This document discusses linguistic deviation and foregrounding in literature. It defines deviation as language that differs from conventions and foregrounding as making certain linguistic elements especially prominent. It describes various types of deviation including lexical, grammatical, semantic, and phonological. Specific examples are provided, such as nonce words, morphological changes, syntactic rearrangements, semantic oddities like oxymorons, and phonological alterations. The document aims to outline techniques authors use to deviate from norms and draw attention to certain parts of their writing.
Introduction of the presenter, Amer Mahmood Yousaf from the English Department, Govt. Islamia College Lahore.
Concept of linguistic deviation as a creative use of language that diverges from conventional norms.
Explanation of foregrounding, a linguistic phenomenon where deviations create psychological prominence.
Foreground elements are critical in literature, impacting perception and meaning in artistic works.
Leech identifies eight types of linguistic deviation: lexical, grammatical, semantic, phonological, graphological, dialectal, register, and historical period.
Lexical deviation relates to neologism and nonce-formations; a new word for specific occasions.
Functional conversion, an example of lexical deviation, is transforming words between grammatical classes.
Affixation and compounding as methods to create lexical deviation; introduction of malapropism.
Examples of nonce-formations from poets like T.S. Eliot and E.E. Cummings, demonstrating lexical creativity.
Exploration of playful compound nouns in E.E. Cummings' poetry that evoke childlike imagery.
Two types of grammatical deviation: morphological and syntactic, involving intentional language deviations.
Examples from James Joyce highlighting deviations in spelling and construction in creative language.
Portmanteau words combining elements of two words, with examples like 'brunch' and 'Gerrymander'.
Continued examples of English portmanteau words and their significance in informal and functional contexts.
Grammatical deviations manifesting in various forms such as double negatives and atypical syntax constructions.
Use of grammatical deviations in poetry to create unique stylistic expressions and meanings.
Semantic deviation exploration through tropes: semantic oddity, transference of meaning, and honest deception.
Categorizing examples of semantic oddities like pleonasm, periphrasis, tautology, and their literary instances.
Techniques in semantic deception including oxymoron and paradox that challenge logical reasoning.
Additional exploration of other linguistic devices, including synecdoche and metaphor in literary contexts.
Illustrative examples of irony in literature that create unexpected contrasts to enhance meaning.Phonological deviation types that apply to rhyming and innovative pronunciations in poetry.
Graphological deviations explored by poets such as Cummings through visual representations in text.
Usage of dialectal features in literary contexts as deviations not accessible for functional prose.
Exploration of language deviation across registers and historical terms enriching literary expressions.
Deviation
to make hislanguage creative or
inventive
a language different from the
conventional and everyday language
Using unconventional or unusual
language,
give his readers unexpected surprise
and make a strong impression on their
mind .
3.
This kind ofthe creative use of language
is technically called a linguistic deviation
creates a language deviated from the
norms of literary convention
4.
Deviation and Foregrounding
aterm used to describe spelling and
pronunciation of a word or a sentence
structure which does not conform to a
norm
a linguistic phenomenon has an
important psychological effect on the
readers ( or hearers ).
A deviant part becomes especially
noticeable , or perceptually prominent .
This is called "foregrounding"
5.
many ways inwhich poets or writers can
produce deviation and hence
foregrounding.
The term foregrounding is borrowed
from literary criticism .
Literary critics usually distinguish the
foreground of a painting from its
background .
6.
The foreground isthat part of a painting
which is in the center and towards the
bottom of the canvas .
7.
the items whichoccur in the foreground
of a painting will usually be thought of as
constituting the subject matter of the
painting .
Nothing in a work of arts is insignificant .
if one changes something as small as a
comma , one can change the meaning
of the poem as a whole .
8.
But even someelements remain
important than others , and foreground
parts can be regarded as the most
important of all.
9.
Kinds of LinguisticDeviation
Leech divides deviation into eight types:
lexical deviation,
grammatical deviation,
semantic deviation,
phonological deviation,
graphological deviation,
dialectal deviation,
deviation of register and
deviation of historical period.
10.
Lexical Deviation :
usuallyassociated with neologism,
which is misunderstood as a ‘violation of
lexical rule’.
In neologism, an existing rule (of wordformation) is applied with greater
generality than is customary.
11.
We call newwords NONCEFORMATIONS if they are made up ‘for
the nonce’, i.e., for a single occasion
only,
rather than serious attempts
to augment the wordstock for some new
need.
A second exampleof lexical deviation is
the process of converting a word from
one grammatical class to another. This
process is called functional conversion.
My heart in hiding
Stirred for a bird-the achieve of, the
mastery of the thing (Hopkins ,The
Windhover
14.
Here, Hopkins takesthe verb (achieve)
and uses it as a noun, in spite of the fact
that English already has a noun,
achievement derived from that verb.
It is obvious that the word is a noun here
because of (1) the preceding definite
article, (2) the (of) apparently beginning
a post-modifying prepositional phrase,
and (3) the grammatical parallel with
mastery.
15.
A third wayin which writers can produce
foregrounding through lexical deviation
is by the use of affixation ( the addition
of a prefix or suffix to an item already in
the language) and compounding ( the
joining together of two or more items to
make a single compound one )
16.
Sometime some "slipsof the tongue " or
"speech errors " in which one deviates in
some way from the intended utterance to
form a new word are called malapropism.
The term malapropism refers to the misuse
of words which comes from the name of
Mrs. Malaprop in Sheridans the Rivals. She
would say (reprehend ) for (apprehend),
(derangement) for (arrangement) and
(epitaphs) for (epithets).
17.
The literary man’'slexical innovation can
mostly be placed in the category of
nonce-formations.
Examples:
The prefixation of fore to a verb, to
convey the meaning ‘beforehand’, as in
foresee, foretell and foreknow.
Without noticing oddity, we would use
verbs such as foresell or foreappear.
18.
T.S Elliot inhis The Waste Land uses
the verb foresuffer in the line
‘And I Tiresias have foresuffered all’
Spenser creates new words like shaggybearded, and Hopkins has the widowmaking, unchilding and unfathering.
19.
Quite a numberof widely used English
words originated in poetry, such as
assassination (Shakespeare), blatant
(Spenser), casuistry(Pope)
20.
In E. E.Cummings poem in-just the
compound nouns
goat-footed, mud-luscious , puddlewonderful, balloonman, eddieandbill,
bettyandisbel are ‘nonce-formations'.
21.
Cummings invents themfor being
suggestive of a “child’s language”: hence,
mud-luscious (pleasant muddy) and
puddle-wonderful (= pleasant puddly).
They evoke the joyful scenerythe children playing happily on the muddy
ground after spring rain.
2.Secondly, the names are merged into
one another; eddieandbill and
bettyandisbel
22.
eddie and billare the names of two little
boys which have several levels of
meaning:
(1)the decapitalization of the names
demonstrates the boys are very little;
(2) eddie and bill are merged into one
word eddieandbill renders the cubic
impression – the boys are running hand
in hand.
23.
The effect hereis to render the hustle,
bustle, and speed of the children as they
come running to the summons of the
whistle.
24.
3. The nonce-formationballoonman is
the compounding of the words balloon
and man which implies several meaning:
1) the man who sells balloons;
2) the man looks like a mixture of
balloons and man because there are a
lot of balloons in his hands and over his
head;
25.
3) balloonman isthe symbol of spring.
Balloons grant a profound impression of
happiness and joy.
26.
Goatfooted/ balloonMan makesreaders
to associate it with Greek god Pan-Halfman, half-goat.
Pan, God of music and play, is the
symbol of spring.
The capitalization of “Man” in
balloonman emphasizes that the man
selling balloons is Pan-God of spring
Morphological deviation isan intentional
deviation from the ordinary spelling,
formation, construction, or application, of
words.
29.
Examples of morphologicaldeviation are
museyroom, eggtentical, and intellible in
James Joyce's Finnegan's Wake.
The entire book is written in a largely
idiosyncratic language, consisting of a
mixture of standard English lexical items
and neologistic multilingual puns and
portmanteau words,
30.
portmanteau word isa combination of
two (or more) words or morphemes, and
their definitions, into one new word
31.
such as insmog, coined by blending
smoke and fog, or motel, from motor
and hotel. Spanish and English create
the portmanteau Spanglish.
32.
starfish is acompound, not a
portmanteau, of star and fish
(a hypothetical portmanteau of these
words might be stish).
"slithy" means "lithe and slimy" and
"mimsy" is "flimsy and miserable".
The original "Gerrymander" pictured in
an 1812 cartoon. The word is a
portmanteau of Massachusetts
Governor Elbridge Gerry's name, with
"salamander"
35.
the word brunch(breakfast+ lunch)
the newly independent African republic
of Tanganyika and Zanzibar chose the
word Tanzania as its name.
Similarly Eurasia is of Europe and Asia.
36.
" Wikipedia" isan example; it combines
the word " wiki" with the word "
encyclopedia".
37.
Bardolatry, of "thebard" and "idolatry,"
means excessive worship of William
Shakespeare and his works.
Oxbridge is common for the UK's two
oldest universities, those of Oxford and
Cambridge.
A scientific exampleis a liger, which is a
cross between a male lion and a female
tiger(a tiglon or tigon is a similar cross in
which the male is a tiger)
Many company or brand names are
portmanteaus, including Microsoft, of
micro computer and software;
in Non-standard English
Aspork
a spork is an eating utensil that is a
combination of a spoon and fork.
A skort is an item of clothing that is part
skirt, part shorts.
42.
She dwelt amongthe untrodden
ways (Wordsworth).
syntax deviations might be 1) bad or
incorrect grammar and 2)syntactic
rearrangement/ hyperbaton. One important
feature of grammatical deviation is the
case of ungrammaticality.
I doesn't like him.
I know not
Saw you anything?
He me saw.
43.
grammatical deviation indicatesthe social
classes of speakers. The existence of
differences in language between social
classes
Speaker(1)
Speaker(2)
I aint done nothing.
I haven't done anything.
I don't it yesterday.
I did it yesterday.
I were me that done it. I didn't do it .
44.
grammatical deviations arewhere a poet
or a writer uses the double negative,
the double comparative and the double
superlative.
In Old and Middle English the idea of
negation was often expressed several
times in a single sentence:
" I will never do nothing no more ".
45.
writers or poetsdeviate from
grammatical rules by combining two
ways of expressing comparison
the use of grammatical deviation is resequencing of phrases inside the clause
away from the normal subject-verbadverbial order . For example :
"Then spake king Arthur to Sir Bedivere
".
(Tennyson "Morte d' Arther)
46.
Grammatical deviation, sometimes,is a
result of 'faults analogy'. Analogy is a
term referring to a process of
regularization which affects the
exceptional forms in the grammar of a
language.
47.
in Cumming's poem“anyone lived in a
pretty how town”grammatical deviations
are employed in a novel way
he sang his didn't
he danced his did
they sowed their isn't
they reaped their same
48.
she laughed hisjoy
she cried his grief
they said their nevers
they slept their dream
laughed their cryings
and did their dance
reaped their sowing
and went their came
49.
She walks inbeauty , like the night
Of cloudless climes and starry skies;
And all that's best of dark and bright
(Byron)
Beauty is truth, truth beauty (Keats)
The just man justices (in As Kingfishers
Catch Fire).
50.
In Alexander Pope’sThe Rape of the
Lock (1712–14):
“Bright as the sun, her eyes the gazers
strike.”
51.
"From Cocoon fortha Butterfly
As Lady from her Door
Emerged--a summer afternoon-Repairing
everywhere.
"(Emily Dickinson, "From Cocoon forth a
Butterfly")
52.
''Some rise bysin, and some by virtue
fall."
(Escalus in William Shakespeare's
Measure for Measure, Act II, scene one)
53.
"And a smallcabin build there, of clay
and wattles made"
(W. B. Yeats, "The Lake Isle of
Innisfree")
"pity this busy monster manunkind not"
(e.e. cummings)
54.
Some 'asyntactic' style:
TheWanderer
There head falls forward, fatigued at
evening,
And dreams of home,
Waving from window, spread of
welcome,
Kissing of wife under single sheet,
“So fair andfoul a day I have not seen”
“the little / lame balloonman / whistles
far and wee”.
“Anyone lived in a pretty how town”
57.
Semantic Deviation
I amnot yet born; O hear me. (Louis
MacNeice's Prayer before Birth)
The child is father of the man.
(Wordsworth's My Heart Leaps Up)
She was a phantom of delight
(Shakespeare)
Beauty is truth, truth beauty (Keats)
58.
In semantic deviationit is important to
deal with what Leech calls tropes
Metaphors and similes are tropes.
they are classified largely into three
sections:
1. Semantic oddity
2. Transference of meaning
3. Honest Deception
59.
1. Semantic Oddity
Semanticoddity means semantic
bizarreness of expression.
There are five types of semantic oddity:
1. Pleonasm
2.periphrasis
3.tautology
4. Oxymoron
5. Paradox
60.
2. Transference ofMeaning
According to Leech's classification,
transference of meaning is classified
into four types of figurative language:
1. Synecdoche
2. Metonymy
3. Metaphor
4. Simile
61.
3. Honest Deception
AlsoLeech classifies the term honest
deception into three tropes :
1.Hyperbole(Exaggeration)
2. Litotes (understatement)
3. Irony
62.
1. pleonasm
, ‘seewith your eyes’
"The most unkindest cut of all."
(William Shakespeare,Julius Caesar)
'He was a man, take him for all in all, I
shall not look upon his like again'
(Shakespeare.Hamlet, )
2. periphrasis
“I amdispleased with your behavior
“the manner in which you have
conducted yourself in my presence of
late has caused me to feel
uncomfortable and has resulted in my
feeling disgruntled and disappointed
with you”.
65.
Calling the devil"Old Nick", calling
Macbeth the "Scottish Play" or saying
"bakers dozen"
66.
3.tautology
‘They spoke inturn, one after the other.’
I am feeling very sleepily sleepy as I got
up at 5 am in the morning.
They are giving free gifts!
In my opinion, I think that...
And etc.
67.
John's first priorityis to get a good job.
The reason is because.
It is new innovation.
Today's modern technology.
She ate a salmon fish sandwich.
The plumber fixed our hot water heater.
68.
Morning sunrise.
Either itwill rain tomorrow, or it won't.
My best friend likes to watch suspense
thrillers.
I made it with my own hands for you.
In present time and age, the price hike is
shooting up.
69.
My best friendlikes to watch suspense
thrillers.
I made it with my own hands for you.
In present time and age, the price hike is
shooting up.
This project should be completed on
time, as it is the necessary requirement
of the company.
Bits and pieces
70.
The vast majorityof the people are in
favor of his philosophy.
To return again.
I got this dress at cheapest price.
Frozen Ice.
I have heard this with my own ears.
First and foremost, let's begin.
Say it over again once more.
71.
We will getthe salary along with the
added bonus.
I never make predictions, especially
about the future.
That is indeed a sad misfortune.
Me myself personally cordially invite you
to the party.)
72.
4. Oxymoron
The calmwind blew,
The sun shone a blinding light.
All around, a deafening silence as,
The atmosphere changed shape.
5.paradox
“All animals areequal, but some are
more equal than others”.
“I must be cruel to be kind.”
The earth that’s nature’s mother is her
tomb;
What is her burying grave, that is
Rainbow in her womb;
“Child is father of the man”
Metaphor
Robert Frost says,
Tworoads diverged in a wood, and I-I took the one less traveled by,
And that has made all the difference
("The Road Not Taken")
as freedom isa breakfastfood
or truth can live with right and wrong
or molehills are from mountains made
—long enough and just so long
80.
will being paythe rent of seem
and genius please the talentgang
and water most encourage flame
as hatracks into peachtrees grow
or hopes dance best on bald men’s hair
and every finger is a toe
and any courage is a fear
—long enough and just so long
81.
will the impurethink all things pure
and hornets wail by children stung
or as the seeing are the blind
and robins never welcome spring
nor flatfolk prove their world is round
nor dingsters die at break of dong
and common’s rare and millstones float
—long enough and just so long
82.
tomorrow will notbe too late
worms are the words but joy’s the voice
down shall go which and up come who
breasts will be breasts thighs will be
thighs
deeds cannot dream what dreams can
do
—time is a tree(this life one leaf)
but love is the sky and i am for you
just so long and long enough
83.
3. Honest Deception
1.Hyperbole(Exaggeration)
“Wellnow, one winter it was so cold that
all the geese flew backward and all the
fish moved south and even the snow
turned blue. Late at night, it got so
frigid that all spoken words froze solid
afore they could be heard. People had
to wait until sunup to find out what
folks were talking about the night
before.”
84.
"I'll love you,dear,
I'll love you till China and Africa meet,
And the river jumps over the mountain
And the salmon sing in the street,
I'll love you till the ocean
Is folded and hung up to dry
And the seven stars go squawking
Like geese about the sky."
85.
2. Litotes(understatement)
he wasn'tslow to accept the offer
"The grave's a fine a private place,
But none, I think, do there embrace."
(Andrew Marvell, "To His Coy Mistress")
*."for life's not a paragraph
And death I think is no parenthesis"
(e.e. cummings, "since feeling is first")
86.
"We made adifference. We made the
city stronger, we made the city freer,
and we left her in good hands. All in all,
not bad, not bad at all."
(Ronald Reagan, Farewell Address to
the Nation, January 20, 1989)
87.
3.Irony
(*.The name ofBritain’s biggest dog was
“Tiny”.
*.You laugh at a person who slipped
stepping on a banana peel and the next
thing you know, you slipped too.
*.The butter is as soft as a marble piece.
*.“Oh great! Now you have broken my
new camera.”
88.
“Go ask hisname: if he be married.
My grave is like to be my wedding bed.”
“‘tis true this god did shake”
“Upon the murderer I invoke this cursewhether he is one man and all unknown,
Or one of many- may he wear out his life
in misery to miserable doom!”).
89.
3. Phonological Deviation
Thereare basically two types of
deviation:
1) conventional licences of verse
composition and
2) special pronunciation for the
convenience of rhyming
90.
The first kindsof phonological deviations
are aphesis, syncope and apocope.
Aphesis : the omission of an initial part
of a word or phrase
‘tis
Syncope : the omission of a medial part
Ne'’er, o'’er, pow’'r
Apocope: the omission of a final part
oft
Short stresses thatthe sound dimension
of language belongs to speech. Since
most of our literature is written, there
would be a relatively little scope for
phonological deviation.
The implicit sound pattern can always
be made explicit in reading aloud.
93.
To a largeextent, this implicit phonology
is determined by choice of words and
structure at the syntactic level, where it
can be regarded as an important
ingredient of stylistic value
94.
It is worthmentioning that phonological
deviation as phonetic behavior is
determined by individual and a
reasonable conformity to a serviceable
norm and will function as a sort of
standard in all speech communities
95.
Educated speakers, thenshow a wide
range of permissible variation in
pronunciation and usage.
It is controlled partly by a literary norm
and partly by social sanction though the
half educated often abandon good local
speech for something which is difficult to
refer to a norm
96.
Sometimes deviation isfrom the normal
use of sound or mispronunciation which
have never been corrected or they arise
from physical defect
97.
4. Graphological Deviation
Tothe extent that spelling represents
pronunciation, any strangeness of
pronunciation will be reflected by a
strangeness of written form (lineation).
98.
Two American poetswho explore
possibilities of purely visual patterning in
poetry are William Carlos Williams and
E.E. Cummings.
Cummings is well-known for his use of
other types of orthographic deviation:
discarding of capital letters and
punctuation where convention calls for
them, jumbling of words, eccentric use
of parentheses, etc.
99.
Ariel to Miranda:- Take
This slave of Music, for the sake
Of him who is the slave of thee…
(Shelley)
100.
Pity this busymonster, manunkind, not.
Progress is a comfortable disease;
your victim(death and life safely beyond)
plays with the bigness of his littleness
- electrons deify one razorblade
into a mountainrange; lenses extend (A
complete poem by E.E.Cummings) e.e.
cumming
101.
6. Dialectal Deviation
(Dialectism)
Theborrowing of features of socially or
regionally defined dialects
Is a minor form of license not generally
available to the average
writer of functional prose, who is
expected to write in the
generally accepted and understood
dialect known as ‘standard’
7. Deviation ofRegister
The use of a certain register in a wrong
domain
Register borrowing in poetry is often
accompanied by the further incongruity
of register mixing, or the use in the
same text of features characteristic of
different registers.
104.
(add title here)
InAuden’s Letter to Lord Byron:
And many a bandit, not so gently born
Kills vermin every winter with the Quorn
Quorn (BrE trademark a vegetable
substance that can be used in cooking
instead of meat)
105.
8. Deviation ofHistorical
Period
The use of linguistic heritage, including
dead languages such as Latin and
Greek and archaism ‘the survival of the
language of the past into the language
of present’.
In T.S. Elliot’s East Cooker:
The association of man and woman
In daunsinge, signifying matrimonie