Dhara

“what greater enemy does one have than oneself?”
― Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

“And what is love, in the end?” Alabaster said. “Except the irrational desire to put evolutionary competitiveness aside in order to ease someone else’s journey through life?”
― Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

“Sadie, do you see this? This is a persimmon tree! This is my favorite fruit." Marx picked a fat orange persimmon from the tree, and he sat down on the now termite-free wooden deck, and he ate it, juice running down his chin. "Can you believe our luck?" Max said. "We bought a house with a tree that has my actual favorite fruit!"
Sam used to say that Marx was the most fortunate person he had ever met - he was lucky with lovers, in business, in looks, in life. But the longer Sadie knew Marx, the more she thought Sam hadn't truly understood the nature of Marx's good fortune. Marx was fortunate because he saw everything as if it were a fortuitous bounty. It was impossible to know - were persimmons his favorite fruit, or had hey just now become his favorite fruit because there they were, growing in his own backyard? He had certainly never mentioned persimmons before.”
― Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

“A good game designer know that clinging to a few early ideas about a project can cut off the potential for the work. Sadie did not feel the Naomi was altogether a person yet, which was another thing that one could not admit. So many of the mothers she knew said that their children were exactly themselves from the moment they appeared in the world. But Sade disagreed. What person was a person without language? Tastes? Preferences? Experiences? And on the other side of childhood, what grown-up wanted to believe that they had emerged from their parents fully made? Sadie knew that she herself had not become a person until recently. It was unreasonable to expect a child to emerge whole cloth. Naomi was a pencil sketch off a person who, at some point, would be a fully 3D character.”
― Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow