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‹#› Het begint met een idee
1 Het begint met een idee
Thesis submitted & just approved
“Refining Statistical Data on the
Web”
 60% of time is spent on data
preparation
 Intelligent solutions for statistical data
integration on the Web
 Use case on structured Humanities data
Something different!
1 Faculty / department / title presentation
WHY THIS TALK?
Vrije Universiteit Amsterdam
 Maybe not that different…
2
SEMANTIC WEB AND THE HUMANITIES
‹#› Het begint met een idee
Vrije Universiteit Amsterdam
4
ISWC 2013 JAM SESSION
Jam’s “metadata”
Vrije Universiteit Amsterdam
Besides how awesome this is…
 The jam became global (i.e. de-referenceable URIs from
anywhere) rather than local
> But any video stream would have been more accurate (for humans)
 The jam became machine readable
> But not all of it
 Digital music as Linked Data?
5
REPRESENTING MUSIC IN RDF
‹#› Het begint met een idee
HOW DOES A KNOWLEDGE
GRAPH SOUND LIKE?
(OR: MUSIC IS A GRAPH)
Vrije Universiteit Amsterdam
 Music representation format which is 100% digital
> (i.e. leaving nothing to analog signals  actual instruments)
 MIDI (Musical Instrument Digital Interface)
> Universal synthesizer interface
> Roland (I. Kakehashi), Yamaha, Korg, Kawai (1981)
> Digital, fine-grained representation of musical tracks and events
> Wide range of controllers and instruments
7
WEEKEND EXPERIMENT
Vrije Universiteit Amsterdam
8
MIDI
Vrije Universiteit Amsterdam
9
MIDI2RDF
https://github.com/albertmeronyo/midi2rdf
Vrije Universiteit Amsterdam
 Music representation format which is
> 100% digital (i.e. leaving nothing to analog signals)
> Secundary list
 MIDI (Musical Instrument Digital Interface)
> Universal synthesizer interface
> Roland (I. Kakehashi), Yamaha, Korg, Kawai (1981)
> Digital, fine-grained representation of musical events
> Wide range of controllers and instruments
10
WEEKEND EXPERIMENT
Vrije Universiteit Amsterdam
 midi2rdf
> Any MIDI to an RDF midi-comptabile representation
> All MIDI resources get URIs (can link, be linked, de-referenced)
> Music is a graph!
 rdf2midi
> Round trip conversion
> Lossless!
> MIDI subseteq RDF
 playrdf.sh
> RDF files can be ‘played’ without data loss
> Demo
11
LOSSLESS CONVERSION
Vrije Universiteit Amsterdam
 Enrichment of musical assets and events in Linked Data
> Annotations
> Provenance
> Links to places, people, events
> Music stream = live representation of music on play
12
APPLICATIONS (I)
Vrije Universiteit Amsterdam
 Musical representation of knowledge graphs
> Just as we care about visualization of knowledge graphs
> Linkage of graph resources/properties to things that can be played
> Size = pitch
> Regularity = harmony (irregularity = dissonance)
> Graph musical navigation
> Music stream = navigation path
13
APPLICATIONS (II)
Vrije Universiteit Amsterdam
Vrije Universiteit Amsterdam
Questions, comments, suggestions most welcome
@albertmeronyo
15
THANK YOU!

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How does a knowledge graph sound like? (or: music is a graph)

  • 1. ‹#› Het begint met een idee 1 Het begint met een idee Thesis submitted & just approved “Refining Statistical Data on the Web”  60% of time is spent on data preparation  Intelligent solutions for statistical data integration on the Web  Use case on structured Humanities data Something different! 1 Faculty / department / title presentation WHY THIS TALK?
  • 2. Vrije Universiteit Amsterdam  Maybe not that different… 2 SEMANTIC WEB AND THE HUMANITIES
  • 3. ‹#› Het begint met een idee
  • 4. Vrije Universiteit Amsterdam 4 ISWC 2013 JAM SESSION Jam’s “metadata”
  • 5. Vrije Universiteit Amsterdam Besides how awesome this is…  The jam became global (i.e. de-referenceable URIs from anywhere) rather than local > But any video stream would have been more accurate (for humans)  The jam became machine readable > But not all of it  Digital music as Linked Data? 5 REPRESENTING MUSIC IN RDF
  • 6. ‹#› Het begint met een idee HOW DOES A KNOWLEDGE GRAPH SOUND LIKE? (OR: MUSIC IS A GRAPH)
  • 7. Vrije Universiteit Amsterdam  Music representation format which is 100% digital > (i.e. leaving nothing to analog signals  actual instruments)  MIDI (Musical Instrument Digital Interface) > Universal synthesizer interface > Roland (I. Kakehashi), Yamaha, Korg, Kawai (1981) > Digital, fine-grained representation of musical tracks and events > Wide range of controllers and instruments 7 WEEKEND EXPERIMENT
  • 10. Vrije Universiteit Amsterdam  Music representation format which is > 100% digital (i.e. leaving nothing to analog signals) > Secundary list  MIDI (Musical Instrument Digital Interface) > Universal synthesizer interface > Roland (I. Kakehashi), Yamaha, Korg, Kawai (1981) > Digital, fine-grained representation of musical events > Wide range of controllers and instruments 10 WEEKEND EXPERIMENT
  • 11. Vrije Universiteit Amsterdam  midi2rdf > Any MIDI to an RDF midi-comptabile representation > All MIDI resources get URIs (can link, be linked, de-referenced) > Music is a graph!  rdf2midi > Round trip conversion > Lossless! > MIDI subseteq RDF  playrdf.sh > RDF files can be ‘played’ without data loss > Demo 11 LOSSLESS CONVERSION
  • 12. Vrije Universiteit Amsterdam  Enrichment of musical assets and events in Linked Data > Annotations > Provenance > Links to places, people, events > Music stream = live representation of music on play 12 APPLICATIONS (I)
  • 13. Vrije Universiteit Amsterdam  Musical representation of knowledge graphs > Just as we care about visualization of knowledge graphs > Linkage of graph resources/properties to things that can be played > Size = pitch > Regularity = harmony (irregularity = dissonance) > Graph musical navigation > Music stream = navigation path 13 APPLICATIONS (II)
  • 15. Vrije Universiteit Amsterdam Questions, comments, suggestions most welcome @albertmeronyo 15 THANK YOU!

Editor's Notes

  • #2: Today I’m NOT going to talk about…
  • #3: When you spend 4 years on a use case… The Humanities has many disciplines, this snapshot from my favourite one: electronic entertainment Games = data integration frameworks
  • #7: Two sides of the story of a small experiment I did over the weekend