Listening comprehension in efl teaching

Jan. 2008, Volume 6, No.1 (Serial No.52) US -China Foreign Language, ISSN1539 -8080, USA

Listening comprehension in EFL teaching

XU Fang
(College of Foreign Languages, Qingdao University of Science and Technology, Qingdao 266061, China)

Abstract: This paper gives detailed analysis of listening nature, listening process and listening skills. On the
basis of the analysis, the paper makes some suggestions on how to improve the teaching and learning of listening
comprehension: (1) relationships between listening and speaking, that is, we should realize the interrelated nature
of input and output, especially because a student’ comprehensible output may very often become comprehensible
s
input for others; (2) listening materials, that is, present students with different kinds of input, attempt to discover
visual aids or draw pictures and diagrams related to the listening topics, grade listening materials according to the
students’ level, knowledge of structure is an important part of listening proficiency; (3) the speaker, that is, give
practice in liaisons and elisions, enable students to be conscious of different native-speaker accents, choose short,
simple listening texts with little redundancy for lower -level students and complicated authentic materials with
more redundancy for high-level learners; (4) the listener, that is, offer background knowledge and linguistic
knowledge, assist students to cultivate the skill of listening with anticipation, provide and try to gain as much
feedback as possible, improve memory methods.
Key words: listening comprehension; language teaching; comprehensible input

Listening is the Cinderella skill in second language learning. It became fashionable again in the 1980s when
Krashen’ (1982) ideas about comprehensible input gained prominence. By stressing the role of comprehensible
s
input, second language acquisition research has given a major boost to listening. As Rost (1994) points out, of the
four language skills— speaking, listening, reading and writing, listening is the most critical for language learning
at the beginning stages. Large amounts of listening practice before speaking or reading may prepare the learner to
acquire a second language with a greater efficiency than if he or she was taught all the skills simultaneously
(Postovsky, 1974; Winitz & Reeds, 1973, 1975; Winitz, 1973; Gary, 1978). In fact, listening is the most frequently
used language skill in everyday life. Researchers (for example, Rivers 1981; Morley, 1991) propose that we listen
twice as much as we speak, four times as much as we read, and five times as much as we write. Listening is a
highly integrative skill and research has demonstrated its crucial role in language acquisition (for example, Rost,
1990; Feyten, 1991; Mendelsohn & Rubin, 1995). Listening is assuming greater and greater importance in foreign
language classrooms.

1. Listening compre hension

1.1 The nature of listening comprehension
The nature of LC (listening comprehension) means that the learner should be encouraged to concentrate on
an active process of listening for meanings, using not only the linguistic cues but his nonlinguistic knowledge as

XU Fang (1970- ), female, M.A., lecturer of College of Foreign Languages, Qingdao University of Science and Technology ;
research field: psycholinguistics.

21


well. He should also know that not every clue is equally important to the message. Therefore, even when he
misses a piece of language, he need not worry: there is a good chance that other clues will make him understand
the message, or at least, enough of the message for his own aim. Of course, it may be that the missed item is one
which completely changes the whole message. This doesn’ concern the general point being made here; since the
t
learner has more hope of realizing his own misunderstanding if he concentrates on the communication rather than
being distracted by a sense of failure.
There do exist controversies on the nature of LC. According to Anderson and Lynch (1988), there are two
influential views: traditional view and alternative view. Traditional view regarded the listener as a tape-recorder
and the listener took in and stored aural messages in much the same way as a tape-recorder. Anderson and Lynch
criticized this view as inappropriate and inadequate. This notion is not a tenable one. Alternative view considered
the listener as an active model builder. This kind of listener could combine the new information with his previous
knowledge and experience to reach full comprehension of what had been heard. Anderson and Lynch agreed with
this view. It emphasized the active interpretation and integration of incoming information with prior knowledge
and experience. Many scholars supported this view. O’ Malley and Chamot made a conclusion by doing a research
on LC in 1989: “ Listening comprehension is an active and conscious process in which the listener constructs
meaning by using cues from contextual information and existing knowledge, while relying upon multiple strategic
resources to fulfill the task requirement”(O’ Malley, J. M. & Chamot, A. U., 1989, p. 420).
Among the various definitions, a representative one is propounded by Clark and Clark (1977, pp. 43-44).
They give both a narrow and broad definition:
“Comprehension has two common senses. In its narrow sense it denotes the mental processes by which
listeners take in the sounds uttered by a speaker and use them to construct an interpretation of what they think the
speaker intended to convey.... Comprehension in its broader sense, however, rarely ends here, for listeners
normally put the interpretations they have built to work.”
Lynch and Mendelsohn (Cited in Norbert Schmitt, 2002, p. 194) describe the unique features of listening as
follows:
Its usually ephemeral, one-shot nature.
The presence of a rich prosody (stress, intonation, rhythm, loudness and more), which is absent from the
written language.
The presence of characteristics of natural fast speech, such as assimilation, making it markedly different from
written language, for example /g?mmt/ for “ government” .
The frequent need to process and respond almost immediately.
Besides the controversies over the definition of LC, there also exist the concerns about the process and skills
of LC. We will focus on these in the following literature.
1.2 The process of listening comprehension
Listening comprehension is regarded theoretically as an active process in which individuals concentrate on
selected aspects of aural input, form meaning from passages, and associate what they hear with existing
knowledge.
Cognitive psychology, the most developed model in accounting for comprehension processes, defines
comprehension as information processing. Schemata are the guiding structures in the comprehension process. The
schema is described by Rumelhart (1980, p. 34) as “ data structure for representing the generic concepts stored in
a
memory. It can be used to represent our knowledge about all concepts: those underlying objects, situations, events,

22


sequences of events, actions and sequences of actions.” According to the cognitive comprehension theory,
“ schema”(plural form schemata) means an abstract textual structure that the comprehender uses to make sense of
the given text. The comprehender makes use of linguistic and situational cues and also the expectations he/she has
about the new input to evoke schemata. When a schema has been evoked, it will become a guiding structure in
comprehension. If the incoming information is matched with the schema, then the listeners have succeeded in
comprehending the text; if they are not compatible, either the information or the schema will be discarded or
modified. The principle of schema leads to two fundamental modes of information processing: bottom-up
processing and top-down processing. These two processing intersect to develop an interactive processing. Thus,
models for listening process fall into three types.
Bottom-up processing (the first type of models) is activated by the new incoming data. The features of the
data pass into the system through the best fitting, bottom-level schemata. Schemata are hierarchically formed,
from the most specific at the bottom to the most general at the top. It acknowledges that listening is a process of
decoding the sounds, from the smallest meaningful units (phonemes) to complete texts. Thus, phonemic units are
decoded and connected together to construct words, words are connected together to construct phrases, phrases
are connected together to construct utterances, and utterances are connected together to construct complete,
meaningful text. That is to say, meaning is arrived at as the last step in the process. A chain of incoming sounds
trigger schemata hierarchically organized in a listener’ mind— the phonological knowledge, the morphological
s
knowledge, lexical and syntactical knowledge (syntactical knowledge aids to analyze the sentence structure). Thus,
the listener makes use of “ knowledge of words, syntax, and grammar to work on form”in the bottom-up
his
processing (Rubin, 1994, p. 210). This process is closely associated with the listener’ linguistic knowledge.
s
However, bottom-up processing has its weak points. Understanding a text is an interactive process between the
listener’ previous knowledge and the text. Efficient comprehension that associates the textual material with
s
listener’ brain doesn’ only depend on one’ linguistic knowledge.
s t s
Top-down processing (the second type) is explained as employing background knowledge in comprehending
the meaning of a message. Carrell and Eisterhold (1983, p. 557) point out that in top-down processing, the system
makes general predictions based on “ higher level, general schemata, and then searches the input for information
a
to fit into these practically satisfied, higher order schemata” In terms of listening, the listener actively constructs
.
(or reconstructs) the original meaning of the speaker employing new input as clues. In this reconstruction process,
the listener employs prior knowledge of the context and situation within which the listening occurs to understand
what he/she hears. Context and situation involve such things as knowledge of the topic at hand, the speaker or
speakers, and their correlation with the situation, as well as with each other and previous events. We must realize
if the incoming information the listener hears is unfamiliar to him, it can’ evoke his schemata and he can only
t
depend heavily on his linguistic knowledge in LC. Besides, although the listener can trigger a schema, he might
not have the suitable schema expected by the speaker. Thus, only relying on top-down processing may result in
the failure of comprehension.
The interactive processing (the third type) overcomes the disadvantages of bottom-up processing and
top-down processing to augment the comprehension. In the early 1980s, it was the tendency that only top-down
processing was acknowledged to improve L2 (second language) listening comprehension. However it is now more
generally accepted that both top-down and bottom-up listening processing should be combined to enhance LC.
Complex and simultaneous processing of background knowledge information, contextual information and
linguistic information make comprehension and interpretation become easy. When the content of the material is

23


familiar to the listener, he will employ his background knowledge at the same time to make predictions which will
be proved by the new input. As opposed with this, if the listener is unfamiliar with the content of the listening text
and deficient in language proficiency, he can only depend on his linguistic knowledge, especially the lexical and
syntactical knowledge to make sense of the information.
From the cognitive perspective, Anderson (1983, 1985) elaborates that comprehension consists of perception,
parsing and utilization. Perceptual processing is the encoding of the acoustic or written message. In listening, this
covers chunking phonemes from the continuous speech stream (Anderson, 1995, p. 37). During this stage, an
individual pays close attention to input and the sounds are stored in echoic memory. While the input is still in
echoic memory, some initial analysis of the language code may start, and encoding processes may transform some
of the input into meaningful representations (Anderson, 1985). It seems probable that the same factors in
perceptual processing that attend to auditory material excluding other competing stimuli in the environment also
attend selectively to certain key words or phrases that are important in the context, attend to pauses and acoustic
emphases that may offer clues to segmentation and to meaning, or attend to contextual elements that may fit with
or support the interpretation of meaning such as the listener’ goals, expectations about the speaker’ purpose, and
s s
the type of speech interaction contained (for example, a conversation or a lecture). In the second LC
process— parsing, words are converted into a mental representation of the combined meaning of these words. The
basic unit of LC is a proposition (Anderson, 1985). Complex propositions may be differentiated into simpler
propositions that can be regrouped by the listener to produce new sentenc es whose basic meaning does not alter.
Therefore, through parsing, a meaning-based representation of the original sequence of words can be stored in
short-term memory; this representation is an abstraction of the original word sequences but can be employed to
reproduce the original sequences or at least their planned meaning. The size of the unit or segment (or “ chunk” of
)
information processed will rely on the learner’ knowledge of the language, general knowledge of the topic, and
s
how the information is presented. The main clue for segmentation in LC is meaning, which may be represented
syntactically, semantically, phonologically, or by any combination of these. Second language listeners may have
some trouble in understanding language spoken at typical conversational rates by native speakers if they are
unfamiliar with the rules for segmentation, even though they may comprehend individual words when heard
separately. Findings from research with second language learners show that memory span for target language
input is shorter than for native language input (Call, 1985). Complex input materials may be especially difficult to
comprehend in a second language because they need combining of parsed segments in the process of
comprehension, thus putting an extra burden on STM (short-term memory) which already may be burdened with
unencoded elements of the new input. The third process, utilization, is composed of associating a mental
representation of the auditory meaning with existing knowledge. Existing knowledge is retained in long-term
memory as propositions or schemata. Connections between the new input meaning and existing knowledge take
place through spreading activation in which knowledge in LTM (long-term memory) is activated so that it is
associated with the new meanings in STM. Comprehension occurs when input and knowledge are matched with
each other. Perception, parsing and utilization stand for different levels of processing. Of the three levels of
processing, perception is the lowest. All three phases are recursive and connected closely, and can occur
simultaneously during a single listening event.
Coakley & Wolvin (1986) suggest that listening comprehension in a L2 (second language) is the process of
receiving, focusing attention on, and assigning meaning to aural stimuli. It includes a listener, who brings prior
knowledge of the topic, linguistic knowledge and cognitive processes to the listening task, the aural text, and the

24


interaction between the two.
Fischer and Farris (1995) regard listening comprehension as a process by which students actively form a
mental representation of an aural text according to prior knowledge of the topic and information found within.
1.3 The skills of listening comprehension
Use of effective listening skills can help students capitalize on the language input they are receiving and help
teachers facilitate the teaching process. A great many researches have been done about the skills of listening
comprehension in order to make the listening effective.
Richard (1983) was one of the first to consider the nature of the sub-skills required in different listening
situations. He provided 33 micro-skills for conventional listening and a further 18 for academic listening to
lectures.
Richard’ analysis has been extremely persuasive in aiding language teachers to differentiate and prioritize
s
the components of different types of listening. His micro-skill taxonomies were reshaped and developed by Rost
(1990) who pinpointed the division of listening into perception, interpretation and response.
McDonough & Shaw (1993) claim that listening skills should be discussed under 2 related headings:
(1) Processing sound:
To segment the stream of sounds and recognize word boundaries;
To recognize sentence and clause boundaries in speech;
To recognize significance of language-related features, most obviously intonation;
To recognize changes in pitch, tone and speed of delivery.
(2) Processing meaning:
To organize the incoming speech into meaningful sections;
To identify redundant material;
To use language data to anticipate what speakers are going to say;
To store information in memory and know how to retrieve it later, by organizing meaning as efficiently as
possible and avoiding too much attention to immediate detail.
Voss (1984) and Shohamy and Inbar (1991) propound 2 kinds of skills: top-down processing skills and
bottom-up processing skills according to listening processes involving top-down processing and bottom-up
processing.
H. Byrnes (1984) points out that LC can be divided into a set of distinct sub-skills. Two of these skills are
considered by Rivers (1971) as the recognition of component parts of the language (words, verb groups, simple
phrases) and memory for these elements as soon as they have been recognized. Recognizing linguistic elements,
while fundamental to the process, is not enough for understanding what is heard fully. Listeners must be able to
hold these elements in STM long enough to interpret the utterance to which they are attending.

2. Pedagogical implications

On the basis of the above analysis, we will make some suggestions on how to improve the teaching and
learning of listening comprehension.
2.1 Relationships between listening and speaking
Students often complain that listening and speaking are their vulnerable spots, and speaking is even weaker.
It seems that language teaching should begin with the purpose to improve students’ spoken proficiency. However,

25


this is not the case, because language comprehension is prior to language production.
When speaking a language, a learner can control a relatively narrow range of vocabulary at his or her own
pace to express an idea, but when listening to the response he or she no longer handles the choice of vocabulary.
One must be ready to absorb those words which are a part of the speaker’ active vocabulary and must adapt to the
s
speaker’ rate of speech. In order to manipulate a simple conversation, an individual must possess a much broader
s
competency in listening comprehension than in speaking; this is especially true when talking in a foreign language
with a native speaker of that language. According to the range of lexicon and structure, the comparable
capabilities might be shown by the areas of two concentric circles in the following Figure:

Figure Normal range of receptive and expressive language ability
Note: Cited from Harris Winitz, 1981, pp. 223-251.

What is more, as a learner’ language skill improves, we can observe both concentric circles enlarging at the
s
same time with the outer (listening comprehension) circle always embracing a far greater range than the inner
(speaking) circle. Stressing the inner circle (speaking) severely hinders the expansion of the outer circle (listening
comprehension). Emphasis on aural comprehension training and relaxation of the requirement for oral production
in the initial phase of instruction prompt development of linguistic competence and cause better results than those
gained through intensive oral practice.
Postovsky (1974) contended that decoding language input requires recognition knowledge while encoding
language input requires retrieval knowledge retained in LTM. When one understands a sentence, he will retain
linguistic knowledge in his STM for a short period of time until it is further processed and corresponds to the
knowledge retained in his LTM. If he has not enough accumulation in recognition knowledge, it will not be easy
for him to extract knowledge retained in LTM and make use of it. In the natural listening process, the development
of recognition knowledge is prior to the development of retrieval knowledge. Delay of oral practice in the early
stages of language learning is an important factor in reducing task overload and proficiency in listening
comprehension is easily transferable to other language skills (including speaking a reading). English teachers
nd
should not underestimate the process of accumulation of recognition knowledge and spare no efforts to create as
many opportunities as possible for students to take in a wealth of language materials before they can speak the
target language fluently. Students also need to realize the importance of this process and are prepared to
accumulate as much knowledge input as possible through listening. Step by step, speaking will emerge with the
lapse of time.
Speaking and listening are complementary. A student can’ be expected to produce “
t i+1” output without
learning first about the “ element, that is to say, without taking in some sort of “
+1” i+1”input. On the other hand,

26


comprehensible input in itself may not result in language development, since, as we have seen, only the pressure
to actively make use of the new material (the “ +1”part) in their output will compel the students to consciously
analyze the linguistic forms the message includes. We should realize the interrelated nature of input and output,
especially because a student’ comprehensible output may very often become comprehensible input for others.
s
2.2 Listening materials
The listening materials involve almost any area of life. The content is usually not well organized. In many
situations, listeners can’ predict what speakers are going to say. At the same time, for many learners, listening to a
t
taped message is more difficult than reading the same message since listeners can’ control the pace of
t
presentation of the material. Therefore, we propose some suggestions below:
(1) Present students with different kinds of input, such as lectures, radio news, films, TV plays,
announcements, everyday conversations, interviews, story-telling, English songs, and so on.
(2) Attempt to discover visual aids or draw pictures and diagrams related to the listening topics to aid
students to guess or imagine actively.
(3) Grade listening materials according to the students’level, and offer authentic materials rather than
idealized filtered samples. At the lowest proficiency levels, listening materials that offer very familiar and/or
predictable content and that are connected with students’interests will be best, if students will be able to take
advantage of their knowledge of the world to as sist them in comprehension when their linguistic skills are
deficient. The materials should progress step by step from semi-authenticity that shows most of the linguistic
features of natural speech to total authenticity. That is to say, “i+1”input is important for the low level students to
improve comprehension.
The design of listening exercises in the high and low grades should have obviously different requirements.
Multiple-choice is one of the common patterns of listening exercises at present. The comprehension point in
multiple-choice listening test materials is usually partial or local because many answers are a certain digit, word,
phrase, or sentence of listening materials so as to lead to partial limit of listening comprehension. In the teaching
of listening of juniors and seniors, listeners’listening emphasis should be changed from surface-level memory to
deep-level comprehension. The main direction of teaching in this period is to guide listeners to comprehend the
listening content on the basis of memory; focus of attention is to improve students’ understanding and
generalizing ability in listening. Therefore, the exercise patterns at this stage should be changed from the original
multiple-choice (objective exercises) first to subjective exercises first. This can guide students to change their
thoughts, to spread the angle of STM and expand the scope of STM by exercise patterns. What is more, if the
styles of listening exercises always remain the same, listeners will feel bored because of the identity and repetition
of exercise patterns. This can’ arouse the listeners’initiative and enthusiasm so as to cause the listening level to
t
remain at the original level. This is one of the reasons why listeners often feel that their listening levels don’ t
improve.
(4) Knowledge of structure is an important part of listening proficiency although most published materials
underscore listening for the meaning of the passage rather than listening for the structure that clearly embodies the
meaning. Knowledge of vocabulary is not enough to enable students to become good listeners; they must also be
able to make use of syntax to aid them to identify the relationships among the words they have heard and to keep
utterances in memory long enough to comprehend them. Formal exercises concentrating on the recognition of
syntactic structures are fundamental to the development of this skill. As soon as students have been familiar with
the vocabulary and structure that are the immediate targets of instruction, they are prepared to begin acquisition

27


activities by listening to input at the “ i+1” level for global meaning. Students would profit from a formal
introduction to the syntactic structures of the target language, taught at first for recognition before they are
required to l sten for meaning so that they could make use of this knowledge to process comprehensible input
i
more efficiently and to acquire the target language more quickly.
2.3 The speaker
In our daily conversation, we usually say a good deal more than would appear to be necessary so as to
express our message. Redundancy is a natural feature of speech and may be a help or an impediment. At the same
time, natural dialogues are usually full of hesitations, pauses and uneven intonation. As a result of these, we find
some helpful ideas as follows:
(1) Give practice in liaisons and elisions so as to assist students to be accustomed to the acoustic forms of
rapid natural speech. It is helpful to discover rapidly uttered colloquial collocations and require students to imitate
native speaker’ pronunciation. Listed below are a few of these from Ur (1984, p. 46):
s
Let’ have /’
s lets?v/
There isn’ any /’ rizndeni/
t ð
You shouldn’ have /ju:’udnd?v/
t ?
You and me /’ ?n’ju: mi:/
Tell him, tell her /’ telm, ‘tel?/
(2) Enable students to be conscious of different native-speaker accents. What is more, the American accent is
quite different from the British and Australian. Therefore, it is indispensable to enable students to understand
different accents, especially in extensive listening.
(3) Choose short, simple listening texts with little redundancy for lower -level students and complicated
authentic materials with more redundancy for high-level learners. Low-level students are not able to interpret
extra information in the redundant message; however, advanced listeners may profit from messages being
expanded, paraphrased etc.
2.4 The listener
Language usually expresses culture. Foreign language students lack sociocultural, factual and contextual
knowledge of the target language to augment comprehension, and are unfamiliar with cliché and collocations in
s
English to predict a missing word or phrase. It is boring for them to focus on listening to unfamiliar sounds, words
and sentences for long periods. To solve these problems, we offer some suggestions below:
(1) Offer background knowledge and linguistic knowledge, such as complex sentence structures and
colloquial words and expressions, as needed. Require the students to learn to make use of context and title to
augment comprehension.
(2) Assist students to cultivate the skill of listening with anticipation, listening for specific information,
listening for gist, interpretation and inference, listening for intended meaning, listening for attitude, etc., by
affording various tasks and exercises at different levels with different intents.
(3) Provide and try to gain as much feedback as possible. During the course, the teacher should fill the gap
between input and students’reply and between the teacher’ feedback and students’reaction so as to make
s
listening purposeful. This not only promotes error correction but gives encouragement as well. It can aid students
to heighten their confidence in their ability to tackle listening problems. Students’ feedback can assist the teacher
to judge where the class is going and how it should be instructed.
(4) Improve memory methods. As for the problem of improving English listening, many listeners only see the

28


one side of listening more and practicing more, whereas they don’ pay enough attention to another side of
t
improving listening methods such as improving the effect of STM. One of the important reasons why many
listeners’listening level still remains at the original level is the inappropriate memory method. After listening level
is converted from low stage to high stage, the listener should adjust his/her thinking style and memory model in
listening properly, be good at finding out various note-taking styles that are helpful to brain memory according to
his/her own actual condition and learn how to associate STM with LTM scientifically.

3. Conclusion

Some teachers think that listening is the easiest skill to teach, whereas most students think it is the most
difficult to improve. This contradiction warns us that there are some things about teaching listening that need to be
investigated. Maybe those who claim it is “ easiest to teach”tell us that it does not need much laborious lesson
the
preparation and all they are required to do is play the tapes and test the students’ comprehension. But isn’ there
t
really anything more to teaching listening than testing? We must discover all we can about how listening can be
enhanced and what activities are useful to this purpose and then fully make use of this knowledge and these
activities in our own classroom.

References:
Anderson, J. R. 1995. Cognitive psychology and its implications (4th ed.). New York: Freeman.
Call, M. E. 1985. Auditory short -term memory, listening comprehension, and the input hypothesis. TESOL Quarterly, 19(4):
765-781.
Clark, Herbert H. & Clark, Eve V 1977. Psychology and language: An introduction to psycholinguistics. New York: Harcourt Brace
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Jovanovich Inc.
Cook, Vivian. 1986. Experimental approaches to second language learning. Oxford: Pergamon Press.
Cook, Vivian. 2000a. Second language learning and language teaching. Beijing: Foreign Language Teaching and Research Press.
Cook, Vivian. 2000b. Linguistics and second language acquisition. Beijing: Foreign Language Teaching and Research Press.
Krashen, Stephen D., Tracy D. Terrell, Madeline E. Ehrman, & Martha Herzog. 1984. A theoretical basis for teaching the receptive
skills. Foreign Language Annals, 17(4): 261-275.
O’Malley, J. M. & Chamot, A. U. 1989. Listening comprehension strategies in second language acquisition. Applied Linguistics,
10(4): 418-437.
Richards, J. C. 1998. Listening comprehension: Approach, design and procedure. The context of language teaching. Cambridge:
Cambridge University Press.
Richards, Jack C. & Renandya, Willy A. 2002. Methodology in language teaching: An anthology of current practice. Cambridge:
Cambridge University Press.
Rubin, J. 1994. A review of second language listening comprehension research. The Modern Language Journal, 78: 199-221.
Rumelhart, D. 1980. Schema: The basic building blocks of cognition. In: R. Spiro, B. Brice & W. Brewer. (Eds.), Theoretical issues
in reading comprehension, Hillsdale, NJ: Erlbaum.
Schmitt, Norbert. 2002. An introduction to applied linguistics. London: Arnold.
Vandergrift, Laurens. 1997. The comprehension strategies of second language (French) listeners: A descriptive study. Foreign
Language Annals, 30(3): 387-409.
WANG Chu-ming. 1990. Applied linguistics. Hunan Education Publishing House.
Winitz, Harris. 1981. The comprehension approach to foreign language instruction. Rowley/Massachusetts.

(Edited by Stella and Jessica)

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Listening comprehension in efl teaching

Listening comprehension in efl teaching

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