History of design and fashion - Costume of Assam
INTRODUCTION…..
Assam is a beautiful state known for its natural
beauty cultural richness and diversity. Assam is a
home for many kinds of silk but its greatest gift is
muga silk also called as golden silk is not only
sensuous and beautiful but also strong and
durable.
HISTORY…
The first king of Assam shukh-pha is known to
introduce silk in Assam. Silk rearing began in
upper Assam and was chiefly intended to be
used by royal family…
THE GOLDEN CULTURE…
SERICULTURE: Assam’s handloom industry is
basically silk oriented. The salubrious climate of
Assam is suitable for varieties of silk worms and their
host-plants, mulberry, Eri, Muga and Oak Tassar are
popular and important for economic and commercial
purposes
Sericulture is an
important cottage
industry of Assam. Eri
and Muga have been
producing silk
traditionally since long
back. Muga is the
pride of the Assamese
ladies.
HANDLOOMS
Handloom weaving forms a cultural constituent of
the woman of Assam. Home made cloths are
Mekhla and Patani (lower garment of the
women), chaddar (upper garment of the women),
gamocha (towel), dhuti, bed sheet, etc.
WEAVING….
Weaving in Assam is so replete
with artistic sensibility of
women and so intimately linked
to folk life. Different
attachments are used for
designs involving extra threads.
For extra warp designs, dobby
or jacquard machines are used.
The use of extra warp provides
the opportunity to weave
elaborate designs conveniently.
Yarns of different types and colors can be incorporated
lengthwise in the extra warp. However, the extra
warp makes beaming difficult since it requires two or
more warp beams, and the drafting of extra ends is
usually complicated. Extra weft is used for designing
across borders and spot figures, and for spacing
designs. In extra weft designs, different types of
colored yarns can be managed for different portions
using just one additional pick.
Since the extra weft designing still uses the traditional
process, a large number of long floats are obtained
at the back, which makes muga difficult to handle.
MOTIFS….
The designs and motifs of
Assamese fabrics are inspired
from nature, and from familiar
objects that surround them.
Though the traditional motifs
from the past are strictly
geometrical, over time some
lyrical and flowing designs
have also developed.
Juhi is a prominent floral
motif depicted with six or
seven small petals. An
interesting tree motif is
widely used as a side
motif. Animal and bird
motifs include figures of
peacocks, parrots,
pigeons, lions, horses
and elephants.
COLORS…
Traditional mekhela
is cream in color
with silk thread
work. Use of
golden , red, blue
and green colors
can be seen.
COSTUMES AND DRAPERY…
WOMEN’S COSTUMES…..
The mekhla is a women's skirt, usually
plain but sometimes strewn with
small motifs called buta. Chadar and
riha are apparel for covering the
upper part of a womans body, and is
usually decorated with sprays of
flowers and elephant motifs
interspersed with leaves and sprigs,
and numerous combinations of
geometrical patterns. The chadar is
draped over the shoulder, providing
the pallu, and the riha is wrapped
below the chadar, around the waist.
MEN’S COSTUMES…..
The men wear dhotis, usually
of silk. The chalang is a scarf
that had wide usage among
officers and other respected
professionals in ancient
Assam. Sula, a kind of shirt
similar to the angarakha, is
a traditional upper garment
worn by Assamese men.
VISUALS OF COSTUMES OF ASSAM…
GAMOCHA MEKHELA
CHADOR DHOTI
BRIDAL MEKHELA…with golden work.
THE UNUSUAL JAPI HEAD
DRESS…..
JAPI a cane hat used both as
a hat and an umbrella.
Made of takoupat leaves
obtained from a wild plant
called tekou, the quality of
a japi depends on its
workmanship.
TRIBES AND TEXTILES OF ASSAM……
Bodo TRIBES…..bodo tribe of Assam
resides amidst the lush greenery
of Assam. The Bodo tribal
womenfolk acknowledge Mekhla
as their prevalent costume. Along
with the Chaddar, an upper-wrap
called Riha.The men of the Bodo
tribe, dresses themselves in Dhoti
(an Indian loin cloth) and Chaddar,
made from Endi (a material made
from conglomeration of silk and
cotton).
Dimasa Kachchari
A Dimasa man wears a Risha similar to Dhoti but
deep green in color. He uses a chaddar called Rimsao
beautifully designed to cover upper half of his body.
Cotton or endi turban is the common headdress. A
dimasa woman puts on a skirt known as Rigu similar
to Assamese Mekhela. Either it is made of cotton or
silk, may be white or coloured to cover her body
below the waist. For covering the upper part of her
body, she uses a chaddar very artistically designed
known as Rijamphai. Another chaddar also very
beautifully designed know as Rikhaosa used during
dances or ceremonial occasions.
DIMASA TRIBES
Mech Kachchari
Mech people are simple. Their dresses are simple
as well. They use hand spun and hand woven
simple dress. Men wear dhoti, turban and endi
shawl or chaddar. Women use a dress similar to
Assamese Mekhela Chaddar but simpler than
their Assamese counter parts. They also use
simple ornaments. Their dresses even during
dances are also simple.
Mech Kacharias are famous for rearing silk worm
particularly endi or eri.
Aitunia
It is believed weaving was absent in original
Aitunia tradition. They only weave traditional
dresses for special or festive occasions.
Thai Phakes
The dress of the people of this tribe
includes articles of personal clothing used
mainly for the purpose of covering. The
Phakes wear two kinds of dress namely
general dress for every day use and
special dress for particular occasions.
They were costumes similar to the
traditional assamese costumes.
JEWELLERY….
Jewellery is a fundamental costume of any place. . The
remarkable feature of Assamese jewellery is Khopo
Phool, an earring which appears like an orchid. The
outlook is like two small shoes paired together and
crowned by a floral construct, which is again connected to
a chain.
Gaam Kharu is a large-sized silver bangle with
shimmering gold polish. Another fashionable earring is
Lokaporo, wherein two gold or ruby or mina or enamel-
plated, bird figures are conjoined together, back to back.
Assamese costume has cast an enchanting spell on not
only India, but on foreign nations also, because of their
mind-blowing perfection
Jewellery of assam
Kopo phul gaam kharu
LOKAPORO
THANK YOU

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1 Introduction Product Design and Development

History of design and fashion - Costume of Assam

  • 2. INTRODUCTION….. Assam is a beautiful state known for its natural beauty cultural richness and diversity. Assam is a home for many kinds of silk but its greatest gift is muga silk also called as golden silk is not only sensuous and beautiful but also strong and durable.
  • 3. HISTORY… The first king of Assam shukh-pha is known to introduce silk in Assam. Silk rearing began in upper Assam and was chiefly intended to be used by royal family…
  • 4. THE GOLDEN CULTURE… SERICULTURE: Assam’s handloom industry is basically silk oriented. The salubrious climate of Assam is suitable for varieties of silk worms and their host-plants, mulberry, Eri, Muga and Oak Tassar are popular and important for economic and commercial purposes
  • 5. Sericulture is an important cottage industry of Assam. Eri and Muga have been producing silk traditionally since long back. Muga is the pride of the Assamese ladies.
  • 6. HANDLOOMS Handloom weaving forms a cultural constituent of the woman of Assam. Home made cloths are Mekhla and Patani (lower garment of the women), chaddar (upper garment of the women), gamocha (towel), dhuti, bed sheet, etc.
  • 7. WEAVING…. Weaving in Assam is so replete with artistic sensibility of women and so intimately linked to folk life. Different attachments are used for designs involving extra threads. For extra warp designs, dobby or jacquard machines are used. The use of extra warp provides the opportunity to weave elaborate designs conveniently.
  • 8. Yarns of different types and colors can be incorporated lengthwise in the extra warp. However, the extra warp makes beaming difficult since it requires two or more warp beams, and the drafting of extra ends is usually complicated. Extra weft is used for designing across borders and spot figures, and for spacing designs. In extra weft designs, different types of colored yarns can be managed for different portions using just one additional pick.
  • 9. Since the extra weft designing still uses the traditional process, a large number of long floats are obtained at the back, which makes muga difficult to handle.
  • 10. MOTIFS…. The designs and motifs of Assamese fabrics are inspired from nature, and from familiar objects that surround them. Though the traditional motifs from the past are strictly geometrical, over time some lyrical and flowing designs have also developed.
  • 11. Juhi is a prominent floral motif depicted with six or seven small petals. An interesting tree motif is widely used as a side motif. Animal and bird motifs include figures of peacocks, parrots, pigeons, lions, horses and elephants.
  • 12. COLORS… Traditional mekhela is cream in color with silk thread work. Use of golden , red, blue and green colors can be seen.
  • 14. WOMEN’S COSTUMES….. The mekhla is a women's skirt, usually plain but sometimes strewn with small motifs called buta. Chadar and riha are apparel for covering the upper part of a womans body, and is usually decorated with sprays of flowers and elephant motifs interspersed with leaves and sprigs, and numerous combinations of geometrical patterns. The chadar is draped over the shoulder, providing the pallu, and the riha is wrapped below the chadar, around the waist.
  • 15. MEN’S COSTUMES….. The men wear dhotis, usually of silk. The chalang is a scarf that had wide usage among officers and other respected professionals in ancient Assam. Sula, a kind of shirt similar to the angarakha, is a traditional upper garment worn by Assamese men.
  • 16. VISUALS OF COSTUMES OF ASSAM… GAMOCHA MEKHELA
  • 19. THE UNUSUAL JAPI HEAD DRESS….. JAPI a cane hat used both as a hat and an umbrella. Made of takoupat leaves obtained from a wild plant called tekou, the quality of a japi depends on its workmanship.
  • 20. TRIBES AND TEXTILES OF ASSAM…… Bodo TRIBES…..bodo tribe of Assam resides amidst the lush greenery of Assam. The Bodo tribal womenfolk acknowledge Mekhla as their prevalent costume. Along with the Chaddar, an upper-wrap called Riha.The men of the Bodo tribe, dresses themselves in Dhoti (an Indian loin cloth) and Chaddar, made from Endi (a material made from conglomeration of silk and cotton).
  • 21. Dimasa Kachchari A Dimasa man wears a Risha similar to Dhoti but deep green in color. He uses a chaddar called Rimsao beautifully designed to cover upper half of his body. Cotton or endi turban is the common headdress. A dimasa woman puts on a skirt known as Rigu similar to Assamese Mekhela. Either it is made of cotton or silk, may be white or coloured to cover her body below the waist. For covering the upper part of her body, she uses a chaddar very artistically designed known as Rijamphai. Another chaddar also very beautifully designed know as Rikhaosa used during dances or ceremonial occasions.
  • 23. Mech Kachchari Mech people are simple. Their dresses are simple as well. They use hand spun and hand woven simple dress. Men wear dhoti, turban and endi shawl or chaddar. Women use a dress similar to Assamese Mekhela Chaddar but simpler than their Assamese counter parts. They also use simple ornaments. Their dresses even during dances are also simple. Mech Kacharias are famous for rearing silk worm particularly endi or eri.
  • 24. Aitunia It is believed weaving was absent in original Aitunia tradition. They only weave traditional dresses for special or festive occasions.
  • 25. Thai Phakes The dress of the people of this tribe includes articles of personal clothing used mainly for the purpose of covering. The Phakes wear two kinds of dress namely general dress for every day use and special dress for particular occasions. They were costumes similar to the traditional assamese costumes.
  • 26. JEWELLERY…. Jewellery is a fundamental costume of any place. . The remarkable feature of Assamese jewellery is Khopo Phool, an earring which appears like an orchid. The outlook is like two small shoes paired together and crowned by a floral construct, which is again connected to a chain. Gaam Kharu is a large-sized silver bangle with shimmering gold polish. Another fashionable earring is Lokaporo, wherein two gold or ruby or mina or enamel- plated, bird figures are conjoined together, back to back. Assamese costume has cast an enchanting spell on not only India, but on foreign nations also, because of their mind-blowing perfection
  • 27. Jewellery of assam Kopo phul gaam kharu