WOMEN MAKING MEDIA:
                              REVISITING QUESTIONS OF
                             GENDER AND LABOR IN THE
                                         DIGITAL AGE




Brooke Erin Duffy, Ph.D.   @brookeerinduffy   Theorizing the Web 2013
WOMEN + MEDIA
INDUSTRY                          AUDIENCE



           Female                              Female
           Producers                           Consumers




                       TEXT



                              Female
                              Subjectivities
DIGITAL MEDIA “PRODUCERS”: THREE
 CASES

• Women’s Magazine Producers:
  Digital Media Professionals

• Members of blog communities
  IFB and BlogHer: Digital Media
  Amateurs

• Participants in User-Gen.
  Spaces: Digital Media Interactive
  Audiences
DIGITAL MEDIA PROFESSIONALS


• Producers as “Jacks-of-All
  Trades”

• Work as “juggling act”

• Movement toward multi-
  skilled and increasingly
  precarious work
DIGITAL MEDIA PROFESSIONALS




“The reality of the tech world is that there are a lot
of men….So I think a lot of times that can
overshadow some of the participation by women.”
-Digital Assets Manager, Marie Claire.
DIGITAL MEDIA AMATEURS

• BlogHer: “Economically
  empower women” striving
  to capitalize off their
  expertise

• Independent Fashion
  Bloggers: “enabl[e]
  bloggers to reach their
  social media goals….and
  work with relevant brands.”
DIGITAL MEDIA AMATEURS

• Miss Who Ever You Are:
  “It’s because of my blog I
  currently work where I do! I
  was exposed to different
  bloggers early on and
  networked my way into an
  internship at a social media
  marketing agency, which
  eventually led to getting
  hired.”
DIGITAL MEDIA AMATEURS


“Build your brand”

“Your Twitter account is part
of you marketing your blog
too.”

“We are both entrepreneurs
& bloggers.”
DIGITAL MEDIA INTERACTIVES

Media and marketers are luring female
participants into “branded spaces”

   Comment boards
   Polls
   Q&A
   Social media sites
   User-generated contests
DIGITAL MEDIA INTERACTIVES

  Marie Claire editor:
  “connecting with the
  community”

  Glamour publisher: “It’s the
  consumer, it’s bottom up, it’s a
  high-low mix.”

  Affective labor or “labor of
  devotion” (Campbell, 2011)
DIGITAL MEDIA INTERACTIVES

  “….Hearst can edit, rewrite, use, and reuse the
  content, including your name, likeness,
  photograph, and biographical information you
  provide, with or without attribution, including
  publication in the Magazines, and in trade media,
  and advertising.”
CONCLUSIONS

Digital work structures encourage
overlapping (and gendered) forms of
labor
1. Accounted Labor


2. Aspirational Labor


3. Affective Labor
“The political (new) economy of the internet thus tends to
reconstruct the common gendered distinction between
consumption and production, between entertainment and
information.” -van Zoonen
THANK YOU!




Questions/Comments? Email me @
       bduffy@temple.edu

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Women Making Media: Revisiting Questions of Gender, Labor, and Power in the Digital Age - Brooke Duffy

  • 1. WOMEN MAKING MEDIA: REVISITING QUESTIONS OF GENDER AND LABOR IN THE DIGITAL AGE Brooke Erin Duffy, Ph.D. @brookeerinduffy Theorizing the Web 2013
  • 2. WOMEN + MEDIA INDUSTRY AUDIENCE Female Female Producers Consumers TEXT Female Subjectivities
  • 3. DIGITAL MEDIA “PRODUCERS”: THREE CASES • Women’s Magazine Producers: Digital Media Professionals • Members of blog communities IFB and BlogHer: Digital Media Amateurs • Participants in User-Gen. Spaces: Digital Media Interactive Audiences
  • 4. DIGITAL MEDIA PROFESSIONALS • Producers as “Jacks-of-All Trades” • Work as “juggling act” • Movement toward multi- skilled and increasingly precarious work
  • 5. DIGITAL MEDIA PROFESSIONALS “The reality of the tech world is that there are a lot of men….So I think a lot of times that can overshadow some of the participation by women.” -Digital Assets Manager, Marie Claire.
  • 6. DIGITAL MEDIA AMATEURS • BlogHer: “Economically empower women” striving to capitalize off their expertise • Independent Fashion Bloggers: “enabl[e] bloggers to reach their social media goals….and work with relevant brands.”
  • 7. DIGITAL MEDIA AMATEURS • Miss Who Ever You Are: “It’s because of my blog I currently work where I do! I was exposed to different bloggers early on and networked my way into an internship at a social media marketing agency, which eventually led to getting hired.”
  • 8. DIGITAL MEDIA AMATEURS “Build your brand” “Your Twitter account is part of you marketing your blog too.” “We are both entrepreneurs & bloggers.”
  • 9. DIGITAL MEDIA INTERACTIVES Media and marketers are luring female participants into “branded spaces”  Comment boards  Polls  Q&A  Social media sites  User-generated contests
  • 10. DIGITAL MEDIA INTERACTIVES Marie Claire editor: “connecting with the community” Glamour publisher: “It’s the consumer, it’s bottom up, it’s a high-low mix.” Affective labor or “labor of devotion” (Campbell, 2011)
  • 11. DIGITAL MEDIA INTERACTIVES “….Hearst can edit, rewrite, use, and reuse the content, including your name, likeness, photograph, and biographical information you provide, with or without attribution, including publication in the Magazines, and in trade media, and advertising.”
  • 12. CONCLUSIONS Digital work structures encourage overlapping (and gendered) forms of labor 1. Accounted Labor 2. Aspirational Labor 3. Affective Labor
  • 13. “The political (new) economy of the internet thus tends to reconstruct the common gendered distinction between consumption and production, between entertainment and information.” -van Zoonen