This document summarizes several narrative theories that can be applied to film and television. It discusses Vladimir Propp's character roles theory which identifies common character archetypes like the protagonist, antagonist, helper. It also outlines Tzvetan Todorov's narrative theory of equilibrium, disruption, recognition, restoration, and new equilibrium. Finally, it briefly mentions Claude Levi-Strauss's theory of conflict forwarding the narrative and Roland Barthes's idea of posing mysteries to intrigue audiences. An example is given applying Todorov's stages to The Hunger Games film.