Creating Readers and Writers:  
Literacy Frameworks and
Strategies to Include ALL Learners
Lloyd	George	Elementary	
Kamloops	
May	16,	2016	
www.slideshare.net/
fayebrownlie.lloydgeorge
Learning Intentions
•  I	understand	the	Every	Child,	Every	Day	pracFces,		
can	recognize	them	in	my	teaching,	and	have	a	
plan	to	use	them	more	oHen.	
•  I	beIer	understand	how	my	teaching	pracFces	
connect	to	the	redesigned	curriculum.	
•  I	have	a	plan	to	try	something	new	to	me	to	
respond	differently	to	my	students	in	their	
literacy	learning.	
•  I	have	a	plan	to	co-plan	or	co-teach	with	
someone.
Big Ideas
– Teaching counts!
•  Our	instrucFonal	choices	impact	significantly	on	
student	learning	
•  We	teach	responsively	
•  We	need	a	mental	model	of	‘what	works’	to	guide	our	
teaching	
•  Learning	should	be	fun,	based	on	big	ideas	and	not	
stressful
Big Ideas
–  Reading and writing
•  ‘float	on	a	sea	of	talk’	–	James	BriIon	
•  Are	apprenFceships	–	Frank	Smith	
–  Engage the learners!
•  If	you	are	not	engaged,	you	can’t	be	learning	
•  Thinking	is	the	basis	of	all	our	learning	
–  Provide access for all!
•  Low	floor,	high	ceiling	
•  Work	Frelessly	to	keep	students	within	the	community	of	
the	classroom…How	can	we	work	together	in	the	classroom?
Redesigned Curriculum
•  Core	Competencies	
–  CommunicaFon	
–  Thinking:		
•  	creaFve		
•  criFcal	
–  Personal	and	Social:	
•  PosiFve	&	cultural	idenFty	
•  Personal	responsibility	&	awareness	
•  Social	responsibility	
•  Big	Ideas	
•  Learning	Standards	
–  Curricular	competencies	
–  Content
If we want to change
achievement, we must change
instruction.
“Every	Child,	Every	Day”	–	Richard	Allington	and	
Rachael	Gabriel	
In	EducaFonal	Leadership,	March	2012	
6	elements	of	instrucFon	for	ALL	students!
1.		Every	child	reads	something	he	or	she	
chooses.
2.  Every	child	reads	accurately.	
-intensity	and	volume	count!	
-98%	accuracy	
-less	than	90%	accuracy,	doesn’t	improve	
reading	at	all
3.  Every	child	reads	something	he	or	she	
understands.	
	 	-at	least	2/3	of	Fme	spent	reading	and	
rereading	NOT	doing	isolated	skill	pracFce	or	
worksheets	
	 	-build	background	knowledge	before	
entering	the	text	
	 	-read	with	quesFons	in	mind
4.  Every	child	writes	about	something	
personally	meaningful.	
	-connected	to	text	
	-connected	to	themselves	
	-real	purpose,	real	audience
5.		Every	child	talks	with	peers	about	reading	
and	wriFng.
6.  Every	child	listens	to	a	fluent	adult	read	
aloud.	
	 	-different	kinds	of	text	
	 	-with	some	commentary
1.  Every	child	reads	something	he	or	she	chooses.	
2.  Every	child	reads	accurately.	
3.  Every	child	reads	something	he	or	she	
understands.	
4.  Every	child	writes	about	something	personally	
meaningful.	
5.  Every	child	talks	with	peers	about	reading	and	
wriFng.	
6.  Every	child	listens	to	a	fluent	adult	read	aloud.
Small Group Reading
Instruction/Guided Reading
Literacy Centres, Gr 1/2
with Lisa Schwartz
•  Begin	with	whole	class	modeling	of	flexible	
use	of	strategies	
•  OpportuniFes	for	guided	pracFce	–	10	
minutes	per	centre	
•  Reflect,	whole	group:		something	you	learned	
or	a	challenge	you	solved	in	reading/wriFng
Read	to	a	Stuffie
Feedback Frames & Criteria in FI – 	
Brooke	Douglas,	Richmond	
•  StarFng	with	a	feedback	frame	students	and	
teachers	know	the	goals	of	the	lesson/unit.	These	
are	glued	beside	student	work	for	students	and	
teachers	to	respond	to.	
•  The	big	idea	or	quesFon	is	on	the	board	or	on	the	
wall	and	being	referred	to	by	the	teacher	and	the	
students	as	a	focus	for	the	session.	
•  The	learning	sequence	is	posted	and	explained	so	
that	students	can	work,	generally	at	their	own	
pace,	and	have	something	to	refer	to	should	they	
need	a	reminder.
Mix	&	Mingle	to	Music:	
Strategy	to	acFvate	prior	knowledge,	opportunity	for	students	to	exchange	ideas	&	
review	new	learning	in	relaFon	to	the	big	quesFon	or	how	they	will	be	pracFcing	a	
target	competency.	
Loose	Parts:	
Using	loose	parts	students	build	a	representaFon	of	learning	or	understanding	in	
response	to	a	quesFon.	Ex.	What	is	the	importance	of	place?	What’s	the	most	
important	aspect	of	water	as	a	natural	resource?	What	is	your	greatest	learning	
from	the	story?	
Gallery	Walk:	
Students	get	an	opportunity	to	circulate	and	look	at	the	creaFons	of	others	as	
inspiraFon	and	to	extend	their	own	thinking.	A	useful	follow	up	is	a	quick	
conversaFon	around	“What	did	you	noFce?”	“What	is	something	you	would	like	to	
try?”	
Loose	Parts	–	part	2:	
Students	are	able	to	return	to	their	own	creaFons	to	make	any	changes	or	conFnue	to	
evolve	their	representaFon.	
Wri?en	ReflecAon	–	ConnecAng	to	big	ideas	and	core	competencies	
Using	the	feedback	frame	for	criteria,	students	explain	what	they	have	created	as	well	
as	their	thinking	before,	during,	and	aHer	creaFng.	This	is	a	great	Fme	to	have	
them	pracFce	whatever	the	specific	wriFng	focus	is	ex.	descripFve	language.
Grille	de	vérificaAon	pour	l’écrit														Nom	:	
___	J’ai	uFlisé	et	j’ai	surligné	le	vocabulaire	ciblé.	
___	J’ai	expliqué	en	détails	un	aspect	important	de	l’eau	(le	cycle,	l’eau	potable,	les	
puits	en	Uganda	etc.).	
___	J’ai	uFlisé	une	phrase	d’introducFon	qui	montre	mon	sujet	et	donne	une	opinion.	
___	J’ai	lu	mon	texte	à	voix	haute	pour	m’assurer	que	ça	a		du	sens.		
___	J’ai	vérifié	les	masculins,	les	féminins	et	les	pluriels.		
Comment	est-ce	que	la	construcFon	m’a	aidé	à	écrire?	
J’ai	essayé	de	communiquer	quelque	chose	avec	ma	créaFon.	Décris-la	:	
Un	défi	de	ceIe	acFvité	est	:	
• 

Lloyd George, Kamloops