The end of advertising as we know it ibm

IBM Global Business Services

IBM Institute for Business Value

Media and
Entertainment
The end of
advertising as
we know it

IBM Institute for Business Value
IBM Global Business Services, through the IBM Institute for Business Value,
develops fact-based strategic insights for senior executives around critical public
and private sector issues. This executive brief is based on an in-depth study by
the Institute’s research team. It is part of an ongoing commitment by IBM Global
Business Services to provide analysis and viewpoints that help companies realize
business value. You may contact the authors or send an e-mail to iibv@us.ibm.com
for more information.

The end of advertising as we know it
By Saul J. Berman, Bill Battino, Louisa Shipnuck and Andreas Neus

The next 5 years will hold more change for the advertising industry than
the previous 50 did. Increasingly empowered consumers, more self-reliant
advertisers and ever-evolving technologies are redefining how advertising
is sold, created, consumed and tracked. Our research points to four
evolving future scenarios – and the catalysts that will be driving them.
Traditional advertising players – broadcasters, distributors and advertising
agencies – may get squeezed unless they can successfully implement
consumer, business model and business design innovation.

A glimpse into the future of advertising
Jim, the Chief Marketing Officer of a consumer products company, used to spend 60 percent of his marketing
dollars on broadcast, free-to-air television – a significant portion of which was spent in upfronts. But he never
knew exactly who he was reaching or how effective his advertising was.
Now, he has a very different approach…. and is more comfortable with the effectiveness of his marketing. Jim
assesses all media channels (television, radio, mobile devices, print, interactive portals and the like) neutrally
to determine how best to allocate his marketing and advertising dollars. Recognizing that consumers have
increasing control and choice over how they interact with, filter and block marketing messages, it is more
important than ever for Jim to know his advertising is reaching individual consumers, not generic zip codes at
the household level.
With the help of Cathy, the company’s Chief Consumer Officer, he has gained a full understanding of who
his target consumers are, where his consumers are going, and how to reach them on their terms across the
plethora of media devices they interact with on a regular basis. As consumers move to 360-degree content and
information experiences, marketing also personalizes its content to consumers’ lifestyle, context and location.
Previously, Jim bought broad-reaching spots, hoping to reach his target audience. But now, targeting, measure-
ment and analysis capabilities that previously were only available for Web advertising are available for all
channels. Jim can develop an interactive, integrated marketing plan tailored to his individual target consumer,


and he pays based on actual impact rather than by cost per thousand impressions (CPM). His marketing
message follows those customers across content platforms to deliver a consistent experience.
His advertising includes a mix of creative spots and formats, like special interest content, product placement and
self-published advertising that are tailored to his consumers’ preferences, community affiliations and devices.
This enables his target consumers – be they traditional moms in Des Moines, Iowa, urban professionals in
Berlin or university students in South Korea – to better experience the value of his product. Jim created his
advertising campaigns jointly with broadcasters, semi-professionals and avid product fans (or “influencers”),
who develop creative at a significantly lower cost than his traditional agency. Though Jim creates multiple
versions of his advertising campaigns in order to appeal to numerous customer micro-segments, his budget
has not increased because of the decreased cost of developing creative campaigns. His ROI is also improved,
because the advertising is more effective.
Because much of the budget is based on impact, he works closely with the Sales team, and a portion of the
direct marketing budget has moved to advertising channels. He is now able to measure the effectiveness of his
marketing campaigns through the use of marketing software packages that have centralized and standardized
disparate data sources.
Jim’s team can purchase much of its advertising space through an open, Web-based platform and manage its
impact through a “dashboard” that delivers realtime metrics and analysis across all advertising platforms. Gone
are the days of “hoping” advertising works. Jim is now in a world where he has full control of the effectiveness
of his marketing spend.

Introduction Based on an IBM global survey of more than
1
2,400 consumers and feedback from 80
“We will see ‘neutral’ evaluation of all advertising executives worldwide collected in
media formats. There is no primary conjunction with Bonn University’s Center for
2
role for linear TV any more.” Evaluation and Methods, we see four change
drivers shifting control within the industry:
– Managing Director, advertiser, Europe
Attention – Consumers are increasingly
The trends toward creative populism, person-
exercising control of how they view, interact
alized measurements, interactivity, open
with and filter advertising in a multichannel
inventory platforms and greater consumer
world, as they continue to shift their attention
control will generate more change over the
away from linear TV and adopt ad-skipping,
next 5 years than the advertising industry has 3
ad-sharing and ad-rating tools. Our survey
experienced in the last 50. This means that
suggests personal PC time now rivals TV
many of the skills and capabilities that were
time, with 71 percent of respondents using
the mainstay of success in the past will need
the Internet more than two hours per day for
refinement, transformation or even outright
replacement.


personal use, versus just 48 percent spending To envision four possible scenarios for
equivalent time watching TV. Among the the industry in 2012, we juxtaposed two of
heaviest users, 19 percent spend six hours or the most uncertain change drivers – the
more a day on the PC versus just 9 percent propensity for consumers to watch, block or
who watch a similar amount of TV. participate in marketing campaigns; and the
openness of advertising inventories. Because
Creativity – Thanks to technology, the rising players across geographies and media
popularity of user-generated and peer- formats will progress at differing rates, these
delivered content, and new ad revenue-sharing scenarios will likely coexist for the foreseeable
models, amateurs and semi-professionals are future. The four scenarios are:
now creating lower-cost advertising content
that is arguably as appealing to consumers Continued Evolution: In this scenario, the
as versions created by agencies. Our survey one-to-many model still dominates, but the
suggests this trend will continue – user- industry evolves in response to digital video
generated content (UGC) sites were the top recorder (DVR) penetration, the popularity of
destination for viewing online video content, user-generated and peer-distributed content,
attracting 39 percent of respondents. Further, and new measurement capabilities (albeit for
established players, like magazine publishers “old” formats). Advertisers, therefore, allocate a
and broadcasters, are partnering with adver- greater portion of dollars traditionally spent on
tisers to develop strategic marketing campaigns direct marketing to channels typically used for
– taking on traditional agency functions and brand-oriented advertising.
broadening creative roles.
Open Exchange: Here, the industry morphs
Measurement – Advertisers are demanding behind the scenes, with little to no additional
more individual-specific and involvement- consumer influence. Advertising formats
based measurements, putting pressure on the largely remain the same, but advertising
traditional mass-market model. Two-thirds of inventory is increasingly bought and sold
the advertising executives IBM polled expect through efficient open exchanges, bypassing
20 percent of advertising revenue to shift from traditional intermediaries.
impression-based to impact-based formats
within three years. Consumer Choice: Tired of intrusions,
consumers exert more control over the adver-
Advertising inventories – New entrants are tising they view and filter. Formats evolve to
making ad space that once was proprietary contextual, interactive, permission-based and
available through open, efficient exchanges. targeted messaging to retain attention.
As a result, more than half of the ad execu-
tives interviewed expect that open platforms Ad Marketplace: Consumers choose preferred
will, within the next five years, take 30 percent ad types as part of self-programming their
of the revenue currently flowing to proprietary media choices and are more involved in ad
incumbents such as broadcasters. development and distribution. Advertising is
sold predominantly through open, dynamic

3 The end of advertising as we know it

exchanges, allowing virtually any advertiser and operating capabilities across the adver-
(large or small) to reach any consumer. With tising lifecycle – consumer analytics, channel
new consumer monitoring technologies in planning, buying/selling, creation, delivery and
place, consumer action drives pricing. impact reporting.

As the advertising value chain reconfigures, We know advertising remains integral to pop
broadcasters, advertising agencies and media culture and media investment. But it also will
distributors in particular will need to make need to morph into new formats and new
a number of “no regret” moves (necessary channels and offer more intrinsic value to
actions regardless of which scenario plays out consumers to capture a meaningful share of
in the future) to innovate in three key areas: fragmented audience attention.

1. Consumer innovation: Drive greater There is no question that the future of adver-
creativity in traditional ads, while also pursuing tising will look radically different from its past.
new ad formats across media devices to The push for control of attention, creativity,
attract and retain customers. For example, measurements and inventory will reshape the
consider tactics like campaign bleeds, micro- advertising value chain and shift the balance
versioning, video ad flickers, pod manage- of power. For both incumbent and new players,
ment and ad-supported content creation it is imperative to plan for multiple consumer
(embedded in the programming) to limit ad- futures, craft agile strategies and build new
4
skipping. This also means making segmenta- capabilities before advertising as we know it
tion, micro-segmentation and personalization disappears.
paramount in marketing. Anyone that touches
buyers and consumers needs to collect and Key questions to consider
analyze data to produce relevant and predic- • Will advertisers still need a traditional agency? If
tive insights. so, in what capacity?
• Will traditional programmers lose significant
2. Business model innovation: Pioneer
revenue to the Internet, mobile device providers
changes in how advertising is sold, the
and interactive home portals?
structure and forms of partnerships, revenue
models, advertising formats and reporting • Will consumers reject outright the concept of
metrics. For example, broadcasters, agencies interruption marketing in the future?
and distributors can pursue opportunities • Will consumer receptivity vary by medium (for
such as agency gain sharing, more sponsored example, mobile devices versus home-oriented
shows, impact-based pricing models, user- devices)?
generated advertising revenue-sharing models • Will consumers see value in advertising as a
and open inventory, cross-channel sales. trade-off for content?
• To what extent will advertising inventory be sold
3. Business design and infrastructure innova-
through open platforms?
tion: Support consumer and business model
• Do advertising industry players have the
innovation through redesigned organizational
customer analytics needed to better understand
and reach target customers?
• Are companies organized correctly to create,
market and distribute cross-platform content?


Industry battles and trends: our analysis shows that the actual growth of
Power shifts Internet advertising has outpaced forecasts by
5
As advertising budgets shift to new formats 25 to 40 percent over the past two years.
and shape the future advertising market,
But even in Figure 1’s forecasts – which may
control of marketing revenues and power will
be too conservative – digital, mobile and
hinge on four key market drivers: attention,
interactive formats are clearly the key to
creativity, measures and advertising invento-
overall industry growth going forward. Mature
ries. This section will explore these changes
channels like print, traditional direct marketing
and their economic impacts through 2012.
and TV have 2010 CAGR forecasts of low
single digits, while the combined growth
Interactive advertising We expect overall ad spend to grow in line
with the general health of the economy, but forecast for interactive advertising formats,
formats are key to such as Internet, interactive television promo-
the composition of that spending will change.
overall industry growth. tions, mobile and in-game advertising, is over
We have used an amalgamation of industry 6
forecasts for our consensus view in Figure 20 percent.
1. While this spending breakdown is helpful
Product placement is the only “traditional”
for highlighting the direction of change, the
marketing tool with comparable growth
speed and magnitude of this kind of disrup-
expectations – spurred by advertisers’ desire
tive change tends to be underestimated by
to drive relevancy and reach for their adver-
traditional forecasting methods. For example,
tising as consumer control over interruption
advertising continues.

FIGURE 1.
Global advertising spend by category. CAGR
(2006-2010)
0 Mobile advertising
5.9% New ad Global Internet 0
00 formats
22.4% Interactive TV promotions 9
30
5.7% In-game advertising 9
300 U.S. product placement 0
US$ billions

0 Global cable/multichannel
Global broadcast
00
Traditional
U.S. MSO advertising
ad formats
0
4.4% Global radio and outdoor
00 Global magazine

0 Global newspaper
U.S. local station
0
00 003 00 00 006 007F 008F 009F 00F

Source: IBM Institute for Business Value analysis based on an amalgamation of industry forecasts.


While control of attention, creativity, measure- enon, we are reaching a critical juncture where
ments and advertising inventories impacts all new platforms may soon have more impact
forms of advertising and content funding, we than TV. Today, consumers have more options
are focusing here on TV/video as an illustration for visual entertainment than ever before – TV,
of significant change. PC, game consoles, mobile devices and more.
Studies from several countries have shown
Attention that, especially for young users, TV is increas-
“Consumers will continue to gain ingly becoming a secondary “background
8
medium.” The primary focus of attention is
more power over content, but they elsewhere – surfing the Internet, chatting or
will not ‘skip’ all forms of adver- playing an online game. Our consumer survey
tising. Fewer will pay for all the showed that more respondents spend signifi-
cant blocks of time on daily personal Internet
content they want to consume; usage than watching TV, especially among the
there will be new models to heaviest users. This behavior is particularly
prominent for younger audiences (ages 18 to
trade attention to advertising for
24) and “gadgetiers” (early adopter consumers
content.” who own at least four multimedia devices).
– Account Executive, full-service media agency, Our survey also illustrates the ongoing frag-
North America mentation of consumer attention and the wide
variations in adoption by age groups across
As we predicted in our 2002 “Vying for content services (see Figure 2). The only
Attention” paper, audiences continue to content service with mass adoption (greater
7
fragment. While this is not a new phenom-

FIGURE 2.
U.S. content subscription services adoption by age group.

18-24 25-34 35-44 45-54 55+
TV: Premium video content

Online: Social networking sites
Online: User-generated content sites
Online: Music service (e.g., Rhapsody)
Online: Newspaper subscription
Online: e-Book subscription

Portable: Music service (e.g., iTunes)
Mobile: Internet plan
Mobile: Content plan

Mass adoption (greater than or equal to 0%) Moderate adoption (0-9%)
Highest adoption
across age groups Significant adoption (0-9%) Partial adoption (0-9%)
Strong adoption (30-39%) Niche adoption (less than 0%)

Source: IBM 2007 Digital Consumer Study.

6 IBM Global Business Services

than 50 percent) was Social Networking, and in the United States within the next five years,
this was only among respondents under the which poses a significant threat to the tradi-
10
age of 35. Younger audiences are far more tional TV advertising model.
willing to experiment with new content sources,
though less willing to pay, particularly for online In our consumer survey, 53 percent of DVR
services. Older audiences had higher adoption owners in the United States report watching
of more traditional services, such as premium at least 50 percent of television content on
content for television and online newspaper replay, supplying them with the fast-forward
subscriptions. capabilities that allow ad-skipping. As DVRs
gain traction across demographic groups
Advertising spend will As users migrate to new screens for content and consumer segments, traditional tele-
and information, advertising and marketing will vision advertising may be the first major
eventually synchronize
need to shift as well. It is more important than casualty of changing media consumption
with shifts in consumer ever to reach consumers where they want, habits. And though new commercial rating
attention from television to when they want and how they want. And with tools can now track viewership via DVR,
other media formats. advertising dollars funding a significant portion industry debate continues about the true
of entertainment around the world (sponsoring value of an ad if it is viewed after the initial,
an estimated 50 percent of television in major targeted broadcast period.
markets, for example), the medium, content
and advertising spending must synch up.
9 Multimedia devices are also proliferating,
though adoption behaviors vary by country.
We are also witnessing the possible substitu- For example, respondents from Germany
tion of other visual media for TV viewing time. appear to prefer portable devices and are far
Though mobile video consumption is currently more likely to have MP3 players and Internet-
lower than PC video consumption among enabled phones than any other country.
our respondents, 42 percent said they have Almost 70 percent of German respondents
already watched or want to watch video on a own an MP3 player, and almost 40 percent
mobile device. In the United Kingdom, nearly have an Internet-enabled phone, compared
one-third of those who watch mobile TV had to global averages of 50 percent and 20
consequently reduced their standard TV percent, respectively. In Japan, portable game
viewing patterns. player adoption is widespread, with almost
40 percent of respondents owning one,
In addition to preferring hot new devices and versus between 15 and 23 percent in other
screens for entertainment, users are also countries. U.S. respondents report higher
enjoying and exploiting new control tools. adoption of living-room-related devices, such
With spam-blockers, “do-not-call” and “do not as DVRs, high-definition television sets, and
mail” lists in the United States, the DVR and game consoles, but have lower adoption rates
peer distribution tools, marketers are being for portable devices, such as MP3 players,
forced to rethink how to prevent buyers from Internet-enabled phones and portable game
tuning out. players, than other countries. Finally, video on
demand (VOD) habits vary, with close to 50
For example, 25 percent of our U.S. consumer
percent of U.K. and U.S. respondents having
respondents and 20 percent of our U.K.
already watched VOD, as compared to less
respondents already have a DVR. Given high
than 5 percent of Germany and Japan respon-
customer satisfaction rates, forecasters project
dents who have done so.
DVR penetration to reach close to 40 percent


What do these trends mean for the indus- we believe that the current large discrepancy
try’s bottom line? Nearly half of the respon- between advertising revenues and eyeballs
dents in our advertising executive interviews will shrink significantly over the next five years.
expect a significant (i.e., greater than 10
percent) revenue shift away from the 30- The majority of the advertising executives we
second spot within the next five years, and interviewed expect significant dollar shifts
almost 10 percent of respondents thought from traditional advertising vehicles to search,
there would be a dramatic (i.e., greater than mobile, Internet Protocol Television (IPTV), VOD
25 percent) shift. and online video ads. Advertising industry
incumbents could lose out entirely if they do
As consumers turn away from traditional televi- not keep up with advertisers who are following
sion and toward new content sources, such as their audiences into new channels.
popular online sites (like YouTube, MySpace
and Facebook), games, mobile and other Creativity
emerging entertainment platforms, the shift in “Consumer-created advertising will
attention will eventually be reflected in adver-
tising, subscription and transactional fees. This
have all the appeal of anything
puts at risk the revenue base of incumbent, crafted by the agencies, and will be
traditional content distributors and aggrega- ‘coopted’ by the brands themselves.”
tors – especially for those that do not produce
– CEO, advertiser, Asia Pacific
content or own rights to distribute content on
these newer channels. In addition to new tools for control of what
consumers choose to view, lower cost tools
As shown in Figure 3, growth in Internet adver-
are also available that allow new creative input
tising far exceeds that of traditional channels
from consumers, semi-professionals, amateurs
like television. And while no evidence suggests
and nontraditional players. Inexpensive video-
a one-to-one correlation of advertising revenue
and photo-editing tools create opportunities
with this audience migration to new channels,
for hobby tribes and individual users to self-
produce entertainment and advertising – a
FIGURE 3. form of creative populism. At the same time,
Index of U.S. ad-spend growth: All television
versus consumer Internet. content owners are increasingly partnering
directly with advertisers to develop innovative
700
and strategic marketing campaigns that go
600 Consumer Internet ad spend
beyond the traditional advertising formats.
00
Our consumer survey shows users – particu-
100-point index

00 larly those in the United States and the
300 United Kingdom – are increasingly willing to
TV ad spend participate in social networking sites, with 26
00
percent of U.S. respondents and 20 percent of
00 U.K. respondents having already contributed
content. And though not quite as popular yet,
0
99 00 0 0 03 0 0 06 07F 08F 09F users are starting to create video content for
UGC sites, with 9 percent of German and 7
Source: IBM Institute for Business Value analysis based on an
amalgamation of industry forecasts.


percent of U.S. respondents reporting they for creative services and making their money
12
have contributed to those sites (see Figure 4). on the media. Conde Nast trades on its ability
to blend images, characters and stories from
We also see evidence of consumers content into relevant, marketing campaigns,
becoming trusted influencers. When asked relying on a panel of more than 100,000
about how they find content on UGC sites consumers to evaluate the advertising.
13

like YouTube, 32 percent said they followed
recommendations from friends. We expect FIGURE 4.
the power of communities to grow as tools for Percentage of global respondents who visit and/
community-based recommendations improve. or contribute to social networking or UGC sites.
The “voice” delivering a message, along with 0
its perceived authenticity, will become as
powerful perhaps as the message or offer. 0
3
Within five years, There are also other creative forces at play. In
30
addition to users, other members of the value

Percent
advertising executives
chain – such as content owners and broad-
expect 15 percent of casters – are increasingly working directly with
0

television viewing time advertisers to drive nontraditional campaigns,
0
and 25 percent of PC bypassing the agency’s intermediary role

time to be devoted to as the cost of production declines and tools
0
become generally accessible. For example, Social networking UGC site
user-generated content.
creating a professional video ad typically costs United States Japan
around US$100,000 to US$350,000 or more, Australia United Kingdom
which is prohibitive for most small businesses. Germany Contribute
However, cheaper tools and community-based Source: IBM 2007 Digital Consumer Study.
or semi-professional content creation can
lower production costs to reasonable levels,
UGC impacts the industry through two primary
making them affordable for small and medium-
avenues: content production and attention
sized businesses that cater to niche markets.
influence. We’ve already discussed the rise
Current TV, for example, pays US$1,000 for
of semi-professionals, user enthusiasts and
viewer-created advertisements (V-CAMs) that
11 amateurs producing content. Now, let’s link
it chooses to air.
back to issues of attention, a circular topic of
Further, content owners are broadening their sorts. As new types of content are created,
creative roles, taking on responsibilities that audience fragmentation increases. The adver-
previously belonged to agencies. There are tising executives we interviewed expect a
already many examples of broadcast and significant portion of content consumed on
publishing content owners that are displacing different devices to be user-generated within
traditional ad agencies in creative and five years – nearly 15 percent of TV time and
campaign planning. Companies like Conde about 25 percent of PC time. This means that
Nast’s Media Group have creative units that there is an opening for new aggregators and
work directly with advertisers to produce and distributors – the likes of YouTube, Grouper or
distribute custom advertising programs often Current TV – to capture a share of revenue
at lower prices than agencies by charging cost that would have previously gone to traditional
programmers or channels.


The majority of the respondents in our panel of Measures
advertising industry executives also indicated
“It is becoming increasingly easy to
that UGC is not “hype” and is here to stay. They
also felt that inexpensive video production measure actual viewership, engage-
tools will increase competition among profes- ment and response. Having that
sionals, amateurs and semi-professionals.
accurate information will greatly
As a result, content owners, distributors, alter the way advertising is pro-
advertisers and agencies are all becoming
more creative about how to reach the target
duced and disseminated and how
consumer. For example, broadcasters are it is ultimately paid for.”
making use of content bleeds in advertising – Account Executive, full-service media agency,
pods – where characters become a part of the North America
commercial message. On the flip side, product
placement continues to become more popular Evolving technologies, coupled with advertisers’
as a way to integrate the marketing message demands for improved targeting, accountability
directly into the program itself. There are also and ROI, are driving changes in measurement
an ever-increasing number of new ad formats and associated advertising business models.
to capture the consumer’s attention, both on As consumer attention continues to fragment,
the TV screen and on the Web. Formats like measurements will only remain relevant if adver-
short-form video, flickers, bugs, banners and tisers track finer segments and perhaps even
pop-ups continue to evolve. Finally, players individual viewers.
are doing a better job of matching the ad
We therefore predict individual- and micro-
content with the programming content to drive
targeting becoming prevalent across all media
relevancy. The recent results of an ongoing
formats. In addition to requiring new partner-
study by TiVo Inc. concluded that relevancy
14 ships and investment, this kind of advertising
outweighs creativity in TV commercials.
will also necessitate a major increase in the
The ads least likely to be skipped were well-
number of creative spots and campaigns
tailored to their audience – they were often
to reach targets with niche or specialized
those ads that aired during the daytime on
messages. More spots will likely mean lower
cable (where shows have smaller, niche
average price points on creative. Companies
audiences and it’s easier to determine viewers’
like QMeCom are allowing for customization
interests) or during prime time on directly
15 with automation, so that hundreds of creative
relevant programs.
outputs take the place of the mere one, two or
16
With a wider group of content creators contrib- five variations common in days past.
uting to the mix, pieces of the creative value
Hardware (i.e., set-top-box-based, head-
chain may commoditize or experience price
end-based, portable device) and software
pressure (similar to how independent films
technology advances are enabling improved
have lowered the cost of one echelon of
targeting and response tracking capabilities
filmmaking). The advertising value chain will
across media formats. Companies like TiVo
therefore need to proactively integrate the
and Nielsen are beginning to supply realtime,
more creative parts of its team, or others will
non-sampled measurements of ad-skipping,
do so from outside.


17
purchasing influence and the like. Other pod management, skip-resistant creative
companies are moving toward providing campaigns, greater creativity immersed
targeted delivery capabilities across media within ads (to entice people not to skip),
platforms, based on a combination of user more dynamic product placements and more,
behavior and opt-in data. should produce greater impact.

Two-thirds of the industry Furthermore, a new breed of Chief Marketing Finally, while much of the current industry
executives we interviewed Officer (CMO), conversant with Internet discussion is related to new measures for
metrics, is seeking more focused targeting arguably “old,” one-to-many advertising
expect 20 percent of
and accountability (ROI) for marketing formats, the era of truly interactive, experience-
advertising revenue to shift budgets across channels. As the first genera- based advertising is coming. For example,
from impression-based tion of professionals who have grown up with in virtual 3D worlds, audiences can use and
to impact-based formats the Internet rises to positions of responsibility interact with a brand, rather than just be
among advertisers, we are likely to see more “exposed” to it. And these new advertising
within three years.
experimentation and a greater readiness to experiences are marching forward largely
adopt new platforms – especially if they can without leadership from established broad-
demonstrate effectiveness. casters, agencies and advertisers.

Two-thirds of our global advertising industry These trends imply the boundaries between
executive panel expects 20 percent of “local” and “national” advertising will blur.
advertising revenue to shift from impression- Media companies historically strong in local
based to impact-based formats within three advertising (e.g., cable, newspapers) will have
years (see Figure 5). Targeting, measurement to improve their interactive capabilities, while
and accountability capabilities will have to national advertisers (e.g., Broadcast TV) and
evolve to reflect new advertiser goals and interactive players will have to improve upon
demands. This shift will be particularly critical their local targeting capabilities (meaning,
for traditional TV, as it is increasingly delivered know where the consumer is).
digitally. New types of advertising, such as
Advertising inventories

FIGURE 5.
“The U.S. television advertising
Time horizon for shift from impression-based to upfronts are not likely to exist more
impact-based advertising.
than another few years.”
– Executive, major online media aggregator,
8% 3 years North America
33% years
Today, most inventory systems, such as the
3% Shift already started
television upfronts in the United States, involve
7% Never relatively few buyers and sellers, most of
% year which are very large companies. For example,
GroupM, of the London-based WPP Group,
Source: IBM 2007 advertising industry executive interviews and
panel discussions.


sealed the first major deal of the 2007 upfront Internet players have shown themselves to be
season with a multiplatform, US$1 billion more adept at extending their predominantly
18
agreement with NBC Universal. online platforms into other channels. Google,
for example, is leveraging its tracking capabili-
According to our New platform players are offering advertisers ties and matching algorithms for both new
industry executive the ability to purchase ads via aggregated and traditional channels, such as radio, TV and
networks. These capabilities provide key print through its acquisition of dMarc, partner-
panel, 30 percent of
benefits such as: improved inventory manage- ships with EchoStar and Astound Cable, and
advertising revenues ment, improved pricing transparency, stream- 19
the launch of Google Print Ads. This is a shift
will shift from lined buying/selling processes, and improved in focus to adjacent growth opportunities from
traditional incumbents analysis and reporting capabilities. These new Google’s initial focus on paid search.
entrants/platforms are positioned to capture
to automated
an important part of the future advertising Investments in the traditional advertising
placement/auction and marketing value chain. Going forward, we space by new entrants may pose a threat to
platforms within the anticipate that inventory management systems current value-chain incumbents. As fragmen-
next five years. will become more open and transparent and tation becomes a permanent fixture within
will involve a larger number of smaller buyers media and entertainment, advertisers will be
and sellers. forced to move to more efficient and dynamic
platforms capable of managing inventory,
The majority of our advertising industry execu- planning, delivering, tracking and measuring
tives agreed with this directional trend. In fact, effectiveness of advertising across multiple
they predict a significant shift in control of channels and in realtime.
advertising revenues, with more dollars flowing
from private to open markets over the next five Future scenarios: Scenarios of
years. The panel also expects 30 percent of disruption
advertising revenues to shift from traditional To assess the degree and depth of change
proprietary sales models to placement/auction expected, we used a process called scenario
platforms within the next five years. However, envisioning. In this process, the most disrup-
changes to back-end platforms, along with the tive and uncertain variables are combined
increased willingness of suppliers to sell both to create and articulate a variety of extreme
remnant and premium inventory through these outcomes for the year 2012.
open systems, will be required in order for this
revenue shuffle to occur. Our scenarios are based on the following two
variables, which we believe will be the most
The reason for this trend? As revenues shift disruptive over the next five years:
in response to consumer fragmentation, it
will no longer be efficient to have dedicated • Marketing control: The propensity of the
platforms for each channel. Market forces will consumer to control, interact with, filter and
move the industry to open, dynamic platforms block marketing messages
capable of following a customer by serving • Advertising inventory system control: The
messaging across multiple channels. This is degree of movement from controlled,
a natural progression caused by the shift of impression-based ad inventory systems to
advertising dollars across channels, which, in open auction or exchange platforms for
turn, is driven by advertisers seeking to follow advertising spots.
their customers’ interests as content is increas-
ingly divorced from devices.


FIGURE 6. – one in which a portion of consumers can still
Four scenarios of the industry’s future. be addressed through traditional advertising
models, while others must be attracted through

Open
interactive and innovative strategies. Increas-

Ad inventory systems
Open Ad
ingly sophisticated targeting, measurement
Exchange Marketplace
and accountability tools enable advertisers
to continue to allocate a greater portion of
Continued Consumer dollars traditionally spent on direct marketing
Evolution Choice to channels historically reserved for brand-
Closed
oriented advertising. Traditional agencies
Providers Consumers will continue consolidating in their efforts to
Media consumption control respond to advertisers’ demands for seam-
lessly integrated, cross-platform planning,
Source: IBM Institute for Business Value.
buying, delivery and measurement services.
Similarly, broadcasters and distributors will
In Figure 6, the x-axis illustrates how the continue to focus on horizontal advertising
control of media consumption is shifting from opportunities for advertisers.
providers to consumers. As we move to the
right along the x-axis, consumers wrestle more Open Exchange represents a scenario in
and more control over their media experiences which the industry changes behind the
from providers. scenes, primarily driven by distributors
– traditional players like Multiple Systems
The y-axis illustrates the change from closed Operators (MSOs) and Telcos, as well as
inventory to open auctions. As we move up newer technology players – with little to no
the y-axis, more television, print and interac- additional consumer-driven change. In other
tive advertising deals become accessible to words, marketing stays the same as what
smaller, independent buyers and sellers. was described in Continued Evolution, but
the process of buying, selling and delivering
Based on these two variables, four scenarios
becomes more efficient. Also similar to the
emerge:
Continued Evolution scenario, majority control
Continued Evolution is arguably the least remains with content owners and distributors
The two variables rather than with consumers, and a majority
disruptive scenario, though it still involves rapid
likely to be most change from today’s one-to-many advertising of consumers continue to passively ingest
disruptive to the model. Control, in large part, remains with marketing messages without a great deal
industry’s future are: content owners and distributors, but growing of interference or proactivity. However, effi-
consumer demand for control forces some ciency efforts – largely driven by new entrants
the increasing degree
progressive adjustments. The industry cannot – shuffle profits and power within the industry.
of consumer control A significant portion of advertising inventory
ignore the implications of the current DVR
over marketing and penetration level and the associated ad- that was proprietary is now “open” – sold
the shift toward open skipping behavior it enables, the explosive through exchanges, as a result bypassing
growth in popularity of UGC and related traditional intermediaries. New exchanges take
exchange platforms for
advertising opportunities, or the measurement major share in all advertising categories, and
advertising sales. inventory that was once exclusively available
capabilities now available to track ad viewer-
ship. These factors imply a bifurcated market to large advertisers – including historically
proprietary national television spots – is now
available to smaller buyers.


Consumer Choice is a scenario in which in ad development and buzz/viral distribu-
advertising formats change at the behest tion of brand information. Further, back-end
of consumers who are tired of interruption players revamp the process behind the
or intrusive marketing. Consumers exhibit scenes. Because this scenario involves a
more control and choice over the types of truly open, dynamic exchange, virtually any
advertising that they choose to view and advertiser can reach any individual consumer
filter. Advertising formats, therefore, evolve across any advertising platform – as long
to contextual, interactive, permission-based as the advertising is relevant and appealing.
and targeted messaging to retain consumers’ Consumers have significant choice over the
attention and to help minimize both irrita- types of advertising they choose to see – and
tion and “tuning out.” To remain relevant, can decide the specific content and form
distributors offer consumers choices – in of their advertising. And with new consumer
some cases, enabling the consumer to select monitoring technologies in place, consumer
the appropriate advertising “packages” that action directly impacts the price of an ad
are most appealing or relevant. For example, – driving bids up and down. Advertisers can
a consumer might request advertising know immediately whether a spot or interactive
be confined to automotive, male-oriented experience is producing anticipated results.
consumer products, travel and leisure. At Likewise, media networks will know imme-
times, these choices will act as currency, diately if they have increased or decreased
with consumers opting-in for messaging reach – with prices calibrating elastically. The
in exchange for content. In other cases, definitions of “reach,” “effectiveness” and even
relevancy is determined by combining opt-in “marketing” itself change entirely.
information with behavior analysis of television,
the Web, mobile and beyond. New measure- Scenario evolution
ment capabilities and consumer rating tools Based on their legacy assets and ability to
become a crucial component of any adver- develop new media capabilities, players
tising deal. across the value chain will take different
evolutionary paths (see Figure 7). Though we
Ad Marketplace, compared to all other believe the industry will eventually become an
scenarios, is the most disruptive. Significant “Ad Marketplace,” multiple scenarios will likely
change in back-end systems and consumer- coexist for the near term.
facing marketing enable new entrants to
emerge across the value chain. In this Signs of this evolution are already evident
scenario, consumers reject traditional adver- in the marketplace. Examples of Open
tising and instead choose their preferred Exchange initiatives are currently limited to
ad types as part of self-programming their niche areas, but they illustrate what the future
media choices. The user-generated and could look like.
peer-delivered content trend explodes, and
consumers become much more involved


FIGURE 7.
Potential scenario evolutionary paths.

Open
• Online companies expanding inventory • Self-publishing syndication platforms,
management and auctions to non-Internet with consumer revenue-sharing model for
channels advertising dollars

Ad inventory systems
• Third-party platforms that trade piecemeal • Cross-channel dynamic advertising buying,
advertising serving and delivery for non-traditional ad
• Online, do-it-yourself media buying formats
companies

• Content owners and product placement, ad-
free sponsorship
• Mobile providers with opt-in permission
advertising
• Personalized television overlays from set-top
Closed

boxes/DVRs
Providers Consumers

Media consumption control

Although we expect • Google The following present-day examples of
- Online: Adsense – Offers online media Consumer Choice illustrate experiments
the industry to
publishers enhanced revenue opportuni- in new formats and marketing themes – in
eventually become reaction to consumers driving change.
ties by placing contextual advertising sold
an Ad Marketplace, by Google on their Web sites
20
• TiVo’s interactive advertising technology
this scenario as well - Cable/Satellite: Astound Me, EchoStar enables pop-up messages while consumers
as the other three – – leverages Google online capabilities to are watching programs, as well as while they
26
are fast-forwarding through programming.
Continued Evolution, sell, deliver and measure targeted adver-
Open Exchange and tising on cable (Astound Me) and satellite • Aerie Tuesdays is a Partnership between
(EchoStar) based on consumer behavior American Eagle and The CW Television
Consumer Choice – 21
patterns Network to target teenage girls in more inno-
will likely coexist for vative ways, by developing unique content
- Radio: dMarc – Acquisition made in 2006
the next few years. that enables Google to offer its advertising programming related to two Tuesday night
27
capabilities to the radio industry
22 prime-time programs.

- Newspaper: Print Ads – 2007 initiative by • Sugar Mama from Virgin Mobile pays
Google to streamline the buying/selling subscribers one minute of free air time for
process for the newspaper industry
23 every minute spent interacting with ads. One
year after launch, Virgin had given away 9
• NextMedium – Platform to sell, deliver and million free air-time minutes and was expe-
24
track product placement for film and TV riencing high response rates of around 5
28
• BlackArrow – Ad platform for the cable percent.
industry that aggregates inventory into a • NBC Direct announced its 2007 programs
network and focuses on delivering targeted will be available for free online for one week
traditional and advanced advertising after initial broadcast. The content must
25
formats. be viewed on NBC proprietary technology,
29
which prevents ad skipping.


Marketplace platforms that trade completely Broadcasters: Arguably, broadcasters that
new marketing formats through an open rely on linear television advertising to fund
exchange are still in the experimental phase. operational and content costs are at risk in a
But we are beginning to see examples of how world of increasing consumer control, niche
the Ad Marketplace scenario could play out content and fragmented attention. And yet,
in the UGC segment of the industry through broadcasters have the opportunity to leverage
evolving business models like those of Revver, their current mindshare with customers, while
Narrowstep, Brightcove and YouTube. transforming their operations to embrace the
plethora of new digital content distribution
Value chain impacts opportunities. By delivering integrated, cross-
Given consumer and supplier changes, we platform advertising programs tied to their
believe that mid-term economic shifts will favor programming assets, they can migrate into a
consumers, advertisers and interactive players successful future model.
over the other players in the value chain (see
Figure 8). And as advertisers, Internet/interac- Distributors: Both traditional distributors (MSOs
tive players and consumers gain power, tradi- and Telcos) and newer interactive players
tional agencies and broadcasters must evolve (Internet and mobile providers) have a small
or risk being disintermediated. share of the estimated US$550 billion 2007
30
global advertising market. Slowly but surely,
We believe looming changes and shifts in incumbents are introducing the new platforms
advertising revenue and industry control will and formats needed to defend their positions
affect a number of players in the industry value in the value chain. They are developing new
chain, in particular: advertising capabilities (such as interactive

FIGURE 8.
Expected impact on the advertising value chain.

Creative Media
Advertiser advertising Media planning Content owner/ aggregator/ Consumer
agency and buying producer distributor

Traditional
Full service media/advertising agency
distributor
(MSO, Telco)
Traditional direct marketing
Advertiser Content owners
Broadcaster Consumer
and producers
Traditional Interactive
media buying, media buying, Interactive
planning and planning and distributor
measurement measurement (Internet, mobile)

Relative economic value creation: Premier Moderate Non-differentiated Arrow represents change in
position from 007


and VOD advertising), integrating advertising Recommendations: Refashioning
across in-home video, mobile and Internet success
channels and focusing on local advertising How can advertising value chain partici-
delivery opportunities. By opening their inven- pants prepare for the implications of these
tories through dynamic platforms, distributors scenarios? Broadcasters, traditional ad
create an aggregated inventory view that agencies and media distributors, in particular,
makes it easier for advertisers to see the will need to make strategic, operating and
full reach and volume a distributor can offer, organizational changes now to succeed in
helping distributors capture a greater share a world with more fragmented communica-
of advertising revenues. The race is on to tion channels and new media interaction and
deliver cross-platform integration. Telcos and consumption habits. We believe there are
MSOs currently have a window in which they a number of “no regret” moves for industry
could take the lead on integrating wireless, participants to work toward, regardless of how
broadband and video campaigns. scenarios evolve (see Figure 9):
These prevailing trends Advertising agencies: Naturally, agencies 1. Consumer innovation: Making segmentation,
are shifting power to would like to protect their creative and micro-segmentation, communities and person-
analytical positions as intermediaries and alization paramount in marketing
consumers, advertisers
consultants. To do that, agencies will need to 2. Business model innovation: Developing new
and interactive guard against increasing commoditization of revenue-sharing, distribution and pricing strat-
players, leaving their services by experimenting heavily with egies, radically shifting the dynamics in the
traditional agencies and creative advertising content. If the rise of user- industry
generated advertising seems “outlandish,”
broadcasters at risk of 3. Business design and infrastructure inno-
consider how far-fetched the idea of a
disintermediation. consumer-generated encyclopedia was only a vation: Improving horizontal organizational
few years ago. Agencies need to become the capabilities and adjusting operations to enable
masters of 5-, 10- and 30-second ads that are consumer and business model innovation.
not tied to linear formats – be the vanguard of
testing new alternatives. Agencies can mitigate FIGURE 9.
Three innovation types.
the risk of the open inventory trend by offering
robust planning and analysis capabilities –
helping their clients analyze massive amounts
Bu innov
on

of customer data and plan the optimal, inte- sin
ati

ess tion
ov

grated advertising strategy across the ever-
inn

mo
a

increasing platforms, formats and pricing
del
er
um

models available to them.
ns
Co

Business design and
infrastructure innovation



Consumer innovation promotions and innovative ad-supported
For all players, consumer innovation means content creation that limits ad-skipping. These
making marketing more interactive – bringing capabilities are part of an ongoing cycle of
users and semi-professionals into the content “attention (re) invention,” which can help
development, delivery and response measure- generate increased affinity for broadcasters’
ment processes to make the content innova- brands. Broadcasters can develop their own
tive and relevant for consumers. enhanced, integrated brand marketing around
television content franchises to drive viewer-
Building upon our recommendations for media
Consumer innovation ship of television shows across media devices.
companies in the “The end of television as we Finally, broadcasters that reach out directly to
means making know it,” we believe the advertising industry consumers on the Web or contract with new
marketing more will also have to address a bifurcated market suppliers, such as mobile providers, are better
interactive and of avant-garde, fashion-forward consumers positioned to gather consumer data on their
personalized – changing that we call Gadgetiers and Kool Kids, as own or through partners. This allows them to
well as the large traditional segment we mine aggregated consumer data for insights
how advertising is 31
refer to as Massive Passives. These vastly that can lead to improved content and adver-
developed, delivered different markets mean companies need tising relevancy.
and measured. to adopt a dual strategy, focusing on both
traditional and emerging digital business to In this kind of market, distributors will need to
address audiences. Regardless of advertising differentiate by delivering location-specific,
vehicle, micro-segmentation and targeting are relevant content to consumers. This can be
necessary to drive relevancy for consumers. achieved in part by marrying set-top box
For example, Kool Kids and Gadgetiers will and opt-in data with user behavior analysis.
likely demand less intrusion, fewer interrup- Distributors must also integrate new platforms
tions and a new interactive customer experi- (video, Web, mobile and beyond), allowing
ence, while Massive Passives may still require advertisers to deliver fluid, follow-me content
a more traditional approach to advertising. and marketing programs. Finally, the explosive
growth in UGC will necessitate new distribu-
For broadcasters, these shifts imply the need tion channels for delivering self-published
to create relevant campaign content and videos and associated advertising messages
marketing opportunities for diverse segments. across devices – PC, mobile phone and TV.
Retaining audiences will also require innova- Recent partnerships between media distribu-
tive marketing tactics like campaign bleeds (in tors and user-generated content sites provide
which advertising capitalizes on well-known an example of how distributors can exploit
characters and programming), pod manage- the explosive growth in UGC to capture an
ment during commercial breaks (focusing on increasing share of advertising revenues.
the order and length of commercial breaks),
cross-platform integrated messaging and


Business model For their part, agencies should embrace Business model innovation
the ability to reach consumers, regardless All players must work toward differenti-
innovation involves
of their device preferences, and welcome ated business models that can address the
changes to advertising consumers as part of the traditional, agency- changing business demands of advertisers.
formats, revenue driven processes by bringing users and semi- Innovation related to how and where adver-
models and how and professionals into the creative dialogue. They tising inventory is sold, the structure and forms
should also consider investing in differentiated of partnerships, revenue models and adver-
where advertising
creative development to drive advertising tising formats are all applicable.
inventory is sold. relevancy (micro-versioning). Agencies can
combine their creative and analytical capabili- Broadcasters must diversify their traditional
ties to develop multiple versions of an adver- focus to take on broader roles in driving
tisement for various customer segments, and relevancy and creativity in advertising. Broad-
deliver the appropriate version based on a casters are in a position to strike strategic
consumer profile. Agencies are also well-posi- partnerships directly with advertisers. By
tioned to be “insight brokers” – aggregating combining consumer insights with their
the required information to enable integrated, creative knowledge, they can develop relevant,
cross-platform, targeted marketing campaigns integrated and innovative creative content
– across the advertising planning, buying (both short and long form) and campaigns
and analysis/optimization functions. All of this that span media device platforms. Broad-
implies the need for strong customer-data casters can also expand their advertiser buyer
analytic capabilities, as well as the increased base, by opening up select inventories through
importance of the media planning role. media platforms. They will also need to think
through how to compensate broadcast affili-
Agencies are developing new approaches to put ates as content ubiquity continues. Finally,
consumers at the center of marketing programs. broadcasters need to assess the alternative
Niche-focused consumer research panels are go-to-market options available to them for
increasingly used to test concepts and develop new distribution opportunities – whether that
ongoing dialogues with target segments. Efforts be by linking more closely with peers (e.g.,
to target online influencers or “magnets” are NewsCorp and NBC) or with platforms (e.g.,
underway to fuel peer distribution of messages. Google, Joost, Apple).
Micro-versioning delivery concepts are being
Distributors can drive persuasion and
developed by combining consumer segmentation
personalization by combining opt-in, permis-
and analytics with low-cost creative development
sion-based information, click-stream analysis
processes and dynamic ad-serving capabilities.
and data on existing customer relationships.
Distributors have a distinct advantage: the
information they already have about their
customers. This allows distributors to deliver
relevant, contextual advertising to consumers
and, thus, strong ROI for advertisers. It also
allows them to deliver truly personalized
portals of content and marketing across media
devices. Distributors can also offer advertisers
the ability to more accurately assess ROI


through targeting, measurement and analytics, Business design and infrastructure
as well as response-based advertising and innovation
impact-based pricing models. Advertisers are For most industry players, significant shifts
increasingly interested in having these kinds in current business design and infrastructure
of capabilities (which are typically missing in will be required to enable horizontal (meaning
today’s world of television advertising) across cross-platform) customer communications.
advertising channels.
Broadcasters must move from departmental
Agencies can leverage their current strong- silos to a more integrated structure that
hold positions in traditional advertising and enables horizontal content development
creative aspects of the business to capture and distribution, while also investing in “open
revenues from the broader marketing commu- platform” capabilities and operating systems
nications industry, such as market research, to make portions of their advertising inven-
media planning and customer relationship tories available to larger buyer bases. They
management. For example, conversations must also assess their current operating and
with Sir Martin Sorrell, CEO of WPP confirm
, organizational structures to determine if they
goals to continue to diversify WPP’s revenue have the right resources and appropriate
streams and grow revenues from nontradi- capacity to handle increased marketing
tional advertising sources, such as consulting promotions and integrated advertising sales
and customer relationship management, to across distribution platforms.
two-thirds of overall revenues in the next ten
32
years. Agencies also need to be fearless in Distributors must continue their focus on
pursuing new formats and platforms, particu- behavioral analytics, but expand to measure
larly integrated, cross-platform advertising outcomes holistically across platforms.
opportunities. Finally, agencies need to seam- Distributors should also continue to invest in
lessly integrate new digital businesses and commerce and community tools that enable
develop strategies to avoid conflict between the delivery of interactive and response-based
traditional and digital ad buying and ad advertising. By working collectively across the
placement. industry, distributors can establish standards
for emerging advertising capabilities – and
Distributors are piloting new models for advertisers sidestep the barrier that has historically
related to targeting, mobility and interactivity impeded growth in the early stages of other
across platforms. Online advertising platforms are new advertising formats, such as Internet
being developed to support the sales, delivery and advertising.
analysis of traditional and advanced advertising
Finally, agencies must work across media
formats. Initiatives are underway to enable content
platforms by integrating, or consolidating their
and associated advertising portability across TV,
currently siloed agencies – this is particularly
Web and mobile devices. Finally, distributors are
relevant in areas such as horizontal customer
increasingly expanding UGC and social networking
analytics. Agencies have a wealth of data;
tools beyond the PC.
however, much of this information cannot be
turned into insights because of disparate data
sources and incompatible underlying data
infrastructures. To fund advanced and innova-
tive advertising formats, agencies will need
to drive cross-unit efficiencies, for example,


Business design and connecting and standardizing the back-offices Regardless of their positions in the advertising
of all of their boutiques through the use of value chain, participants will need to cover
infrastructure innovation
shared-services or off-shoring. the three key bases of innovation – consumer,
centers on developing business model, and business design and
flexibility to enable Broadcasters are realizing that the rapid expansion infrastructure – to make sure they keep up with
horizontal, cross-platform of non-linear distribution opportunities has the industry changes underway.
resulted in a dramatic increase in both the
communications with To learn more about this study, please contact
number and variety of promotions materials. The
consumers and integrating us at iibv@us.ibm.com.
processes have become increasingly difficult to
business unit silos to create manage with existing, often manual, processes
greater synergy. and disparate tools. Consequently, companies Related publications
are investing in tools to digitally transform Please e-mail iibv@us.ibm.com to request a
their internal content management, creative copy of any of the following publications or
development, production and sign-off processes. visit our Web site at:
Digital Asset Management and Marketing ibm.com/iibv
Resource Management applications are being
• Navigating the media divide: Innovating and
implemented to automate processes, store
enabling new business models
creative assets and facilitate approval processes.
The resulting time and cost savings can be • The end of television as we know it: A future
substantial. industry perspective
• Media and entertainment 2010 - Open on
Industry outlook the inside, open on the outside: The open
There is no question that the future of adver- media company of the future
tising will look radically different from its past.
• Vying for attention: The future of competing
The struggle for control of attention, creativity,
in media and entertainment
measurements and platforms will reshape the
advertising value chain and shift the balance • Beyond access: Raising the value of infor-
of power. mation in a cluttered environment
• Profiting from convergence: Defining growth
As we have witnessed in previous disruptive
paths for telecom service providers
cycles, the future cannot be extrapolated from
the past. With incumbent and new players in
the advertising space, each attempting to turn
the tide in its favor, it is imperative to plan for
different future scenarios and build competitive
capabilities for all of them.


About the authors Louisa Shipnuck is the IBM Institute for
Dr. Saul J. Berman is a Partner and Global Business Value Global Media and Entertain-
Executive of IBM Global Business Services. ment Leader. She has worked with leading
Renowned for his expertise in media and companies on wide-ranging strategy and
entertainment, Dr. Berman leads the IBM operation projects, including market-entry
worldwide Media and Entertainment Strategy strategies, merger and acquisition planning,
practice and serves as the IBM Global and content distribution. Ms. Shipnuck
Services Leader for the Strategy and Change frequently speaks at industry conferences
practice for all industries. Dr. Berman has over and has coauthored other IBM publications,
25 years experience consulting with senior including “The end of television as we know
management and has published multiple it,” “Navigating the media divide” and “Beyond
articles on the future of media and entertain- access.” Louisa can be reached at louisa.
ment and strategy, including “The end of tele- a.shipnuck@us.ibm.com.
vision as we know it,” “Navigating the media
Andreas Neus is the IBM Institute for Business
divide” and “Beyond access.” Dr. Berman is
Value European Media and Entertainment
a frequent keynote speaker at major industry
Leader. He focuses on innovation and disrup-
conferences and was named one of the
tive changes in the media industry and has
25 most influential consultants of 2005 by
spearheaded IBM’s primary research on
Consulting Magazine. Saul can be reached at
media consumer behavior in Europe. Mr. Neus
saul.berman@us.ibm.com.
has authored more than twenty articles and
Bill Battino serves as the Managing Partner of book chapters on innovation and change and
the media and entertainment, telecommunica- regularly speaks at conferences and for post-
tions and utilities consulting practices for IBM graduate programs. Andreas can be reached
Global Business Services. Mr. Battino has 24 at andreas.neus@de.ibm.com.
years of consulting experience in the areas
Contributing authors
of strategic planning, transformation, acquisi-
Steve Abraham, IBM Global Business Services,
tion, market assessment, financial analysis
Global Media and Entertainment Industry
and organizational assistance in the media
Leader
and telecommunications sectors. In addition
to being a frequent speaker at industry Dick Anderson, IBM General Manager, Global
conferences and events, Mr. Battino has led Media and Entertainment, Communications
and authored media and telecommunica- Sector
tions studies, including “Cable/Telco At The Steve Canepa, IBM Vice President, Global
Crossroads,” “Electronic Marketing, Electronic Media and Entertainment Industry, Sales and
Shopping,” “Fine Tuning Cable Television,” and Distribution, Communications Sector
“Electronic Access.” Bill can be reached at
Karen Feldman, IBM Institute for Business
william.battino@us.ibm.com.
Value Media and Entertainment Leader
Steve Mannel, IBM Cable and Broadband
Solutions Executive
Ekow Nelson, IBM Institute for Business Value
Global Communications Sector Leader


About IBM Global Business Services thousands of versions of an advertisement
With business experts in more than 160 to make messaging more personalized and
countries, IBM Global Business Services targeted to consumers, based on prefer-
provides clients with deep business process ences, demographics and location; video
and industry expertise across 17 industries, ad flickers are advertisements that are
using innovation to identify, create and deliver displayed for a very brief period of time; and
value faster. We draw on the full breadth of IBM by pod management, we mean determining
capabilities, standing behind our advice to the appropriate number of advertisements to
help clients innovate and implement solutions include within a commercial break “pod” and
designed to deliver business outcomes with paying careful attention to the ordering of
far-reaching impact and sustainable results. the commercials.
5
IBM Institute for Business Value analysis.
References 6
1
IBM surveyed more than 2,400 consumers Ibid.
7
across five countries: Australia, Germany, Berman, Dr. Saul J. “Vying for Attention:
Japan, the United Kingdom and the United The Future of Competing in Media and
States. Questions covered a range of Entertainment.” IBM Institute for Business
topics including: consumer preferences Value. 2002.
and adoption of multimedia devices and 8
Neus, A., P Scherf and F. Pörschmann.
.
content, impact to date on traditional content
Media Study 2005 (Germany): Consumption
consumption and preferred pricing models
versus Interaction. IBM Global Business
for new digital content offerings.
Services, 2005.
2
Our interviews and panel discussions 9
“The Global Entertainment and
primarily involved executives from the adver-
Media Outlook: 2005 – 2009.”
tising buy-side, including representatives
PricewaterhouseCoopers. June 2005. Not for
from advertising agencies and major adver-
further distribution without the prior written
tising companies across key advertising
permission of PricewaterhouseCoopers LLP .
segments. 10
3
“The Global Entertainment and
By “linear TV,” we mean historical television
Media Outlook: 2007 – 2011.”
programming that is not interactive and
PricewaterhouseCoopers. June 2007 Not for
.
is available to viewers at a particular time
further distribution without the prior written
on a particular channel. The broadcaster
permission of PricewaterhouseCoopers LLP .
is in control of when and where content is 11
viewed. DVRs and VOD offer the opposite “Do you still pay for content?” Current TV.
environment – the viewer is in control. http://current.com/s/faq.htm#faq35
12
4
Campaign bleeds combine program- Story, Louise. “Publishers Creating Their Own
ming content with advertising to make the In-house Ad Agencies.” The New York Times.
advertising more relevant to the program; June 4, 2007 .
micro-versioning means developing


13 26
Ibid. “TiVo Launches New Interactive Advertising
14
Helm, Burt. “Which Ads Don’t Get Skipped?” Technology.” TiVo Press Release. July
Business Week. September 3, 2007 . 18, 2005. http://www.tivo.com/abouttivo/
15
pressroom/pressreleases/2005/pr2005-07-
Ibid. 18.html
16
“What is Qmecom?” QDC Technologies. 27
“Aerie Tuesdays, Simple and brilliant
http://www.qdc.net.au/ concept.” BrandNoise. October 5, 2006.
17
Benkoil, Dorian. “TiVo, Nielsen Adding New http://brandnoise.typepad.com/brand_
TV and Video Measurement Tools.” Media noise/2006/10/aerie_tuesdays_.html
Village. August 15, 2007 http://www.mediavil-
. 28
“Sugar Mama.” http://www.virginmobileusa.
lage.com/jmr/2007/08/15/jmr-08-15-07/ com/stuff/sugarmama.do
18
“NBC, Group M Ink $1 Billion Upfront Deal.” 29
“NBC.com to offer users free, ad-supported
MediaBuyerPlanner. June 14, 2007 http://
. downloads of popular shows.” NBC
www.mediabuyerplanner.com/2007/06/14/ Universal Media Village press release.
nbc-group-m-ink-1-billion-upfront-deal/ September 19, 2007 http://nbcumv.
.
19
Kane, Margaret. “Google to buy radio ad com/release_detail.nbc/entertainment-
company.” CNET News. January 17 2006.
, 20070919000000-nbc46comtooffer.html
http://www.news.com/Google-to-buy-radio- 30
IBM Institute for Business Value analysis.
ad-company/2100-1024_3-6027499.html; 31
“Google Announces TV Ads Trial.” Google Berman, Dr. Saul J., Niall Duffy and Louisa
Press Release. April 2, 2007 http://www.
. A. Shipnuck. “The end of television as we
google.com/intl/en/press/annc/tv_ads_trial. know it: A future industry perspective.” IBM
html; “What is Google Print Ads?” Google. Institute for Business Value. January 2006.
http://www.google.com/adwords/printads/ In this previous IBM study, we segmented
20
the video market into three categories:
“Google AdSense.” http://www.google.com/ Massive Passives, who are generally
adsense content with traditional, “lean back” televi-
21
Zimmermann, Kate. “Google sion experiences; Gadgetiers, who are
Announces TV Ad Partnership with drawn to the latest devices and are inter-
DISH Network and Astound Cable.” ested in participating and controlling the
Reprise Media. April 3, 2007 http://www.
. time and place of their media experiences;
searchviews.com/index.php/archives/2007/04/ and Kool Kids, who also prefer interac-
google-announces-tv-ad-partnership-with- tive and mobile media experiences and
dish-network-and-astound-cable.php rely heavily on content sharing and social
22 interaction. It is these last two groups of
dMarc from Google.” http://www.dmarc.net/
23
consumers – the Gadgetiers and Kool
“What is Google Print Ads?” http://www. Kids that will likely lead the way with multi-
google.com/adwords/printads/ channel entertainment consumption.
24
“NextMedium.” http://www.nextmedium.com/ 32
Correspondence with Sir Martin Sorrell,
25
“BlackArrow.” http://www.blackarrow.tv October 24, 2007.


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