Typical Conventions
Thriller Trailer
Genre
 The genre of a film dictates how a film will be presented to the
audience. This includes the cast (some may be known for being
in a specific genre or could fit a character well) and storyline.
 The thriller genre in particular has been successful in capturing a
wide audience and has many codes and conventions thriller films
tend to follow.
 The essential details are made up through mise-en-scene, sound,
cinematography and edit. These are used to create an
atmosphere full of suspense.
Typical conventions of a thriller
include:
 Tension and suspense
 Violence and blood (though these are more typical of a horror
they can be part of a thriller as well)
 Dreary, creepy music
 Murder/Crime
 Low Key Lighting
 Dark environment
Mise-en-scene
 Many different props, sets and locations have sinister or tense
connotations.
 A technique often used in thrillers is the use of mirrors which often
reflect how the character feels as well was symbolises the reflection
of the character’s past choices.
 Stairs are often used to symbolise how powerful a person is in a
situation. If a crime is going to happen, it may involve the victim
falling down the stairs as to show a dramatic loss of power.
 Props that are often seen within thrillers are confined spaces, bars on
windows or street lamps. These have connotations of being trapped
or a dark area.
 A dark environment is often used as it has connotations of something
being scary. It casts shadows so that the audience can’t quite make
out everything on the screen.
 Shadows also imply there is something to hide intriguing the
audience.
Cinematography
 Camera angles are important when depicting whether a person is
important.
 They are also very important when showing a character’s
reactions to a particular event. For example, since thrillers tend
to be jumpy, the audience expects to see how the character has
reacted to a certain situation.
Editing
 Editing is often used to create a tense and suspenseful
atmosphere. This can be achieved through quick cuts and
changing angles to disorient the audience.
 Tension is vital in a thriller because that’s what an audience
watches it for.
Sound/Text
 Thrillers often use eerie music and elaborate sound effects (such
as creaking doors) in order to make the audience feel
uncomfortable.
 Many trailers use text cards in order to create a sense of suspense
through separating the sentences. They explain the trailer to the
audience while keeping a tense atmosphere. They can be used
with a sound over as well.
 The male voice is typical of thrillers as it is low and thus, not high
pitched and happy.
 Many thriller trailers use an enigma approach to confuse the
audience and leave unanswered questions.
Theory
 Many trailers and films use Todrov’s theory of equilibrium:
 Everything is in order
 There is a disruption to the order
 The characters recognise this disruption has happened
 There is an attempt to repair this
 The characters either return to the original equilibrium or create a
new one.

Typical Conventions of a Thriller Trailer

  • 1.
  • 2.
    Genre  The genreof a film dictates how a film will be presented to the audience. This includes the cast (some may be known for being in a specific genre or could fit a character well) and storyline.  The thriller genre in particular has been successful in capturing a wide audience and has many codes and conventions thriller films tend to follow.  The essential details are made up through mise-en-scene, sound, cinematography and edit. These are used to create an atmosphere full of suspense.
  • 3.
    Typical conventions ofa thriller include:  Tension and suspense  Violence and blood (though these are more typical of a horror they can be part of a thriller as well)  Dreary, creepy music  Murder/Crime  Low Key Lighting  Dark environment
  • 4.
    Mise-en-scene  Many differentprops, sets and locations have sinister or tense connotations.  A technique often used in thrillers is the use of mirrors which often reflect how the character feels as well was symbolises the reflection of the character’s past choices.  Stairs are often used to symbolise how powerful a person is in a situation. If a crime is going to happen, it may involve the victim falling down the stairs as to show a dramatic loss of power.  Props that are often seen within thrillers are confined spaces, bars on windows or street lamps. These have connotations of being trapped or a dark area.  A dark environment is often used as it has connotations of something being scary. It casts shadows so that the audience can’t quite make out everything on the screen.  Shadows also imply there is something to hide intriguing the audience.
  • 5.
    Cinematography  Camera anglesare important when depicting whether a person is important.  They are also very important when showing a character’s reactions to a particular event. For example, since thrillers tend to be jumpy, the audience expects to see how the character has reacted to a certain situation.
  • 6.
    Editing  Editing isoften used to create a tense and suspenseful atmosphere. This can be achieved through quick cuts and changing angles to disorient the audience.  Tension is vital in a thriller because that’s what an audience watches it for.
  • 7.
    Sound/Text  Thrillers oftenuse eerie music and elaborate sound effects (such as creaking doors) in order to make the audience feel uncomfortable.  Many trailers use text cards in order to create a sense of suspense through separating the sentences. They explain the trailer to the audience while keeping a tense atmosphere. They can be used with a sound over as well.  The male voice is typical of thrillers as it is low and thus, not high pitched and happy.  Many thriller trailers use an enigma approach to confuse the audience and leave unanswered questions.
  • 8.
    Theory  Many trailersand films use Todrov’s theory of equilibrium:  Everything is in order  There is a disruption to the order  The characters recognise this disruption has happened  There is an attempt to repair this  The characters either return to the original equilibrium or create a new one.