alan moore | www.smlxtralarge.com | camerjam 2011




Assets             & Access                    in the cultural sector
the
  cultural
organisation
   assets
  Rolling Exhibitions

 Permanent collections

        Archives

 Lots of stuff in storage

  Implicit Knowledge:
        curators


                        alan moore | www.smlxtralarge.com | camerjam 2011
the      communities
  cultural        of
organisation   interest
   assets
  Rolling Exhibitions                         Public

 Permanent collections                    Corporations

        Archives                     Universities/ academia

 Lots of stuff in storage                    Business

  Implicit Knowledge:              Other museums / cultural
        curators                         institutions



                        alan moore | www.smlxtralarge.com | camerjam 2011
the      communities                                               motivation
  cultural        of
organisation   interest
   assets
  Rolling Exhibitions                         Public                            Money

 Permanent collections                    Corporations                          Pleasure

        Archives                     Universities/ academia                 Self improvement

 Lots of stuff in storage                    Business                            Status

  Implicit Knowledge:              Other museums / cultural             Professional information
        curators                         institutions

                                          Inter-related
                        alan moore | www.smlxtralarge.com | camerjam 2011
Networked communities of interest




                              org+
                             values
                            passions
                             needs




          alan moore | www.smlxtralarge.com | camerjam 2011
Plugging into the
        network
2001
From: Communities Dominate Brands: business
and marketing challenges for the 21st Century -
http://ht.ly/4aWBA
                                                        commerce




                        connectivity                                                  culture




                                                         community



                                        alan moore | www.smlxtralarge.com | camerjam 2011
“

 Mutuality is our
 business model”
Alan Rusbridger –                                      2010




             alan moore | www.smlxtralarge.com | camerjam 2011
What does mobile mean?



alan moore | www.smlxtralarge.com | camerjam 2011
The challenges of networked mobile world means we need to reframe some things and
understand some others as a new form of literacy….




           From linear (simple) to non-linear (complex) – this image is of the
               bible visualised with inter-relationships and connections
Eco-systems
         Platforms
  Communities of interest
 Developing relationships
       Ecologies
      Personalisation
Creating deeper engagement
            Data
          =
   commercial success
    alan moore | www.smlxtralarge.com | camerjam 2011
Eco-systems
         Platforms
  Communities of interest
 Developing relationships
       Ecologies
      Personalisation
Creating deeper engagement
            Data
          =
   commercial success
    alan moore | www.smlxtralarge.com | camerjam 2011
Eco-systems
         Platforms
  Communities of interest
 Developing relationships
       Ecologies
      Personalisation
Creating deeper engagement
            Data
          =
   commercial success
    alan moore | www.smlxtralarge.com | camerjam 2011
Eco-systems
         Platforms
  Communities of interest
 Developing relationships
       Ecologies
      Personalisation
Creating deeper engagement
            Data
          =
   commercial success
    alan moore | www.smlxtralarge.com | camerjam 2011
Eco-systems
         Platforms
  Communities of interest
 Developing relationships
       Ecologies
      Personalisation
Creating deeper engagement
            Data
          =
   commercial success
    alan moore | www.smlxtralarge.com | camerjam 2011
Eco-systems
         Platforms
  Communities of interest
 Developing relationships
       Ecologies
      Personalisation
Creating deeper engagement
            Data
          =
   commercial success
    alan moore | www.smlxtralarge.com | camerjam 2011
Eco-systems
         Platforms
  Communities of interest
 Developing relationships
       Ecologies
      Personalisation
Creating deeper engagement
            Data
          =
   commercial success
    alan moore | www.smlxtralarge.com | camerjam 2011
Eco-systems
         Platforms
  Communities of interest
 Developing relationships
       Ecologies
      Personalisation
Creating deeper engagement
            Data
          =
   commercial success
    alan moore | www.smlxtralarge.com | camerjam 2011
Literacy




           alan moore | www.smlxtralarge.com | camerjam 2011
Curation
alan moore | www.smlxtralarge.com | camerjam 2011
curation = context = meaning
  academic & critical recognition
         bums on seats
         ticket receipts

       alan moore | www.smlxtralarge.com | camerjam 2011
But
we need to understand
some other literacy’s…

   alan moore | www.smlxtralarge.com | camerjam 2011
collaborative               &
                   participatory
        cultures / tools




      alan moore | www.smlxtralarge.com | camerjam 2011
Blended reality:
     there is no
       online
      or offline




Participatory cultures
           alan moore | www.smlxtralarge.com | camerjam 2011
Embedded sociability

      alan moore | www.smlxtralarge.com | camerjam 2011
alan moore | www.smlxtralarge.com | camerjam 2011




Mass customisation
alan moore | www.smlxtralarge.com | camerjam 2011




it’s a design problem
Design for the intention
economy

      alan moore | www.smlxtralarge.com | camerjam 2011
The link economy:
create a bundles of products and services
Data driven:
Amazon data architecture – recommendation
engine, Apple genius and iTunes, personalisation
           alan moore | www.smlxtralarge.com | camerjam 2011
Design for participation


      alan moore | www.smlxtralarge.com | camerjam 2011
alan moore | www.smlxtralarge.com | camerjam 2011
Links to buy, to do, to connect are missing!!

                          alan moore | www.smlxtralarge.com | camerjam 2011
340 curators from
                                           institutions around the
                                           world

                                           Over 10,000 messages
                                           were exchanged between
                                           museums and members of
                                           the public

                                           But was it really creating
                                           an asset, or was it a
                                           marketing tactic?




alan moore | www.smlxtralarge.com | camerjam 2011
Design for service


      alan moore | www.smlxtralarge.com | camerjam 2011
‘digital curator’

the   expertise of heritage institutions is a
value proposition used to generate income.
customer groups for digital curator are
consumers, academics researchers, business
professionals.

              alan moore | www.smlxtralarge.com | camerjam 2011
‘digital curator’

digital services centred on the collection materials.
‘refined’ metadata, like specialist background
information on a collection, or digital teaching
packages.


Archives offering courses to archive researchers,
including novices.

                alan moore | www.smlxtralarge.com | camerjam 2011
Tate Britain online courses £20 on artists’techniques and
methods (www.tate.org.uk/learnonline).




                alan moore | www.smlxtralarge.com | camerjam 2011
Archives: traditional view




      Image from: Business model innovation cultural heritage. Amsterdam & the Hague, the den Foundation Knowledgeland. Ministry of Education,
                                                                Culture and Science 2010




                          alan moore | www.smlxtralarge.com | camerjam 2011
Archives as a platform
Archives offering courses/services to archive researchers, & other communities of
interest. Note cultural org now a platform creating new access around its assets




           Image from: Business model innovation cultural heritage. Amsterdam & the Hague, the den Foundation Knowledgeland. Ministry of Education, Culture
                                                                           and Science 2010




                                      alan moore | www.smlxtralarge.com | camerjam 2011
Design for economies
of scope

     alan moore | www.smlxtralarge.com | camerjam 2011
alan moore | www.smlxtralarge.com | camerjam 2011
Design for
customisation

     alan moore | www.smlxtralarge.com | camerjam 2011
Bespoke customization




alan moore | www.smlxtralarge.com | camerjam 2011
Qustodian innovating with communities
of passion, with data, with technology,
& revenue models – Exhibit [a] Atletico
Madrid. http://uk.qustodian.com/




alan moore | www.smlxtralarge.com | camerjam 2011
alan moore | www.smlxtralarge.com | camerjam 2011




Augmenting reality, augmenting experience, navigation
– revenue?
alan moore | www.smlxtralarge.com | camerjam 2011




                        Healthy takeaways
Appitus,
“’nuff said, don’t catch it!”

       alan moore | www.smlxtralarge.com | camerjam 2011
•  Embedded Mobility is a commercial / cultural strategy not a marketing
   tactic
•  Design with the 4C’s – without commerce you could be wasting a great
   deal of energy
•  Design for eco-systems + platforms + mutuality
•  Design for communities of interest and service based models
•  Design for participation
•  Design for value creation
•  Design with data and linked economics
•  Design for mass customisation
•  Design with time frames in mind



                   alan moore | www.smlxtralarge.com | camerjam 2011
Alan is a charismatic visionary who studies the disruptive trends in the world of innovation and
makes them very tangible to his audience. He is recognised as a great distiller of complex
arguments into their most salient points, who can take concepts from many sources and find the
previously hidden relationship between them. He has a firm grasp of the changes which are
reshaping our world. With his insight on the interlocking trends of; media, culture(s), society
communication and commerce, Alan enables companies to develop winning strategies for how
businesses and organisations can succeed in the early 21st Century.

Alan is currently working on his next project No Straight Lines: making sense of our non-linear
world. A project that investigates the complex and interwoven relationship between: people,
identity, society, communications technology, and commerce and explores how we can design
innovative ways to solve some of the intractable dilemmas we face – publication due 2011.


More info about what we do: http://ht.ly/4aUe6



                         alan moore | www.smlxtralarge.com | camerjam 2011
NO
                          STRAIGHT
                            LINES:
 making sense of our non-linear world


@alansmlxl | www.smlxtralarge.com

         alan moore | www.smlxtralarge.com | camerjam 2011

Smlxl - Assets & Access: challenges and opportunities for cultural institutions in a non-linear world

  • 1.
    alan moore |www.smlxtralarge.com | camerjam 2011 Assets & Access in the cultural sector
  • 2.
    the cultural organisation assets Rolling Exhibitions Permanent collections Archives Lots of stuff in storage Implicit Knowledge: curators alan moore | www.smlxtralarge.com | camerjam 2011
  • 3.
    the communities cultural of organisation interest assets Rolling Exhibitions Public Permanent collections Corporations Archives Universities/ academia Lots of stuff in storage Business Implicit Knowledge: Other museums / cultural curators institutions alan moore | www.smlxtralarge.com | camerjam 2011
  • 4.
    the communities motivation cultural of organisation interest assets Rolling Exhibitions Public Money Permanent collections Corporations Pleasure Archives Universities/ academia Self improvement Lots of stuff in storage Business Status Implicit Knowledge: Other museums / cultural Professional information curators institutions Inter-related alan moore | www.smlxtralarge.com | camerjam 2011
  • 5.
    Networked communities ofinterest org+ values passions needs alan moore | www.smlxtralarge.com | camerjam 2011
  • 6.
  • 7.
    2001 From: Communities DominateBrands: business and marketing challenges for the 21st Century - http://ht.ly/4aWBA commerce connectivity culture community alan moore | www.smlxtralarge.com | camerjam 2011
  • 8.
    “
 Mutuality isour business model” Alan Rusbridger – 2010 alan moore | www.smlxtralarge.com | camerjam 2011
  • 9.
    What does mobilemean? alan moore | www.smlxtralarge.com | camerjam 2011
  • 10.
    The challenges ofnetworked mobile world means we need to reframe some things and understand some others as a new form of literacy…. From linear (simple) to non-linear (complex) – this image is of the bible visualised with inter-relationships and connections
  • 11.
    Eco-systems Platforms Communities of interest Developing relationships Ecologies Personalisation Creating deeper engagement Data = commercial success alan moore | www.smlxtralarge.com | camerjam 2011
  • 12.
    Eco-systems Platforms Communities of interest Developing relationships Ecologies Personalisation Creating deeper engagement Data = commercial success alan moore | www.smlxtralarge.com | camerjam 2011
  • 13.
    Eco-systems Platforms Communities of interest Developing relationships Ecologies Personalisation Creating deeper engagement Data = commercial success alan moore | www.smlxtralarge.com | camerjam 2011
  • 14.
    Eco-systems Platforms Communities of interest Developing relationships Ecologies Personalisation Creating deeper engagement Data = commercial success alan moore | www.smlxtralarge.com | camerjam 2011
  • 15.
    Eco-systems Platforms Communities of interest Developing relationships Ecologies Personalisation Creating deeper engagement Data = commercial success alan moore | www.smlxtralarge.com | camerjam 2011
  • 16.
    Eco-systems Platforms Communities of interest Developing relationships Ecologies Personalisation Creating deeper engagement Data = commercial success alan moore | www.smlxtralarge.com | camerjam 2011
  • 17.
    Eco-systems Platforms Communities of interest Developing relationships Ecologies Personalisation Creating deeper engagement Data = commercial success alan moore | www.smlxtralarge.com | camerjam 2011
  • 18.
    Eco-systems Platforms Communities of interest Developing relationships Ecologies Personalisation Creating deeper engagement Data = commercial success alan moore | www.smlxtralarge.com | camerjam 2011
  • 19.
    Literacy alan moore | www.smlxtralarge.com | camerjam 2011
  • 20.
    Curation alan moore |www.smlxtralarge.com | camerjam 2011
  • 21.
    curation = context= meaning academic & critical recognition bums on seats ticket receipts alan moore | www.smlxtralarge.com | camerjam 2011
  • 22.
    But we need tounderstand some other literacy’s… alan moore | www.smlxtralarge.com | camerjam 2011
  • 23.
    collaborative & participatory cultures / tools alan moore | www.smlxtralarge.com | camerjam 2011
  • 24.
    Blended reality: there is no online or offline Participatory cultures alan moore | www.smlxtralarge.com | camerjam 2011
  • 25.
    Embedded sociability alan moore | www.smlxtralarge.com | camerjam 2011
  • 26.
    alan moore |www.smlxtralarge.com | camerjam 2011 Mass customisation
  • 27.
    alan moore |www.smlxtralarge.com | camerjam 2011 it’s a design problem
  • 28.
    Design for theintention economy alan moore | www.smlxtralarge.com | camerjam 2011
  • 29.
    The link economy: createa bundles of products and services Data driven: Amazon data architecture – recommendation engine, Apple genius and iTunes, personalisation alan moore | www.smlxtralarge.com | camerjam 2011
  • 30.
    Design for participation alan moore | www.smlxtralarge.com | camerjam 2011
  • 31.
    alan moore |www.smlxtralarge.com | camerjam 2011
  • 32.
    Links to buy,to do, to connect are missing!! alan moore | www.smlxtralarge.com | camerjam 2011
  • 33.
    340 curators from institutions around the world Over 10,000 messages were exchanged between museums and members of the public But was it really creating an asset, or was it a marketing tactic? alan moore | www.smlxtralarge.com | camerjam 2011
  • 34.
    Design for service alan moore | www.smlxtralarge.com | camerjam 2011
  • 35.
    ‘digital curator’ the expertise of heritage institutions is a value proposition used to generate income. customer groups for digital curator are consumers, academics researchers, business professionals. alan moore | www.smlxtralarge.com | camerjam 2011
  • 36.
    ‘digital curator’ digital servicescentred on the collection materials. ‘refined’ metadata, like specialist background information on a collection, or digital teaching packages. Archives offering courses to archive researchers, including novices. alan moore | www.smlxtralarge.com | camerjam 2011
  • 37.
    Tate Britain onlinecourses £20 on artists’techniques and methods (www.tate.org.uk/learnonline). alan moore | www.smlxtralarge.com | camerjam 2011
  • 38.
    Archives: traditional view Image from: Business model innovation cultural heritage. Amsterdam & the Hague, the den Foundation Knowledgeland. Ministry of Education, Culture and Science 2010 alan moore | www.smlxtralarge.com | camerjam 2011
  • 39.
    Archives as aplatform Archives offering courses/services to archive researchers, & other communities of interest. Note cultural org now a platform creating new access around its assets Image from: Business model innovation cultural heritage. Amsterdam & the Hague, the den Foundation Knowledgeland. Ministry of Education, Culture and Science 2010 alan moore | www.smlxtralarge.com | camerjam 2011
  • 40.
    Design for economies ofscope alan moore | www.smlxtralarge.com | camerjam 2011
  • 41.
    alan moore |www.smlxtralarge.com | camerjam 2011
  • 42.
    Design for customisation alan moore | www.smlxtralarge.com | camerjam 2011
  • 43.
    Bespoke customization alan moore| www.smlxtralarge.com | camerjam 2011
  • 44.
    Qustodian innovating withcommunities of passion, with data, with technology, & revenue models – Exhibit [a] Atletico Madrid. http://uk.qustodian.com/ alan moore | www.smlxtralarge.com | camerjam 2011
  • 45.
    alan moore |www.smlxtralarge.com | camerjam 2011 Augmenting reality, augmenting experience, navigation – revenue?
  • 46.
    alan moore |www.smlxtralarge.com | camerjam 2011 Healthy takeaways
  • 47.
    Appitus, “’nuff said, don’tcatch it!” alan moore | www.smlxtralarge.com | camerjam 2011
  • 48.
    •  Embedded Mobilityis a commercial / cultural strategy not a marketing tactic •  Design with the 4C’s – without commerce you could be wasting a great deal of energy •  Design for eco-systems + platforms + mutuality •  Design for communities of interest and service based models •  Design for participation •  Design for value creation •  Design with data and linked economics •  Design for mass customisation •  Design with time frames in mind alan moore | www.smlxtralarge.com | camerjam 2011
  • 49.
    Alan is acharismatic visionary who studies the disruptive trends in the world of innovation and makes them very tangible to his audience. He is recognised as a great distiller of complex arguments into their most salient points, who can take concepts from many sources and find the previously hidden relationship between them. He has a firm grasp of the changes which are reshaping our world. With his insight on the interlocking trends of; media, culture(s), society communication and commerce, Alan enables companies to develop winning strategies for how businesses and organisations can succeed in the early 21st Century. Alan is currently working on his next project No Straight Lines: making sense of our non-linear world. A project that investigates the complex and interwoven relationship between: people, identity, society, communications technology, and commerce and explores how we can design innovative ways to solve some of the intractable dilemmas we face – publication due 2011. More info about what we do: http://ht.ly/4aUe6 alan moore | www.smlxtralarge.com | camerjam 2011
  • 50.
    NO STRAIGHT LINES: making sense of our non-linear world @alansmlxl | www.smlxtralarge.com alan moore | www.smlxtralarge.com | camerjam 2011