EvaluationQ2. How effective is the combinationof your main product and
your ancillary texts?
Whencreatingour promotional package,we knew thatitwaspivotal
whencreatingthe brandidentitybehindthe bandtobuildlinks
betweenourthree productstocreate a sense of continuityand
consistencywithinaspectsof bothourvideoandancillarytextsto
allowthe bandto identifywithcertainaspectsof eachproductby
whichtheywill become recognisedbyaviewerorconsumer.This was
an interestingtaskforus because asour band wasindependentand
not signedtoa record label we hadmore freedom when
creatingsomethingthattheywouldidentifybydue tothem
beinglesswell knownandushavinglesstolookat intermsof
theirpreviousdigipaksorartworkwhenresearching.
There are a large numberof clearlinksandconnections
betweenthe textsasthiswassomethingwe haddecidedasa
groupwas keyinmakingsure our three productswould
complementeachotherlike we hadimaginedfromthe beginningof the
project.Arguablythe mostimportantwayinwhichhe didthiswas
throughour use of live performanceacrossourtexts.We recognisedthe
extensive use of live performance footage asacommonconventionof
videosandtextsunderthe indie orindie rockgenre andouraudience
researchfurtherconfirmedthiswhenwe askedwhatpeople wouldlike
to see withinthe package asa whole. We allowedlive performance
to become a massive partof everythingwe didwiththe footage and
photographythatwe producedfromthe live concertof the band
featuringregularlyacrossall three products. There are regularcross
cuts betweenthe narrative inthe videoandthe live performance of
the band whichiscommon to the musicvideosof the genre and
conformsto whatthe audience expectorwantto see.Aswell asthe
live performance inthe video,the same self-capturedcontent
featuresacrossthe digipakandmagazine advertthroughthe imageswe tookwhenfilmingourlive
performance footage.We chose todothisas opposedtousingstudiocreatedimagesasit wasmore
real and wouldhelptobringthe productstogether. The imageswere editedtoallow themtodiffer
fromone anotherenoughsothat the repetitionof the bestimages
became unnoticeable andsothattheystill lookedgoodwhenplaced
togetheronthe netof our digipak.Ifeel likethislinkbetweenall three
of the products isextremelyeffective asitimmediately
establishesablatantanddeliberate use of similarcontentforthe
band’sbrandidentitytobecome associatedwith.
We alsomade the digipakandmagazine advertcoverimagesthe
same so that theywouldrelate directlytoeachother.The use of the image a numberof timeswill
helptomake it more memorable toa potential audience whowouldmake thatlinkbetweenthe
twofor themselves. Aswellasthe use of live performance,we alsodidresearchintothe fontsthat
the band usedandwe followedanothercommonconventionparticularlyacrossourmagazine
advertand digipakbyusingthe same twofontsthroughoutandhaving themappearregularlyon
both,largelyandwithvibrancytostand outand to attract the attentionof the consumer.The two
fontsare usedonboth of our ancillarytextsbutobviouslynotinthe
videoasthere wasno textused.The fontusedformastheadof our
magazine advertwasalsousedon bothdiscswithinoutdigipakacross
the top where itreadsthe band’sname at the topand similarlythe
fontusedfor the albumname inthe middle of the magazine advert,
‘notso sad’ isusedon bothdiscsof the digipakonthe bottomhalf.
The colour scheme withinourmagazine advertanddigipak isanotherthingwe workedcloselyon
and keptitfairlywell to the use of blacks,redsand yellowswhichmeantwe createdarelationship
betweenthe textandimagesonbothancillarytexts.
Our mainproductwas made slightlybrighterin comparison toour ancillarytextsbutstill sharesthe
live performance talkedaboutearlier.Thisinmyopinionhelpstoopenthe promotional package up
to a broaderaudience assome wouldsee the appeal of some productsmore thanothershowever
thiswouldleadtothemviewingthe remainingtexts.We feltthe benefitmassivelyfromhavingour
narrative runningalongsidethe liveperformance withinthe videoasthismade sure we didnot limit
our potential reach,we noticedinoursurveyswe conductedduringthe researchandplanning
stagesthat justas popularas the use of live performancewasalsothe inclusionof acohesive
storyline toadda separate dimensiontoourcontentand make the overall productmore involving
and captivatingforouraudience.I thinkthatin conclusionourmainproductand ancillarytexts
complementeachotherwell andare in
the most case veryeffective togetherand
I feel asthoughwe have createdthe
brand identityforthe bandthatwe had
aimedtofrom the momentwe began
workingonthis.In a largelyconsistent
seriesof productswe alsohave small
sectionsof varietyparticularlywithour
videoandsome of the other pageswithin
the digipakaswe realisedthatitcouldbe
easyto have our productsbecome toosimilar
whichwassomethingwe wantedtoavoid.Our
productionof these synergistictextshasbeena
successinour opinionand we feel thatwithour
workit isobviousthatthese textssurroundthe
same albumfor the same artistwho isnow known
arounda certaincolourscheme andimage type.

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Evaluation Question 2

  • 1. EvaluationQ2. How effective is the combinationof your main product and your ancillary texts? Whencreatingour promotional package,we knew thatitwaspivotal whencreatingthe brandidentitybehindthe bandtobuildlinks betweenourthree productstocreate a sense of continuityand consistencywithinaspectsof bothourvideoandancillarytextsto allowthe bandto identifywithcertainaspectsof eachproductby whichtheywill become recognisedbyaviewerorconsumer.This was an interestingtaskforus because asour band wasindependentand not signedtoa record label we hadmore freedom when creatingsomethingthattheywouldidentifybydue tothem beinglesswell knownandushavinglesstolookat intermsof theirpreviousdigipaksorartworkwhenresearching. There are a large numberof clearlinksandconnections betweenthe textsasthiswassomethingwe haddecidedasa groupwas keyinmakingsure our three productswould complementeachotherlike we hadimaginedfromthe beginningof the project.Arguablythe mostimportantwayinwhichhe didthiswas throughour use of live performanceacrossourtexts.We recognisedthe extensive use of live performance footage asacommonconventionof videosandtextsunderthe indie orindie rockgenre andouraudience researchfurtherconfirmedthiswhenwe askedwhatpeople wouldlike to see withinthe package asa whole. We allowedlive performance to become a massive partof everythingwe didwiththe footage and photographythatwe producedfromthe live concertof the band featuringregularlyacrossall three products. There are regularcross cuts betweenthe narrative inthe videoandthe live performance of the band whichiscommon to the musicvideosof the genre and conformsto whatthe audience expectorwantto see.Aswell asthe live performance inthe video,the same self-capturedcontent featuresacrossthe digipakandmagazine advertthroughthe imageswe tookwhenfilmingourlive performance footage.We chose todothisas opposedtousingstudiocreatedimagesasit wasmore real and wouldhelptobringthe productstogether. The imageswere editedtoallow themtodiffer fromone anotherenoughsothat the repetitionof the bestimages became unnoticeable andsothattheystill lookedgoodwhenplaced togetheronthe netof our digipak.Ifeel likethislinkbetweenall three of the products isextremelyeffective asitimmediately establishesablatantanddeliberate use of similarcontentforthe band’sbrandidentitytobecome associatedwith. We alsomade the digipakandmagazine advertcoverimagesthe same so that theywouldrelate directlytoeachother.The use of the image a numberof timeswill helptomake it more memorable toa potential audience whowouldmake thatlinkbetweenthe twofor themselves. Aswellasthe use of live performance,we alsodidresearchintothe fontsthat the band usedandwe followedanothercommonconventionparticularlyacrossourmagazine advertand digipakbyusingthe same twofontsthroughoutandhaving themappearregularlyon both,largelyandwithvibrancytostand outand to attract the attentionof the consumer.The two
  • 2. fontsare usedonboth of our ancillarytextsbutobviouslynotinthe videoasthere wasno textused.The fontusedformastheadof our magazine advertwasalsousedon bothdiscswithinoutdigipakacross the top where itreadsthe band’sname at the topand similarlythe fontusedfor the albumname inthe middle of the magazine advert, ‘notso sad’ isusedon bothdiscsof the digipakonthe bottomhalf. The colour scheme withinourmagazine advertanddigipak isanotherthingwe workedcloselyon and keptitfairlywell to the use of blacks,redsand yellowswhichmeantwe createdarelationship betweenthe textandimagesonbothancillarytexts. Our mainproductwas made slightlybrighterin comparison toour ancillarytextsbutstill sharesthe live performance talkedaboutearlier.Thisinmyopinionhelpstoopenthe promotional package up to a broaderaudience assome wouldsee the appeal of some productsmore thanothershowever thiswouldleadtothemviewingthe remainingtexts.We feltthe benefitmassivelyfromhavingour narrative runningalongsidethe liveperformance withinthe videoasthismade sure we didnot limit our potential reach,we noticedinoursurveyswe conductedduringthe researchandplanning stagesthat justas popularas the use of live performancewasalsothe inclusionof acohesive storyline toadda separate dimensiontoourcontentand make the overall productmore involving and captivatingforouraudience.I thinkthatin conclusionourmainproductand ancillarytexts complementeachotherwell andare in the most case veryeffective togetherand I feel asthoughwe have createdthe brand identityforthe bandthatwe had aimedtofrom the momentwe began workingonthis.In a largelyconsistent seriesof productswe alsohave small sectionsof varietyparticularlywithour videoandsome of the other pageswithin the digipakaswe realisedthatitcouldbe easyto have our productsbecome toosimilar whichwassomethingwe wantedtoavoid.Our productionof these synergistictextshasbeena successinour opinionand we feel thatwithour workit isobviousthatthese textssurroundthe same albumfor the same artistwho isnow known arounda certaincolourscheme andimage type.