Presented by SAMUEL JAY C. PASIA
 Literary criticism displayed by feminist
theory
 Before 1970- the first and second waves
of feminism dealing with politics of
women’s authorship and the
representation of women’s condition
within literature
 Third Wave-more complex conceptions of
gender- considering in terms of Freudian
and Lacanian psychoanalysis
 To uncover and develop a female tradition of
writing
 To interpret symbolism of women’s writing so
it will not be ignored by a male point of view
 To rediscover old texts
 To analyze women writers and their writings
in a female perspective
 To oppose sexism in literature
 To Increase awareness of sexual politics of
language and style
 Women have been somewhat
underrepresented in the traditional cannon,
and a feminist approach to literature
redresses this problem.
 Feminist turn literary criticism into a
political battlefield and overlook the
qualities of works they consider
"patriarchal." When arguing for a distinct
feminine writing style, they tend to relegate
women's literature to a ghetto status; this in
turn prevents female literature from being
naturally included in the literary cannon. The
feminist approach is often too theoretical.
 Engage in a debate about literary
conventions and societal norms
 A response to other tales by women
 French fairy tales exemplify political and
historical conditions in France beginning
with those from the female perspective
 Example: Mlle de La Force, Mme de
Muart, Mlle Bernard- all patronized
women in classical literature such as
nurses or maids
 Excerpt from Sleeping Persun
of Better-Than-Average
Attractiveness
 Clip from The Paper Bag
Princess
 “The Great Person-Hole
Cover Debate”-Van Gelder
 “If Men Menstruated”-
Steinem
 “The Feminine Mystique”-
Betty Friedan
 How do men and women differ?
 Are their female heroines? If so, how do they
differ from the male heroes?
 Does the literature include the use of
stereotypes as it relates to women?
 How does the use of pronouns represent
masculine ideology? (ex. he in place of he or
she)
 Can the gender of the author be determined
simply through the text? (stylistic differences
between a woman’s and a man’s writing)
 Does the text represent what it means to be
a woman?
 Does the text seem to favor one gender over
the other?
 Garner, James. Sleeping Persun of Better-
Than-Average Attractiveness.
 Literary Criticism. 1999. 15 Mar. 2009
<www.literatureclassics.com/ancientpaths/li
tcrit.html>.
 Munsch, Robert. The Paper Bag Princess.
Canada: Annick P, 1980.

Feminism

  • 1.
    Presented by SAMUELJAY C. PASIA
  • 2.
     Literary criticismdisplayed by feminist theory  Before 1970- the first and second waves of feminism dealing with politics of women’s authorship and the representation of women’s condition within literature  Third Wave-more complex conceptions of gender- considering in terms of Freudian and Lacanian psychoanalysis
  • 3.
     To uncoverand develop a female tradition of writing  To interpret symbolism of women’s writing so it will not be ignored by a male point of view  To rediscover old texts
  • 4.
     To analyzewomen writers and their writings in a female perspective  To oppose sexism in literature  To Increase awareness of sexual politics of language and style
  • 5.
     Women havebeen somewhat underrepresented in the traditional cannon, and a feminist approach to literature redresses this problem.
  • 6.
     Feminist turnliterary criticism into a political battlefield and overlook the qualities of works they consider "patriarchal." When arguing for a distinct feminine writing style, they tend to relegate women's literature to a ghetto status; this in turn prevents female literature from being naturally included in the literary cannon. The feminist approach is often too theoretical.
  • 7.
     Engage ina debate about literary conventions and societal norms  A response to other tales by women  French fairy tales exemplify political and historical conditions in France beginning with those from the female perspective  Example: Mlle de La Force, Mme de Muart, Mlle Bernard- all patronized women in classical literature such as nurses or maids
  • 8.
     Excerpt fromSleeping Persun of Better-Than-Average Attractiveness  Clip from The Paper Bag Princess  “The Great Person-Hole Cover Debate”-Van Gelder  “If Men Menstruated”- Steinem  “The Feminine Mystique”- Betty Friedan
  • 9.
     How domen and women differ?  Are their female heroines? If so, how do they differ from the male heroes?  Does the literature include the use of stereotypes as it relates to women?  How does the use of pronouns represent masculine ideology? (ex. he in place of he or she)
  • 10.
     Can thegender of the author be determined simply through the text? (stylistic differences between a woman’s and a man’s writing)  Does the text represent what it means to be a woman?  Does the text seem to favor one gender over the other?
  • 11.
     Garner, James.Sleeping Persun of Better- Than-Average Attractiveness.  Literary Criticism. 1999. 15 Mar. 2009 <www.literatureclassics.com/ancientpaths/li tcrit.html>.  Munsch, Robert. The Paper Bag Princess. Canada: Annick P, 1980.