Utilizing Community-Based Projects in
Strategic Communication & Media Courses
Presenters
2
Franklyn
Charles
ASSISTANT
PROFESSOR
DIRECTOR, FREDERICK
DOUGLASS INSTITUTE
Brittany
Fleming
ASSOCIATE
PROFESSOR
ADVISOR, WSRU-TV &
THE ROCKET
Allison
Peiritsch
ASSOCIATE
PROFESSOR
ADVISOR, ROCK PRSSA
Doug
Strahler
ASSOCIATE
PROFESSOR
COMMUNITY-ENGAGED
LEARNING ASSOCIATE
Learning from Elders: Utilizing
the Students as Partners (SaP)
Model for Preserving Culture
By: Franklyn Charles
Student as
Partners Model
● Engaging students actively in their learning
is the most common form of partnership.
Only where students are given a significant
amount of autonomy, independence, and
choice can this be considered partnership.
“High impact” learning experiences in
terms of retention and depth of learning
and generating student engagement are
characterized by active and experiential
learning (Healey, Flint, & Harrington,
2016).
4
Student as Partners
● Foster inclusive partnerships
● Nurture power-sharing relationships through dialogue and reflection
● Accept partnership as a process with uncertain outcomes
● Engage in ethical partnerships
● Enact partnership for transformation
5
Applied Applications
● Foster inclusive
partnerships
● Engage in ethical
partnerships
6
Collaborative Learning
● Accept partnership
as a process with
uncertain
outcomes
● Enact partnership
for transformation
7
Outcomes
● Professional Digital
Repository
● Professional
Conference
Presentation
8
Team Building
Through Community
Based Learning
in Media Production
Courses
Dr. Brittany Fleming
10
11
12
COMM 454:
Live Broadcast Production
● COMM 454 serves a mix of students:
● Capstone course for the TV/Video majors
● Elective for Multimedia Journalism majors
● Different skill sets, backgrounds, interests, and goals.
● How can I…
○ Meet my students’ needs and the course objectives?
○ Ensure they create portfolio-worthy content and gain experience?
13
Steps
● Learn more about the individual students.
● Allow them to bring what they know to the table.
● Create an environment where peer-learning is possible.
● Find a common goal that students buy in to.
● Make it less about the grade and more about the cause.
● Hold individuals, small groups and the overall group accountable.
14
The Solution
● Personality Index.
● Survey the campus on issues students find important.
● Create a news-magazine or feature program to address those issues.
● Personally being aware of what I’ve signed myself up for!
● Find resources that I can use to support my role in this course.
15
COMM 454: Implementation
1. Forming
• 16Personality Test
• Audience Analysis Project
2. Storming
• Program Proposal Project
3. Norming
• Branding Package Project
4. Performing
• Episodes 1-5
• Weekly production critiques
• Weekly self and group reflections
5. Adjourning
• Recognition Ceremony
16 students:
Four groups of four, three producers, 1 executive producer (and studio positions)
Program Objective:
To inform SRU students about the many facets of DEI at our university and to serve as a platform for DEI conversations.
Target Audience:
Students who advocate for DEI at SRU
AND those who do not seem themselves as a
relevant part of the conversation
Partner: Frederick Douglass Institute
16 students:
Four groups of four, three producers, 1 executive producer (and studio positions)
Program Objective:
To inform SRU students about the many facets of DEI at our university and to serve as a platform for DEI conversations.
Target Audience:
Students who advocate for DEI at SRU
AND those who do not seem themselves as a
relevant part of the conversation
Partner: Frederick Douglass Institute
16
No Judgment Zone
16 students:
Four groups of four, three producers, 1
executive producer (and studio positions)
Program Objective:
To inform SRU students about the many
facets of DEI at our university and to serve as
a platform for DEI conversations.
Target Audience:
Students who advocate for DEI at SRU
AND those who do not seem themselves as a
relevant part of the conversation
Partner: Frederick Douglass Institute
17
 Episode 1 : What is DEI?
 Focus: informing students of the differences
between diversity, equity and inclusion and their
relationship to SRU.
 Episode 2 : Intersectionality and Allies.
 Focus: to help students recognize how
overlapping identities combine to create
privilege and discrimination. How to be an
advocate.
 Episode 3 : Discrimination and Micro-aggressions.
 Focus: to shed light on types of discrimination
and an individual's rights.
Episodes/Segments
 Episode 4 : DEI Resources at SRU.
 Focus: Informing students on DEI
initiatives by the university and where to
find help.
 Episode 5 : Advancing DEI at SRU.
 Focus: Where do we go from here?
Segment 1: On-the-street Interviews
Segment 2: Student Roundtable
Segment 3: Expert opinion
18
Integrating Social
Emotional Learning
Strategies into a
Capstone Course to
Better Serve Students
and Community
Partners
Dr. Allison Peiritsch
PR & IMC Campaigns Capstone
● Course brings together technical skills gained in undergraduate
coursework in primary and secondary research, campaign proposal
development, writing, media production and design, and presentation.
● Students are organized into client teams and assigned a role.
● Students work with a real client to produce a research-based proposal
and implementation-ready campaign materials.
● Course follows the Public Relations Society of America’s Bateman
case study competition model.
20
Student Learning Outcomes
1. Students develop the ability to demonstrate proficiency in project and
campaign management.
2. Students develop the ability to work effectively in teams to accomplish
campaign objectives.
3. Students demonstrate an awareness of a global perspective in
recognizing how—when working with a team, clients, and other
vendors—professionalism is the expected quality outcome.
21
22
Social Emotional Learning
Defined by the Collaborative for Academic, Social and Emotional
Learning as a “process through which all young people and adults
acquire and apply the knowledge, skills, and attitudes to develop
healthy identities, manage emotions and achieve personal and
collective goals, feel and show empathy for others, establish and
maintain supportive relationships, and make responsible and caring
decisions.”
23
SEL Course Strategies & Tools
1. Conduct codes, rules of engagement
and accountability tools.
2. Check points for active reflection,
discussion and course correction.
3. Lessons learned recap and advice
for next semester’s students.
24
25
Integrating Community
Engagement in a Digital
Media Capstone Course
Dr. Doug Strahler
Applegate and Morreale (1999) proposed that
service-learning both deepens understandings
of communication practice and
informs the process of service-learning.
27
Community-Engaged Learning is a teaching and
learning strategy that integrates meaningful
community partnerships with instruction and
critical reflection to enrich the student learning
experience, teach civic and social responsibility,
and strengthen communities (MSU, 2022).
28
Media Project Management
400-level course intended to develop student mastery of the emerging
environment of digital information through a project-based, team-based
course.
● Capstone: SC&M-Digital Media Production, SC&M-Advertising, Art-
Graphic Design minors
● Deliverables: graphic design, social media, video, audio, web
29
Community-
Engaged
Learning
@SRU
30
Reciprocal Partnerships
Sustaining the reciprocal partnership between community
partner, students and instructor.
○ Pre-semester meeting with community partners is conducted
■ "The Courtship Process", The Craft of Community Engaged Teaching
& Learning, Welch & Plaxton-Moore
○ Develop a communication plan and tactics
○ Create a Community Partnership Agreement
■ Outline is designed to clearly identify mutually-beneficial outcomes
that will be realized through community-based activities, as well as
establish expectations, roles, and responsibilities
31
Partnership Outline
What is included in a Partnership Outline?
1. General Partnership Information (Community Organization,
Organization Representative(s), Faculty Member, Course Name)
2. Mutually-Beneficial Outcomes (Learning Outcomes & Community
Outcomes)
3. Description of Community Activities (type of activity; timeline;
roles & responsibilities)
At SRU, we avoided the term "Partnership Agreement" for legal reasons
32
Reciprocal Partnerships (cont.)
● Establish touchpoints in your timeline to ensure partners and
students are working together
○ Three presentations: partner presentation; student midterm
proposal presentation; and student’s final presentation
○ “Impacts” or Hour requirement (verified by partners)
33
Reflection
STUDENTS
● Presentations (midterm & final)
● Weekly Journaling (prompts; civic
competencies)
● Directed Writing
○ Client presentation
○ Midterm presentation feedback
○ Final presentation feedback
34
Integrate critical reflection activities into the timeline
COMMUNITY PARTNERS
● Instructor/Partner (“check-in”
meetings every 2-3 weeks)
● Midterm Evaluation
● Final Evaluation
Book Recommendations
35
Thanks!
Any questions?
36

Integrating Community Engagement in a Digital Media Capstone Course

  • 1.
    Utilizing Community-Based Projectsin Strategic Communication & Media Courses
  • 2.
    Presenters 2 Franklyn Charles ASSISTANT PROFESSOR DIRECTOR, FREDERICK DOUGLASS INSTITUTE Brittany Fleming ASSOCIATE PROFESSOR ADVISOR,WSRU-TV & THE ROCKET Allison Peiritsch ASSOCIATE PROFESSOR ADVISOR, ROCK PRSSA Doug Strahler ASSOCIATE PROFESSOR COMMUNITY-ENGAGED LEARNING ASSOCIATE
  • 3.
    Learning from Elders:Utilizing the Students as Partners (SaP) Model for Preserving Culture By: Franklyn Charles
  • 4.
    Student as Partners Model ●Engaging students actively in their learning is the most common form of partnership. Only where students are given a significant amount of autonomy, independence, and choice can this be considered partnership. “High impact” learning experiences in terms of retention and depth of learning and generating student engagement are characterized by active and experiential learning (Healey, Flint, & Harrington, 2016). 4
  • 5.
    Student as Partners ●Foster inclusive partnerships ● Nurture power-sharing relationships through dialogue and reflection ● Accept partnership as a process with uncertain outcomes ● Engage in ethical partnerships ● Enact partnership for transformation 5
  • 6.
    Applied Applications ● Fosterinclusive partnerships ● Engage in ethical partnerships 6
  • 7.
    Collaborative Learning ● Acceptpartnership as a process with uncertain outcomes ● Enact partnership for transformation 7
  • 8.
    Outcomes ● Professional Digital Repository ●Professional Conference Presentation 8
  • 9.
    Team Building Through Community BasedLearning in Media Production Courses Dr. Brittany Fleming
  • 10.
  • 11.
  • 12.
    12 COMM 454: Live BroadcastProduction ● COMM 454 serves a mix of students: ● Capstone course for the TV/Video majors ● Elective for Multimedia Journalism majors ● Different skill sets, backgrounds, interests, and goals. ● How can I… ○ Meet my students’ needs and the course objectives? ○ Ensure they create portfolio-worthy content and gain experience?
  • 13.
    13 Steps ● Learn moreabout the individual students. ● Allow them to bring what they know to the table. ● Create an environment where peer-learning is possible. ● Find a common goal that students buy in to. ● Make it less about the grade and more about the cause. ● Hold individuals, small groups and the overall group accountable.
  • 14.
    14 The Solution ● PersonalityIndex. ● Survey the campus on issues students find important. ● Create a news-magazine or feature program to address those issues. ● Personally being aware of what I’ve signed myself up for! ● Find resources that I can use to support my role in this course.
  • 15.
    15 COMM 454: Implementation 1.Forming • 16Personality Test • Audience Analysis Project 2. Storming • Program Proposal Project 3. Norming • Branding Package Project 4. Performing • Episodes 1-5 • Weekly production critiques • Weekly self and group reflections 5. Adjourning • Recognition Ceremony
  • 16.
    16 students: Four groupsof four, three producers, 1 executive producer (and studio positions) Program Objective: To inform SRU students about the many facets of DEI at our university and to serve as a platform for DEI conversations. Target Audience: Students who advocate for DEI at SRU AND those who do not seem themselves as a relevant part of the conversation Partner: Frederick Douglass Institute 16 students: Four groups of four, three producers, 1 executive producer (and studio positions) Program Objective: To inform SRU students about the many facets of DEI at our university and to serve as a platform for DEI conversations. Target Audience: Students who advocate for DEI at SRU AND those who do not seem themselves as a relevant part of the conversation Partner: Frederick Douglass Institute 16 No Judgment Zone 16 students: Four groups of four, three producers, 1 executive producer (and studio positions) Program Objective: To inform SRU students about the many facets of DEI at our university and to serve as a platform for DEI conversations. Target Audience: Students who advocate for DEI at SRU AND those who do not seem themselves as a relevant part of the conversation Partner: Frederick Douglass Institute
  • 17.
    17  Episode 1: What is DEI?  Focus: informing students of the differences between diversity, equity and inclusion and their relationship to SRU.  Episode 2 : Intersectionality and Allies.  Focus: to help students recognize how overlapping identities combine to create privilege and discrimination. How to be an advocate.  Episode 3 : Discrimination and Micro-aggressions.  Focus: to shed light on types of discrimination and an individual's rights. Episodes/Segments  Episode 4 : DEI Resources at SRU.  Focus: Informing students on DEI initiatives by the university and where to find help.  Episode 5 : Advancing DEI at SRU.  Focus: Where do we go from here? Segment 1: On-the-street Interviews Segment 2: Student Roundtable Segment 3: Expert opinion
  • 18.
  • 19.
    Integrating Social Emotional Learning Strategiesinto a Capstone Course to Better Serve Students and Community Partners Dr. Allison Peiritsch
  • 20.
    PR & IMCCampaigns Capstone ● Course brings together technical skills gained in undergraduate coursework in primary and secondary research, campaign proposal development, writing, media production and design, and presentation. ● Students are organized into client teams and assigned a role. ● Students work with a real client to produce a research-based proposal and implementation-ready campaign materials. ● Course follows the Public Relations Society of America’s Bateman case study competition model. 20
  • 21.
    Student Learning Outcomes 1.Students develop the ability to demonstrate proficiency in project and campaign management. 2. Students develop the ability to work effectively in teams to accomplish campaign objectives. 3. Students demonstrate an awareness of a global perspective in recognizing how—when working with a team, clients, and other vendors—professionalism is the expected quality outcome. 21
  • 22.
  • 23.
    Social Emotional Learning Definedby the Collaborative for Academic, Social and Emotional Learning as a “process through which all young people and adults acquire and apply the knowledge, skills, and attitudes to develop healthy identities, manage emotions and achieve personal and collective goals, feel and show empathy for others, establish and maintain supportive relationships, and make responsible and caring decisions.” 23
  • 24.
    SEL Course Strategies& Tools 1. Conduct codes, rules of engagement and accountability tools. 2. Check points for active reflection, discussion and course correction. 3. Lessons learned recap and advice for next semester’s students. 24
  • 25.
  • 26.
    Integrating Community Engagement ina Digital Media Capstone Course Dr. Doug Strahler
  • 27.
    Applegate and Morreale(1999) proposed that service-learning both deepens understandings of communication practice and informs the process of service-learning. 27
  • 28.
    Community-Engaged Learning isa teaching and learning strategy that integrates meaningful community partnerships with instruction and critical reflection to enrich the student learning experience, teach civic and social responsibility, and strengthen communities (MSU, 2022). 28
  • 29.
    Media Project Management 400-levelcourse intended to develop student mastery of the emerging environment of digital information through a project-based, team-based course. ● Capstone: SC&M-Digital Media Production, SC&M-Advertising, Art- Graphic Design minors ● Deliverables: graphic design, social media, video, audio, web 29
  • 30.
  • 31.
    Reciprocal Partnerships Sustaining thereciprocal partnership between community partner, students and instructor. ○ Pre-semester meeting with community partners is conducted ■ "The Courtship Process", The Craft of Community Engaged Teaching & Learning, Welch & Plaxton-Moore ○ Develop a communication plan and tactics ○ Create a Community Partnership Agreement ■ Outline is designed to clearly identify mutually-beneficial outcomes that will be realized through community-based activities, as well as establish expectations, roles, and responsibilities 31
  • 32.
    Partnership Outline What isincluded in a Partnership Outline? 1. General Partnership Information (Community Organization, Organization Representative(s), Faculty Member, Course Name) 2. Mutually-Beneficial Outcomes (Learning Outcomes & Community Outcomes) 3. Description of Community Activities (type of activity; timeline; roles & responsibilities) At SRU, we avoided the term "Partnership Agreement" for legal reasons 32
  • 33.
    Reciprocal Partnerships (cont.) ●Establish touchpoints in your timeline to ensure partners and students are working together ○ Three presentations: partner presentation; student midterm proposal presentation; and student’s final presentation ○ “Impacts” or Hour requirement (verified by partners) 33
  • 34.
    Reflection STUDENTS ● Presentations (midterm& final) ● Weekly Journaling (prompts; civic competencies) ● Directed Writing ○ Client presentation ○ Midterm presentation feedback ○ Final presentation feedback 34 Integrate critical reflection activities into the timeline COMMUNITY PARTNERS ● Instructor/Partner (“check-in” meetings every 2-3 weeks) ● Midterm Evaluation ● Final Evaluation
  • 35.
  • 36.