Eastern Promises Trailer Analysis
Cinematography 
The movie is effective in terms of telling the story using cinematography. The 
first shot we see is a crime scene of a dead body being investigated, because 
of the use of a wide shot we can see that the film is based in London. It also 
tells us that it’s a film with lot’s of violence. This scene is followed by a series 
of shots inside the tent where the dead body is examined. We see a lot of 
close ups due to the fact that it’s a constrained place with not a lot of room 
foe the characters. 
When the body inspector introduces us to the aspect of having tattoos tell a 
story a quick shot of the main character is used. It shows him almost 
completely naked with his body covered in tattoos. Also in this scene he is 
performing a ritual of getting new tattoos suggesting that he is getting 
promoted within his mafia. Furthermore a mid shot is used to tell us this 
because it shows us more of his body than a close up would 
In the following scene we find out that a girl has died and left a baby without 
a family, that where are introduced to the nurse who also plays a lead role in 
the movie. We find out that she has kept a diary of the girl. In this following 
three shot we can see that she is close to her family, who are trying to help 
her with this problem. We also learn that her uncle is of a Russian decent. 
A tracking shot is used to tell us about the main boss’s Russian cosine 
restaurant, and to show that although it’s a restaurant its very luxurious and 
this suggests that he is rich and powerful which conforms to the conventions 
of a mafia film.
Mise-en-scne 
Many of mafia conventions are conformed to in this trailer for example 
the mafia being dressed smartly. You can see that every mafia member 
apart from the boss is wearing a suit. 
The locations used in this trailer include a lounge, alleyways and similar 
isolated places which don’t have many people around. This is for 
obvious reasons as they can do illegal things such as drug trades and 
murder. 
Other props which could be seen are luxurious cars, weapons and 
money. Which all relate to the status of particular mobsters. 
Lastly the use of tattoos for representation is also used in this movie. 
Every mafia member has tattoos all over their body which symbolise 
different things.
The trailer being with the production logo, this is a convention of all trailers as they want to advertise 
themselves for making the movie. 
The first scene ends with a bang of a gunshot, this sort of shock makes the audience more interested 
in the trailer. It’s also a good way of changing the pace of the trailer as after the gunshot the scene 
fades away to a another production logo. 
At this point the pace changes and slow piano music starts to play. This non diegetic sound links all 
the shots together which is followed by a voice over of the Russian mafia boss which beings as 
diegetic sound in one scene but follows as non diegetic in the other, which goes back to diegetic 
before another text shot which starts with a shot and then a change of music to a slow drum like 
sound which works in sync with the relatively fast pace shots 
After a series of shots the same technique is used to slow down the trailer once again 
Slow exotic music stars playing towards the end of the trailer this builds more tension as the shots 
speed up again, until a point where it cuts to the main character threatening to kills someone through 
the use of hand gestures. Ends with a voice over, which suggests that getting involved with the gang 
will result in death.

Eastern promises trailer analysis

  • 1.
  • 2.
    Cinematography The movieis effective in terms of telling the story using cinematography. The first shot we see is a crime scene of a dead body being investigated, because of the use of a wide shot we can see that the film is based in London. It also tells us that it’s a film with lot’s of violence. This scene is followed by a series of shots inside the tent where the dead body is examined. We see a lot of close ups due to the fact that it’s a constrained place with not a lot of room foe the characters. When the body inspector introduces us to the aspect of having tattoos tell a story a quick shot of the main character is used. It shows him almost completely naked with his body covered in tattoos. Also in this scene he is performing a ritual of getting new tattoos suggesting that he is getting promoted within his mafia. Furthermore a mid shot is used to tell us this because it shows us more of his body than a close up would In the following scene we find out that a girl has died and left a baby without a family, that where are introduced to the nurse who also plays a lead role in the movie. We find out that she has kept a diary of the girl. In this following three shot we can see that she is close to her family, who are trying to help her with this problem. We also learn that her uncle is of a Russian decent. A tracking shot is used to tell us about the main boss’s Russian cosine restaurant, and to show that although it’s a restaurant its very luxurious and this suggests that he is rich and powerful which conforms to the conventions of a mafia film.
  • 3.
    Mise-en-scne Many ofmafia conventions are conformed to in this trailer for example the mafia being dressed smartly. You can see that every mafia member apart from the boss is wearing a suit. The locations used in this trailer include a lounge, alleyways and similar isolated places which don’t have many people around. This is for obvious reasons as they can do illegal things such as drug trades and murder. Other props which could be seen are luxurious cars, weapons and money. Which all relate to the status of particular mobsters. Lastly the use of tattoos for representation is also used in this movie. Every mafia member has tattoos all over their body which symbolise different things.
  • 4.
    The trailer beingwith the production logo, this is a convention of all trailers as they want to advertise themselves for making the movie. The first scene ends with a bang of a gunshot, this sort of shock makes the audience more interested in the trailer. It’s also a good way of changing the pace of the trailer as after the gunshot the scene fades away to a another production logo. At this point the pace changes and slow piano music starts to play. This non diegetic sound links all the shots together which is followed by a voice over of the Russian mafia boss which beings as diegetic sound in one scene but follows as non diegetic in the other, which goes back to diegetic before another text shot which starts with a shot and then a change of music to a slow drum like sound which works in sync with the relatively fast pace shots After a series of shots the same technique is used to slow down the trailer once again Slow exotic music stars playing towards the end of the trailer this builds more tension as the shots speed up again, until a point where it cuts to the main character threatening to kills someone through the use of hand gestures. Ends with a voice over, which suggests that getting involved with the gang will result in death.