the leaf that was selected unusual in shape? c. was there a clear impression of the veins of the leaf? d. what kind of design pattern was created? Write your reactions and thoughts in the REFLECTION page of the Learning Guide.
- 9. 9 9K-12 Art Curriculum for Grade 7, Teacher Guide - AAP K to 12 ART for GRADE 7 SECOND QUARTER: PRINTMAKING MODULE 5 PRINTMAKING PROCESS IN THE PHILIPPINES LESSON 2: PRINTMAKING TECHNIQUES AND PROCESSES ACTIVITY 3: PRINTS FROM VEGETABLES and FRUITS __________________________________________________________________ Time Allotment: 1 session – I hour Lesson Summary ART HISTORY ART PRODUCTION ART APPRECIATION ART CRITICISM Printmaking was done by people from different parts of the world to create designs on paper, textile or on walls. The objects printed often times came from natural objects like vegetables and and fruits. Create a print from different cut old vegetables or cross section of fruits and compose these using different designs: radial, repeated motifs, alternating motifs contrasting motifs. Product: cards, cover Vegetable or fruit prints exhibit a variety of texture and lines because the cut vegetables or fruits have interesting shapes,. . Clarity and design in a print is achieved by doing a clear print and by arranging the object print following a design that is radial, border design, repeated, alternating or contrasting. OBJECTIVES The student will: 1. realize that nature is a rich source for objects that can be printed, like the various fruits and vegetables: potatoes, okra, stalk of the banana leaf, onions, calamansi, tomato, ampalaya, tomato, that when cut, have interesting cross sections 2. be able to create prints using cross sections of old vegetables and fruits and make a pattern out of different fruit or vegetable prints. 3. appreciate how men were able to create unique prints from vegetables and fruits and describe the different patterns created from prints. ART VOCABULARY ( ELEMENTS) 1. vegetable or fruit print 2. cross section 3. natural dyes 4. textures - veiny, rough, spotted, dotted, striated, ribbed
- 10. 10 10K-12 Art Curriculum for Grade 7, Teacher Guide - AAP K to 12 ART for GRADE 7 SECOND QUARTER: PRINTMAKING MODULE 5 PRINTMAKING PROCESS IN THE PHILIPPINES LESSON 2: PRINTMAKING TECHNIQUES AND PROCESSES ACTIVITY 3: PRINTS FROM VEGETABLES and FRUITS __________________________________________________________________ RESOURCES, MATERIALS 1. samples of vegetable and fruit prints 2. print making materials: natural or manmade dyes paint on cloth or sponge brushes or cloth rolled in a ball old newspapers, rags, water PROCEDURE MOTIVATION Show samples of prints from vegetables and fruits and ask students to identify it. Demonstrate how to create a print using vegetable and fruit cross sections: Ink the object by brushing or stamping the dye or ink or paint on the sponge. Press the inked object on paper or cloth and put pressure so the print is clear. PROCESS AND ASSESSMENT 1. Cluster the students by groups so they can share the materials. Ask them to Look at the Learning Guide to see how prints are done. 2. Let them plan how they will print the objects. Will the design be circular, oval, rectangular, or square? 3. Practice inking the object and printing it. The print must show distinct texture, Lines and designs of the fruit or vegetable. 4. If cards are going to be the end product, fold the paper and plan the design of placement of the prints. 5. Assign the groups to create prints : a. from one vegetable only b. from a combination of 2 fruits c. show overlapping prints as a variation 6. Hang prints to dry and display, so others can appreciate and assess them. Use the standard criteria used for rubbings and judge the fruit and vegetable prints, their own and those of others. 7 . Fill up and write their thoughts and reactions on the Reflection Page in their guide.
- 11. 11 11K-12 Art Curriculum for Grade 7, Teacher Guide - AAP K to 12 ART for GRADE 7 SECOND QUARTER: PRINTMAKING MODULE 5 PRINTMAKING PROCESS IN THE PHILIPPINES LESSON 2: PRINTMAKING TECHNIQUES AND PROCESSES ACTIVITY 4 : STENCIL PRINTS ______________________________________________________________________ Time Allotment: 1 session – I hour Lesson Summary ART HISTORY ART PRODUCTION ART APPRECIATION ART CRITICISM To decorate a big surface and repeat A design or motif, People in the older times used stencils. Create a stencil from thick paper, plastic or wax paper by cutting out the shape or letters you want printed. Stencils allow the artist to replicate his/her design many times over.. This is found in borders of walls or on walls, or for posters and T- shirts.. Clarity and design in a print is achieved by doing a clear print and by arranging the object print following a design that is radial, border design, repeated, alternating or contrasting. OBJECTIVES The student will: 1. know the history of stenciling, since it is a tradition in countries like India and France and the early American people. 2. create a simple stencil using letters and a variety of geometric or natural shapes, which can be used on T-shirt or cloth or a big poster. 3. appreciate the skill of those who can print stencils with artistry, neatness and accuracy. ART VOCABULARY Stencil - has the design cut out from the paper or waxed paper Brayer or roller – another way of applying the paint or ink, using a rubber roller Sponge stamp – stamping the ink on the cut out portions of the stencil using the sponge with paint printer’s ink or acrylic ink - different kinds of ink for textile or any surface. RESOURCES, MATERIALS Check Learning Guide for steps demonstrated in creating a stencil and printing it Waxy paper or plastic Sponges Acrylic or water-based ink in black or different colors (from the hardware)
- 12. 12 12K-12 Art Curriculum for Grade 7, Teacher Guide - AAP K to 12 ART for GRADE 7 SECOND QUARTER: PRINTMAKING MODULE 5 PRINTMAKING PROCESS IN THE PHILIPPINES LESSON 2: PRINTMAKING TECHNIQUES AND PROCESSES ACTIVITY 4 : STENCIL PRINTS ______________________________________________________________________________ PROCEDURE MOTIVATION 1. Display products that have stenciled designs: T-shirts, mugs, posters, cards, bags, book covers etc. 2. Discuss with students how the prints were made. 3. Demonstrate (if students know the process, let them do the demonstration) The steps in stencil printing. (Look at the Learning guide) PROCESS 1. Student draws his/her design on a piece of paper. 2. Cut out the parts you want printed by using a pair of scissors or cutter. Exercise caution when using sharp tools like the cutter. Use old newspapers under the paper when using a cutter. 3. Place the cutout stencil on top of the paper or T-shirt or cloth and using a Sponge, dab some paint or ink and make sure there is no excess. Dab the Sponge on newspaper to check the consistency and thickness of the paint. 4. Once the design is printed, lift the paper and place it on another paper Or cloth and repeat the process. ASSESSMENT 1. Hang the stenciled paper or cloth to dry and display after. 2. Select the works with well-printed stencils; with well-planned designs and clear letters. 3. Which stenciled products can be sold in the future? How can people make A business out of stencil printing?
- 13. 13 13K-12 Art Curriculum for Grade 7, Teacher Guide - AAP K to 12 ART for GRADE 7 SECOND QUARTER: PRINTMAKING MODULE 5 PRINTMAKING PROCESS IN THE PHILIPPINES LESSON 2: PRINTMAKING TECHNIQUES AND PROCESSES ACTIVITY 5 - LINO CUT AND WOOD CUT __________________________________________________________________ Time Allotment: 1 session – 1 hour Lesson Summary ART HISTORY ART PRODUCTION ART APPRECIATION ART CRITICISM Printmaking has many techniques. Wood cut and wood blocks were used for printing books and their illustrations. An easier medium are linocuts, since it is made of rubber. Presently, We have many artists using different media to create prints. Create a print using small rubber sheets or soft wood like palo china or batikuling. The master plate has to be carved using sharp woodcarving tools. Rubber or wood master plates can print hundreds of prints like in the making of a book when printing presses were not yet invented. Artists carved those unique prints. Clarity and design in a print is achieved by using sharp tools in carving the lines and textured areas. A good print shows contrast in lines and textured areas. OBJECTIVES The student will: 1. look at the works of different Pilipino printmakers and analyze their different styles and topics and what makes each one distinct. 2. create a lino cut or woodcut by learning how to use carving tools carefully and with enough skill to be able to create different kinds of lines and textures, and to be able to print several editions of the print. 3. recognize a good print by its qualities: clear and crisp lines and contrasts between textured and linear areas and solid areas; variety of lines and shapes; clear images. ART VOCABULARY 1. lino cut 2. wood cut 3. brayer or roller 4. carving; carving tools 5. printer’s ink 6. artist’s edition 7. original print
- 14. 14 14K-12 Art Curriculum for Grade 7, Teacher Guide - AAP K to 12 ART for GRADE 7 SECOND QUARTER: PRINTMAKING MODULE 5 PRINTMAKING PROCESS IN THE PHILIPPINES LESSON 2: PRINTMAKING TECHNIQUES AND PROCESSES ACTIVITY 5 - LINO CUT AND WOOD CUT __________________________________________________________________________________ ART ELEMENTS AND PRINCIPLES 1. texture – created by using different carving tools (V-shape; u-shape) 2. lines - thin lines and thick lines, rough lines, jagged lines created by using different carving tools 3. contrast of negative and positive space – created by carved areas and solid areas MATERIALS AND RESOURCES 1. rubber sheet (sole of shoes and slippers) 2. wood block (palo china or any soft wood that can be carved by woodcut tools) 3. wood cut tools 4. printer’s ink 4. roller or brayer 5. cloth to put under the rubber or wood plate 6. absorbent paper or textile PROCEDURE MOTIVATION Show the prints of different Pilipino printmakers and ask the students to discuss the different styles, compositions and topics of each. Demonstrate the steps for making a linocut or woodcut. PROCESS 1. Draw the design of the lino cut, using thick crayons so that the contrast between carved area and solid area is clear. 2. Carve out the areas that are meant to be white and carve the texture the other areas 3. Make a rubbing first by putting soft paper on top of your rubber or wood block to see if there is a strong contrast between the white, the black and the textured areas. If not, continue carving more areas. 4. For the final print, ink the plate by using the roller or brayer to spread the ink evenly over the surface. Too much ink will smudge the plate and too thin or little ink will create a blurry print. It takes practice to ink a plate, so do several trials.
- 15. 15 15K-12 Art Curriculum for Grade 7, Teacher Guide - AAP K to 12 ART for GRADE 7 SECOND QUARTER: PRINTMAKING MODULE 5 PRINTMAKING PROCESS IN THE PHILIPPINES LESSON 2: PRINTMAKING TECHNIQUES AND PROCESSES ACTIVITY 5 - LINO CUT AND WOOD CUT _______________________________________________________________________________ APPRECIATION AND ASSESSMENT 1. Display several editions of the print and choose the better prints for exhibit. 2. Give comments about your work: the original plate; the prints; contrasts achieved by the carved areas and the solid areas. Comment on how your print can be improved. 3. view the prints of the students in the class. Pick out and acknowledge the outstanding prints and give reasons for your choice. 4. Write your comments on the Reflection Page in the Learning Guide. 5. Discuss how you can use prints to make a livelihood or for your own use. Since you can produce multiple prints, with whom will you share your prints.