Bibliographic Guide To Chicana And Latina Narrative Kathy S Leonard

Bibliographic Guide To Chicana And Latina
Narrative Kathy S Leonard download
https://ebookbell.com/product/bibliographic-guide-to-chicana-and-
latina-narrative-kathy-s-leonard-2171452
Explore and download more ebooks at ebookbell.com

Here are some recommended products that we believe you will be
interested in. You can click the link to download.
A Bibliographic Guide To Resources In Scientific Computing 19451975
Annotated Edition Jeffrey R Yost
https://ebookbell.com/product/a-bibliographic-guide-to-resources-in-
scientific-computing-19451975-annotated-edition-jeffrey-r-yost-1642040
A Bibliographic Guide To North American Industry History Health And
Hazardous Waste Dale A Stirling
https://ebookbell.com/product/a-bibliographic-guide-to-north-american-
industry-history-health-and-hazardous-waste-dale-a-stirling-1999470
Thesaurus Linguae Graecae A Bibliographic Guide To The Canon Of Greek
Authors And Works Maria C Pantelia
https://ebookbell.com/product/thesaurus-linguae-graecae-a-
bibliographic-guide-to-the-canon-of-greek-authors-and-works-maria-c-
pantelia-51823472
Thesaurus Linguae Graecae A Bibliographic Guide To The Canon Of Greek
Authors And Works Maria C Pantelia
https://ebookbell.com/product/thesaurus-linguae-graecae-a-
bibliographic-guide-to-the-canon-of-greek-authors-and-works-maria-c-
pantelia-48980544

Bibliographical Guide To The Study Of The Troubadours And Old Occitan
Literature Robert A Taylor
https://ebookbell.com/product/bibliographical-guide-to-the-study-of-
the-troubadours-and-old-occitan-literature-robert-a-taylor-50902338
Ryukyu A Bibliographical Guide To Okinawan Studies Surveying Important
Primary Sources And Writings In Ryukyuan Japanese Chinese And Korean
Shunzo Sakamaki
https://ebookbell.com/product/ryukyu-a-bibliographical-guide-to-
okinawan-studies-surveying-important-primary-sources-and-writings-in-
ryukyuan-japanese-chinese-and-korean-shunzo-sakamaki-51897332
The Seaforth Bibliography A Guide To More Than 4000 Works On British
Naval History 55bc 1815 Eugene Rasor
https://ebookbell.com/product/the-seaforth-bibliography-a-guide-to-
more-than-4000-works-on-british-naval-history-55bc-1815-eugene-
rasor-51301686
Guide To League Of Nations Publications A Bibliographical Survey Of
The Work Of The League 19201947 Hans Aufricht
https://ebookbell.com/product/guide-to-league-of-nations-publications-
a-bibliographical-survey-of-the-work-of-the-league-19201947-hans-
aufricht-51909300
A Guide To The Literature On Semirings And Their Applications In
Mathematics And Information Sciences With Complete Bibliography 1st
Edition Kazimierz Gazek Auth
https://ebookbell.com/product/a-guide-to-the-literature-on-semirings-
and-their-applications-in-mathematics-and-information-sciences-with-
complete-bibliography-1st-edition-kazimierz-gazek-auth-4259484

BIBLIOGRAPHIC GUIDE TO CHICANA
AND LATINA NARRATIVE

Recent Titles in
Bibliographies and Indexes in Women's Studies
Women and Work in Developing Countries: An Annotated Bibliography
Parvin Ghorayshi, compiler
Acquaintance and Date Rape: An Annotated Bibliography
Sally K. Ward, Jennifer Dziuba-Leatherman, Jane Gerard Stapleton,
and Carrie L. Yodanis, compilers
French Women Playwrights before the Twentieth Century: A Checklist
Cecilia Beach, compiler
French Women Playwrights of the Twentieth Century: A Checklist
Cecilia Beach, compiler
Sexual Harassment: A Selected, Annotated Bibliography
Lynda Jones Hartel and Helena M. Von Ville
Women's History: A Guide to Sources at Hagley Museum and Library
Lynn Ann Catanese
Index to Translated Short Fiction by Latin American Women in English
Language Anthologies
Kathy S. Leonard, compiler
Margaret Fuller: An Annotated Bibliography of Criticism, 1983-1995
Joel Myerson, compiler
Kate Chopin: An Annotated Bibliography of Critical Works
Suzanne Disheroon Green and David J. Caudle
Women and Mass Communications in the 1990's: An International,
Annotated Bibliography
John A. Lent, compiler
Women in Global Migration, 1945-2000: A Comprehensive
Multidisciplinary Bibliography
Eleanore O. Hofstetter
Women and the American Civil War: An Annotated Bibliography
Theresa McDevitt

BIBLIOGRAPHIC GUIDE TO CHICANA
AND LATINA NARRATIVE
Kathy S. Leonard
Bibliographies and Indexes in Women's Studies, Number 31
PRAEGER Westport, Connecticut
London

Library of Congress Cataloging-in-Publication Data
Leonard, Kathy S., 1952-
Bibliographic guide to Chicana and Latina narrative / Kathy S. Leonard.
p. cm.—(Bibliographies and indexes in women's studies, ISSN 0742-6941 ; no. 31)
Includes indexes.
ISBN 0-313-31987-1 (alk. paper)
1. American literature—Mexican American authors—Bibliography. 2. American
literature—Hispanic American authors—Bibliography. 3. Women and literature—United
States—Bibliography. 4. Hispanic American women in literature—Bibliography. 5.
Mexican American women in literature—Bibliography. 6. American literature—Women
authors—Bibliography. 7. Hispanic Americans in literature—Bibliography. 8. Mexican
Americans in literature—Bibliography. I. Title. II. Series.
Z1229.M48 L46 2003
[PS153.M4]
016.8109/
9287,
08968—dc21 2002069607
British Library Cataloguing in Publication Data is available.
Copyright © 2003 by Kathy S. Leonard
All rights reserved. No portion of this book may be
reproduced, by any process or technique, without the
express written consent of the publisher.
Library of Congress Catalog Card Number: 2002069607
ISBN: 0-313-31987-1
ISSN: 0742-6941
First published in 2003
Praeger Publishers, 88 Post Road West, Westport, CT 06881
An imprint of Greenwood Publishing Group, Inc.
www.praeger.com
Printed in the United States of America
@r
The paper used in this book complies with the
Permanent Paper Standard issued by the National
Information Standards Organization (Z39.48-1984).
10 987654321

Contents
Acknowledgments vii
Preface ix
Author/Title Index 1
Title/Author Index 63
Anthology Index 129
Novel Index 203
Autobiography/Biography Index 253
Other Useful Resources 267

This page intentionally left blank

Acknowledgments
I wish to gratefully acknowledge Iowa State University for granting me a year
of sabbatical in 2000-2001, thus providing me with uninterrupted time to work on
this manuscript. I would also like to thank Arlene Morales and Adriana Santos, my
student assistants at Iowa State University, who helped research materials for this
volume and for data preparation. As always, I thank Michael Porter for reviewing
many portions of this manuscript and for his continued understanding of my
research activities that often require long absences from home.

Preface
Introduction
In 19971 published a volume titled Index to TranslatedShort Fiction by Latin
American Women in EnglishLanguage Anthologies, and while reviewing countless
volumes to be included in the book, I inevitably came across a great deal of work
by Latina and Chicana authors, work that did not fit the criteria for the bibliography
I was compiling, specifically because it did not involve Latin American authors
whose work had been translated from Spanish to English. I initially discarded this
material because it did not suit my needs, but was soon convinced by the sheer
numbers of publications that another bibliographic guide detailing this work was
needed. This motivated me to create this current volume, which I hope will serve
as a useful resource for those who wish to further explore the richness and
complexities of Latina and Chicana narrative.
Purpose
This guide was created to allow scholars, university instructors, students, and
other interested readers quick, easy, and complete access to the narrative work by
Chicana and Latina authors.
As I complete this book at the close of 2002,1 can say with some authority that
literature by Chicana and Latina writers is currently receiving a great deal of
attention from publishers and readers alike; however, no reference guide such as
this one was previously available, thus hindering access to specific pieces of
narrative. If students and scholars are to make Chicana and Latina literature the
focus of serious study and research, reference materials similar to this book are
necessary.

X Preface
Organization
This volume contains five indices: Author/Title Index, Title/Author Index,
Anthology Index (A), Novel Index (N), and Autobiography/Biography Index (AB).
Each entry in the indices is accompanied by a code number which is used for cross-
referencing in the other indices. There is no alpha-numeric code to indicate entries
in the Title/Author and Author/Title indices since these are complete lists in
alphabetical order of the work included in the other indices. There is a great deal
of repetition and overlap among the indices, which is intentional. As a researcher,
I found many of the bibliographies I consulted difficult to work with due to the
constant necessity to flip from one index to another. This guide is organized for
ease of use and each index provides a variety of information, often eliminating the
need to refer to the others. If a reader is searching for a particular author name, s/he
may find it listed in alphabetical order in the Author/Title Index which then guides
them by code number to the other indices where that author's work appears. For
example, if a work is an autobiography, the reader will see the code AB followed
by the first letter of the author's last name and a number. Readers can then turn to
the Autobiography Index and easily find the entry by the proper code number. If the
reader is searching for a particular title, it may be found in the Title/Author Index
which contains all individual pieces of short narrative, as well as novels,
autobiographies, and anthologies, listed in alphabetical order according to title,
followed by the author's name and the code number where the work is identified by
genre and location in this guide. A reader interested in locating all works by a
particular author can find them in the Author/Title Index where entries are
organized by author name in alphabetical order followed by all her narrative pieces.
Some works appear in more than one index; for example, several autobiographical
and biographical works also appear in the Anthology Index where individual
narrative pieces are listed in full. These include work such as Marjorie Agosin's The
Alphabet in My Hands: A Writing Life (AB Al. 1 and A Al); Judith Ortiz Cofer's
Bailando en silencio: escenas de una ninezpuertorriquena (AB 01 and A 07.1);
and Sheila and Sandra Ortiz Taylor's Imaginary Parents (AB 02 and A 08),
among others.
Author names are alphabetized according to English-language conventions. For
example, there are a number of surnames which begin with "de" or "de la," as found
in Elba de Baca or Terri de la Pena. When alphabetizing such names, the
convention in Hispanic countries is to list them as follows: Baca, Elba de. I have
chosen to list these names under "D" considering the "de" the first element in the
last name. This approach is taken due to the nature of the work, which I feel may
be consulted by many readers who may not be speakers of Spanish and may not be
familiar with the conventions of alphabetization of Spanish surnames.
Included at the end of the volume is a bibliography of other useful resources
dealing with Latino and Chicano literature, some of which are forthcoming at the
time of completion of this volume.

Preface xi
Scope
The indices in this volume include all forms of narrative: short story,
autobiography, novel, and novel excerpt, written by both Chicana and Latina writers
(women), in both Spanish and English (and at times a mixture of both) dating from
the early 1940's to 2002. Over 2, 750 individual works are included by nearly 600
authors; this includes approximately 2,100 individual pieces of short narrative, 80
autobiographies, 190 anthologies, and 375 novels.
There has been no attempt to group the works included here by theme, although
some of the anthologies themselves are organized in such a manner. There has been
an increase since the late 1980's in the number of anthologies dedicated to lesbian
literature and a number of Latina and Chicana authors are represented in these
volumes. See for example: Pat Califia, Doing Itfor Daddy, Short and Sexy Fiction
about a Very Forbidden Fantasy (A Cl); Nisa Donnelly, Mom: Candid Memoirs
by Lesbians about the First Woman in Their Lives (A Dl 1); Lillian Faderman,
Chloe Plus Olivia: An Anthology of Lesbian Literature from the Seventeenth
Century to the Present (A Fl); and Nicole Foster, Electric: Best Lesbian Erotic
Fiction (A F8). However, the majority of the anthologies listed in this guide simply
gather into one volume a variety of writers whose only commonality is that of being
designated as Latina, Chicana, or Hispanic. Within those anthologies, the thematic
content of the narrative may vary dramatically.
The novels included in this guide are also very diverse in their thematic
content. Of interest are a series of novels which creates a very interesting, though
not surprising, addition to Latina literature. While browsing in a bookstore in
Miami, I discovered a series of romance novels, some written in English, some in
Spanish, and some published bilingually, by Pinnacle Books under their Encanto
imprint. These novels are formulaic romances, some better written than others, all
of approximately 200 pages in length, and all supposedly written by Latina authors.
These novels are written specifically to appeal to Latina readers; they typically deal
with Latina protagonists living in the United States who have ties to Latin American
countries, or who become involved with men from one of these countries.
Work that is not found in this guide includes narrative pieces published in
periodicals or literary journals, with the exception of several journals which are
special issues made into anthologies. Some of these include: Calyx: A Journal of
Art and Literature by Women. Bearing Witness/Sobreviviendo, An Anthology of
Native American/Latina Art and Literature (A C20); De colores: Journal of
Chicano Expression and Thought (A A13); and The Archipelago: New Writing
from and about the Caribbean (A Al 1). Although many interesting dissertations
have appeared in the last few years dealing with Latina and Chicana narrative and
autobiography, these are not included in this volume. Many ofthe anthologies listed
in the Anthology Index contain an overwhelming number of pieces by male authors
whose work is not included as it falls outside the scope of this volume. I have
chosen to exclude children's literature (geared toward readers under 12 years of
age) but have included adolescent literature (for readers 12 years of age and above)
since there is a substantial number of publications in this area. Several types of

xii Preface
work which could be considered narrative, specifically folktales or stories based on
oral traditions, are not included since my intent is for the reader to become familiar
with the work of specific authors, and typically, folktales and oral stories are
anonymous.
My desire was to include in this volume all work published up until the moment
the manuscript was due to the publisher. Although I have listed a number of works
published in 2001 and 2002, some of these were unavailable for annotation, which
is clearly indicated. There are a few older works that also were not available to me
for various reasons and I was therefore unable to fully annotate them.
A Word about Terminology
The act of labeling is a very tricky business, and even more so when attempting
to classify writers whose backgrounds and experiences may be similar, yet
dissimilar enough to warrant the use of various terms to identify them. I have
chosen to utilize in the title of this work the terms "Chicana" and "Latina," as most
of the literature reviewed for inclusion makes use of those terms, which are also
commonly accepted in the academic world.
A number of anthologies, such as Under The Pomegranate Tree: The Best New
Latino Erotica (A G7.2), combine the work of Latina, Chicana, and Latin American
authors under the heading "Latina." Elena Poniatowska, who is Mexican, not
Latina, appears with this group of authors, and although I have included her work
in the annotation of this anthology, I have not listed her other work in this guide.
A number of the anthologies listed in this volume do not adequately identify
the authors as either Latina, Chicana, Hispanic, Mexican-American, or Latin
American; in such cases, I drew from my knowledge and experience to determine
if an author fit within the proper category. However, for the most part, this guide
includes authors of Mexican-American, Cuban-American, Dominican-American,
and Puerto Rican-American descent as well as other writers of Hispanic descent
who were either born or raised in the United States. A number of Latin American-
born authors who have resided in the United States for many years are also included
(Marjorie Agosin and Isabel Allende, both Chileans, for example) because they
refer to themselves as Latina or have been referred to as such by critics of their
work. In most cases, without consulting directly with an author, it would be
impossible to know how or if she categorizes herself. Rather than trying to second
guess an author's desires, I prefer to err on the side of inclusion rather than
exclusion.
Language Use
Many Latina and Chicana authors are completely bilingual and publish in both
languages while others are monolingual and publish only in English. A number of
works listed in this guide reflect the linguistic experimentation of their authors,
incorporating elements of both Spanish and English. The result, which may be
"Spanglish," or "code-switching" (two separate phenomena), is something that

Preface xm
characterizes the writers' private and public lives. The authors often utilize these
linguistic forms to create a voice for themselves as well as for their characters,
voices that reflect their realities. Edith Vasquez, a young Chicana writer who uses
code-switching in her award-winning short story "Rosaura's Wings" (A M5), states,
"...code-switching is not just the facile switch from Spanish to English, or vice
versa, but is a marker of a larger transformation, which includes linguistic
translation. And as much as a piece of writing contains the writer's presence in text,
the code switch represents all of the available sources for knowledge that the writer
has within reach." Vasquez's story is written in English but she utilizes a number
of Spanish words to name what she calls "cultural objects" (tequila, mezcal, reboso,
tia), objects which she says "convey a specific cultural milieu."1
We see a similar
bending of the linguistic rules in Denise Chavez's novel The Last of the Menu Girls
(N C6.1), where she employs multiple narrators and experiments with dialects and
accents. This linguistic experimentation is also prevalent in Margarita Cota-
Cardenas's novel Puppet (N C9), which is perhaps the best example of code-
switching. In work of this nature, some authors offer a Spanish-English glossary in
the appendices of their books or footnote shorter works, others do not, forcing
readers to use a dictionary when necessary. Some writers acknowledge that their use
of two intertwined linguistic codes is intentional and even calculated. Their goal
appears to be to force readers to acknowledge the use of Spanish and accept the fact
that it has become part of the American landscape.2
This use of both Spanish and
English has become so commonplace that we now see its use in many book titles,
a very recent one being Wdchale: Poetry and Prose about Growing up Latino
("wdchale" is Spanglish for "watch out").
Some readers may not be aware of the importance of language use by these
authors, but it should not be overlooked for it often focuses on cultural and national
identity. Some critics argue that in order to be a U.S. writer, one must write in
standard English, while others insist that in order to be a Latina writer, one must
write in standard Spanish. However, the majority of critics since the 1980's have
argued that Latina use of Spanish and English in all their vernacular forms is
actually the most successful way in which to represent characters whose lives are
enacted iri more than one language.
Conclusion: The current situation of Latina and Chicana writers
For many years Chicana and Latina authors faced great difficulties when
attempting to publish their work, although a select few Chicana authors managed
to have their work included in anthologies published in the late 1960's and
throughout the 1970's. These collections, however, were predominantly edited by
and filled with the work of male authors. I reviewed countless books from this era
that included no women authors at all. However, as I complete this volume in the
final months of2002, Chicana and Latina authors seem to have come into their own.
They are now highly sought after and are becoming more widely published. This is
due, in part, to publishing houses like Arte Publico Press in Houston that calls itself
"the oldest and most accomplished publisher of contemporary and recovered

XIV Preface
literature by U.S. Hispanic authors." Indeed, Arte Publico Press, as well as a
handful of other presses such as The Bilingual/Review Press, The University of
California Press, and the University of New Mexico Press, have transformed the
literary panorama for many Hispanic writers, which was bleak at best well into the
1970's and 1980's. In 1992, Arte Publico Press began a project titled Recovering
the U.S. Hispanic Literary Heritage, a national program that offers funding to
researchers with the goal of recovering, indexing, and publishing "lost" writing by
Latinos dating from the American colonial period through 1960. According to their
website,3
Arte Publico now publishes some 30 titles a year, including anthologies,
novels, autobiographies, poetry, and drama, in both Spanish and English. In 1994
they created an imprint dedicated to publishing children's and adolescent literature,
Pinata Books, which has been very active in the publication of books in both
Spanish and English by Latina and Chicana authors.
Latina writers who were once overlooked by the big New York publishing
houses are now experiencing a sort of frenzy to publish their work, especially in
anthologies. The number of anthologies of Hispanic literature published by trade
publishers (as well as by university presses) in the last two decades has risen
dramatically. A visit to almost any bookstore yields an impressive array of
anthologies, as well as novels, often set off in special sections of Hispanic literature.
It is also interesting to note that a significant number of works by Latina and
Chicana authors have been translated into a variety of languages, attesting to their
acceptance by diverse audiences. Work that was originally published in English, if
popular enough, has been subsequently published in Spanish. Sandra Cisnero's The
House on Mango Street, first published in English in 1984 by Arte Publico Press,
was then translated into Spanish by Elena Poniatowska and published in that
language in 1994. A few authors, such as Isabel Allende and Zoe Valdes, have had
all or nearly all of their novels translated into numerous languages. Julia Alvarez,
who writes in English, has seen her immensely popular novel In the Time of the
Butterflies translated into eleven languages.
There is no doubt that Chicana and Latina literature has expanded the canon;
its effects can be seen in the creation of centers dedicated to the study of Hispanic
literatures in all their splendor: Mexican-American, Cuban-American, Puerto Rican,
Nuyorican, Dominican-American, and Caribbean. Many universities are committed
to hiring academics versed in the field in order to expand their curricular offerings,
and as a result, these literatures have become the focus of serious study. It is clear
that there is an important movement taking place in North American cultural and
literary studies; Latina and Chicana voices, along with those ofother writers labeled
"multicultural," are attaining a prominence in North American letters that clearly
demonstrates the increased interest in diversity as it is reflected in the arts. It is now
undeniable that literature created in the United States by multicultural writers has
significant roots that reach beyond the country's borders. Women authors have
taken up their pens and are writing the complex and multi-faceted North American
story from an increasingly global perspective rather than from one that is narrowly
or nationally focused.

Preface xv
NOTES
1. Personal communication with the author.
2. Bridget Kevane and Juanita Heredia, eds., Latina Self Portraits: Interviews
with Contemporary Women Writers (Albuquerque: University of New Mexico
Press, 2000): 15.
3. See Arte Publico Press's website at: http://www.arte.uh.edu/.

Author/Title Index
Codes following each entry indicate the genre of the work and where it can be
found in the other indices. "A" indicates Anthology, and the piece is most likely a
short story and can be found in the Anthology Index. "AB" indicates that the work
is an autobiography and "N" represents novel. These works are fully indexed and
annotated in their respective indices. Narrative pieces appearing in more than one
anthology may show slight variations in their titles. Author names may also show
some variations from one work to another. All works and names are printed here as
they were encountered in the books reviewed. Male authors listed are editors of
anthologies that include Latina and Chicana writers.
Abundiz, Sandra
Sixteen and Older: A B5.
Adolfita de Baca, Elvera
Ben: A R4.
Agosin, Marjorie
A Basket of Books: A Al.
A Basket of Love: A Al.
A Bit of Luck: A Al.
A Book of Faces: A Al.
A Cat and a Chicken: A Al.
A Corsage of Happiness: A Al.
A Cross and a Star: Memories of a
Jewish Girl in Chile: AB Al.
A Day of Atonement: A Al.
A Divided Heaven: A Al.
A Foreigner's Nights: A Al
A Glorious Body: A Al.
A Place of Memories: A Al.
Abuelos: A ALL
Adelina: A Al.l; A A1.2; A M13.
Adolescent Literature: A D5.
Afternoon Tea: A Al.
Agua: A Al.l.
The Alphabet in My Hands:
A Writing Life: ABA1.1.
Alwaysfrom Somewhere Else:
A Memoir of My Chilean
Jewish Father: AB A1.2.
America and My Mother: A Al.
Amigas: Letters of Friendship and
Exile (with Emma Sepulveda-
Pulvirenti): AB A2.
The Amusement Park: A Al.
An Immense Black Umbrella: A 1.2.
An Invitation to Travel: A Al.
Anna: A Al.l.

2 Author/Title Index
Anne: A Al.
Apellidos: A Al.l.
Arrivals: A Al.
At First: A Al.
AuntLucha: A Al.
Autumn: A Al.
Autumn and Lovers: A Al.
Back to School: A Al.
The Backrooms: A Al.
The Balcony: A Al.
Baptisms: A Al.
Beds: A A 1.2.
The Beggar Woman: A Al.
Being Jewish: A Al.
Berkeley: A Al.
Birth: A Al.
Birthday: A Al.
Blood: A A 1.2.
The Blue Uniform: A Al.
The Bonfires: A Al.
The Book of God: A Al.
Books: A Al.
Borrowed Furniture: A Al.
Braids: A Al.2.
Bread: A Al.
The Burning of Judas: A Al.
Calama: A Al.
Camas: A Al.l.
Carmen Carrasco: A Al.
Cartographies: A A 1.2.
Cecilia: A Al.
Chepi: AA1.
Christmas Eve at the Pacific: A Al.
The City of Strangers: A Al.
Ciudadanos ilustres: A A1.1.
Clark Central High: A Al.
Claudina: A Al.
Colegios privados: A A1.1.
Confessions: A Al.
Copihue in Bloom: A Al.
Country: A Al.
Cumpleafios: A A1.1.
Curfew: A Al.
Dark Silence: A Al.
Day of Atonement:A Al.
Day off: A Al.
The Dead: A A 1.2.
Dead Languages: A Al.
The Deaf: A Al.
Death: A Al.
Delfina: AA1.
Desert Light: A Al.
Desire: A Al.
Dinner with the Aristocrats: A Al.
Disappeared: A Al.
Distant Root of Autumn Loves:
AA1.2.
Donlsaak: A Al.l.
The Dreams of Van Gogh: A A 1.2.
The Eiderdown: A A 1.2.
El cementerio del Cerro Moyaca:
AA1.1.
El dia del perdon: A A1.1.
El gesto de la ausencia: AB A 1.3.
El hermano de mi padre: A A1.1.
Elmiedo: A Al.l.
El patio de mis abuelos: A Al. 1.
Emma: AA1.1;AA1.2.
Escape: A Al.
Esclavas: A Al.l.
Eva: A Al.l.
The Exile: A Al.
Exile Begins: A Al.
Fat:AA1.2.
The Fiesta: A A 1.2.
The First Months: A Al.
First Time to the Sea: A A 1.2.
Fissures: A Al.
The Flying Squirrel: A A1.
Forests: A A 1.2.
Frida and Moises: A Al.
Frida, Friduca, Mami: A S2.2.
Gabriela: A Al.
Gardens: A Al.
The Georgia House: A Al.
Georgian Soil: A Al.
Gitanas: A Al.l.
The Godmothers: A Al.
Godmother's Shoes: A Al.
God's Place: A Al.

The Gold Bracelet: A A1.2.
Goodbye, Pablo Neruda: A Al.
The Goyim: A Al.
Grandmother's Shoes: A Al.
Grasa: A Al.l: A Al.
The Gringos: A Al.
Guardian Angels: A Al.
Guest: A Al.
Gypsy Women: A A 1.2.
Halloween: A Al.
Hanna Josefina: A Al. 1.
Happiness: A A 1.2.
Happiness: A A 1.2.
Hebrew: A Al.
The Hebrew Institute: A Al.
Helena: A Al.l.
Helena of Vienna: A Al.
The Hen: A Al.2.
High Treason: A Al.
Homecoming: A Al.
Hoteles: A Al.l.
The House: A Al.
Houses by the Sea: A A 1.2.
I Tell Them We Are from Here:
AA1.
Identities: A Al.
The Immigrant Girls: A Al.
Instrumentos de trabajo: A Al.l.
IslaNegra: A Al.
The Island of Swallows: A Al.
Israel: A Al.
Itinerants: A A 1.2.
Jerusalem 1973: A Al.
The Jewelry: A Al.
Jewish Dog: A Al.
Journey to the End of Coasts:
AA1.2.
Kiddush:AAl.l.
KolNidre:AAl.
La casa de mis abuelos: A A1.1.
La casa iluminada: A A1.1.
La dama de Viena: A Al. 1.
La escuela publica: A A1.1.
Lafelicidad: A Al.l.
Laplaya: A Al.l.
La puerta: A A1.1.
Latorre: A Al.l.
Languages: A Al.
The Last Goodbye: A A1.
Last Names: A Al.
Laura: A Al.
The Leper Colony: A Al.
Letters to Be Answered: A Al.
Liesl: A Al.l.
Linajes: A Al.l.
The Little Souls: A Al.
Long Live Life: A A 1.2.
Long Live Saint Peter!: A Al.
Looking-Glass Memory: A Al.
Los cementerios de la paz: A Al.l.
Los dientes de oro: A Al. 1.
Losmuertos: A Al.l.
Lostrenes: A Al.l.
Love Letters: A A1.2.
Magnolias: A Al.
Mama: A Al.
Mama Delfina: A Al.
Maquinas de coser: A Al.l.
March: A Al.
The Marconi Theater: A Al.
Maria: A Al.
Maria Luisa: A Al.
Matilde: AA1.
Meditation on the Dead: A A 1.2.
Memorial of Oblivion: A Al.
Memorias: A Al.l.
Memories: A Al.
Mirrors: A A 1.2.
Mis abuelos: A Al.l.
Molly McArthur: A Al.
Monserrat Ordofiez: A A 1.2.
Moshe: A Al.
The Movies: A Al.
Mr. Watson: A Al.
My Accent: A Al.
My Apron: A Al.
My Aunts: A Al.
My Birthday: A Al.
My Childhood: A Al.
My Cousin Rafael: A Al.

My Desk: A Al.
My Grandfather: A Al.
My History Teacher: A Al.
My House: A Al.
Naked: A A 1.2.
Names: A Al.
Nana: A Al.
Nape: A Al.
Neighbors and Friends: A Al.
New Year's by the Sea: A Al.
New Year's Day 1997: A Al.
Night: A Al.
Norte: A Al.l.
North: A A 1.2.
Of Parties and Other Audacities:
AA1.
Old Age: A Al.
Omama Helena: A Al.
Orphanages: A A 1.2.
The Other Women: A Al.
Pablo Neruda: A Al.
Passover: A Al.
Photographs: A A 1.2.
Photographs I: A Al.
Photographs II: A Al.
Photographs III: A Al.
The Piano: A Al.
Pisagua: A A 1.2.
Poetry: A Al.
The Pools: A Al.
Pork Sausages: A A 1.2.
Postales: A Al.l.
Prairies: A A 1.2.
Primera comunion: A A1.1.
Protection: A A1.
Pulchritude: A Al.
Quillota ociosa y tranquila: A Al. 1.
Rabbit Easter: A Al.
The Raft Girl: A Al.
Rain: AA1.
Raquel: A Al.l.
Raquel y Abraham: A A1.1.
Religious Education: A Al.
Rice Powder: A Al.
Rio de la plata: A A 1.2.
Rivers: A A 1.2.
Rodolfo y Marcos: A Al. 1.
The Roommate: A Al.
Rosh Hashanah: A Al.
The Rubber Tree: A A 1.2.
Russian Lady: A Al.
Sacred Song: A Al.
Sagrada memoria: Reminiscenicas
de una ninajudia en Chile:
ABA 1.4.
Samovar: A Al.l.
Sangre: A Al.l
Sargasso: A A 1.2.
The Seamstress from St.
Petersburg: A A1.2.
Sentada frente a la memoria
envejecida: A Al.l.
September 18: A Al.
The Servants: A Al.
Shabbat: AA1.
Signs of Love: A A 1.2.
Silences: A Al.
Slaves: A A 1.2. Small Change.
Small Change: A Al.
Snow: A Al.
Soledad: AA1.
Sonia Helena: A Al.
Souls: A Al.
The Sound of Women: A A1.
Spanish: A Al.
Spring: A Al.
St. John's Eve: A Al.
The Star of David: A Al.
The Stone House: A Al.
The Street: A Al.
Summers of Syrup: A Al.
Summer's End in My Country:
AA1.
Sundays: A Al.
Supersticiones: A Al.
Superstitions: A Al.
Tamara: A Al.
Tatuaje: A Al.l.
Tell Me a Story, Papa: A Al.
The Texture of Fear: A Al.

They Say: A Al.
Thinking about Oblivion: A Al.
TfasrAAl.l.
Tidal Pools: A Al.
To Be a Stranger: A Al.
To Breathe: A Al.
To Know the Night: A A1.
To Set Foot in America: A A1.
Train Station: A Al.
Travelers: A Al.
Traveling the Length of My
Country: A Al.
Travesia: A Al.l.
Una infancia precaria: A A1.1.
Violeta: AA1.
Wanderings: A Al.
Water: A Al.2.
Wax Candles: A A 1.2.
Wellesley College: A Al.
White: A Al.
Why Do I Write?: A Al
Will: A Al.l.
The Wind: A Al.
Wisdom: A Al.
With My Children: A Al.
With the Nanas: AA1.
Women Friends/Comadres: A Al.
Words: A Al.
You'll Learn It Tomorrow: A Al.
1940-LiceoEscutti: A Al.l.
Aguilar, Rebeca
Cristina 's Secret/ El secreto de
Cristina: N A1.
Aguilar, Ricardo
Palabra nueva: cuentos chicanos
(with Armando Armegol and
Oscar U. Somoza): A A2.
Alarc6n, Norma
The Sexuality ofLatinas (with
Cherrie Moraga and Ana
Castillo): A A3.
Alberro, Elaine
Forever True/Solo tuya: N A2.
Heart of Gold/Corazon de oro:
NA2.1.
Albi, F. E.
Sighs and Songs ofAztldn: New
Anthology ofChicano
Literature (with Jesus G.
Nieto): A A4.
Alcala, Diana
La frontera: A T5.
Alcala, Kathleen
A Pearl in the Desert: A A5.
Amalia: A A5.
The Canary Singer: A A5.
Espiritus de las pequehas cosas:
NA3.
The Fire of San Marcos: A A5.
Flora's Complaint: A A5; A SI6.
The Flower in the Skull: N A3.1.
Ghostwriting for the Archbishop:
AA5.
Gypsy Lover: A A5.
La Esmeralda: A A5.
Mrs. Vargas and the Dead
Naturalist: A A5.
Mrs. Vargas and the Dead
Naturalist: A A5; A G7.1.
Reading the Road: A A5.
Reflection in the Eye of a Crow:
AA5.
Spirits of the Ordinary: A Tale of
Casas Grandes: N A3.2
Sweetheart: A A5.
Taking Inventory: A A5.
The Transforming Eye: A A5.
Treasures in Heaven: N A3.3.
Alegria, Claribel
Ashes oflzalco: N A4.4.
Carcel pequena, carcel grande:
AA6.

David contra Goliat: A A6.
Death ofSomoza: The First Person
Story of the Guerillas Who
Assassinated the Nicaraguan
Dictator: N A4.5
Detenido: A A6.
El derecho a cantar: A A6.
El milagro de los panes y los peces:
AA6.
Empezar de cero: A A6.
En la Media Luna: A A6.
En las garras del aguila: A A6.
Estalla la bomba de tiempo: A A6.
Family Album: Three Novellas:
A A 6; N A4.
Felices Pascuas y un aflo nuevo
doloroso: A A6.
"La Grabadora": A A6.
La lucha reivindicativa: A A6.
La prueba de Juan Jose Dalton:
AA6.
La segunda huelga de hambre:
AA6.
Las desventuras de Jaime: A A6.
Luisa en elpais de la realidad:
NA4.1 .
Luisa in Realityland: N 4.2.
No me agarran viva: la mujer
salvadorena en la lucha:
ABA3.
Para romper el silencio:
resistenciay lucha en las
cdrceles salvadorehas:
AA6.1;NA4.6.
Poder popular: primeros pasos: A
A6.
Primera zona liberada: A A6.
Pueblo de Diosy de Mandina: con
el asesoriamiento cientifico de
Slim: N A4.7.
Story of the Guerillas Who
Assassinated the Nicaraguan
Dictator: NA5.3.
The Talisman: A A6.
Tardencilla novelista: A A6.
They Won't Take Me Alive:
Salvadoran Women Struggle
for National Liberation:
ABA3.1.
Tono liberado: A A6.
Traslado a Mariona: A A6.
Triunfo del poder popular A6.
Tunnel to Canto Grande: A Cross
between the Great Escape and
the Underground Railroad:
NA4.3.
Village of God and the Devil:
AA6.
Alegria Rosales, Victoria
To All Women Who Have Traveled
the Same Road As I: A A3.
Ali, Amina Susan
Memories of Her: A G5; A Tl.
Teenage Zombie: A G5; A Tl.
Allende, Isabel
A Discreet Miracle: A A7.
Afrodita: cuentos, recetas y toros
afrodisiacos: N A5.
And of Clay Are We Created:
AA7.
Aphrodite: A Memoir of the Senses:
NA5.1.
Aphrodite: The Love of Food and
the Food of Love: N A5.2.
Clarisa: A A7.
Daughter of Fortune: N A5.3.
De amory de sombras: N A5.4.
El plan infinito: N A5.5.
Ester Lucero: A A7.
£vtfIww*:NA5.6,NA5.7.
Gift for a Sweetheart: A A7.
The Gold of Tomas Vargas: A A7.
The House of the Spirits: N A5.8.
If You Touched My Heart: A A7.
The Infinite Plan: N A5.9.
Interminable Life: A A7.
The Judge's Wife: A A7.

La casa de los espiritus: N A5.10.
Letters of Betrayed Love: A A7.
The Little Heidelberg: A A7.
Of Love and of Shadows: N A5.11.
Our Secret: A A7.
/Wa:NA5.12,NA5.13.
Phantom Palace: A A7.
Portrait in Sepia: N A5.14.
The Proper Respect: A A7.
Retrato en sepia: una novela:
NA5.15.
Revenge: A A7.
The Road North: A A7.
The Schoolteacher's Guest: A A7.
Simple Maria: A A7.
The Stories of Eva Luna: A A7.
Toad's Mouth: A A7.
Tosca: A A7.
Two Words: A A7.
Wicked Girl: A A7.
Wilimai: A A7.
Alonso, Adela
Virgencita Danos Chance: A A3.
Alurista
Southwest Tales: A Contemporary
Collection (with Xelina Rojas-
Urista): A AS.
Alvarado, Elvira
Don't Be Afraid, Gringo (excerpts
from Don 7 Be Afraid Gringo:
A Honduran Woman Speaks
from the Heart): A A3.
Alvarez, Gloria
Desert Kiss/Besos en el desierto:
NA6.
Family Matters: N A6.1.
Isabel, mi amor: N A 6.6
Milagro de amor: N A6.2.
Miracle of Love-Milagro de amor:
NA6.3.
Tempting Delilah: N A6.4.
Tiisbokhet mishpahtit: N A6.5.
Winning Isabel/Isabel, mi amor:
N A6.6.
Alvarez, Julia
A Cafecito Story: N A7.
Antojos: A W2.
Before We Were Free: N A7.1.
Consuelo's Letter: A A12.
Cuando tia Lola vino de visita a
quedarse: N A7.2.
Customs: A P7.
Daughter of Invention: A A18; A
Rl.l.
De como las chicas Garcia
perdieron su acento: N A7.3.
Del Nino Jesus a Santiclo: A S2.
El doctor: A F6.
En el tiempo de las mariposas:
N A7.4.
How the Garcia Girls Lost Their
Accents: N 7.5.
How the Garcia Girls Lost Their
Accents (excerpt): A A13; A
Kl.
How Tia Lola Came to Visit/Stay:
NA7.6.
In the Name of Salome: N 7.7.
In the Time of the Butterflies:
NA7.8.
Joe: A N4.
The Kiss: AM13.
Nel nome de Salome: N A7.9.
New World: A C20.
No tempo das borboletas: N A7.10.
On Being a Translated Writer:
AD2.
Planting Sticks and Grinding
Yucca: A D2.
The Secret Footprints: N A7.10.
Something to Declare: AB A4.
The Summer of the Future: A C18.
Switching to Santiclo: A S2.1.
Yol: N A7.12; N A7.13; N A7.14.

Ambert, Alba
A Perfect Silence: N A8.
A Perfect Silence: A D4.
Chupacabras/The Goat Sucker:
AA9;AK3.1.
The Curse: A A9.
Daughter's Tale: A S2.2.
Dusks: A A9.
The Eighth Continent: A A9.
The Goat Sucker: A A9; A K3.1.
Letters to Mrs. Woods: A A9.
Losses: A F6.
The Old Language: A A9.
Persephone's Quest at Waterloo:
S2.2A
Porque hay silencio: N A8.1.
Rage Is a Fallen Angel: A A9.
The Wound: A A9.
You Ain't Black You Ain't White
You Ain't Shit: A A9.
Anaya, Rudolfo
Cuentos Chicanos: A Short Story
Anthology (with Antonio
Marquez): A All.
Voces: An Anthology ofNuevo
Mexicano Writers: A A10.
Antoni, Robert
The Archipelago: New Writing
from and about the Caribbean
(with Bradford Morrow):
AA12.
Antonia, Kita
Autobiography of a Young One:
ABA5.
Anzaldua, Gloria
ATale:AZ1.3.
By Your True Faces We Will
Know You: A R3.
El dia de la chicana: A R3.
El paisano is a Bird of Good: A G5.
Elretorno: AR3.
Ghost Trap: AG7; AT2.1.
Hablar en lenguas: Una carta a
escritoras tercermundistas:
AM19.
La historia de la marimacho: A A3.
Laprieta: A A 12;AM19.
Life Line: A S9; A W9.
Linguistic Terrorism: A R3.
Ms. Right, My True Love, My Soul
Mate.AZl.l.
My Soul Mate: AZ1.1.
Puddles:AG7;AT2.1.
Aparicio, Frances
Latino Voices: A A13.
Aponte de Zacklin, Lydia
Dancing for Joy: A C6.
Arana, Marie
American Chica: Two Worlds, One
Childhood: N A9.
Armas, Jose
De colores: Journal ofChicano
Expression and Thought:
AA14.
Arrastia, Maritza
Amanuensis: A N2.
Tripartita: Earth, Dreams, Power
(with Myrna Nieves and Ana
Lopez Betancourt): A N2
Arteseros, Sally
American Voices: Best Short
Fiction by Contemporary:
AA15.
Atencio, Paulette
A Deal with the Devil/Un pacto con
eldiablo: A A16.
The Adventures of Don Cacahuate
and Dofla Cebolla/Las
aventuras de don Cacahuate y

dofia Cebolla: A A16.
Amapola Fernandez/Amapola
Fernandez: A A16.
The Baby at Ghost Ranch/El niflo
del Rancho Encantado: A A16.
The Christmas Doll/La mufieca de
Navidad: A A16.
The Christmas Miracle/El milagro
de la Navidad: A A16.
Cuentos from Long Ago: A A16
Don Cacahuate and His Indian
Friend/Don Cacahuate y su
amigoindio: A A16.
Don Simon/Don Simon: A A16.
El penitente: A A16.
The Hitchhiker/El que pedia paso
encoche: A A16.
In£z from the Country/Inez del
campo: A A16.
Isidoro Salfin/Isidoro Salfin:
AA16.
The Legend of El Tiradito/La
leyenda del Tiradito: A A16.
The Little Lost Boy/El niflo
perdido: A A16.
The Little Match Girl/La nina de
los fosforos: A A16.
The Magic Stone/Las piedras
encantadas: A A16.
The Pinon Tree/El arbol de pifion:
AA16.
The Priest's Cave/La cuevita del
padre: A A16.
The Princess and the Beggar/La
princesa y el mendigo: A A16.
The Princess Who Could Not
Cry/La princesa que no
lloraba: A A16.
The Racing Horse/El caballo de
carreras: A A16.
The Storyteller/El cuentista: A
A16.
The Wake/El velorio: A A16.
The Weeping Woman/La llorona:
AA16.
Who Am 17/^Quien soy yo?:
AA16.
The Wounded Deer/El venado
herido: A A16.
Augenbraum, Harold
Growing Up Latino: Memories and
Stories (with Ilan Stavans):
AA18.
The Latino Reader: An American
Literary Traditionfrom 1542
to the Present (with Margarite
Fernandez): A A17.
Avina, Kathleen
Los viejitos chiquitos: A M5.
Babin, Marina Teresa
Dia de reyes: A J4.
El abuelo ciego: A J4.
El telefono: A J4.
Baca, Ana
Brown Hair: A G7.1.
Baca, Kathleen M.
Sterile Relationships: A Al 1.
Baca Ackerman, Marian
Vecino Vicente: A R4.
Baez, Josefina
Ci guapa aqui: A C18.
La palabra/The Word: A C18.
Balmaseda, Liz
El aflo que viene en La: A S2.
New Year in Havana: A S2.1.
Travels with Mami: A S2.2.
Barragan, Nina
Losers and Keepers in Argentina:
NB1.
Barraza S&nchez, Irene
Memorias de Tome, Irene Barraza

Sanchez: A R4.
Barrientes de Maldonado,
Leonor
La mano negra: A C10.
Becker, Flora
Borinqueha: Puerto Rico in the
Sixties: N B2.
Behar, Ruth
Translated Woman: Crossing the
Border with Esperanza s
Story: ABB1.
Belli, Gioconda
A Christmas Like No Other:
AS2.1.
Just a Woman: A S2.2.
Una Navidad como ninguna otra:
AS2.
Belpre, Pura
Firefly Summer: N B3.
The Parrot Who Wouldn't Say
"catano": A C6.
Beltran Hernandez, Irene
Across the Great River: N B4.
Heartbeat Drumbeat: N B4.1.
The Secret of Two Brothers:
NB4.2.
Woman Soldier: N B4.3.
Benavides, Rosamel
Antologia de cuentistas chicanas:
Estados Unidos de los '60 a
los '90:AB1.
Benforado, Sally
Bring Me a Story: A B2.
Benitez, Sandra
A Place Where the Sea Remembers:
NB5.
A Place Where the Sea Remembers
and Other Related Readings:
NB5.1.
Alii donde el mar recuerda:
N B5.2.
Aroma de cafe: N B5.3.
Bitter Grounds: N B5.4.
El pajarero, Sandra Benitez: A F6.
The Weight of All Things: N B5.5.
Bernardo, Anilu
A Do-It-Yourself Project: A B3.
American Girls: A B3..
Fitting In: A B3.
Grandma Was Never Young: A B3.
Jumping Off to Freedom: N B6.
Hurricane Friends: A B3.
Loves Me, Loves Me Not: N B6.1.
Loves Me, Loves Me Not
(excerpts): A K3.2.
Multiple Choices: A B3.
Berrocal Essex, Olga
Delia's Way: N B7.
Bertrand Gonzalez, Diane
Alicia's Treasure: N G10.
Carousel of Dreams: N G10.1.
The Last Doll/La ultima mufieca:
N10.2.
Lessons of the Game: N G10.3.
Sweet Fifteen: N G10.4.
Trino's Choice: N G10.5.
Trino 's Tiempo: N G10.6.
Bevin, Teresa
Havana Split: N B8.
Blanco, Iris
El arbol que no sabia lo que era
(The Tree That No One Knew
Anything About), Iris Blanco:
AS1.1.
Jose, Iris Blanco: A Sl.l.

Blanco, Patricia
The Mango's Core: A T2.3.
Rosario Magdalena: A G7.1.
Blicksilver, Edith
The Ethnic American Woman:
Problems, Protests, Lifestyle:
AB4.
Bodeen, Jim
With My Hands Full/Con mis
manos llenas: Young Latino
Writers in Yakima: A B5.
Borges, Luz
Debt ofLove/Deuda de amor:
NB9.
Borton de Trevifto, Elizabeth
My Heart Lies South: The Story of
My Mexican Marriage:
ABB2.
Boza, Maria del Carmen
Scattering the Ashes: A Memoir:
ABB3.
Braschi, Giannina
Blow Up: AS 10.
Empire of Dreams: A B6; N BIO.
I Don't Have It and I Wanted It
(excerpt from Empire of
Dreams): A R14.
Imperio de los suenos: N B10.1.
YoYoBoing!:NB0.2.
Brinson-Pineda, Barbara
Tlaxcala: A A14.
Brown, Stewart
The Oxford Book of Caribbean
Short Stories (with John
Wickham): A B6.
Brownworth, Victoria
Night Bites: Vampire Stories by
Women: A B7.
Outfor More Blood (with Judith M.
Redding): A B8.
Burunat, Silvia
Veinte anos de literatura
cubanoamericana:antologia
1962-1982 (Ofelia Garcia):
AB9.
Cabeza de Baca, Fabiola
We Fed Them Cactus: AB Cl.
The Women of New Mexico: A C5.
Cabeza de Baca Gilbert, Fabiola
The Herb Woman: A R3.
Cabrera, Lydia
Animals in Cuban Folklore and
Magic: A H8.
How the Monkey Lost the Fruit of
His Labor: A H8.
The Price of Freedom: A C22.
Cade Bambara, Toni
The Lesson: A B4.
Cadilla de Martinez, Maria
Indigenous Profile: A C22.
Calero, Michelle
I Thought You Loved Me: A Tl.
Califia, Pat
Belonging: A PI3.
Blood and Silver: AC 1.1.
Calyx of Isis: AC 1.2.
The Chocolate Cake: A C3.
The Cop and His Choirboy: A
Cl.l.
The Dash of Vanilla: AC 1.2.
Doc and Fluff: the Dystopian Tale
of a Girl and Her Biker: NCI.
Doing Itfor Daddy, Short and Sexy
Fiction about a Very

12
Forbidden Fantasy: A C1.
Dolly:ACl.l.
The Finishing School: A Fl.
Forbidden Passages: Writings
Banned in Canada: A C2.
Frankie and Johnny: A C1.1.
The Hustler: AC 1.2.
Incense for the Queen of Heaven:
AC1.1
It Takes a Good Boy to Make a
Good Daddy: ACL
Jessie: AC 1.2.
Love Sees No Gender: A C1.1.
Macho Sluts: A Cl .2.
Mercy: AC1.1.
No Mercy: AC1.1.
No Mercy: AC1.1.
Riding the Tyger: A C1.1.
The Second Coming: A C3.
Skinned Alive: AC 1.1.
The Spoiler: AC 1.2.
St. George and the Dragon: A F7.
The Surprise Party: A C2.
Too Much Is Almost Enough:
AC1.1.
The Vampire, Pat Califa: A Cl;
AK4.
Caltenco, Citlamina
The World: A B5.
Canales, Rita Maria
The Awakening, Rita Maria
Canales: A D7.
Canales, Viola
Orange Candy Slices and Other
Secret Tales: A C4.
Cantu, Norma Elia
Canicula: imdgenes de una nihez
fronteriza: AB C2.
Canicula: Snapshots of a Girlhood
en lafrontera: AB C2.1.
Nun's Habit (excerpts from
Author/Title Index
Canicula: Snapshots of a
Girlhood en la Frontera:
AM3.
Perpetuo Socorro: A M3.
Se me enchina el cuerpo de oir tu
cuento..., Norma Cantu:
AT2.1.
Tino, Norma Elia Cantu: A M3.
Cardenas, Maria and Adriana
Two Sisters Write about Their
Mother: A B5.
Cardenas de Dwyer, Carlota
Chicano Voices: A C5.
Carlson, Marie Lori
Barrio Streets, Carnival Dreams:
Hurrayfor Three Kings' Day!:
NC2.
The Sunday Tertulia: N C2.1.
Three Generations of Latino
Artistry: A C6.
Carrillo, Leonard
Canto alpueblo: An Anthology of
Experiences (with Antonio
Martinez, Carol Molina, and
Marie Wood): A C7.
Carrillo, Rosa M.
Amor, libertad y calor, Rosa M.
Carrillo: A 05.
Carter, Angela
Wayward Girls & Wicked Women:
Anthology of Stories: A C8.
Carvajal, Lourdes
Besame mucho: N C3.
Only a Kiss Away: N C3.1.
Casal, Lourdes
Alfonso: A BIO.
Juegos: A C9.

Los fundadores: Alfonso: A C9.
Losfundadores: Alfonso y otros
cuentos: A C9.
Los zapatitosme aprietan: A C9.
Love Story segun Cyriano
Prufrock: A C9.
Maria Valdes o la colina de la
Universidad: A C9.
Rodrigo de Triana: A C9.
Salvador en cuatro tiempos: A C9.
Casarez Vasquez, Enedina
The House of Quilts: A Ml 3.
Recuerdos de una nina: AB C3.
Castaneda, Natalie
The Interview: A B5.
Castaneda Shular, Antonia
Literatura chicana: texto y
contexto (with Tomas Ibarra-
Fausto and Joseph Sommers):
AC10.
Castafion, Ana
Once Upon Many Times: A L4.
Castedo, Elena
Paradise (excerpt): A F2.
The White Bedspread: A P7.
Castilla, Julia Mercedes
Aventuras de un niho de la calle,
Castilla: A Cll.
Caminos equivocados: A C11.1.
Elcandidato: AC11.1.
£w///o:NC4,NC4.1.
Murmullos de pueblo: cuentos:
AC11.1
Pasos: AC11.1.
Pintura escrita: la cuadra: A C11.1.
Pirinola the Street Master: N C4.2
Tramiltologia: A C11.1.
Un acontecimiento: A C11.1.
Castillo, Ana
A Kiss Errant: AC 12.2.
A Lifetime: AC 12.2.
A Perfect Romance: A C 12.2.
A True Story: AC12.2.
Again, Like Before: A C12; A W8.
Being Indian, a Candle Flame, and
SoMany:AC12.2;AM13.
By Way of Acknowledgment: A
C12.2.
Carmen la coja: N C5.
The Cavern: AC 12.1.
Christmas Stories of the Golden
Cockroach: A C12.2.
Conversations with an Absent
Lover on a Beachless
Afternoon: A Cl2.2.
Crawfish Love: A C 12.2.
Dying Stars: A C12.2
Esta puente, mi espalda: voces de
mujeres tercermundistas en los
Estados Unidos, with Cherrie
Moraga: A Ml9.
Extraordinarily Woman: A C12.
Flamingo: AC 12.1.
Foreign Market: A C12.2.
Ghost Talk: AC 12.2.
Goddess of the Americas/La diosa
de las Americas: A C12.
If Not for the Blessing of a Son:
AC12.2.
The Invitation: A C12.1.
Juan in a Million: A C12.2.
Lalocasanta: A S12
La Miss Rose: AC 12.2.
Las cartas de Mixquiahuala: N
C5.1.
The Law of Probabilities: A C12.2.
Loverboys: AC12.2.
Loverboys: Stories: A C 12.2.
Maria Who Paints and Who Bore
Jose: AC 12.2.
Mi hijo, mi hija, el dguila, la
paloma: un canto azteca:
AC12.3.

The Mixquiahuala Letters:
AC12.2;NC5.2.
Mother's Wish: A C12.2.
My Daughter, My Son, the Eagle,
the Dove: An Aztec Chant: A
C12.4.
My Dream Last Night: A C 12.2.
On Francisco el Penitente's First
Becoming a Santero and
Thereby Sealing His Fate: A
P7.
Peel My Love Like an Onion: N
C5.3.
Platica de fantasmas: A Bl; A N4.
Sapogonia (excerpt): A H4.1.
Sapogonia (An Anti-Romance in
3/8 Meter): A C12.2; N C5.4.
The Sexuality ofLatinas (with
Norma Alarcon, and Cherrie
Moraga): A A3.
So Farfrom God: A C12.2; N
C5.5.
Subtitles: AC 12.2; G7.1.
Tan lejos de Dios: N C5.6.
This: AC12.1.
Two Children: AC 12.2.
Vatolandia: AC 12.2.
What Big Cities Are For: A C12.2.
Who Was Juana Gallo: A C12.2.
Cenen
Hunger's Scent, Cenen: A G5.
The Love Making, Cenen: A R2.
Cerar, Melissa K.
Teenage Refugeesfrom Nicaragua
Speak Out: AB C4.
Cerda, Martha
A Happy Family: A C13.
A Time of Mourning: A C13.
After Canaries:A C13.
Amanda's Motives: A C13.
And the Crows Cawed: A C13.
At the Baptismal Font: A C13.
The Best Night: AC 13.
Between the Lines: A C13.
Blame It on Hormones: A C13.
Blue in the Family: A C13.
City of Children: A C13.
The Congregation in the Park:
AC13.
Eight: AC 13.
Eighteen: AC 13.
Eleven: AC 13.
Epilogue: A C13.
Fifteen: A C13.
The First Time: AC 13.
Five:AC13.
Four: AC 13.
Four Good Habits: AC 13.
Fourteen: A Cl3.
Geography Lesson: A C13.
German Dollars: A C13.
Good Habits: A C13.
Heard in Passing: A C13.
Hide-and-Seek: AC 13.
In the Dream Clock: A C13.
It's Their Fault: AC 13.
Last Night, Mariana: A C13.
Last Night at Night: A C13.
Multiverse: AC 13.
Nine: AC13.
Nineteen: A C13.
No One Knows For Whom One
Works:AC13.
No-Man's-Land:AC13.
Office Machine: A C13.
One:AC13.
Right Place, Wrong Time: A C13.
The Same Stock: A Cl3.
Senora Rodriguez and Other
Worlds: A C13.
Seven: AC 13.
Seventeen: A C13.
Six: AC 13.
Sixteen: A Cl3.
Thirteen: A Cl
Thirty: A C13.
Three:AC13.

Twelve: A C13.
Twenty: AC 13.
Twenty-eight: A C13.
Twenty-five: A C13.
Twenty-four: A C13.
Twenty-nine: A C13.
Twenty-one: AC 13.
Twenty-seven, A C13.
Twenty-six: AC13.
Twenty-three: A C13.
Twenty-two: AC 13.
Two:AC13.
With Respect to the Sky: A C13.
Without Knowing That It Is You: A
C13.
Cervantes, Angela
Scotland Street Angels: A M5.
Cervantes, Lorna Dee
Refugee Ship: A K2.
Chacon, Herminia
Samuel's Christmas Eve: A K3.2.
Chavez, Denise
Baby Krishna's All Night Special:
AK7.
Big Calzones: A S2.1.
City of Angels: A K3.1.
Chata: A P7.
The Closet: A A18; A F6; A K3.
Crossing "Bitter Creek": A R15.
El pajarero: A F6.
Evening in Paris: A K3.3; A R3.
Face of an Angel: N C6.
Face of an Angel (excerpts): A A3.
Grand Slam: A A10.
The King and Queen of Comezon
(excerpt from Beatriz): A R4.
The Last of the Menu Girls: N
C6.1.
Los colosales calzones: A S2.
Loving Pedro Infante: N C6.2.
The McCoy Hotel (1900): A L6;
AS8.
Missss Rede!: A W6
Novenas narrativas y ofrendas
nuevomexianas: A C12; A H4.
Por el amor de Pedro Infante: una
novella: N C6.3.
Proximity to Mountain:
Conversations with the Esquibel
Family: A C14.
Saints: A G7.1.
The Wedding: A Ml3.
Willow Game: A All.
Writing Down the River: Into the
Heart of the Grand Canyon
(with Kathleen Jo Ryan):
AR15.
Chavez, Margo
Je Revien: A R4.
Manina: A R4.
Cisneros, Sandra
A House of My Own: A 01.
A Rice Sandwich: A M21.
Acuerdate del Alamo: A C15.
Anguiano Religious Articles,
Rosaries, Statues...: A C15.1.
Articulos religiosos Anguiano:
AC 15.
Barbie-coa: A C15.
Barbie-Q: AC15.1.
Bien Pretty (English version):
AC15.1.
Bien Pretty (Spanish version):
AC15.
Boys and Girls: A T2.
Bread:AC15.1.
Divine Providence: A T2.1.
El arroyo de la Llorona: A C15.
El arroyo de la Llorona: A C15.
El hombre Marlboro: A C15.
Eleven: A C15.1; A E2; A L6.
Erase un hombre, erase una mujer:
AC15.
Esa Lucy mi amiga, que huela a

maiz: A C15.
Eyes of Zapata: A C15.1; A M13.
Ghosts and Voices: A T2.
The House on Mango Street: N C7.
The House on Mango Street: A 01;
AT2.
The House on Mango Street
(excerpt): AD1.
Geraldo no apellido: A Bl.
Geraldo No Last Name: A S8.
Ghosts and Voices: A T2
La casa en Mango Street: N C7.1.
La Fabulosa: A Texas Operetta:
AC15.
La Fabulosa: una opereta tejana:
AC15.
Las tres hermanas: A B1.
Linoleum Roses: A 01.
Little Miracles, Kept Promises:
AC15.1;AH4.1;AR3.
Little Miracles, Kept Promises
(excerpt): A A13.
Los Boxers (English version):
CA15.1.
Los Boxers (Spanish version):
CA15.
Milagritos, promesas cumplidas:
AC15.
The Marlboro Man: A C15.1.
Mericans: AC15.1; AM9.
Mericanos: AC 15.
Mexican Movies: A C15.1.
Mitocaya: A C15.
Milagritos, promesas cumplidas:
AC15.
My Lucy Friend Who Smells Like
Corn:AC15.1.
My Name: A C22; A R3; A T2.
My Tocaya: AC15.1.
Never Marry a Mexican: A C15.1;
AM2.
Nunca te cases con un mexicano:
AC15.
Ojos de Zapata: A C15.
Once: AC 15.
One Holy Night: A A14; A C15.1;
AS12.
Pan: AC15.
Peliculas mexicanas: A C15.
Remember the Alamo: A C15.1.
Salvador, Late or Early: A C15.1;
AP7.
Salvador, tarde o temprano: A C15.
Tepeyac (English version):
AC15.1;AG7.1.
Tepeyac (Spanish version): A C15;
AN4.
There Was a Man, There Was a
Woman:AC15.1.
The Three Sisters: A R3.
Three Wise Guys: Un cuento de
Navidad/A Christmas Story:
AT2.
Tin Tan Tan (Enlgish version):
AC15.1.
Tin Tan Tan (Spanish version):
AC15.
Un poquito de tu amor: A S2.1.
Una casa propia: A Bl.
Una santa noche: A C15.
What Sally Said: A 01.
Woman Hollering Creek: A C15.1.
Woman Hollering Creek and Other
Stories: AC 15.1.
Writing from Obsession: A T2.
Clark, Patricia
Worlds in Our Words:
Contemporary American
Women Writers (with Marilyn
Kallet): A K2.
Clarke, Velta
Native Landscapes: An Anthology of
Caribbean Short Stories:
AC16.
Clavijo, Uva
Coito de alaridos: A C 17.1.
Don Distraido: AC17.

El mismo cuento de siempre:
AC17.1.
Fiesta para los sentidos: A C 17.1.
Hagase su voluntad: A C17.1.
Inexplicablemente.A C17.
Laantorcha: AC17.1.
La bicicleta de la peseta: A B9.
La bicicleta de la peseta (A Iris
aunque no la conozco): A Cl7.
Lacopa: A C17.
Laespera: AC 17.
Lafuga: AC17.1.
La leyenda de un aula: A C17.
Lamancha: A C17.
Ni verdad ni mentira: A C17.
Ni verdad ni mentira y otros
cuentos: A C17.
No puedo mas: A C17.1,
Nopuedo masy otros cuentos:
AC17.1.
Pequeflas muertes y una
resureccion: AC 17.1.
Peterson: A Cl7.
Round Trip: AC 17.1.
Tarde de domingo: A C17.
Un punto en la nieve: A C17.
Vaticinio: AC17.1.
Vos envejeces...: A C17.1.
Y de pronto un viernes: A C17.1.
1342 Park Road: A Cl7.
Cocco de Filippis, Daisy
Tertuliando/Hanging Out,
Dominicnas y Amiga
(o)s/Dominican Women and
Friends: A C18.
Codye, Corinn
Vilma Martinez: AB C5.
Colindres, Claudia
A Letter to My Mother: A A3.
Colomba, Ivy
A Lost Friend: ATI.
Cordoba, Carol
Stowaway: AB C6.
Cordova, Josephine M.
Bruja Story: A R4.
The Heavy Cross: A R4.
La bruja Alta Gracia: A R4.
Cordova, Kathryn
The Legacy of the Rainbow: A R4.
Cordova, Perfilia
Se hogo un muchacho (A Young
Man Drowned): A G3.
Corniel, Zaida
The Word/La palabra: A C18.
Coronel, Azucena
Menudito: A R2.
Corpi, Lucha
Black Widow's Wardrobe: N C8.
Cactus Blood: NCSA.
Chapters 1, 2, 3 from her novel:
Eulogyfor a Brown Angel:
AF2;AK3.1.
Chapter 1: "City of Angels":
AK3.1.
Chapter 2: "Insidious Desires":
AG7.1;AK3.1.
Chapter 3: "Optical Illusions":
AK3.1.
City of Angels: A K3.3.
Delia's Song (excerpts): A M3.
Delia's Song: N C8.2; A M3.
Eulogyfor a Brown Angel: N C8.3.
Eulogyfor a Brown Angel
(excerpts): A F2; A K3.1.
Four, Free, and Illegal: A Ml3.
Insidious Disease: A G7.1.
Los cristos del alma: A A2.
Shadows on Ebbing Water: A PI. 1.

Cochar, Jo
Calyx: A Journal ofArt and
Literature by Women. Bearing
Witness/Sobreviviendo, An
Anthology of Native
American/Latina Arts and
Literature: A C20.
Corinne, Tee
Intricate Passions: A Collection of
Erotic Short Fiction: A C21.
Cortina, Rodolfo
Hispanic American Literature: An
Anthology: A C22.
Cota-Cardenas, Margarita
Malinche's Discourse: A R3.
Puppet: A Chicano Novella: N C9.
Cotera, Marta
When Women Speak: A C5.
Cowell, Glynis
Tapices literarios: Stories for
Building Language Skills and
Cultural Awareness (with Joan
F.Turner): A C23.
Cruz, Angie
Soledad:^ C0.
Cuero, Delfina
The Autobiography of Delfina
Cuero, a Diegueho Indian:
ABS6.
The Autobiography of Delfina
Cuero, a Diegueno Indian as
Told to Florence C Shipek:
ABB4.
Delfina Cuero: Her
Autobiography, an Account of
Her Last Years, and Her
Ethnobotanic Contributions:
ABC7.
Davidow, Joie
Las Christmas: escritores latinos
recuerdan las tradiciones
navidenas (with Esmeralda
Santiago): A S2.
Las Christmas: Favorite Latino
Authors Share Their Holiday
Memories (with Esmeralda
Santiago): A S2.1.
Las Mamis, Favorie Latino Authors
Remember Their Mothers (with
Esmeralda Santiago): AB S2;
AS
De Anda, Diane
The Christmas Spirit Tree: A D3; A
K3.2.
Dancing Miranda: A D3.1.
The Ice Dove: A D3.
The Ice Dove and Other Stories:
AD3.
The Immortal Rooster: A D3.1.
The Immortal Rooster and Other
Stories: A D3.1.
Mari, Mari, Mariposa: A D3.1.
Pinto: A D3.
Something Special: A D3.
Tia Luisa: AD3.1.
Visions: Nineteen Short Stories by
Outstanding Writersfor Young
Adults (with Donald R. Gallo):
AG2.1.
The Visitors: A D3.1.
De Azevedo, Kathleen
The Miracle of Santa Maria: A SI6.
De Baca, Elba C.
The Devil: A R4.
The Lady in Blue: A R4.
Witches: A R4.
De Ferrari, Gabriella
A Cloud on Sand: ND1.
Gringa latina: AB Dl.

Gringa Latina: Woman of Two
Worlds: ABD1.1.
De Jesus, Maria Carolina
Childhood: A G5.
De la Cruz, Sor Juana
A Woman of Genius/La respuesta a
Sor Filotea: The Intellectual
Autobiography of Sor Juana
Ines de la Cruz: AB D2.
De la Cuesta, Barbara
The Gold Mine: N D2.
De la Garza, Beatriz
Agnus Dei: A D5.
Amada Means Beloved: A D5.
The Candy Vendor's Boy: A D5.
The Candy Vendor's Boy and
Other Stories: A D5.
The Kid from the Alamo: A D5.
Margarita: A F2.
Pilgrimage: A D5.
Pillars of Gold and Silver: N D3.
Pillars of Gold and Silver: A D5.
Temporary Residents: A D5.
De la Mar, Niki
Letter to a Brother: A R2.
De la Pefla, Terri
At Home: A J3.
Beyond El Camino Real: A T5.
Blunt Cuts and Permanent
Conditions: A Dll.
Caballito del diablo: A B8.
Chicana, Working Class and Proud:
the Case of the Lopsided
Tortilla: A P3.
Eco de una amistad: A W4.
Faults: N D4.
Fiction into Fact: A R9.
Frankie: A W7.
Good-bye Ricky Ricardo, Hello
Lesbianism: A P5.
Hormonic Convergence: con
sangre/sin sangre: A L8.
Lamaya: A C21.
Labrys: A Z1.2.
Latin Satins: ND4A.
Margins: N D4.2.
Mariposa: A W9.
Mujeres morenas: A Z1.1.
Nullipara, 44: A R5.
Once a Friend: A M4.
Pajaritos: A F10.
Refugio: A B6.
Sequences: A P4.
The Surreal Answer the World
Hands You: A W7.
Tortilleras: A W9.
De la Tierra, Tatiana
A Latina Combat Femme, Her
Shoes, & Ensuing Cultural
Identity: A C3.
Chocolate Cake: A C3.
De Martinez, Morena
No podemos regresar: A Ml9.
De Vallbona, Rima
Alma-en-Pena: A V5.
An Ephemeral Star: A 6
Bajo pena de muerte: A D6.1.
BetoyBetina: AD6.1.
The Burden of Routine: A D6.
Confirmation of the Obvious: A D6.
Dia de tinieblas: A D6.1.
Distributive Justice: A D6.
El arbol del chumico: A D6.1.
El arcangel del perdon: A D6.1.
El impostor: A D6.1.
El juego de los grandes: A D6.1.
El monstruo de las cosas: A D6.1.
En el reino de la basura: A D6.1.
Flowering Inferno: Tales of Sinking
Hearts: A D6.
Future Sorrows: A D6.

Hell: A D6.
History's Editor: A D6.
Intergaiactic Crusade: A D6.
La tejedora de palabras: A 03;
A04.
Las sombras que perseguimos:
ND5.
The Libel of Dismissal: A D6.
Lo inconfesable: A D6.1.
Mujeresy agonias: A D6.1.
Mundo, demonioy mujer: N D5.1.
Oid, Adan es sal: A D6.1.
Once More Cain and Abel: A D6.
Parabola del eden imposible:
AD6.1.
The Peace Brigade: A D6.
Penelope en sus bodas de plata:
AD6.1.
Pythagoras' Illustrious Disciple:
AD6.
The Secret Life of Grandma
Anacleta: A D6.
The Word Weaver: A D6.
De Zavala, Andina
The Legend of the First Christmas
at the Alamo: A K3.2.
Del Barco, Mandalit
"Hello, Dollinks," Letters from
Mom: A S2.2.
Navidad PeMex: A S2.
PeMex Christmas: A S2.1.
Del Fuego, Laura
Maravilla: N D6.
Deleon, Stel
BrixtonHill: ALL
It's Japanese Time...: ALL
Mommy's Story-Part I: A LI.
Mommy's Story-Part II: A LI.
Mommy's Story-Part III: A LI.
Tita Choling's Story: ALL
Delgadillo, Karen T.
Mamita te extraflo: A T5.
Delgado, Ana Maria
La habitacion depor medio: N D7.
The Room In-Between: N D7.1.
Diaz, Carla
Marisol: A W5.
Diaz, Debra
The Red Camp, Debra Diaz: N D8.
Diaz Bjorkquist, Elena
A Christmas Story: A D9.
The Arizona Cafe: A D9.
Bless Me, Father: A D9.
Blossom in the Wind: A D9.
Breaking the Chain: A D9.
Deliver Us from Evil: A D9.
The Haunted Tunnel: A D9.
The Hershey Bar Queen: A F6.
The Hitchhiking Mariachi: A D9.
Just Rewards: A D9.
No Spanish on Playground: A D9.
Please Don't Take the Refrigerator:
AD9.
Secret in the Show: A D9.
Suffer Smoke: A D9.
You Don't Need College Prep:
AD9.
Diaz-Diocaretz, Miriam
Juani en tres tiempos: A G5.
Didonno, Anna Isabel
Anything Can Be Toasted, Anna
Isabel Didonno: AIL
Dumas Lachtman, Ofelia
A Shellfor Angela: N D9.
Call Me Consuelo: N D9.1.
The Girlfrom Playa Blanca:
N D9.2.
The Girlfrom Playa Blanca

(excerpts): A K3.1.
Leticia 's Secret: N D9.3.
The Summer of El Pintor: N D9.4.
Dur&n Trujillo, Marie Oralia
Autumn Memories: My New
Mexican Roots and Traditions:
ABD3.
My Mother in the Nude: A S2.2.
Santitos:N E5..
Esparza, Elia
The Other Side of Paradise: N E6.
Esparza, Phylis
La llamada: A M12.
Elizondo, Sergio
Palabra nueva: cuentos chicanos
//:D:AE1.
Emra, Bruce
Coming of Age: Short Stories about
Youth & Adolescence: A E2.
Engle, Margarita
Buenaventura of the Fifteen Sisters:
AF2.
Cimarron: A F2.
Escrito en el cielo: N El.
On the Morning of His Arrest:
AP8.
Otiyot ba-shamayin: NELL
Singing to Cuba: N El.2.
Skywriting: N El.3.
Uncle Teo's Shorthand Cookbook:
AM13.
Escajeda, Josefina
Tales from San Elizario: A 06.
Espinosa, Maria
Dark Plums: N 7.
Incognito: The Journey of a Secret
Jew:NE7.1.
Longing: N E7.2.
Espinosa, Monica
Y se fue (And She Was Gone:
AS1.1.
Espinosa, Paula Maria
Three Day Flight: A F2.
Esquibel Tywoniak, Frances
Migrant Daughter: Coming of Age
As a Mexican-American
Woman: AB El.
Faderman, Lillian
Chloe Plus Olivia: An Anthology of
Lesbian Literaturefrom the
Seventeenth Century to the
Present: A F1.
Escalera, Diane
Dangerous Heat: N E2.
Enchanted Isle: N E2.1.
Innocent Lies: N E2.2.
Jugando con candela: N E2.3.
Escamill, Edna
Daughter of the Mountain: N E4.
Escandon, Maria Amparo
A Sin without Repentance: ALL
Esperanza 's Box of Saints: N E5.
Fama, Maria
The Captain of the Safeties, Maria
Fama: AM9.1.
Fernandez, Carole
Sleep of the Innocents: N Fl.
Fernandez, Margarite
The Latino Reader: An American
Literary Traditionfrom 1542 to
the Present (with Harold
Augenbraum): A A17.

Fernandez, Roberta
Amanda: A G5; A K3.3; A 03;
ATI.
Andrea: A H4; A 04.
Double Talk: A T2.3.
Esmeralda: A G7.1.
Filomena: A Dl.
Fronterizas: una novela en seis
cuentos: N F2.
In Other Words: Literature by
Latinas of the United States:
AF2.
Intaglio: A Novel in Six Stories:
NF2.1.
Zulema: A F2; A G5; A K3; A 03;
AV5.
Fernandez de Oliveira, Cicera
We Women Suffer More Than
Men: A G5.
Ferre, Rosario
A la sombra de tu nombre: AB Fl.
Amalia: A F3.3;A F3.6.
Bella durmiente: A RIO.
The Bitches Colloquy: A R14.
Boffil and Rivas de Santillana:
AA12.
Captain Candelario's Heroic Last
Stand: A F3.5.
Carta: A F3.3.
Carta I: A F3.
Carta II: A F3.
Carta III: A F3.
Carta IV: A F3.
Comer sin haber comido: A F3.1.
Cuando las mujeres quieren a los
hombres: A F3.3.
De tu lado al paraiso: A F3.3.
Dom nad laguna: N F3.
The Dreamer's PortraitA F3.6.
The Dust Garden:A F3.6.
Eccentric Neighborhoods: N F3.1.
Eccentric Neighborhoods
(excerpts): A A12.
El abrigo del zorro azul: A F3.3.
El collar de camandulas: A F3.3.
El fumador: A F3.4.
El hombre dormido: A F3.3.
El infiltrado: AF3.3.
El jardin de polvo: A F3.3.
Elregalo: AF3.2.
Eva Maria: AF3.3.
Fabula de la joven Satira A F3.4.
Fdbulas de la garza desangrada: A
F3.
Fording Rio Loco: A A12.
The Fox Fur Coat A F3.6.
TheGift:AD4;AF3.5.
The Glass Box:A F3.6; A M13.
Has perdido, me dicen, la cordura: A
F3.3.
The House on the Lagoon: N F3.2.
The House That Vanished:A F3.6.
How I Wrote "When Women Love
Men": A F3.6.
Isolda en el espejo: A F3.2.
Isolda's Mirror: A F3.5.
Juan Bobo se queda en casa: A F3.1.
Juan Bobo va a la capital: A F3.1.
Juan Bobo va a oir misa: A F3.1.
Juan Bobo y las senoritas del manto
prieto: A F3.1.
Kristallzucker: Roman: N F3.3.
Labailarina: AF3.3.
La batalla de las virgenes: N F3.4
La bella durmiente: A F3.3.
La caja de cristal: A F3.3.
La casa delta laguna: N F3.5.
La casa invisible: A F3.3.
La extraha muerte del Capitancito
Candelario: AF3.2;NF3.6.
La luna ofendida: A F3.3.
La maison de la lagune: N F3.7.
La mufieca menor: A F3.3.
La prisionera: A F3.
Los cuentos de Juan Bobo: A F3.1.
Los tres jorobados: A F3.4.
Maldito amor: A F3.2.
Maldito amor: N F3.8.

Maldito amory otros cuentos:
AF3.2.
Maquinolandera: A F3.3.
Marina and the Lion:A F3.6.
Marina y el leon: A F3.3.
Medea 1972: A F3.3.
Mercedes Benz 220 SL: A F3.3;
AF3.6;AF4.
On Destiny, Language, and
Translation, or Ophelia Adrift
in the C. & O. Canal:A F3.6.
The Other Side of Paradise:A F3.6.
Papeles de Pandora: A F3.3.
Pedro Animalia: A F3.4.
Pico Rico Mandorico: A F3.4:
AV4.
Pico Rico Mandorico y otros
cuentos: A F3.4.
The Poisoned Story.A F3.6.
The Seed Necklace:A F3.6.
Sleeping Beauty:A F3.6; A V4.
Sweet Diamond Dust: A Novel and
Three Stories of Life in Puerto
Rico: NF3.9.
Vecindarios excentricos: N F3.10.
Vicini eccentrici: Romanzo:
NF3.11.
When Women Love Men: A B6;
A F3.6.
The Youngest Doll: A F3.6; A Kl;
AV4.
The Youngest Doll: A F3.6.
Feyder, Linda
Marta del Angel: A F2.
Fiol Matta, Liza
Blanca (excerpt from Julia
Rodriguez, MSW): A R14.
Fishburn, Evelyn
Short Fiction by Spanish-American
Women: A F4.
Fisher, Dexter
The Third Woman: Minority Women
Writers of the United States:
AF5.
Flores, Innocencia
The Diary of a Rent Striker:
"Harlem and Hope": A S6.
Flores, Lauro
The Floating Borderlands: Twenty-
five Years of US. Hispanic
Literature: A F6.
Forte-Escamilla, Kleya
IA donde vive Dios?: A G7.
Black Orchid: A W8.1.
Mada: A Novel: N F4.
Foster, David William
Literatura chicana, 1965-1995: An
Anthology in Spanish, English
and Calo (with Manuel de Jesus
Hernandez): A H3.
Foster, Nicole
Electric: Best Lesbian Erotic
Fiction: A F8.
Fox, Lucia
Amelia Hearth desaparece: A F9.
Cicrogenico: A F9.
Constelacion: cuentos: A F9.
En el templo de Wizbal: A F9.
Estrella: A F9.
Exit: A F9.
Holographs: A F9.
La dama vienesa: A F9.
La marca luminosa: A F9.
La mujer pajaro: A F9.
The Old Movie: A F9.
Orbita: A F9.
Pavana por una princesa muerta:
AF9.
Tlazoltl: A F9.

Transferencias: A F9.
Y Dios creo los osos polares: A F9.
Fox Rogers, Susan
Another Wilderness: Women
Writing about the Outdoors:
AF10.
Frida, Dolores
I Consider Myself a Theater
Worker: A S6.
Fuentes, Erica
First Love/Primer amor: N F5.
Island Dreams/Suenos: N F5.1.
Galindo, Mary Sue
A la otra te traigo flores: A Gl.
Merienda Tejana: The Writings of
Mary Sue Galindo, Maria
Limon, and Jesse Johnson
(with Maria Limon, and Jesse
Johnson): A G1.
No le digas a nadie: A Gl.
Queaguite: AG1.
Gallegos, Magdalena
Florence and the New Shoes: A A8.
Gallegos, Sallie
Stone Horses: N G1.
Gallo Donald
Join In: Multiethnic Short Stories
by Outstanding Writersfor
Young Adults: A G2.
Galvan Rodriguez, Odilia
Birthing, for Alison: A T2.3.
Constitutional Remedies: A T2.3.
Diosa: A T2.3.
Snake Woman: A T2.3.
To Marilyn: A T2.3.
Gamez, Rocky
Day After Day: A G5.
Dona Marciana Garcia: A G5.
The Gloria Stories (excerpts):
AC8;AN1.
Lucia: AG5.
Who Killed Carmen's Cat?: A G5.
Garcia, Bernice
Young Thoughts: A B5.
Garcia, Cristina
A Natural History (excerpt):
AA12.
The Agiiero Sisters: N G2.
Basket of Water (excerpt from
Dreaming in Cuban): A G7.
Dreaming in Cuban: N G2.1.
Dreaming in Cuban (excerpt):
AA17;AK1.
Ines in the Kitchen: A K3.1; A P8.
The Leatherback: A l l .
The Nature of Parasites: A l l .
Sonar en cubano: N G2.2.
Tito's Goodbye: A P7.
Tree Ducks: A A12.
Garcia, Diana
The Flat of the Land: A S12.
Help Wanted-Aviso oportuno:
NG3.
Love Lessons/Lecciones amorosas:
NG3.1.
Stardust: N G3.2.
Garcia, Marcella Lucinda
Rosa blanca: A R4.
Garcia, Maria
Of Prejudice and Acceptance:
AR1.
Garcia, Nasario
Pldticas: Conversations with
Hispano Writers of New

Mexico: ABG1.
Recuerdos de los viejitos: Tales of
the Rio Puerco: A G3.
Garcia, Ofelia
Veinte anos de literatura
cubanoamericana:antologia
1962-1982 (with Silvia
Burunat): A B9.
Garcia, Sanique
Braces and Intelligence: A Tl.
Garcia, Yolanda A.
Ellipses: A R8.
Garcia Aguilera, Carolina
A Miracle in Paradise: N G4.
Bitter Sugar: N G4.1.
Bloody Secrets: N G4.2.
Bloody Shame:NG43.
Bloody Waters: N G4.4.
Havana Heat: NG4.5.
Garcia Ardalani, Elvira
El vals de las hojas muertas: A El.
Garcia Ramis, Magali
Every Sunday: A R14.
Happy Days, Uncle Sergio: A Kl.
Happy Days, Uncle Sergio: N G5.
Garibay, Lisa Y.
Daddy: A SI3.
Garzon, Luz
El Sr. Dios Consul (Mr. God
Consul): AS 1.1.
Going for a Ride: AS 1.1.
Lahielera: AS 1.1.
£Porque?:ABl;ASl.l.
Unpaseo: AB1;AS1.1.
Why: A SI.1.
Gaspar de Alba, Alicia
American Citizen, 1921: A G4.
Cimarrona: A F2.
Elpavo: AA2;AB1;AG4.
Estrella Gonzalez: A G4.
Facing the Mariachis: A G4.
Juana Ines: A L6; A T2.1.
La Mariscal: A G4.
The Last Rite: AG4;AG7.1.
Literary Wetback: A R3.
Los derechos de Malinche: A G4.
Malinche's Rights: A G7.
The Mystery of Survival: A G4.
The Mystery of Survival and Other
Stories: A G4.
The Piflata Dream: A G4.
The Prediction: A G4.
Sor Juana's Second Dream: N G6.
They're Just Silly Rabbits: A El;
AG4.
Gillan Jennifer
Growing Up Ethnic in America:
Contemporary Fiction about
Learning to Be American (with
Maria Mazzioti Gillan): A M9.
Identity Lessons: A Contemporary
Writing about Learning to Be
American (with Maria Mazzioti
Gillan): A M9.1.
Glickman, Nora
A Day in New York: A F2.
Dios salve a America: A T4.
El ultimo de los colonos: A T4.
Tag-Sale: A T4.
Gomez, Alma
Cuentos: Stories by Latinas (with
Cherrie Moraga and Mariana
Romo-Carmona): A G5.
El sueflo perdido: A G5.
Gomez, Jewelle
Don't Explain: A K2.

The Gilda Stories: A Novel: N G7.
Gomez, Leticia
Dulce destino: N G8.
Sweet Destiny: N G8.1.
Gonzales, Adelina
Cuando Dios no quiere, Santos no
pueden (When God Is
Unwilling, Saints Are
Helpless): A G3.
Dos padres (Two Priests): A G3.
La corrida del gallo (The Rooster's
Race): A G3.
Los penitentes (The Penitents):
AG3.
Sonaron cadenas (Chains Rattled):
AG3.
Un tiroteo (A Shoot 'em Up):
AG3.
Gonzales, Marcia
Gonzales & son, a minor, vs. Los
Angeles County Sheriffs
Department, a Political
Subdivision, et al. LASCNo.
NEC12431: AM10.
Gonzalez, Gloria
The Boy with Yellow Eyes: A G2.1
Viva New Jersey: A G2.
The Woman Who Makes Belly
Buttons: A R4.
Gonzalez, Ivette
Canton dae amorie: N G9.
Love's Song-Canto de amor:
NG9.1.
To Catch a Star/AIcanzar una
estrella: N G9.2.
Gonzalez, La Verne
Born to Suicide: A B4.
Gonzalez, Luz
Ride: A M5.
Gonzalez, Ramona
Cuando tienes comezon: A Bl.
Gonzalez, Ray
Currentsfrom the Dancing River:
Contemporary Latino Fiction,
Nonfiction and Poetry: A Gl.
Mirrors Beneath the Earth: Short
Fiction by Chicano: A G7.1.
Under the Pomegranate Tree: The
Best New Latino Erotica:
A G7.2.
Gonzalez, Ver6nica
Through the Raw Meat: A SI3.
Gonzales-Berry, Erlinda
Conversaciones con Sergio
(excerpts): A A3; A R4.
El tren de la ausencia: A A10.
Las mujeres hablan: An Anthology
ofNuevo Mexicana Writers
(with Tey Diana Rebolledo and
Teresa Marquez): A R4.
Malinche's Past (Selections from
Paletitas de Guayaba): A R3.
Paletitas de guayaba: N G11.
Rosebud (Excerpts: A R4.
Gonzalez Bertrand, Diane
Alicia's Treasure: N G10.
Carousel of Dreams: N G10.1
The Last Doll/La ultima muneca: N
G10.2
Lessons of the Game: N G10.3
Sweet Fifteen: NG0A.
Trino 's Choice: N G10.5.
Trino 's Time: N G10.6
Gonzales-Flores, Judy
Julieta's Muses: A R3.

Gonz&lez-Mena de LoCoco,
Ver6nica
El camion: A J4.
La Navidad de: A J4.
Pepin: A J4.
Gonzalez Wippler, Migene
Yoruba: A S3.
Grana, Mari
Begoso Cabin: A Pecos Country
Retreat: AB G2.
Granados, Elsa
Haciendo conexiones: A Ml9.
Guerra, Fermina
Rancho Buena Vista: A P2.
Guerra Cunninghma, Lucia
Mds alia de las mascaras (Beyond
the Masks): NG13.
Guerrero, Lucrecia
Blanca Rosa: A G8.
The Butterfly: A G8.
Chasing Shadows: Stories: A G8.
Cloud Shadows: A G8.
The Curse: A G8
Even in Heaven: A G8.
The Girdle: A G8.
Gloves of Her Own: A G8.
Hotel Arco Iris: A G8.
Love and Happiness: A G8.
Memories in White: A G8.
Return of the Spirit: A G8.
Guerrero Milligan, Mary
Daughters of the Fifth Sun: A
Collection of Latina Fiction
and Poetry (withBryce
Milligan): A M13.
Larosa: A M13.
Loteria: A Ml3.
Guido de Vries, Rachel
The Accordion: A M9.1.
Guillen, Angelica
Angie: A M5.
Gurrola, Rosalee
Woolworth's Bra: A A3.
Gutierrez, Franklin
Storiesfrom Washington Heights
and Other Corners of the
World: Short Stories Written by
Dominicans in the United States
(with Daisy Gutierrez Cocco de
Filippis): AC19.
Gutierrez Cocco de Filippis ,
Daisy
Storiesfrom Washington Heights
and Other Corners of the
World: Short Stories Written by
Dominicans in the United States
(with Franklin Gutierrez):
AC19.
Guzman, Lila and Rick
Lorenzo s Secret Mission: N G14.
Hall, Melissa Mia
Wild Women: A HI.
Haslam, Alexandra and Gerald
Whereoyotes Howl and Wind Blows
Free: Growing Up in the West:
AH2.
Hepworth, James
The Stories That Shape Us.
Contemporary Women Write
about the West: An Anthology
(with Teresa Jordan): A 56.
Heredia, Juanita
Latina Self-Portraits: Interviews

with Contemporary Women
Writers (with Bridget
A. Kevane): AB HI.
Hernandez, E. D.
You as a Public Turn On: A T5.
Hernandez, Ena
Indo America Revisited: A T3.
Hernandez, Jo Ann Yolanda
White Bread Competition: N H1.
Hernandez, Manuel de Jesus
Literatura chicana, 1965-1995: An
Anthology in Spanish, English and
Calo (with David William Foster):
AH3.
Herrera, Estela
Azabache: A S2.
Nurturing the Wild Beast of
Christmas: A S2.1.
Herrera-Sobek, Maria
Chicana Creativity and Criticism:
Charting New Frontiers in
American Literature (with
Helena Maria Viramontes):
AH4.
Chicana (W)rites on Word and
Film (with Helena Maria
Viramontes): A H4.1.
Hill, Billy Bob
Texas Short Stories: A H5.
Hill, Christine M.
Ten Hispanic Authors: AB H2.
Hinojosa, Maria
Raising Raul: Adventures Raising
Myself and My Son: AB H3.
Hogan, Victoria
Peanuts & Alfalfa Sprouts: A L4.
The Wall: A L4.
Holoch, Naomi
The Vintage Book of International
Lesbian Fiction (with Joan
Nestle): A H6.
Women on Women: An Anthology of
American Lesbian Short Fiction
(with Joan N. Holden Nestle):
AN1.
Hospital, Carolina
A Century of Cuban Writers in
Florida: Selected Prose and
Poetry (with Jorge Canteras):
AH8.
Cuban-American Writers.Los
atrevidos: A H7.
Ikas, Karin
Chicana Ways: Conversations with
Ten Chicana Writers: AB II.
Isado, Javier
La voz: All.
Jacobs, Barbara
Apostilla Trece: A Jl.
Apostilla Uno: A Jl.
Carol dice: A Jl.
Carol dicey otros textos: A Jl.
Divertido, lo clasico: A Jl.
El lapiz: A Jl.
El tapiz flamenco: A Jl.
Entrevista de Roberto Garcia
Bonilla:AJl.
Epilogo: A Jl.
Escrito en el tiempo (dos cartas):
AJ1.
Las hojas muertas (excerpt): A Jl.
Las siete fugas de Saab, alias El
Rizos (excerpts): A Jl.

Vida con mi amigo (excerpts):
AJ1.
Jaramillo Lavadie, Juanita
Gramita on the Road: A R4.
Jaramillo, Cleofas
A Bit of New Mexico Folklore:
AJ2.
Dramas: A J2.
El carroferril (The Iron Horse):
AJ2.
Games and Sports: A J2.
Harvest Moons: A J2.
Holy Week at Arroyo Hondo: A J2.
Honeymoon among Bandits,: A J2.
The Indian Feast of San Geronimo:
AJ2.
La funcion (Feast Day): A J2.
La Villa Real Its Beggars and
Interesting Places: A J2.
Memorias, Wedding, Baptism and
Other Ceremonies: A J2.
Noche Buena and Religious
Dramas: AK3.2.
Old Customs Vanish: A J2.
The Penitente Brotherhood: A J2.
Romance of a Little Village Girl:
ABJ1.
Romance of a Little Village Girl
(excerpt): A A17.
Romance on the Chihuahua Trail:
AJ2.
Saints' Holy Days: A J2.
Santos: A J2.
Shadows of the Past: AB J1.2.
Shadows of the Past-VI Memories:
AJ2;AR3.
Shadows of the Past/Sombras del
pasado: A 52.
Shadows over Arroyo Hondo: A J2.
Spanish Pioneers: A J2.
Wakes, Noche Buena and Religious
Dramas: A J2.
Jaramillo, Mari Luci
The Shoemaker's Daughter: AB J2.
Jay, Karla
Dyke Life: A 53.
Jimenez, Francisco
Hispanics in the United States: An
Anthology of Creative
Literature (with Gary D.
Keller): A K5.
Literature Vol. II (with Gary D.
Keller): A K5.1.
Mosaico de la vida: prosa chicana,
cubanay puertorriqueha:
AJ4.
Johnson, Rob
Fantasmas: Supernatural Stories by
Mexican-American Writers:
AJ5.
Jordan, Teresa
The Stories That Shape Us.
Contemporary Women Write
about the West: An Anthology
(with James Hepworth): A 56.
Juarez, Tina
Call No Man Master: N J1.
South Wind Come: NJ1.1.
Juarez Phipps, Helene
Cuernavaca Sundown: ARIL
Secret Weapon: ARIL
Kafka, Phillipa
"Saddling La Gringa. "
Gatekeeping in Literature by
Contemporary Latina Writers:
AK1.

30
Kallet, Marilyn
Sleeping with One Eye Open:
Women Writers and the Art of
Survival (with Judith Ortiz
Cofer):ABKl.
Worlds in Our Words:
Contemporary American
Women Writers (with Patricia
Clark): A K2.
Kanellos, Nicolas
Herencia: The Anthology of
Hispanic Literature of the
United States (with Kenya
Dworkin y Mendez and Alej
Balestra): A K3.4.
Hispanic American Literature:
A Brief Introduction and
Anthology: A K3.
The Hispanic Literary Companion:
AK3.1.
Noche buena: Hispanic American
Christmas Stories: A K3.2.
Short Fiction by Hispanic Writers
of the United States: A K3.3.
Keesey, Pam
Daughters of Darkness: Lesbian
Vampire Stories: A K4.
Keller, Gary D.
Literature (with Francisco
Jimenez): A K5.
Literature Vol. II (with
Francisco Jimenez): A K5.1.
Kevane, Bridget A.
Latina Self-Portraits: Interviews
with Contemporary Women
Writers: AB III.
Author/Title Index
Kitchen, Judith
In Short: A Collection of Brief
Creative Nonfiction (with Mary
Paumier Jones) A K6.
Kopp, Karl
Southwest: A Contemporary
Anthology (Bart Lanier
Stafford III): A K7.
Koppelman, Susan
Between a Mother & Daughter:
Stories across a Generation:
AK8.
Kothari, Geeta
Did My Mama Like to Dance? And
Other Stores about Mothers and
Daughters: A K9.
Krauze, Ethel
The Mule Going Round the Well:
A G7.2.
L. de Jesus, Joy
Growing Up Puerto Rican: An
Anthology: A D4.
Lamazares, Ivonne
Cousin Sarita, Ivonne Lamazares:
AH8.
Cousin Sarita: A H8
Lanier Stafford III, Bart
Southwest: A Contemporary
Anthology (with Karl Kopp):
AK7.
La Salle Caram, Eve
Palm Readings: Stories from
Southern California: ALL
Leal, Fabiola
Dinner with Dad: A M5.

Leal, Vivian
Mangoes: A SI3.
Lechuga, Elida
Bitter Dreams: A A10.
Remembrances: A R4.
Levins Morales, Aurora
A Child's Christmas in Puerto
Rico: A T6.
A Remedy for Heartburn: A F2.
A Story: A L3.
African Creation: A R14.
And:AL3.
California: A L3.
Distress Signals: A L3.
Dofia Carmelita: A L3.
Dulce de naranja: A S2; A S2.1.
El bacalao viene de m£s lejos y se
come aqui: A G5.
The Flute: A L3.
Gardens: AL3.
Getting Home Alive (with Rosario
Morales): A L2.
Heart of My Heart, Bone of My
Bone: A L3.
Hurricane: A R14.
If I Forget Thee: A L3.
Immigrants: A D4; A G7; A L31;
AT6.
In My Grandmother's House: A L3.
Kitchens: A G7; A L3; A T6.
Letter to a Compafiero: A L3.
Oh Jerusalem: A L3.
Old Countries: A L3; A T6.
The Other Heritage: A L3; A T6.
Puertoricanness: A G7; A L3;
AT6.
Remedios: Stories of Earth and
Ironfrom the History of
Puertorriquenas: A L2.
South:AL3;AT6.
Storytelling: A L3.
Tito: AL3.
jY ni Fidel puede cambiar eso!:
AM19.
1930:AL3;AT6.
Liberman, Gloria
Laconfesion: A G5.
Libro, Toni
The Last Lesson: A M9.1.
Limon, Graciela
Day of the Moon: N L1.
Erased Faces: N L1.1.
In Search ofBernabe: N LI.2.
In Search ofBernabe (excerpt):
AF2.
The Memories of Ana Calderon:
NL1.3.
The Memories of Ana Calderon
(excerpt): A K3.1.
Song of the Hummingbird: N LI .4.
Limon, Maria
Dew Drops, Lace Curtains, and
Frosty Pink Fingernails: A Gl.
Littlebear Morena, Naomi
The Men in Your Life: A R2.
Noche encantada: A C20.
Lizarraga, Silvia
Camino del lago (Silver Lake
Road): A SI. 1.
Dona Lola: AS 1.1.
El momento: A Sl.l.
Elregreso: AB1; AS1.1.
The Gift: A R3.
Management: A Sl.l.
Monarquia: A R3; A Sl.l.
Quinceaftera: AB1; A Sl.l.
Lizarraga Duerfeldt, Martha
Coming Out: A Sl.l.
La mas santa profesion (Most
Blessed Profession): A Sl.l.

Llano, Maria Elena
In the Family: A Tl.
Lomeli, Francisco A.
Nuevos horizontes de 15 minutos:
AL4.
Lota, Louinn
Dream I Scream: ALL
Loya, Catherine
We Don't Need No Stinking Maps:
AS13.
Lopez, Ana Tiffany
Growing Up Chicana/o: An
Anthology: A L6.
L6pez, Lorraine M.
A Tatting Man: A L5.
After Dad Shot Jesus: A L5.
The Crown on Prince: A L5.
Frostbite: A L5.
Ivor's People: A L5.
Love Can Make You Sick: A L5.
Mother-in-law's Tongue: A L5.
Sophia: A L5.
Soy la Avon Lady: A L5.
Soy la Avon Lady and Other
Stories: A L5.
To Control a Rabid Rodent: A L5.
Lopez Betancourt, Ana
Tripartita: Earth, Dreams, Power
(with Myrna Nieves, Ana
Lopez and Maritza Arrastia):
AN2
Lopez-Medina, Sylvia
Cantora: N L2.
Het lied van de Mexicana s:
NL2.1.
Necklace of Pearls: A Novel:
NL2.3.
Siguiriya: A Novel: N L2.4.
L6pez-Stafford, Gloria
A Place in El Paso: A Mexican
American Childhood: AB L2.
Loredo, Nancy
Five: A M5.
Loya, Olga
The Alligator and the Dog (El perro
y el caiman): A L7.
Blanca Flor (Blanca Flor): A L7.
Celina and El Sombreron (Celina y
el sombreron: A L7.
The Choi People (Cuento del
pueblo chol): A L7.
Cuando el mundo estaba en
tinieblas: A L7.
De como se creo la gente: A L7.
El esqueleto volador (cuento del
puebo chol): A L7.
El mono y el cocodrilo: A L7.
El tio Conejo y el tio Tigre: A L7.
The Flying Skeleton (El esqueleto
volador): A L7.
How People Came to Be (De como
se creo la gente): A L7.
The Hungry Goddess (La diosa
hambienta): A L7.
La diosa hambrienta: A L7.
La Llorona (The Wailing Woman):
AL7.
La madrina muerte (Godmother
Death): A L7.
Momentos mdgicos: Magic
Moments: A L7.
The Monkey and the Crocodile (El
mono y el cocodrilo): A L7.
Opossum and Coyote (La zarigiieya
y el coyote): A L7.
The Rooster's Claw (La pata de
gallo): A L7.
Tia Miseria (La tia Miseria): A L7.
Uncle Rabbit and Uncle Tiger (El tio
Conejo y el tio Tigre: A L7.
The Virgin of Guadalupe (La virgen

de Guadalupe): A L7.
When the World Was Dark
(Cuando el mundo estaba en
tinieblas): A L7.
Lubitch Domecq, Alcina
Bottles: AS 16.
Luna Roble, Margarita
Urbano: Letters of the Horse-shoe
Murder: A P 1.1.
Lugo Filippi, Carmen
Milagros, Mercurio Street: A R14;
AV4.
Pilar, Your Curls: A V4.
Lynch, Lee
Off the Rag: Lesbians Writing on
Menopause (withAkia
Woods): A L8.
Chicana Experiences of the
War: AMI.
Marquez, Maria Teresa
Women's Talesfrom the New
Mexico WPA: La Diabla en Pie
(with Tey Diana Rebolledo):
ABR1.
Marquez, Teresa
Las mujeres hablan: An Anthology
ofNuevo Mexicana Writers
(with Tey Diana Rebolledo and
Erlinda Gonzales-Berry):
AR4.
Marquez, Victoria
Holiday Heaven: N M1.
In Hot Pursuit/Cortego cdlido:
NM1.1.
Wildfor You: NM 2.
McEwan-Alvarado, Angela
Naranjas: A 03.
Machado Padron, Margarita
El automovil de Manuel: A J4.
Madison, Soyini
The Woman That I Am: The
Literature and Culture of
Contemporary Women of
Color: A M2.
Madresca, Maria
Tool: A G7.2.
Madr6n, Cindy
For Maria: A R2.
Malbas, Maria
Uncle Johnny, Maria Malbas:
AL4.
Mariscal, George
Aztldn and Viet Nam: Chicano and
Martin, Allana
Death of a Saint Maker: N M2.
Death of an Evangelista: N M2.1.
Martin, Carmen
Do It to the Music: ATI.
Martinac, Paula
The One You Call Sister: A M4.
Martinez, Antonio
Canto alpueblo: An Anthology of
Experiences (with Leonard
Carrillo, Carol Molina, and
Marie Wood): A C7.
Martinez, Demetria
Lengua madre: N M3.
Mark:AS13.
Mother Tongue: N M3.1.
Mother Tongue (excerpt): A W6.
Prayer for the Millennium: A C6.
Sefat em: NM32.

Other documents randomly have
different content

“Committed to him the custody of Norwich, which his father
Sweyn burnt and destroyed; and to keep the East Angles secure
to him, he (Canute) was most like to be the builder of the
present stone Castle of Norwich. For when by compact with the
English nobles, the law called Engleshire was made by universal
consent, for the safety of the Danes that were by agreement to
remain in England, Canute sent home to Denmark his
mercenary army of Danes, but in great caution built several
strong forts and castles, garrisoning them with such Danes as
had been settled in England before his time, intermixed with
such English as he had confidence in.”
The author of this ingenious Essay produces sufficient arguments to
show that there was a building in the fortifications in the reign of
Canute, and that there had been one since the time of King Alfred,
and that Canute might have repaired or even rebuilt it. Indeed,
there must have been a castle before the Conquest, as in Domesday
Book a number of tenements are stated to have belonged to the
castle. The present building was probably reared after the
Conquest, it being so like Rising Castle and others. Roger Bigot very
likely built it, and Thomas Brotherton repaired it in the reign of
Edward I., as proved by his arms still in the stone work. Certain it is,
from the time of Sweyn’s settling in the city in 1010, and the Danes
swarming hither in large numbers, it rose almost at once to great
importance, as appears from the Survey in the reign of Edward the
Confessor. This is highly probable if we believe the best authority on
the subject, namely the Saxon Chronicle, which states that the city
rose from desolation, in 50 years, to be a place of great magnitude,
far exceeding its former size. The Danes came hither in such
numbers that they became the parent stock of the people of
Norwich and Norfolk; and this is proved by the names of many
places in Norfolk.
Edward the Confessor began his reign in 1041, and the Earldom of
Norfolk was given to Harold, son of Earl Godwin, who was
afterwards king of England, and on his rebellion was seized by the

king and given to Algar, son of Leofric, Earl of Chester, who resigned
it again to Harold at his return; and in 1052, on the death of Earl
Godwin, Harold, in recompense for his generosity, gave Algar his
earldom again; but he being banished in 1055, it came to the king,
who pardoned him at Harold’s request, so that he enjoyed it till his
death, when it came again to the king.
CHAPTER VI.
Norwich in the Norman Period.
The Norman Conquest of England caused many changes in Norfolk
and Norwich. One of the immediate results of the invasion, in 1066,
was a vast influx of foreigners into the county and city; and the
pressure of the Norman yoke was felt as much in Norwich as in any
part of the kingdom. It was about the same period that Jews began
to settle here for the first time, enriched by the extortions incident to
a conquest, and, as Fuller says, “buying such oppressed
Englishmen’s goods as Christians did not care to meddle with.”
William the Conqueror caused a survey to be made of all the lands in
the country, the register of which is called the Domesday Book, and
was finished in 1081. It is written in Roman with a mixture of
Saxon, and is still preserved in the chapter-house at Westminster,
amongst the national archives. It was printed in the 40th of George
III. for the use of the members of both houses of parliament, and
the public libraries of the kingdom. It specifies the extent of the
land in each district; the state it was in, whether meadow, pasture,
wood, or arable; the name of the proprietor; the value, &c.
Domesday Book, p. 13, states:—
“In Norwic, in the time of King Edward, were 1320 burgesses, of
whom one was so much the king’s vassal, that he might not
depart or do homage (to any other) without his licence. His
name was Edstan; he possessed 18 acres of land and 12 of
meadow, and two churches in the burgh and a sixth part of a

third, and to one of these churches there belonged one mansion
in the burgh and six acres of meadow: these six acres Roger
Bigod holds by the king’s gift. And of 1238 (of the said
burgesses) the king and the earl had soc, sac, and custom; and
of 50 Stigand had the soc, sac, and patronage; and of 32 Harold
had the soc, sac, and patronage,” &c., &c.
Soc, sac, and custom was the entire jurisdiction, for soc is the power
that any man had to hold courts, wherein all that dwell on his land,
or in his jurisdiction are answerable to do suit and service; sac is the
right of having all the amerciaments and forfeitures of such suitors;
and custom includes all other profits. At this time, also, there were
no fewer than 136 burgesses who were Frenchmen, and only six
who were English in the new burgh, which comprised the parishes of
St. Giles’ and St. Peter’s Mancroft. The Dutch and the Flemings,
about this time, came over the sea and located themselves in the
city and county, and introduced the worsted and other
manufactures.
William I. gave the Earldom of the city of Norwich to Ralph de
Guader, who designed to wed the daughter of one William Fitz-
Osbern, sister of Roger Earl of Hereford, and a relative of the king.
This matrimonial scheme not pleasing the king, it was prohibited,
but barons in those days would sometimes have a will of their own,
and the fair affianced was made a bride within the castle walls,
whose doorway in an angle marks the site of the act of disobedience
to the sovereign. After the sumptuous feast, with its attendant
libations, a rebellion was planned by Waltheof, Earl of
Northumberland, Huntingdon, and Northampton, and Roger, Earl of
Hereford. Having carried the forbidden marriage into effect, they
became bold in their language and designs, until a chorus of excited
voices joined them in oaths as conspirators against their lord the
king. Treachery revealed the plot, and the church lent its aid to the
crown to crush the rebels. Lanfranc, then the primate and
archbishop, sent out troops, headed by bishops and justiciaries, the
highest dignitaries of church and law, to oppose and besiege them.

The bridegroom fled for succour to his native Brittany, leaving his
bride for three months to defend the garrison with her retainers, at
the end of which time the brave Emma was forced to capitulate, but
upon mild terms, obtaining leave for herself and her followers to flee
to Brittany. Her husband became an outlaw, her brother was slain,
and scarcely one guest present at that ill-fated marriage feast
escaped an untimely end.
Nor did the city go unscathed. The devastation carried into its midst
was heavy; many houses were burnt, many were deserted by those
who had joined the earl, and it is curious to read in the valuation of
land and property, taken soon after this event, how many houses are
recorded as void, both in the burgh or that part of the city under the
jurisdiction of the king and earl, and in other portions, subject to
other lords; for it would seem that the landlords of the soil on which
the city stood were the king or earl of the castle, the bishop, and the
Harold family. Clusters of huts were then built round the base of the
hill, and constituted the feudal village; its inhabitants consisting of
villains, of which there were two classes, the husbandmen or
peasants annexed to the manor or land, and a lower rank described
as villains in gross, or absolute slaves, transferable by deed from one
owner to another, the lives of these slaves being a continual state of
toil, degradation and suffering.
After the banishment of Earl Ralph, the king, having obtained
possession of the castle, appointed Roger Bigod constable, with a
limited power as bailiff, he having to collect the rents and revenues
belonging to the crown. He retained these honours during the reign
of the succeeding monarch, William Rufus, though he joined in the
fruitless attempt to place that king’s elder brother, Robert Curthose,
on the throne. These troubles were not ended till 1091, when the
king made peace with his brother Robert, agreeing that the lands of
those who had assisted him should be restored to them.
CHAPTER VII.
Norwich in the Twelfth Century.

About the commencement of this century, a considerable addition
was made to the population of the city by a vast influx of Jews, who
originally came from Normandy, and were allowed to settle in
England as chapmen for the sale of confiscated goods. They
afterwards became numerous, and were so much in favour with
William Rufus that he is said to have sworn, by St. Luke’s face, his
usual oath, that “If the Jews should overcome the Christians, he
himself would become of their sect.” In his reign the present castle
is supposed to have been built.
Henry I., on his accession to the crown, met with great opposition
from many of the nobles who were in the interest of his elder
brother, Robert, Duke of Normandy; but Roger Bigod strongly
espousing his cause, became a great favourite. In the first part of
his reign, the king gave him Framlingham in Suffolk, and continued
him Constable of the Castle till his death. He was succeeded by his
son William Bigod, on whose decease Hugh Bigod, his brother, who
inherited his estate, was appointed Governor of the Castle. In 1122,
the king kept his Christmas in Norwich, when, being pleased with
the reception he met with, he severed the government of the city
from that of the castle, the constable of which had been heretofore
the sole governor. Henry I. granted the city a charter containing the
same franchises as the city of London then enjoyed, and the
government of the city was then separated from that of the castle,
the chief officer being styled Propositus or Provost. The liberties of
the city from the time of Henry I. to Edward III., were often
suspended and gradually enlarged. In 1403 the city was separated
entirely from the county of Norfolk, under the name of the county
and city of Norwich; and the first Mayor was then elected by the
citizens. The old corporation generally comprised a dignified body of
men, who maintained the hospitalities of the city. Under the ancient
charter the corporation of Norwich consisted of a mayor, recorder,
steward, two sheriffs, twenty-four aldermen, including the mayor,
and sixty common councilmen. The Municipal Reform Act
transferred its government into the hands of a mayor, a sheriff, and
a town council consisting of forty-eight councillors, and sixteen

aldermen elected by the council, who unitedly elect the mayor and
sheriff. To these, and to a recorder, with an indefinite number of
magistrates appointed by the crown, the government of the city is
entrusted.
King Stephen, on his accession, granted the custody of the castle to
his favourite, Hugh Bigod, who was a principal instrument in
advancing him to the crown, by coming directly from Normandy
where Henry I. died, and averring that he on his deathbed had
disinherited his daughter Maud, the empress, and appointed
Stephen, Earl of Bolyne, his heir. The citizens, therefore, taking this
opportunity, used what interest they could with the king to obtain a
new charter, vesting the government of the city in coroners and
bailiffs instead of provosts; but the affair took a different turn to
what they expected, for the king, upon a distrust of Bigod favouring
the cause of the Empress Maud, seized the castle and all the liberties
of the city into his own hands, and soon afterwards granted to his
natural son William, for an appanage or increase of inheritance, the
town and burgh of the city of Norwich, in which were 1238
burgesses who held of the king in burgage tenure; and also the
castle and burgh thereof, in which were 123 burgesses that held of
the king in burgage, and also the royal revenue of the whole county
of Norfolk, excepting what belonged to the bishopric, &c. The whole
rent of the city, including the fee farm, was then about £700 per
annum. The king restored the city liberties for a fine in 1139.
During the reign of King Stephen more Flemings came over; and
these successive immigrations were a real blessing to the land.
England had not been a manufacturing country at all till the arrival
of the Flemings, who introduced the preparation and weaving of
wool, so that, in process of time, not only the home market was
abundantly supplied with woollen cloth, but a large surplus was
made for exportation. The Flemings were kinsmen of the Anglo-
Saxon race, and were distinguished for that probity in their
commercial dealings which afterwards became the characteristic of
the English merchants at large.

Henry II., in the first year of his reign, 1155, took the city, castle,
and liberties from William, the natural son of Stephen; but, as a
recompense, restored to him all those lands which his father held in
the reign of Henry I. He also prevailed upon Hugh Bigod to yield up
all his castles, whereby the whole right became vested in the crown;
the king governing the city by the sheriff, who paid the profits
arising therefrom into the exchequer. About the year 1163 Hugh
Bigod was restored to the title of the Earl of Norfolk, and at the
same time appointed Constable of Norwich Castle, by which means
he became sole governor of the city. In 1182, the citizens recovered
the liberties of the city on paying a fine of 80 marks to the king.
Richard I. was crowned September 4th, 1189, and a riot happened
on account of a Jew attempting to enter Westminster Hall contrary
to the king’s express command. Many of the Jews were killed, and
their houses plundered and burnt. A rumour was thereupon spread
throughout the nation that the king did not favour them, on which
the people of Bury, Lynn, and Norwich, took occasion to rise and rob
great numbers of them. On November 27th following, Roger, son of
Hugh Bigod, was created Earl of Norfolk, and steward of the king’s
household. By his means the city regained as ample a charter as
London then possessed, for in 1193, the king granted the city in fee
farm to the citizens and their heirs, for a fee farm rent of £180
yearly.
CHAPTER VIII.
Norwich in the Thirteenth Century.
King John ascended the throne in 1193, and in a few years
afterwards the barons rebelled against him. In 1215, Roger Bigod,
Earl of Norfolk, joined the insurgent barons. The king seized the
castle, expelled the earl, and appointed the Earl of Pembroke and
John Fitz-Herbert Constables of the Castle. Lewis, the Dauphin of
France, having obtained a grant of the kingdom from the pope,
brought over a large force, ravaged the counties of Norfolk and

Suffolk, took the castle, and reduced the city. He made William de
Bellomonte his marshal and constable, and placed him with a
garrison within the castle walls.
King John granted two charters to the citizens, bestowing certain
privileges; and he came to the city in 1256, as is evident from the
Charter of Liberties granted to the port of Yarmouth, it being dated
March 25, 1256, by the king at Norwich. On the same day he
likewise granted his third Charter to the city, bestowing certain
commercial privileges. In 1265 Simon Montfort and his adherents
seized all the king’s castles and committed the custody of them to
their own friends, and having also gotten the king’s person into their
power, they obliged him to send letters to the sheriffs of counties,
including Norfolk, commanding them to oppose all attempts in
favour of the king. But the king having routed the barons at
Eversham, removed all the constables which the confederates had
appointed, and amongst the rest Roger Bigod; in whose stead, John
de Vallibus, or Vaux, was made Constable of this Castle, and Sheriff
of Norfolk and Suffolk, and soon afterwards, in consequence of great
disturbances in the city, he was ordered to enter it, and did so,
notwithstanding its liberties. In December, 1266, the displaced
barons, headed by Sir John de Evile, entered the city and killed
many persons, imprisoned more, plundered the town, and carried
away the wealthiest of the inhabitants.
According to Blomefield, about this time, on a Good Friday, the Jews
were accused of having crucified a boy, twelve years of age, named
William; and the date of his alleged death, March 24th, was marked
as a holiday. No evidence is adduced that the crime was committed,
and no motive is assigned for it. The date of the year is not given,
and the boy’s name besides William is not stated. The Jews denied
the charge, but it was generally believed, and they were terribly
persecuted. The people then seized upon every pretence for
robbing and plundering the poor Jews. It is said that the crime was
discovered by Erlward, a burgess, as they were going to bury the
body in Thorpe Wood. On this the Jews applied to the sheriff, and

promised him 100 marks if he would free them from this charge.
The sheriff sending for Erlward obliged him to swear that so long as
he lived he would never accuse the Jews nor discover the fact.
About five years afterwards, Erlward, on his deathbed, made known
the whole affair, and the body, it is said, having been found in the
wood, was taken and buried in the churchyard of the monks. They
alleged that many miracles were there wrought by it which
occasioned its being removed into the church and enshrined in the
year 1150.
Edward I. succeeded to the throne in 1272, and in the next year the
king appointed Roger Bigod, Earl of Norfolk, to be Constable of the
Castle. The interdict, which was removed on Christmas eve, was
renewed on the day after Epiphany, but was taken off till Easter,
when it was renewed the third time. In 1274, the affair between the
monks and citizens continuing unsettled, it was referred to the pope,
who left it to the decision of the king, who adjudged the citizens to
pay 500 marks yearly for six years, and to give the church a cup of
the value of £100, and weighing 10 lbs. in gold. The monks were to
repair their gates and to have access to all parts of the city, and
some of the chief citizens were to go to Rome to beg the pope’s
pardon. These conditions being agreed to, the king restored to the
city all its ancient privileges on payment of a fine of 40s. yearly,
besides the old fee farm. The interdict was also removed on
November 1st, 1275. The king kept his Easter in the city in 1277,
and he granted a new charter in 1285. In 1289 the liberties were
seized, but were restored again at the end of the year. Soon
afterwards the king, while on a pilgrimage to Walsingham, granted a
new charter. In 1296, the city first sent representatives to
parliament, originally four in number, who were paid for their
services, but on account of the expense the number was reduced to
two members.
CHAPTER IX.
Norwich in the Fourteenth Century.

In this century this city and other towns began to obtain political
privileges. The kings of the middle ages found themselves obliged
to summon burgesses to parliament in order to obtain supplies. The
early parliaments appear to have been convened chiefly for this
purpose, and were constantly dissolved as soon as the business for
which they met was transacted. Formerly the burgesses returned
were always citizens, who really were representatives of the city and
its interests, and not merely supporters of the ministry of the day.
There is no record of the early local elections, but lists will be given
of the burgesses returned.
Edward II. began his reign on July 7th, 1307, and he reigned
nineteen years. Walter de Norwich, son of Jeffry de Norwich, was so
much in favour with the king as to be one of the Barons of the
Exchequer in 1311, and in 1314 was summoned as a parliamentary
baron, and afterwards made the Treasurer of the Exchequer, which
office he held several years. He obtained liberty for free warren in
all his demean lands, and a fair to the manor of Ling in Norfolk, on
July 20th, and two days following. He continued in favour till his
death.
In the reign of Edward III., A.D. 1328, the king, by a statute, made
Norwich a staple town for the counties of Norfolk and Suffolk, by
which the trade of the city was much increased. In the “Paston
Letters” we find the following reference to articles of Norfolk
manufacture:
“I pray that you will send me hither two ells of worsted for
doublets, to happen me this cold winter, and that ye enquire
where William Paston bought his tippet of fine worsted which is
almost like silk, and if that be much finer that ye sh’d buy me,
after seven or eight shillings, then buy me a quarter and the nail
thereof for collars, though it be dearer than the other, for I
would make my doublet all worsted for the honour of Norfolk.”
In 1340, Norwich Castle was made the public prison for the county
of Norfolk, and the custody thereof was committed to the sheriff. A

great tournament was held in Norwich, at which the king, with his
queen Phillippa, was present; and they kept their court at the
bishop’s palace. In 1342 the king and queen honoured the city with
another visit.
In 1344 a new charter was granted, by which the liberty of the
castle was reduced to the outward limits of the present ditch, and so
continues. By this charter, the citizens became proprietor’s of the
ancient fee of the castle, that is, the castle ditches, and the great
croft, now the market place.
In the reign of Richard II., A.D. 1381, Wat Tyler’s rebellion broke out
in London. Insurrection became prevalent in many parts of the
kingdom, manufactures declined, and discontent became general.
Norwich and Norfolk shared in the general plunder at the hands of
armed bands. Under John Lyster, Litister, or Linster, a dyer, 50,000
men attacked the city and committed great depredations. They
were, however, pursued to North Walsham by the king’s troops
under the command of Henry Le Spencer, Bishop of Norwich, and
defeated. Their leader and many of his adherents were taken and
executed for high treason. They were hung, drawn, and quartered,
according to the barbarous usage of the times. In 1399, the bailiffs
having put the city into a proper posture of defence, openly declared
for Henry Duke of Lancaster, son and heir of John of Gaunt, the late
deceased duke, their especial friend. On this declaration, Henry
gave them strong assurances that, whenever it was in his power, the
charter which they so earnestly desired for electing a mayor, &c.,
should be granted them, and he was afterwards as good as his
word. The great connection there was between John of Gaunt and
this city, arose through William Norwich, a knight, who was a friend
of the Duke’s, and who frequently visited the town, for which he
always expressed great regard. In 1389, the great John of Gaunt,
Duke of Lancaster, visited this city, and was honourably received.
In the first year of Henry IV., Sir Thomas Erpingham, knight, a
Norfolk man, Warden of the Cinque Ports, and Lord Chamberlain,
obtained the King’s Charter, dated at Westminster, February 6th,

1399, confirming all the former charters ever granted to the city. In
1409, through the interest of Sir Thomas, a grant was made to the
city for a certain term of years of the alnage and survey of all
manner of worsteds made in Norwich and Norfolk.
St. George’s Company took its rise in the second half of the fourteenth
century, and consisted of a society of brethren and sisters associated
in honour of the Martyr St. George, who by voluntary contributions
supported a chaplain to celebrate service every day in the cathedral
before the altar, for the welfare of the brethren and sisters of the
Guild, whilst living, and of their souls when dead. In this state they
continued till the fourth year of Henry V., when that prince granted
them a charter dated at Reading, incorporating them by the name of
the Aldermen, Masters, Brethren, and Sisters of the Fraternity and
Guild of St. George in Norwich; and empowering them to choose
yearly, one Alderman and two Masters, and to make all reasonable
orders and constitutions for their own government; to have a
common seal; to sue and be sued; and to maintain a chaplain to
pray daily for the health of the king, the alderman, masters, and
sisters whilst alive, and their souls when dead; and lastly to
purchase £10 per annum in mortmain. The prior, mayor, sheriffs,
and aldermen of the Guild, had power to expel or remove any
member for bad behaviour. In consequence of this charter,
ordinances were made for the well-governing of the society, and for
yearly choosing one alderman, four masters, and twenty-four
brethren, for the Assembly or Common Council. In 1451, by the
mediation of Judge Yelverton, the disputes between the Guild and
the city were settled; when it was agreed that the mayor for the
time being should yearly, on the day after the Guild, be chosen
Alderman of the Guild for the year following his mayoralty, that the
Assembly of the Guild should consist of twenty persons, and that the
common council of the city should be eligible for admission into the
company, but be liable to the charge of the feast. Indeed, the chief
object of the Guild was feasting. Every brother took an oath on
admission. The Aldermen and Common Council of the Guild had

power to choose such men and women, inhabitants of the city, to be
brethren and sisters of the Guild, as they might think fit. But no
man living out of the city could be chosen unless he was a knight,
esquire, or gentleman of note. Many other orders were made in
regard to their procession, which was always very grand. This Guild,
with the other ancient crafts or companies of the city, made a very
splendid appearance on all public occasions. The companies were
then on the same footing as those of the city of London now are,
and some of the trades long continued as a fraternity, and chose
wardens among themselves. From the Friday after May day, to the
Friday before the Guild day, the members of St. George’s Company
used to meet every evening at the Guildhall in the Market Place,
where they refreshed themselves with as much sack and sugar rolls
as they pleased, besides two penny cakes from the baker’s. Being
thus assembled they sent for the last chosen feast-makers, and
asked them whether they intended to bear the charges of the feast,
“which” (said they) “will cost you more than you think.” By this they
so terrified timorous, wary people, that they were persuaded to buy
it off, though, had they agreed to make the feast, it would not have
cost them much more than £6 or £7, which sum they were glad to
save. The Company continued till February 24th, 1731, when the
committee appointed for the purpose reported to an assembly held
that day, that they had treated with St. George’s Company, who had
agreed to deliver up their charters, books, and records, into the
hands of the corporation, provided the latter would pay their debts,
amounting to £236 15s. 1d., which, being agreed to, they were
accordingly delivered up and deposited with the city records in the
Guildhall. Thus terminated this ancient feasting company by the
surrender of all their goods to the corporation.
CHAPTER X.
Norwich in the Fifteenth Century.
At the commencement of this century (in 1402) the grand affair of
obtaining a new charter occupied the greater part of the time of the

citizens, but as nothing could be done without the concurrence of
Bishop Spencer, they at last found means to soften him, and to
obtain his promise that he would not oppose them in this their
favourite object. All obstacles being now removed, they offered to
lend Henry 1000 marks, which so far obliged the king that he was
willing to give them as full a charter as they could desire. This was
accordingly done, and the new charter was granted on January 28th,
1403. By this charter the city obtained a full power of local self-
government.
Henry V. began his reign on March 20th, 1412, in which year the city
was in great disorder, occasioned by the disputes between the Mayor
and the Commons, respecting the election of mayors, sheriffs, and
other officers of the corporation, and the powers granted by the
charter, concerning which they could not agree. These contentions
exhausted the city treasury, and at length they were settled by the
mediation of Sir Robert Berney, John Lancaster, William Paston, and
others. The burgesses who served in Parliament in this reign were
R. Brasier, R. Dunston, W. Sedman, J. Biskelee, H. Rufman, W. Eton,
J. Alderfold, W. Appleyard, R. Baxter, and Henry Peking.
In 1422 the doctrines of the Reformation were introduced into the
city, and several persons were executed as Wickliffites or Lollards. A
large chalk pit, in Thorpe Hamlet, on the outskirts of the city, is to
this day called “Lollards’ Pit.”
Henry VI., when only nine months old, was proclaimed king on
August 31st, 1422, and in his reign a general persecution of the
Lollards broke out in this diocese. The Lollards were men who
earnestly desired the reformation of the church, and they were
followers of that great and good man John Wickliffe, but they were
called Lollards as a name of infamy. They were so zealous for the
truth that they chose rather to suffer grievous torments and death
than forsake their faith. On this account about 120 persons were
persecuted for their profession of the pure gospel of Christ.

On June 6th, 1448, the king paid a royal visit to the city, and among
other preparations the gates were decorated, and the King’s arms,
and the arms of St. George, were painted and raised on six of the
gates. In 1449, his Majesty paid another visit, after a sojourn with
the Earl of Suffolk at Costessey. The king entered Norwich by St.
Benedict’s Gate, which was especially ornamented for the occasion.
These peaceable entries, with the picturesque pomp of a royal
procession, always pleased the loyal citizens.
In 1452, it being rumoured that Edward earl of March, son to the
duke of York, was advancing towards London, the queen, much
terrified thereat, tried to make as many friends as she could, and for
that purpose came to this city, when, in full assembly, the Commons
resolved to advance 100 marks as a loan to the king; and the
aldermen at the same time presented the queen with 60 marks, to
which the Commons added 40 more, so that the king had now 200
marks of the city. The citizens then obtained a new charter, dated
March 17th, and consented to in full parliament. It contained a
restitution of all liberties, a general pardon of all past offences, and a
confirmation of all former charters.
In 1460, during the contest between the houses of York and
Lancaster, the mayor and aldermen raised forty armed men and the
Commons eighty, and appointed Wm. Rookwood, Esq., their captain,
with whom they agreed for six weeks’ pay, at six-pence a day for
each soldier, and sent them to the assistance of the king, who wrote
them a letter of thanks, with a request that they would maintain the
soldiers for one month longer, which was readily complied with. In
1474, the king visited the city, and was presented with a sum of
money by way of benevolence; but in the following year the city had
to pay £80 6s. 11d. for the forces employed in France.
In July 1469, Elizabeth Woodville, the queen of Edward IV., visited
Norwich and remained here several days. Her majesty, with a great
retinue, entered the city through “Westwyk Gate,” which was
decorated for the occasion. John Parnell was brought from Ipswich
to exercise his skill in ornamentation; and under his

superintendence, a stage covered with red-and-green worsted was
erected, adorned with figures of angels, escutcheons, and banners
of the royal lady and the king, with a profusion of crowns, roses,
fleur-de-lys, &c. Gilbert Spurling exhibited a fragment of the
salutation of Mary and Elizabeth, which required from him a speech
in explanation.
In 1486, being the 1st Henry VII., on the rebellion of Lambert
Simnel, who assumed the name of Edward Plantagenet, the king,
expecting an invasion of the eastern parts of his kingdom, made a
progress through Norfolk and Suffolk to confirm the inhabitants in
their loyalty, and spent his Christmas at Norwich, when the city
made him a handsome present. Hence he went a pilgrimage to
Walsingham, so famous for its pretended miracles, where he made
his vows; and after he returned victorious, he sent his banner to be
offered there as an acknowledgment of his prayers having been
heard.
The monastic institutions of this city might claim the honour of
having some learned men connected with them in the 15th century.
Thomas Brinton, or Brampton, a monk of Norwich, attained to such
an eminence in the schools of England that his fame was spread
abroad, and he was sent for by the pope to Rome. He often
preached before the pope in Latin, and being first made his
penitentiary was afterwards raised to the see of Rochester. His
sermons preached before the pope were published, with some
others. John Stow, who flourished in 1440, was a Benedictine monk
of the monastery of St. Saviour, in Norwich, and doctor of divinity of
Oxford. It appears, by his works, that he was at the council of
Basil. His works were The Acts of the Council at Basil; various
Collections; and Solemn Disputations, &c. John Mear, a monk of
Norwich, and D.D. of Oxford, was a person of subtle art for
explaining difficulties. He was divinity reader at several monasteries,
and the author of several works, which have all been lost.

CHAPTER XI.
Norwich in the Sixteenth Century.
At the commencement of this century most of the houses in the city
were built of wood with thatched roofs. This accounts for the
number of fires which broke out at different times, and which, in
1507 and 1509, reduced a large portion of the city to ashes, no
fewer than 718 houses being consumed in the latter year. These
conflagrations induced the corporation, in 1509, to issue an order
that no newly-erected buildings in the city should be covered with
thatch, but this injunction not extending to those previously erected,
some few still retain this dangerous covering.
In 1501, John Rightwise, then mayor, began building the cross in the
Market Place, and finished it in 1503. It was a commodious and
handsome pile, but falling into decay, it was sold by the Tonnage
Committee in 1732 for £125, and soon afterwards it was taken
down. About 1506, St. Andrew’s Church was built, near the site of
the old church of St. Christopher.
Henry VIII. began his reign on April 22nd, 1509, when the city was
in a state of great distraction, on account of the terrible fires which
caused much destruction of property. In that year a great part of
the cathedral, with its vestry, and all the ornaments and books were
destroyed by a fire, which broke out on St. Thomas’ night. In 1515,
the Lady Mary, sister to the king, and her consort the Duke of
Suffolk, visited the city on their return from France, and were nobly
entertained. Henry VIII., while he continued a papist, burned the
reformers; and when in a fit of anger he disowned the pope and
assumed the English tiara, he was no less zealous against both
Papist and Puritan, who would not bind their consciences to his royal
decrees. During the prelacy of Richard Nykke or Nix, the bigotted
bishop of Norwich, several church reformers were burnt here and at
other places.

In 1517, Cardinal Wolsey visited the city to mediate between the
citizens and the monks, but their disputes were not finally settled till
1524, when the jurisdiction of the convent was ascertained and
separated from that of the corporation until 1538, when they were
converted into a dean and chapter.
On March 2nd, 1520, Queen Catherine and Cardinal Wolsey visited
the city, and all the city companies went to meet the queen “in Puke
and Dirke Tawney Liveries,” and the city presented her with 100
marks.
In 1522, in consequence of the many vexatious suits in the Sheriff’s
Court for words and trifling debts, it was agreed that four aldermen
be named, one out of each of the great wards, to sit in person, or by
deputies, every Wednesday, from eight till nine in the morning, to
adjust all debts under two shillings, and all actions on words, for the
ease and peace of the city. This institution was of great benefit, and
in some measure answered the purpose of the old Court of
Conscience.
In 1524, on September 2nd, through the mediation of Cardinal
Wolsey, a composition and final agreement was sealed between the
prior and the city at the Guildhall, by which the city resigned all
jurisdiction within the walls of the priory, the whole site thereof
being hereby acknowledged to be part of the County of Norfolk and
in the Hundred of Blofield; and the church gave up all right of
jurisdiction in every place without their walls and within the walls of
the city; so that now, Tombland, with the fairs kept thereon, and all
things belonging to those fairs—and Holmstrete, Spytelond, and
Ratten Row, with their letes—were adjudged to belong to the city,
and to be part of the county thereof. The prior and convent and
their successors were also exempted from all tolls, customs, and
exactions whatever, by land or water in the whole city, or county of
the city and its liberties, for goods or chattels bought or sold for the
use of the prior and convent, their households, or families.

In 1525 the king granted the city another charter, confirmed likewise
by parliament, in which the late composition and agreement
between the city and prior was fully recited and established, and
new privileges were granted.
In 1530 the king was declared supreme head of the church of
England; and was acknowledged so by act of parliament in 1535. In
the latter year an act was passed for recontinuing liberties in the
crown, by which all cities, boroughs, and towns corporate, had their
liberties and privileges fully confirmed.
BILNEY’S MARTYRDOM.
A short account of the martyrdom of Thomas Bilney, in 1531, may
serve to illustrate the persecuting spirit of the age. He had
renounced the tenets of the Church of Rome, and was condemned
on the following passages extracted from two sermons which he had
preached in 1527, at Ipswich.
“Our Saviour Christ is our Mediator between us and the Father;
what need have we therefore for any remedy from saints? It is
a great injury to the blood of Christ to make such petitions, and
blasphemeth our Saviour.”
“Man is so imperfect by himself, that he can in no wise merit by
his own deeds.”
“The coming of Christ was long prophesied before, and desired
by the prophets; but John Baptist, being more than a prophet,
did not only prophesy, but with his finger shewed Him, saying,
‘Behold the Lamb of God, which taketh away the sins of the
world.’ Then, if this was the very Lamb which John did
demonstrate, that taketh away the sins of the world, what injury
is it to our Saviour Christ, that to be buried in St. Francis’ cowl
should remit four parts of penance? What is then left to our
Saviour Christ, which taketh away the sins of the world? This I
will justify to be a great blasphemy to the blood of Christ.”

“It is great folly to go on pilgrimages; and preachers in times
past have been antichrists; and now it hath pleased God
somewhat to shew forth their falsehoods and errors.”
“The miracles done at Walsingham, Canterbury, and Ipswich,
were done by the devil through the sufferance of God, to blind
the poor people; and the Pope hath not the keys that St. Peter
had, except he followeth Peter in his living.”
“Christian people should set up no lights before images of
saints, for saints in heaven need no lights, and images have no
eyes to see; and, therefore, as Ezechias destroyed the brazen
serpent that Moses made by the commandment of God, even so
should the kings and princes of these times destroy and burn
the images of saints set up in churches.”
It was further deposed against Bilney, that he was notoriously
suspected to be a heretic, and that in his sermons he had exhorted
the people to put away their gods of silver and gold, and to desist
from offering to them either candle, wax, money, or any other thing;
and that in rehearsing the litany he said, “pray you only to God and
no saints;” and when he came to that part, Sancta Maria, &c., or, O
Saint Mary pray for us, he called out, “stop there.”
These and many other articles of the like nature being proved, he
was exhorted to recant and abjure them; and upon his refusing to
do so, the Bishop of London, having pulled off his cap, and made the
sign of the cross on his forehead and breast, pronounced the
following sentence:—
“I, by the counsel and consent of my brethren here present, do
pronounce thee, Thomas Bilney, who has been accused of
divers articles, to be convicted of heresy; and for the rest of the
sentence we will deliberate till to-morrow.”
The next day Bilney was again asked whether he would recant and
return to the unity of the church; when he desired a day or two for

consideration and to consult his friends. In fear of a dreadful death
at the expiration of the time, he subscribed his abjuration; and being
absolved, he had the following penance enjoined him; to bear a
faggot at the procession at St. Paul’s, bareheaded, and to stand
before the preacher during the sermon there, and to remain in
prison till he should be released by Cardinal Wolsey. When in prison,
the reflection on what he had done drove Bilney almost to despair,
and he suffered all the agonies of remorse for more than twelve
months.
At length he resolved to seal that truth which he had so shamefully
abjured, with his blood. For this purpose he travelled to Norwich,
and on his way to the city he openly preached those doctrines for
which he had been condemned; and being apprehended, was
confined in one of the cells under the Guildhall. On August 19th, he
was taken to Lollards’ pit, outside of Bishopsgate, and burnt there in
the presence of a crowd of horrified spectators.
This and many other instances may serve to show the persecuting
spirit of a church which had arrogated to itself a dominion over the
consciences of men, and dared to propagate a religion of fear as the
religion of Christ. After the Reformation, which had now begun, the
same persecuting spirit was manifested by the Church of England;
and many suffered here for their nonconformity to the
Establishment. Several other martyrs were burnt in Norwich during
the same reign, and in 1539, one William Leyton, a monk of Eye, in
Suffolk, was burnt here, for speaking against a certain idol which
used to be carried about in procession at Eye; and for asserting that
the sacrament ought to be administered in both kinds.
In the same year peace and amity were settled between the church
and the city on a much more stable foundation than had been
previously effected, by an arrangement as to jurisdictions of the
authorities.

In 1534 an act was passed for rebuilding those parts of the city
which were laid waste by the late fires; by which it was enacted that
if the owners of such void grounds should, by the space of two years
after proclamation made by the mayor for all persons to rebuild or
enclose their grounds, neglect to rebuild on such ground, or
sufficiently enclose the same with mortar and stone, then it should
be lawful for the mayor, etc., to enter on such vacant grounds, and
hold and retain them to their own use and their successors’ use for
ever, discharged of all rents and outgoings whatsoever, provided
that, within two years after such entry made, they either rebuild or
enclose them as aforesaid.
DISSOLUTION OF THE MONASTERIES.
If, in giving an account of the state of society in the middle ages, we
were to omit from our enumeration of causes the vast influence of
the clergy of the church of Rome, we should present a very
imperfect view of the subject. The priests dominated over the minds
of men for many centuries, and their influence either for good or evil
pervaded all classes of society. This influence caused the erection of
monasteries, nunneries, priories, and friaries, nineteen in number, in
Norwich before the 16th century. Monastic institutions were
originally beneficial to society. In the dark ages, they preserved
learning to some extent, and were houses of refuge for the
destitute. No doubt there were many good self-denying men and
women amongst the monks and nuns, who did some service to the
poor who then abounded in the land. But in time the monasteries
sunk for the most part into dissolute confraternities; stupid and
sleepy, where not vicious; and banded together against the liberties
of the nation; and there were constant broils between the monks
and the citizens in Norwich.
The king having entirely renounced the authority of the church of
Rome, and assumed the title of Head of the Church of England,
caused a very strict inquiry to be instituted into the state of all

monastic institutions. This inquiry resulted in their suppression,
more for the gratification of the monarch’s avarice than from his
desire to benefit his subjects; and most of the monks in Norwich and
Norfolk, as well as in other parts of England, were sent adrift with
small pensions. The king, indeed—in revenge for being
excommunicated by the pope—suppressed 1148 monasteries in
England, whose revenues amounted to £183,707 yearly. He either
seized the property for himself or divided it amongst his favourites,
and the Duke of Norfolk obtained a great part of it in Norwich. The
dissolution of those ancient institutions caused a great deal of
poverty; the priests were driven out homeless over the land, and the
poor had no houses of refuge and no means of relief.
In 1538, Thomas Cromwell, lord privy seal, the king’s vicegerent,
sent injunctions to all bishops and curates, charging them to take
care that an English bible of the largest size be placed open in each
parish church, for every one to have recourse to. The open bible
was generally read in this city and elsewhere, and this, no doubt,
promoted the reformation of religion. In spite of the tyranny of
kings, the domination of priests, and the superstition of the people,
the Reformation still advanced, and the national mind was
emancipated by degrees from ancient thraldom.
In 1545, one Rogers, of Norfolk, was condemned and suffered
martyrdom, for opposing the six articles of an act passed for
abolishing diversity of opinions in religion. This act inflicted the
penalty of death upon those—1st, who by word or writing denied
transubstantiation; 2nd, who maintained that communion in both
kinds was necessary; 3rd, or asserted that it was lawful for priests to
marry; 4th, or that vows of chastity might be broken; 5th, or that
private masses are profitable; 6th, or that auricular confession is not
necessary to salvation.
The king died on the 28th January, 1546; and his exequies were
celebrated here with great pomp, as appears from the chamberlain’s

account; though what good he ever did for the city it would be hard
to say. He was a king who spared no man in his anger and no
woman in his lust. In his reign, 72,000 persons were hung for
political offences or for the crime of poverty as a warning to others.
The “Merry England” of those days was in fact a terrible country to
live in. Men were beaten, scourged, branded with hot irons, and
killed without mercy or limit.
Edward VI. was proclaimed king on January 28th, 1546; and on
February 25th, his coronation was celebrated with much pomp in
Norwich, where great rejoicings took place. Six large guns were
fired on Tombland; the populace were treated with plenty of beer;
and bonfires were lighted in several of the streets. There was a
grand procession with a pageant, in which the king was represented
by an effigy of king Solomon.
On March 8th, 1546, Edward VI., and the executors of his deceased
father, granted to the mayor, sheriffs, citizens, and commonalty, the
hospital of St. Giles’ in this city, now called the Old Men’s hospital,
with all the revenues belonging thereto for the maintenance of poor
people dwelling therein, all which the late king had promised to give
them at the request of the citizens, a short time before his death.
Norwich has always been noted for its civic feasts and good cheer;
and Bale, writing at this time (1549), in his “Continuation of Leland’s
Antiquities,” says:—
“Oh, cytie of England, whose glory standeth more in belly chere
than in the searche of wisdome godlye, how cometh it that
neither you nor yet your ydell masmongers have regarded this
most worthy commodytie of your countrye? I mean the
conservacyon of your antiquyties, and of the worthy labours of
your learned men. I thynke the renowne of such a notable act
would have much longer endured than of all your belly
banquettes and table triumphes, either yet of your newly
purchased hawles, to keep St. George’s feast in.”

And again he says:—
“I have been also at Norwyche, our second cytie of name, and
there all the library monuments are turned to the use of their
grossers, candelmakers, sope sellers, &c.”
Small credit is here given to the city for the patronage and
promotion of intellectual pursuits.
KETT’S REBELLION.
In 1549 the city was the scene of an insurrection resembling that of
the Jacquerie in France, and the War of the Peasants in Germany.
The facts of this local rebellion were simple enough. The poor
people objected to the enclosure of waste lands, in the
neighbourhood of Attleborough and Wymondham, by the nobility
and gentry, who had been put in possession of the abbey lands,
which had been previously appropriated for the use of the poor, who
still considered that they had a right of commonage on the waste
lands and open pastures. The rebellion commenced at Eccles, Wilby,
Attleborough, and the neighbouring villages, the inhabitants of which
were enraged at Mr. John Green, lord of the manor of Wilby, who
had enclosed that part of the common belonging to his manor, which
had from time immemorial been open to the adjoining commons of
Hargham and Attleborough, and in which the people had enjoyed all
rights of intercommoning with each other. The people continued
quiet till Wymondham fair, on July 7th, when they collected in large
numbers. The leaders of the movement, accompanied by a large
number of others, went to Morley, about a mile from Wymondham,
and laid open the new enclosures; and on returning to Wymondham,
they destroyed all the fences by which the commons and wastes
were enclosed. John Flowerdew, of Hethersett, incensed at the
destruction of his fences, gave forty pence to a number of the
country people to throw down the fences of Robert Kett, alias
Knight, whose pasture lay near Wymondham Fairstead. They carried
out his wishes to the full, and on the following morning returned to

Hethersett, where, at Kett’s instigation, they laid open other
enclosures of Flowerdew’s. After this, the rioters appointed Robert
Kett and his brother William, a butcher, to be their captains, and the
movement soon assumed the form of an organized rebellion. The
numbers of the rebels quickly increased, and marching on
Mousehold Heath, they took possession of the mansion of the Earl of
Surrey; and thence proceeded to lay siege to the city. They held
courts of justice under a large tree, called the “Oak of Reformation:”
and having augmented their numbers to 16,000 from the citizens,
and strongly fortified their camp, they summoned the city to
surrender. For months they maintained hostilities, and the country
round was pillaged and laid waste, until at length they gained an
entrance to the city, and took the mayor and several councillors
prisoners to their camp. A strong force was thereupon sent down
for the defence of the city, under the Marquis of Northampton, and a
regular battle was fought at the base of the hill on St. Martin’s
Palace Plain. In this engagement Lord Sheffield was slain; and the
rebels, having forced the Marquis to retreat, plundered the city, and
set fire to it in many parts. In short, all attempts to quell this violent
insurrection were ineffectual, till a large army, which had been raised
to proceed against the Scots, was ordered to march to the relief of
Norwich, under the command of the Earl of Warwick, who arrived
under the city walls on the 23rd of August. On the following day,
after making an ineffectual offer of pardon to the insurgents, on the
condition that they should lay down their arms, the king’s troops
commenced their attack; and having made several breaches in the
walls, and forced open some of the gates, they soon entered the
city, and took possession of the Market Place. In the midst of this
scene of blood, the king’s ammunition carriages, having entered
apart from the main body of the army, were captured by the enemy,
but were soon retaken by a detachment from the Market Place. A
large body of the rebels still remaining in the city now made a
lodgement on Tombland, and through their superior local
knowledge, greatly annoyed the soldiers by posting small parties at
the angles of the different streets leading to the Market. The Earl of
Warwick, however, brought out his whole force to scour the city, and

the rebels, after setting fire to their camp, were obliged to quit their
post on the hill and retreat to Dussyn’s Dale, on Mousehold,
resolving to finish the business by a general engagement in the
valley.
On August 27th, being re-enforced by a newly-arrived detachment of
troops, the Earl marched out of the city to attack the rebels, to
whom he again offered pardon, provided they would quietly lay
down their arms; but, confident in their numbers, they refused to
capitulate. A bloody conflict ensued, but the rebels, being
unaccustomed to the discharge of artillery, were soon in confusion.
Of this the Light Horse took advantage, and advancing to the
charge, drove the rebels from the field and pursued them with great
slaughter. Over 3000 were killed, and about 300 of the ringleaders
were afterwards executed. The gates of the city suffered much
damage during this insurrection. The rebels set Bishop’s gate on
fire, with some of the houses in the street, and those belonging to
the Great Hospital. Pockthorpe, Magdalen, St. Augustine, Coslany,
and Ber Street gates, shared the same fate. When the disturbances
ceased, the repair of the city generally was commenced, and
especially of the gates. Outside Magdalen Gates a gallows was
erected, at which place and at the cross in the Market Place 300
rebels were executed. Two, styled prophets, were hanged, drawn,
and quartered, their heads being placed on the towers, and their
quarters on the gates.
Robert and William Kett were tried in London for high treason and
rebellion, and convicted. On November 29th, they were delivered to
Sir Edmund Windham, High Sheriff of the counties of Norfolk and
Suffolk, to receive punishment. Robert was conveyed to Norwich,
and being brought to the foot of the castle, was drawn up to a
gibbet erected at the top, and there left hanging alive till he died by
famine; and his body, being entirely wasted, at length fell down. A
similar sentence was executed upon William, who was suspended
alive upon the top of Wymondham steeple. This fearful rebellion
having been thus brought to an end, the citizens, after the departure

of the kings troops, began to repair the damages to the walls and
gates. Unhappily, however, their trials were not yet over, for the late
disastrous occurrences were followed by such a scarcity and
dearness of provisions, that the corporation issued an edict,
requiring all the wealthier inhabitants to find corn for their own
households elsewhere, so that their poorer neighbours might have
the exclusive benefit of the city markets.
QUEEN MARY.
The Princess Mary was proclaimed here on July 18th, 1553, and was
the first English Queen in her own right, and the people of Norwich
and Norfolk rushed to her standard, impelled by the memory of
Kett’s rebellion. The queen was a bigoted Roman Catholic, and in
her reign popery was revived in its worst form, associated with all
the atrocities of the most sanguinary persecution. Protestants were
gathered like fuel for burning; and as for the Puritans, no fate could
be too severe for them.
In March, 1556, William Carman, of Hingham, was burnt in Lollards’
pit, outside of Bishop’s Gate. He was charged with being an
obstinate heretic, and actually having in his possession a bible, a
testament, and three psalters in the English tongue.
On July 13th, of the same year, Simon Miller, merchant of Lynn, and
Elizabeth Cooper, a pewterer’s wife, of the parish of St. Andrew,
were burnt together in Lollards’ pit. On August 5th, Richard
Crashfield, of Wymondham, Thomas Carman, William Seaman, and
Thomas Hudson, were burnt for heresy in the same place.
On July 10th, 1557, Richard Yolman, a devout old minister, seventy
years of age, was burnt for heresy. He had been curate to that
learned and pious martyr, Mr. Taylor, of Hadleigh.
As if a judgment had come on the country for such atrocities, the
quartan ague and a new sickness soon afterwards raged so violently,
that it was said that “fire, sword, and pestilence,” had swept away a

third part of the men of England; and it is recorded that ten of the
Norwich aldermen fell victims to the latter scourge.
During this short reign, the city was afflicted by the presence of
those merciless persecutors, Bishop Hopton and Chancellor
Dunnings, at whose instigation several martyrs to the reformed
religion were burnt here in 1557 and 1558. Happily the career of
this bigoted, blood-thirsty, priest-ridden queen, was cut short, and a
new and brighter era dawned upon the nation.
THE REIGN OF QUEEN ELIZABETH.
This queen ascended the throne on Nov. 7th, 1558, and was
proclaimed here on the 17th of the same month. She was a zealous
promoter of the Reformation. The form of worship used in the
churches was similar to that in the time of Edward VI.; but the
protestants were almost as intolerant in this reign as the Romanists
had been before, though they claimed the right of private judgment;
and the principle of toleration was not recognised for centuries by
any church, or sect, or party.
In 1561, on the Guild day, the Duke of Norfolk, and the Earls of
Northumberland and Huntingdon, with many other nobility and
gentry, dined with the Mayor, William Mingay, Esq., in St. Andrew’s
Hall, which could scarcely contain the company and their retinue.
The entertainment is said to have been very magnificent, and the
expense of the feast amounted to 32s. 9d.
In 1565, the prosperity of the city, which had begun to decline, was
again revived by the settling here of 330 Flemings and Walloons,
who had fled from the Netherlands, from the rigid persecution under
the sanguinary Duke of Alva. In 1570, by the fostering
encouragement of Queen Elizabeth, the number of these foreign
settlers had increased to 3925, and by the introduction of
bombazine, and other manufactures, they contributed much to the
wealth and prosperity of Norwich.

During the long reign of Elizabeth, numerous conspiracies were
formed for the re-establishment of Popery, and in 1570, John
Throgmorton, Thomas Brooke, and G. Redman, were hanged and
quartered here for having joined in these traitorous enterprises. In
1572, the Duke of Norfolk and several other noblemen were
attainted and beheaded for similar offences, at London, York, and
other places. The Duke not only espoused the cause of Mary, Queen
of Scots, but even offered to marry that Roman Catholic Princess.
In 1574, a rumour was spread of invasion by the so-called invincible
Armada. Norwich, towards the general defence, exhibited on its
muster roll 2120 able men, of whom 400 were armed; the total
number enrolled in the whole county of Norfolk, being at the same
time, 6120 able men, of whom 3630 were armed. Happily there was
no occasion for their services, the Armada being destroyed by a
storm at sea.
Queen Elizabeth made a progress through Suffolk and Norfolk, from
the 16th to the 22nd August, 1578. She came on horseback from
Ipswich to Norwich, though she had several coaches in her train;
and she lodged in the Bishop’s Palace. For several days she was
entertained by splendid pageantries, principally allusive to the trade
and manufactures of the city. Whilst here she dined publicly in the
North Alley of the Cathedral Cloister, and often went a hunting on
horseback, and to witness wrestling and shooting on Mousehold
heath. The city records contain full details of the pageantries on the
occasion of the royal visit. In no other city was the Queen received
with greater cordiality and pageantry than in Norwich. The
corporation, the inhabitants, the clergy, with the nobility and gentry
of the county, contributed largely to afford the royal lady as pleasant
and costly a reception as should be pleasing to her as a spectacle,
and demonstrative of exuberant loyalty. This joy was soon turned
into mourning; for, says a record known as the Norwich Roll, “The
trains of Her Majesty’s carriage being many of them infected, left the
plague behind them, which afterwards increased and contynued, as

it raged about a year and three quarters.” Nearly 5000 fell victims to
this dreadful malady.
In 1578, Matthew Hamond, of Hethersett, wheelwright, a heretic
and blasphemer, being convicted of reviling the queen and of
denying the authority of the Scriptures, the Godhead, the atonement
of our Lord Jesus Christ, and the existence of the Holy Ghost, was
set in the pillory on May 13th, and both his ears were nailed.
Afterwards, on May 20th, he was burnt in the castle ditch. In 1587
and 1588 Francis Knight and Peter Cole, of Ipswich, were burnt in
the same place for their deistical sentiments.
The Reformation was not only stayed, but thrown backward by this
arbitrary, despotic queen. Though she was well disposed to
reformation in the abstract, yet the fear of popish influence and a
jealousy for her ecclesiastical authority over the church, made her
act in the spirit of the worst excesses of popery. She persecuted all
who disputed her authority in religious matters. In vain did the
exiles return, hoping for peace and “freedom to worship God.” The
expulsion of a multitude of clergy, who refused to conform to many
impositions, and the many hardships suffered by the puritans,
especially in Norfolk and Suffolk, evinced that no concession was to
be expected from her. Her great idol was perfect uniformity. To
enforce it, she passed many laws, which made nonconformity worse
than felony, and she treated the Puritan as a rebel against all
authority, both human and divine. A beautiful “Memorial” of the
ministers of Norfolk is still preserved in vindication of their loyalty,
and in advocacy of greater liberty of conscience. The result of it,
however, was that seven or eight of them were suspended in
Norwich. But instead of this being the means of stopping the
progress of Puritanism, the sincere inquirers after truth were incited
by such harsh measures to fresh investigations, and more
emboldened to declare their views.
In 1582, on a second return made of the strangers settled here, they
were found to be 1128 men; 1358 women; 815 children, strangers
born; 1378 children, English born; in all 4679. The whole population

was about 15,000, and the citizens continued to return burgesses to
parliament from time to time, but not so frequently as in former
reigns. During this reign William Kemp, a comic actor of high
reputation, and greatly applauded for his buffoonery, danced a
morris dance all the way from London to Norwich in nine days, and
was accompanied by crowds of people as he passed on from town to
town. When he arrived in Norwich he was very kindly treated by the
citizens, who turned out to meet him in large numbers.
Norwich Pageants were celebrated during the middle ages, and
occupy a large space in the records of the corporation. Books of the
several companies relating to the pageants have been lost except
that of St. George, but some additional information has come to light
on the subject. A series of extracts were made early in the last
century from the Grocers’ book, showing the proceedings and
expenditure of that company in regard to their pageants from 1534
to 1570, and also the versions of the plays in 1533 and in 1563. All
the plays of that period were called mysteries or miracle plays, and
were founded on bible history. The play was performed in a carriage
called a “House of Waynscott, painted and builded on a cart with
fowre whelys.” Painted cloths were hung about it, and it was drawn
by four horses, “having head stalls of brode inkle with knoppes and
tassels.” The vehicle had a square top with a large vane in the
midst, and one for the end, and a large number of smaller ones.
The company was evidently unable to afford the cost of four horses
in 1534; only one was hired, and four men attended on the pageant
with “Lewers.” One of the plays was called “Paradyse,” and was
performed by the Grocers and Raffmen. It begins much in the same
manner as the Coventry play, with God the Father relating the
planting of the garden of Eden, the creation of man and placing him
there, and God’s intention to create woman. The other characters
are Lucifer, Adam, and Eve, who exhibit the incidents related in
Genesis. Of the good taste or propriety of these entertainments any
observation is needless. They formed a remarkable feature in the

Welcome to our website – the perfect destination for book lovers and
knowledge seekers. We believe that every book holds a new world,
offering opportunities for learning, discovery, and personal growth.
That’s why we are dedicated to bringing you a diverse collection of
books, ranging from classic literature and specialized publications to
self-development guides and children's books.
More than just a book-buying platform, we strive to be a bridge
connecting you with timeless cultural and intellectual values. With an
elegant, user-friendly interface and a smart search system, you can
quickly find the books that best suit your interests. Additionally,
our special promotions and home delivery services help you save time
and fully enjoy the joy of reading.
Join us on a journey of knowledge exploration, passion nurturing, and
personal growth every day!
ebookbell.com

Bibliographic Guide To Chicana And Latina Narrative Kathy S Leonard

More Related Content

Similar to Bibliographic Guide To Chicana And Latina Narrative Kathy S Leonard (20)

Recently uploaded (20)

Bibliographic Guide To Chicana And Latina Narrative Kathy S Leonard