4 found
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  1. Status and constitution in psychiatric classification.Tom Roberts & Sam Wilkinson - 2025 - Synthese 205 (2):1-20.
    Debates surrounding the nature of mental disorder have tended to divide into an objectivist camp that takes psychiatric classification to be a value-free scientific matter, and a normativist camp that takes it to be irreducibly values-based. Here we present an overlooked distinction between _status_ and _constitution_. Questions of the form “What is x?” are ambiguous between status questions (“What gives something the status of an x?”), and constitution questions (“Given that something has the status of an x, what is it (...)
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  2. The personal and the subpersonal: three desiderata and a pragmatist proposal.Marko Jurjako & Sam Wilkinson - 2025 - Philosophical Studies 128 (10):2875–2904.
    Despite its widespread use in philosophy and cognitive science, there remains disagreement regarding how to conceptualise the distinction between the personal and the subpersonal. While the distinction was originally formulated in terms of kinds of explanation, some argue that it primarily pertains to kinds of psychological states or processes. This diversity of perspectives leads to uncertainty about how to understand the distinction and assess its utility. To advance the discussion, we propose three desiderata for an account of the distinction: Extensional (...)
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  3. Introspection, isolation, and construction: Mentality as activity. Commentary on Hurlburt, Heavey & Kelsey, “Toward a phenomenology of inner speaking”.Joel Krueger, Marco Bernini & Sam Wilkinson - 2014 - Consciousness and Cognition 25:9-10.
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  4. The phenomenology of voice-hearing and two concepts of voice.Sam Wilkinson & Joel Krueger - 2022 - In Angela Woods, B. Alderson-Day & C. Fernyhough, Voices in Psychosis: Interdisciplinary Perspective. pp. 127-133.
    The experiences described in the VIP transcripts are incredibly varied and yet frequently explicitly labelled by participants as "voices." How can we make sense of this? If we reflect carefully on uses of the word "voice", we see that it can express at least two entirely different concepts, which pick out categorically different phenomena. One concept picks out a speech sound (e.g. "This synthesizer has a "voice" setting"). Another concept picks out a specific agent (e.g. "I hear two voices: one (...)
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