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Christopher said:
"
Much of the book is spent in the contemplation of his lovers. He is working out the mystery of his desire. He, like all writers, is drawn to people who are thoughtless, beautiful, and pure presence to the world. He contemplates the wonder that arises
...more
"
“It is better to do nothing than to contribute to the invention of formal ways of rendering visible that which Empire already recognizes as existent.”
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“Before Armand had granted me the esteem of which I have already spoken, I probably would not have betrayed him. The mere idea would have horrified me. So long as he had not given me his confidence, betraying him had no meaning: it meant simply obeying the elementary rule which governed my life. But now I loved him. I recognized his omnipotence. And though he might not love me, he contained me within him. His moral authority was so absolute, so generous, that it made intellectual rebellion within his bosom impossible. The only way I could prove my independence was by acting on the emotional level. The idea of betraying Armand set me aglow. I feared and loved him too much not to want to deceive and betray and rob him. I sensed the anxious pleasure that goes with sacrilege. If he were God (he had known pity), and had he been well pleased with me, it were sweet to deny him. And better still, that Stilitano, who did not love me and whom I would never have betrayed, should be helping me. His sharp personality aptly suggested the image of a dagger piercing the heart. The strength of the devil and his power over us lie in his irony. His seductiveness may be only his detachment. The force with which Armand denied the rules proved his own power—and the power of the rules over him. Stilitano smiled at them. His smile dissolved me. It was bold enough to express itself on a face of great beauty.”
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“In the office in which I work there are five people of whom I am afraid. Each of these five people is afraid of four people (excluding overlaps), for a total of twenty, and each of these twenty people is afraid of six people, making a total of one hundred and twenty people who are feared by at least one person. Each of these one hundred and twenty people is afraid of the other one hundred and nineteen, and all of these one hundred and forty-five people are afraid of the twelve men at the top who helped found and build the company and now own and direct it.”
― Something Happened
― Something Happened
“Another ideal runs ahead of us, a strange, tempting, dangerous ideal to which we should not wish to persuade anybody because we do not readily concede the right to it to anyone: the ideal of a spirit who plays naively - that is, not deliberately but from overflowing power and abundance - with all that was hitherto called holy, good, untouchable, divine; for whom those supreme things that the people naturally accept as their value standards, signify danger, decay, debasement, or at least recreation, blindness, and temporary self-oblivion; the ideal of a human, superhuman well-being and benevolence that will often appear inhuman - for example, when it confronts all earthly seriousness so far, all solemnity in gesture, word, tone, eye, morality, and task so far, as if it were their most incarnate and involuntary parody - and in spite of all of this, it is perhaps only with that great seriousness really begins, that the real question mark is posed for the first time, that the destiny of the soul changes, the hand moves forward, the tragedy begins.”
― The Gay Science: With a Prelude in Rhymes and an Appendix of Songs
― The Gay Science: With a Prelude in Rhymes and an Appendix of Songs
“The various aspects of illusion described so far refer to a single function, a single structure, a single failure. The function is to protect from the real; the structure does not involve refusing to perceive the real but, rather, splitting it in two; the failure lies in recognizing the protective double too late as the very reality from which one thought one had found protection. This is the curse of evasion: by way of a phantasmatic duplication, it sends us back to the undesirable starting point, the real. We can see now why evasion is always a mistake: it is always inoperative, because the real is always right. We may, admittedly, try to protect ourselves from a future event, if that happens to be possible; we shall never protect ourselves from a past or present event or one that is 'certain to come to pass,' as in the oracular symbolics which announces in advance an ineluctable necessity that already has all the characteristics of a present necessity. And the act by which one attempts to slough off that necessity will never be able to 'do any better' than literally reproduce the feared even or, even more exactly, constitute that event. This is what happens to Oedipus, as it happens to everyone at odds with himself - that is to say, to everyone at some point or other of his existence.”
― Le réel et son double
― Le réel et son double
Christopher’s 2025 Year in Books
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