1. This document discusses different editing styles used in film, including realism styles like long takes and sequence shots, as well as classical, formalist, and abstract styles.
2. Continuity editing aims to present scenes in a seamless way through techniques like matching shots based on time and location. Discontinuity editing breaks these conventions.
3. Formalist filmmakers like Eisenstein explored montage and juxtaposition of shots to convey meaning and dialectical conflicts. Films like Battleship Potemkin and Un Chien Andalou employ abstract cutting styles.