Anti Climactic
•   Give examples of descending paragraphs.

•   Provide various but interrelated definitions for
    descending paragraphs.

•   List steps on how to properly write descending
    paragraphs.
•   The automobile accident resulted in serious damage. 
    The passenger in the VW was hurled through the
    windshield; her throat was  slashed and she bled to
    death before the paramedics arrived.  The VW driver
    had both his legs broken.  The driver of the Mercedes
    showed us his black and blue ribs from when his air
    bag deployed.  My sister, who was sleeping on the
    back seat of the Mercedes, bumped her face and had
    a swollen lip.  The front of the VW bug was crushed,
    and the Mercedes had scratches on its front bumper
    and grill. 
•   It also known as the anticlimactic paragraph.
•   It   shows   an   abrupt     shift   from   a   serious   or
    noble tone to a less exalted one--often for comic
    effect.
•   It also refers to an unexpected twist in the plot, an
    incident marked by a sudden diminishment of
    intensity or significance.
•   It is basically the anti-thesis of climactic paragraphs:
    descending paragraphs fizzle out with details that are
    so minor that basically seem irrelevant if not for their
    connection to the main idea.
•   As he hesitated over the after-dinner drink, she intervened to
    say, 'Oh, let’s have sherry rather than brandy by all means.
    When I sip sherry, it seems to me that I am transported from
    the everyday scenes by which I may, at that moment, be
    surrounded. The flavor, the aroma, bring to mind irresistibly--
    for what reason I know not--a kind of faerie bit of nature: a
    hilly field bathed in soft sunshine, a clump of trees in the
    middle distance, a small brook curving across the scene,
    nearly at my feet. This, together with the fancied drowsy
    sound of insects and distant lowing of cattle, brings to my
    mind a kind of warmth, peace, and serenity, a sort of
    dovetailing of the world into a beautiful entirety. Brandy, on
    the      other       hand,        makes        me        fart.'"
    (Isaac Asimov's Treasury of Humor, 1971)
•   Begin with the sentence that you think brings the most
    impact to potential readers.
•   As you work through the sentences, remember the
    flow of action. It should eventually diminish in effect.
•   As you near the end of writing the paragraph, make
    sure that you have made full use of your weakest
    sentences and included the most minor of details.
•   End the paragraph with the weakest sentence
    possible.
•   "He died, like so many young men of his generation,
    he died before his time. In your wisdom, Lord, you
    took him, as you took so many bright flowering young
    men at Khe Sanh, at Langdok, at Hill 364. These young
    men gave their lives. And so would Donny. Donny,
    who loved bowling."
    (The Big Lebowski, 1998)
The End.

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Anti Climactic

  • 2. Give examples of descending paragraphs. • Provide various but interrelated definitions for descending paragraphs. • List steps on how to properly write descending paragraphs.
  • 3. The automobile accident resulted in serious damage.  The passenger in the VW was hurled through the windshield; her throat was  slashed and she bled to death before the paramedics arrived.  The VW driver had both his legs broken.  The driver of the Mercedes showed us his black and blue ribs from when his air bag deployed.  My sister, who was sleeping on the back seat of the Mercedes, bumped her face and had a swollen lip.  The front of the VW bug was crushed, and the Mercedes had scratches on its front bumper and grill. 
  • 4. It also known as the anticlimactic paragraph. • It shows an abrupt shift from a serious or noble tone to a less exalted one--often for comic effect. • It also refers to an unexpected twist in the plot, an incident marked by a sudden diminishment of intensity or significance. • It is basically the anti-thesis of climactic paragraphs: descending paragraphs fizzle out with details that are so minor that basically seem irrelevant if not for their connection to the main idea.
  • 5. As he hesitated over the after-dinner drink, she intervened to say, 'Oh, let’s have sherry rather than brandy by all means. When I sip sherry, it seems to me that I am transported from the everyday scenes by which I may, at that moment, be surrounded. The flavor, the aroma, bring to mind irresistibly-- for what reason I know not--a kind of faerie bit of nature: a hilly field bathed in soft sunshine, a clump of trees in the middle distance, a small brook curving across the scene, nearly at my feet. This, together with the fancied drowsy sound of insects and distant lowing of cattle, brings to my mind a kind of warmth, peace, and serenity, a sort of dovetailing of the world into a beautiful entirety. Brandy, on the other hand, makes me fart.'" (Isaac Asimov's Treasury of Humor, 1971)
  • 6. Begin with the sentence that you think brings the most impact to potential readers. • As you work through the sentences, remember the flow of action. It should eventually diminish in effect. • As you near the end of writing the paragraph, make sure that you have made full use of your weakest sentences and included the most minor of details. • End the paragraph with the weakest sentence possible.
  • 7. "He died, like so many young men of his generation, he died before his time. In your wisdom, Lord, you took him, as you took so many bright flowering young men at Khe Sanh, at Langdok, at Hill 364. These young men gave their lives. And so would Donny. Donny, who loved bowling." (The Big Lebowski, 1998)