Romanticism and Romantic
Poetry
Timeframe of Romantic Poetry
• First work of Romantic poetry - Lyrical
Ballads by Samuel Taylor Coleridge and
William Wordsworth in 1798
• Traditionally ends with death of Sir
Walter Scott in 1832
• Some consider poetry produced in
Victorian and even Modern eras to be
“Romantic”
Major features of Romantic
Poetry
• Freely imaginative idealizing fiction
• imagination and emotion
• particular as opposed to general or universal
experience
• value of the individual - link to French
revolution
• freedom rather than authority
Major features continued
• Optimistic sense of renewal
• Interest in the language and lives of common
people
• love for unspoiled natural world
• revitalized interest in medieval subjects and
settings
Historical context
• Prosperity and confidence
in 1700’s
• American and French
revolutions
• disappointment in bitter
and violent ends - Napoleon
• Industrial Revolution
• dirty, unorganized cities
emerge
• huge class shift
First generation of English
Romantic Poetry - Wordsworth
and Coleridge
• Men meet at Cambridge
• publish Lyrical Ballads in 1798
• seeks to abandon formal
language of 1700’s
• balance between poet’s
influence and “real language”
• balance between commonplace
and supernatural
First generation of English
Romantic Poetry - Wordsworth
and Coleridge
• Apparent contradictions
seek to reveal what
Wordsworth calls “the
essential passions of the
heart” and what Coleridge
calls “our inward nature”
• natural and commonplace,
supernatural and romantic
all contribute to basic
operation of human mind
and emotions
QuickTime™ and a
Sorenson Video 3 decompressor
are needed to see this picture.
Second generation: Byron,
Shelley, Keats
• All have tragically short
lives
• Byron and Shelley both
aristocrats, well educated,
leave England under
pressure, see themselves as
outcasts
• Byron popular, while Shelley
misunderstood
• Keats produces poetry at 24,
dies at 25

Romantic_Poetry.ppt

  • 1.
  • 2.
    Timeframe of RomanticPoetry • First work of Romantic poetry - Lyrical Ballads by Samuel Taylor Coleridge and William Wordsworth in 1798 • Traditionally ends with death of Sir Walter Scott in 1832 • Some consider poetry produced in Victorian and even Modern eras to be “Romantic”
  • 3.
    Major features ofRomantic Poetry • Freely imaginative idealizing fiction • imagination and emotion • particular as opposed to general or universal experience • value of the individual - link to French revolution • freedom rather than authority
  • 4.
    Major features continued •Optimistic sense of renewal • Interest in the language and lives of common people • love for unspoiled natural world • revitalized interest in medieval subjects and settings
  • 5.
    Historical context • Prosperityand confidence in 1700’s • American and French revolutions • disappointment in bitter and violent ends - Napoleon • Industrial Revolution • dirty, unorganized cities emerge • huge class shift
  • 6.
    First generation ofEnglish Romantic Poetry - Wordsworth and Coleridge • Men meet at Cambridge • publish Lyrical Ballads in 1798 • seeks to abandon formal language of 1700’s • balance between poet’s influence and “real language” • balance between commonplace and supernatural
  • 7.
    First generation ofEnglish Romantic Poetry - Wordsworth and Coleridge • Apparent contradictions seek to reveal what Wordsworth calls “the essential passions of the heart” and what Coleridge calls “our inward nature” • natural and commonplace, supernatural and romantic all contribute to basic operation of human mind and emotions QuickTime™ and a Sorenson Video 3 decompressor are needed to see this picture.
  • 8.
    Second generation: Byron, Shelley,Keats • All have tragically short lives • Byron and Shelley both aristocrats, well educated, leave England under pressure, see themselves as outcasts • Byron popular, while Shelley misunderstood • Keats produces poetry at 24, dies at 25