Literary History as a Challenge
       to Literary Theory

             Hans Robert Jauss
Debate:

Marxist Literary Theory     Formalist Theory
• inquires about his [the   • reader as a perceiving
  reader's] social            subject who follows
  position or seeks to        the directions in the
  recognize him in the        text in order to
  structure of a              distinguish the form
  represented society         or discover the
                              procedure
Both methods lack the reader in his genuine role...:
as the addressee for whom the literary work is
primarily destined.
The perspective of the aesthetics of reception
mediates...

If the history of literature is viewed in this
way...the opposition between its aesthetic and its
historical aspects is also continually mediated.
Jauss' Seven Theses
Thesis 1
A renewal of literary history demands
 (1) removal of the prejudices of historical
objectivism
 (2) traditional aesthetics of production and
representation in an asthetics of reception and
influence

Historicity of literature rests... on the preceding
experience of the literary work by its readers.
MEANING



Producer's
               Reader's
 horizon of
              perception
expectation
Thesis 2
The literary experience of the reader
(takes place)...within the objectifiable system of
expectations that arises for each work

• preunderstanding of the genre
• form and themes of already familiar works
• opposition between poetic and practical language
Thesis 3
Horizon of expectations of a work - determine its
artistic character by the kind and the degree of its
influence on a presupposed audience.

...reception can result in a "change of horizons"...

...aesthetic distance can be objectified historically
along a spectrum of the audience's reactions...
Thesis 4
The reconstruction of the horizon of expectations...
enables one
(1) to pose questions that the text gave an
answer to
(2) to discover how the contemporary reader could
have viewed and understood the work


  A work sets out to answer a
      specific question.
Thesis 5
The theory of the aesthetics of reception
- allows one to conceive the meaning and form of a
literary work in the historical unfolding of its
understanding.
- demands that one insert the individual work into
its "literary series" to recognize its historical
position and significance in the context of the
experience of literature.
Thesis 6
The achievements made in linguistics through the
distinction and methodological interrelation of
diachronic and synchronic analysis are the occasion
for overcoming the diachronic perspective--
previously the only one practiced--in literary history
as well.
...take a synchronic cross-section of a moment in
the development...
Thesis 7
The task of literary history is thus completed when
literary production is...also seen as "special history"
in its own unique relationship to "general history."

The social function of literature manifests itself in
its genuine possibility only where the literary
experience of the reader enters into the horizon of
expectations of his lived praxis, preforms his
understanding of the world, and thereby also has
an effect on his social behavior.

filrep

  • 1.
    Literary History asa Challenge to Literary Theory Hans Robert Jauss
  • 2.
    Debate: Marxist Literary Theory Formalist Theory • inquires about his [the • reader as a perceiving reader's] social subject who follows position or seeks to the directions in the recognize him in the text in order to structure of a distinguish the form represented society or discover the procedure
  • 3.
    Both methods lackthe reader in his genuine role...: as the addressee for whom the literary work is primarily destined.
  • 4.
    The perspective ofthe aesthetics of reception mediates... If the history of literature is viewed in this way...the opposition between its aesthetic and its historical aspects is also continually mediated.
  • 5.
  • 6.
    Thesis 1 A renewalof literary history demands (1) removal of the prejudices of historical objectivism (2) traditional aesthetics of production and representation in an asthetics of reception and influence Historicity of literature rests... on the preceding experience of the literary work by its readers.
  • 7.
    MEANING Producer's Reader's horizon of perception expectation
  • 8.
    Thesis 2 The literaryexperience of the reader (takes place)...within the objectifiable system of expectations that arises for each work • preunderstanding of the genre • form and themes of already familiar works • opposition between poetic and practical language
  • 9.
    Thesis 3 Horizon ofexpectations of a work - determine its artistic character by the kind and the degree of its influence on a presupposed audience. ...reception can result in a "change of horizons"... ...aesthetic distance can be objectified historically along a spectrum of the audience's reactions...
  • 10.
    Thesis 4 The reconstructionof the horizon of expectations... enables one (1) to pose questions that the text gave an answer to (2) to discover how the contemporary reader could have viewed and understood the work A work sets out to answer a specific question.
  • 11.
    Thesis 5 The theoryof the aesthetics of reception - allows one to conceive the meaning and form of a literary work in the historical unfolding of its understanding. - demands that one insert the individual work into its "literary series" to recognize its historical position and significance in the context of the experience of literature.
  • 12.
    Thesis 6 The achievementsmade in linguistics through the distinction and methodological interrelation of diachronic and synchronic analysis are the occasion for overcoming the diachronic perspective-- previously the only one practiced--in literary history as well. ...take a synchronic cross-section of a moment in the development...
  • 13.
    Thesis 7 The taskof literary history is thus completed when literary production is...also seen as "special history" in its own unique relationship to "general history." The social function of literature manifests itself in its genuine possibility only where the literary experience of the reader enters into the horizon of expectations of his lived praxis, preforms his understanding of the world, and thereby also has an effect on his social behavior.