The document analyzes and compares the digipak designs of three albums from artists considered part of the sadcore genre: The 1975's self-titled album, Lana Del Rey's Ultraviolence, and Bon Iver's For Emma, Forever Ago. It finds that The 1975 and Bon Iver albums feature simplistic black and white designs that fit sadcore conventions, while Lana Del Rey's includes some color elements. Key visual motifs like flowers and lighting/pyrotechnics are also discussed in connecting the albums to their artists' styles.