Chin
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1) The passage describes a dirty and dusty living room dimly lit by a small light, where an elderly woman named Doña Consolación sits tiredly on a long chair. 2) Doña Consolación complains about the filthy surroundings covered in dust and cobwebs. Her only adornments are a cloth tied on her head and a faded blue dress. 3) She smokes and fans herself, saying it is too hot, and that perhaps she does not belong in such places.
![Isang munting ilaw ang tumatanglaw sa walang kaayusang loob ng bahay at maaninag sa
maruruming kapis na kinakapitan ng agiw at kinadikitan ng alikabok. Ang señora, alinsunod sa
kanyang ugali na laging walang ginagawa, ay nag-aantok sa isang mahabang upuan. Ang kagayakan
niya ay gaya sa araw-araw, samakatwid, masama at napakapangit;
Donya consolacion: “hay nako! Napakarumi ng paligid! Nakakadiri! Kahit saan ako tumingin puno ng
agiw at alikabok.
ang tanging pinakapalamuti ay isang panyong nakatali sa ulo na nilulusutan ng manipis at maiikling
buhok na gusot; ang baro ay pranelang bughaw, na ang pang-ibabaw ay isa ring barong tila noong
bago ay puti, at isang sayang kumupas na naglalarawan sa mga payat at tuyong hita na
nagkakapatong at ikinukuyakoy nang madalas
Donya consolacion: “bagay na bagay talaga saakin ang mga palamuting ito” (sabay hawak sa mga
alahas).
Sa kanyang bibig ay sunud-sunod na lumalabas ang usok na payamot na ibinubuga sa dakong
natitingnan kung ibinubukas ang mata.
Donya consolacion: napakainit naman! (sabay paypay sa sarili at patingin tingin sa gilid) marahil
hindi ako nababagay sa mga ganitong lugar. Makaalis na nga!”
Kung siya ay nakita nang mga sandaling iyon ni Don Francisco de Cañamaque ay pinagkamalan
marahil na ang babae ay isang mapaghari-harian sa bayan o mangkukulam, at hihiyasan pa marahil
ang kanyang natuklas na ito ng mga opinyon sa wikang Kastilang-tindahan, na kanyang sariling likha,
upang gamitin niyang mag-isa.
The black drop effect is an optical phenomenon visible during a transit of Venus and, to a lesser
extent, a transit of Mercury.
Broadway theatre,[nb 1]
commonly known as Broadway, refers to the theatrical performances
presented in the 40 professional theatreswith 500 or more seats located in the Theater
District and Lincoln Center along Broadway, in the New York City borough of Manhattan
The chariot is a type of carriage using animals (almost always horses)[1]
to provide rapid motive
power. Chariots were used for war as "battle taxis" and mobile archery platforms, as well as
other pursuits such as hunting or racing for sport, and as a chief vehicle of many ancient
peoples, when speed of travel was desired rather than how much weight could be carried
Comedy (from the Greek: κωμῳδία, kōmōidía) refers to any discourse or work generally
intended to be humorous or to amuse by inducing laughter, especially
in theatre, television, film and stand-up comedy
A curtain call (often known as a walkdown or a final bow) occurs at the end of a performance
when individuals return to the stage to be recognized by the audience for their
performance.[1][2]
In musical theatre, the performers typically recognize the orchestra and its
conductor at the end of the curtain call. Luciano Pavarotti holds the record for receiving 165
curtain calls, more than any other artist.[3]](https://image.slidesharecdn.com/chin-150805120259-lva1-app6892/85/Chin-1-320.jpg)
![Decorum (from the Latin: "right, proper") was a principle of classical rhetoric, poetry and
theatrical theory that was about the fitness or otherwise of a style to a theatrical subject. The
concept of decorum is also applied to prescribed limits of appropriate social behavior within set
situations.
Drama is the specific mode of fiction represented in performance.[1]
The term comes from
a Greek word meaning action (Classical Greek:δρᾶμα, drama), which is derived from the verb
meaning to do or to act (Classical Greek: δράω, draō). The enactment of drama in theatre,
performed by actors on a stage before an audience, presupposes collaborative modes of
production and a collective form of reception
Fabula and syuzhet (also sjuzhet, sujet, sjužet, or suzet (сюжет)) are terms originating
in Russian Formalism and employed innarratology that describe narrative construction. Syuzhet
is an employment of narrative and fabula is the chronological order of the events contained in the
story. They were first used in this sense by Vladimir Propp and Viktor Shklovsky.[citation needed]
A Greek chorus (Greek: χορός, khoros) is a homogeneous, non-individualised
group of performers in the plays of classical Greece, who comment with a collective
voice on the dramatic action.
Liturgy (Greek: λειτουργία) is the customary public worship done by a specific religious group,
according to its particular beliefs, customs and traditions.
The word, sometimes rendered by its English translation "service", may refer to an elaborate
formal ritual such as the Eastern Orthodox Divine Liturgy (Greek: Θεία Λειτουργία), Catholic
Mass, the Eucharist or Mass (Anglican Communion) or a daily activity such as
the Muslim salat[1]
and Jewish services.](https://image.slidesharecdn.com/chin-150805120259-lva1-app6892/85/Chin-2-320.jpg)
Chin
- 1. Isang munting ilaw ang tumatanglaw sa walang kaayusang loob ng bahay at maaninag sa maruruming kapis na kinakapitan ng agiw at kinadikitan ng alikabok. Ang señora, alinsunod sa kanyang ugali na laging walang ginagawa, ay nag-aantok sa isang mahabang upuan. Ang kagayakan niya ay gaya sa araw-araw, samakatwid, masama at napakapangit; Donya consolacion: “hay nako! Napakarumi ng paligid! Nakakadiri! Kahit saan ako tumingin puno ng agiw at alikabok. ang tanging pinakapalamuti ay isang panyong nakatali sa ulo na nilulusutan ng manipis at maiikling buhok na gusot; ang baro ay pranelang bughaw, na ang pang-ibabaw ay isa ring barong tila noong bago ay puti, at isang sayang kumupas na naglalarawan sa mga payat at tuyong hita na nagkakapatong at ikinukuyakoy nang madalas Donya consolacion: “bagay na bagay talaga saakin ang mga palamuting ito” (sabay hawak sa mga alahas). Sa kanyang bibig ay sunud-sunod na lumalabas ang usok na payamot na ibinubuga sa dakong natitingnan kung ibinubukas ang mata. Donya consolacion: napakainit naman! (sabay paypay sa sarili at patingin tingin sa gilid) marahil hindi ako nababagay sa mga ganitong lugar. Makaalis na nga!” Kung siya ay nakita nang mga sandaling iyon ni Don Francisco de Cañamaque ay pinagkamalan marahil na ang babae ay isang mapaghari-harian sa bayan o mangkukulam, at hihiyasan pa marahil ang kanyang natuklas na ito ng mga opinyon sa wikang Kastilang-tindahan, na kanyang sariling likha, upang gamitin niyang mag-isa. The black drop effect is an optical phenomenon visible during a transit of Venus and, to a lesser extent, a transit of Mercury. Broadway theatre,[nb 1] commonly known as Broadway, refers to the theatrical performances presented in the 40 professional theatreswith 500 or more seats located in the Theater District and Lincoln Center along Broadway, in the New York City borough of Manhattan The chariot is a type of carriage using animals (almost always horses)[1] to provide rapid motive power. Chariots were used for war as "battle taxis" and mobile archery platforms, as well as other pursuits such as hunting or racing for sport, and as a chief vehicle of many ancient peoples, when speed of travel was desired rather than how much weight could be carried Comedy (from the Greek: κωμῳδία, kōmōidía) refers to any discourse or work generally intended to be humorous or to amuse by inducing laughter, especially in theatre, television, film and stand-up comedy A curtain call (often known as a walkdown or a final bow) occurs at the end of a performance when individuals return to the stage to be recognized by the audience for their performance.[1][2] In musical theatre, the performers typically recognize the orchestra and its conductor at the end of the curtain call. Luciano Pavarotti holds the record for receiving 165 curtain calls, more than any other artist.[3]
- 2. Decorum (from the Latin: "right, proper") was a principle of classical rhetoric, poetry and theatrical theory that was about the fitness or otherwise of a style to a theatrical subject. The concept of decorum is also applied to prescribed limits of appropriate social behavior within set situations. Drama is the specific mode of fiction represented in performance.[1] The term comes from a Greek word meaning action (Classical Greek:δρᾶμα, drama), which is derived from the verb meaning to do or to act (Classical Greek: δράω, draō). The enactment of drama in theatre, performed by actors on a stage before an audience, presupposes collaborative modes of production and a collective form of reception Fabula and syuzhet (also sjuzhet, sujet, sjužet, or suzet (сюжет)) are terms originating in Russian Formalism and employed innarratology that describe narrative construction. Syuzhet is an employment of narrative and fabula is the chronological order of the events contained in the story. They were first used in this sense by Vladimir Propp and Viktor Shklovsky.[citation needed] A Greek chorus (Greek: χορός, khoros) is a homogeneous, non-individualised group of performers in the plays of classical Greece, who comment with a collective voice on the dramatic action. Liturgy (Greek: λειτουργία) is the customary public worship done by a specific religious group, according to its particular beliefs, customs and traditions. The word, sometimes rendered by its English translation "service", may refer to an elaborate formal ritual such as the Eastern Orthodox Divine Liturgy (Greek: Θεία Λειτουργία), Catholic Mass, the Eucharist or Mass (Anglican Communion) or a daily activity such as the Muslim salat[1] and Jewish services.