Results for 'Tomoko Hasegawa'

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  1. Advancing representations of equity and justice in climate mitigation futures.Shonali Pachauri, Elina Brutschin, Mathew J. Gidden, Tomoko Hasegawa, Mohamad Hejazi, Kejun Jiang, Jarmo S. Kikstra, Volker Krey, William F. Lamb, Kian Mintz-Woo & Keywan Riahi - 2026 - PLoS Climate 5 (2):e0000763.
    In this work, we conduct a narrative review of pressing equity and justice issues within global modelled scenarios and propose a new research agenda to strengthen their consideration in future model developments and applications. We begin by introducing a typology of equity and justice limitations in climate mitigation scenarios, distinguishing among structural, methodological, and epistemological issues that shape what integrated assessment models (IAMs) can reveal at policy-relevant scales. Reflecting on these concerns, we develop a research agenda that describes new avenues (...)
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  2. Advances and Analysis on Reducing Webpage Response Time with Effect of Edge Computing.N. Kamiyama, Y. Nakano, K. Shiomoto, G. Hasegawa, Masayuki Murata & Hideo Miyahara - 2018 - 2016 IEEE Global Communications Conference (GLOBECOM) 4.
    Modern webpages consist of many rich objects dynamically produced by servers and client terminals at diverse locations, so we face an increase in web response time. To reduce the time, edge computing, in which dynamic objects are generated and delivered from edge nodes, is effective. For ISPs and CDN providers, it is desirable to estimate the effect of reducing the web response time when introducing edge computing. Therefore, in this paper, we derive a simple formula that estimates the lower bound (...)
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  3. Nishida and Merleau-Ponty: Art, “Depth,” and “Seeing without a Seer”.Adam Loughnane - 2016 - European Journal of Japanese Philosophy 1:47-74.
    This paper sets Maurice Merleau-Ponty and Nishida Kitarō in dialogue and explore the interpretations of artistic expression, which inform their similar phenomenological accounts of perception. I discuss how both philosophers look to artistic practice to reveal multi-perspectival aspects of vision. They do so, I argue, by going beyond a “positivist” representational under-standing of perception and by including negative aspects of visual experience as constitutive of vision. Following this account, I interpret artworks by Cézanne, Guo Xi, Rodin, and Hasegawa according (...)
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